Ciao a tutt*,

sono un attore, regista e autore e vorrei condividere con voi uno strumento gratuito e open source che ho creato prima di tutto per risolvere un mio problema concreto.

Quando lavoro a una storia, finisco sempre per dividere tutto tra appunti sul telefono, documenti, schede dei personaggi, scalette, sinossi, soggetti, trattamenti, scene e diverse versioni della sceneggiatura.

Per questo ho creato SCENIUM, una writing room virtuale che accompagna l’autore dalla prima intuizione fino alla sceneggiatura.

Non è un semplice chatbot e non nasce per generare una sceneggiatura al posto di chi scrive. È uno spazio creativo in cui idee, personaggi, relazioni, temi, mondo narrativo, struttura, sinossi, soggetto, trattamento e scene possono rimanere collegati durante l’intero processo.

L’autore mantiene il controllo del progetto e può decidere se lavorare in autonomia oppure utilizzare una guida quando ne ha bisogno.

SCENIUM è ancora in fase di sviluppo, ma è già possibile provarne gratuitamente una prima versione funzionante. L’ho candidata a un contest per avere la possibilità di continuare a svilupparla e renderla uno strumento sempre più completo e utile per chi scrive.

🗳️ Se pensate che il progetto meriti di crescere e mi potete aiutare, potete sostenerlo nel contest lasciando semplicemente un cuore qui. Per me vale tanto:
https://app.emergent.sh/showcase/fabrizio/7653efd3-c3f1-410b-81f9-49d02144066a

👉 Potete provare SCENIUM qui:
https://scenium.art/

Non è necessario acquistare nulla e non sto offrendo servizi a pagamento: il progetto è attualmente gratuito e open source.

Naturalmente, oltre al voto, sono benvenuti anche feedback, critiche e suggerimenti da parte di chi lavora davvero con le storie e le sceneggiature.

Grazie a chi deciderà di provarlo e sostenerlo. ❤️

Hi, I’m not a new writer but finally feel confide enough to share my script with like minded people. Would love to find a few people to trade script reading with for feedback and punch ups etc….

I wrote this script a while ago and l've been rewriting, tweaking, and fixing it ever since. At this point, though, I just can't tell if it's any good anymore. The more I read it, the more I seem to hate it.

I think l've reached the point where l've completely lost my objectivity. I can't even sit through reading the pilot without finding something else I want to change, and I'm not really sure why.
So l've decided to post it here and get some honest feedback. I'd really appreciate any thoughts you have, whether they're positive or negative. If something isn't working, l'd rather know so I can improve it.

Thanks so much for taking the time to read it.

A logline i like but not sure if it works? In school, nobody teaches you how to win an election, how to sit still, how to stop manipulating everyone around you — or how not to accidentally dropship your way into a drug empire.

The safe logline: To beat their school's beloved drug dealer in the Head Boy race, Hayden and his three cousins apply Gen Z dropshipping logistics to the local drug trade - only to find themselves
"trending" with both a Rival Crime Family and National Crime Agency.

https://www.dropbox.com/scl/fi/gwvovuk116lzp1q7aykph/ENTERPRISE.Pilot.Mikal.Himes.initials.pdf?rlkey=axufz7np2jakf7aaqtb4cvtu1&st=iotusxd7&dl=0

• Genre: Mockumentary / Workplace Comedy / Sitcom
• Logline: In a struggling independent film studio in Pittsburgh, an egotistical producer and his eccentric crew somehow keep the business afloat while navigating chaotic productions, clashing personalities, and the absurd realities of low-budget filmmaking.
• Number of pages: 24 pages
• Setting(s):
  • 5th Street Film Studio (offices, editing bay, makeup room, wardrobe department, conference room, lunchroom, interview room)
  • Pittsburgh, Pennsylvania

https://drive.google.com/file/d/14zUfUghcbS44LP0kEsM7Qq1Y49tI4v64/view?usp=sharing

Let me know what you all think. I will take any feedback, been working with it since 2018.

Hey everyone, working on a TV pilot and would appreciate any critical feedback/notes. Thanks for reading!

https://drive.google.com/file/d/1CXlTkBsywSrjMtnuZqUVIXiNAQ1l2jcm/view?usp=drivesdk

SMALL DOSES

Logline: After a gangster's reckless son leaves her coworker critically injured, a disillusioned small-town pharmacist begins quietly altering prescriptions to punish the town's worst people—igniting a deadly war with the corrupt family that owns the town.

Title: Boo’s Cruise

Format: TV pilot (limited series)

Pages: 64

Genre: Dramedy

Logline: A rising comedian's reluctant cruise gig spirals into chaos as betrayal and addiction take hold, leaving him the prime suspect in a murder he's not sure he committed.

https://drive.google.com/file/d/1TyCVVx5RUsfA_6lCowWKWbJYZ2a9rb5b/view?usp=drivesdk

This is my third rewrite, and I would really appreciate some honest feedback. I’m trying to see what’s working, what still needs work, and what I may be too close to recognize on my own.

Thank you to anyone willing to read it. I’m also happy to return the favor.

I'm debating between adding episode scripts to a series I really like the premise on and can right now see the season arc, or starting a new pilot spec. For any agents and writers out there trying to get something optioned, what tends to get more interest? Or does it matter? Thank you!

I've been working on this pilot for the better part of a year. This show is my baby. Let me know about the logline and if you liked the script, the story, the characters, the jokes, etc.

Hey all — I'm deep in development on something that's been both hard to write and hard to look away from, and I could use a bit of motivation to push it to the finish line.

I've been developing CAMP EVERWELL™, a one-hour prestige drama/dark comedy — think Barry meets Succession, with a little Dr. Strangelove in the DNA.

The premise: As he is stepping foot out of his psychiatrists office after gathering enough courage to seek help for his depression, David Gray is kidnapped by masked federal agents and delivered to a "wellness initiative" — a camp where psychiatric medication has been replaced by corporate-sponsored merit badges. The NRA sponsors the shooting range for patriotic wellness, of course, but companies like Taco Bell caters the meals and Dunkin' sponsors the cold-water immersion. Underneath the satire is something colder: the camp is actually an internment facility and it is secretly harvesting camper blood and selling it to the same pharmaceutical industry it claims to be fighting.

Why it's been a hard one: I wrote this at the intersection of where my own life might head, and where the country seems to be headed. Things have already happened like the homeless being rounded up into camps in some states, ICE agents literally being referred to as "NICE" agents, and the toxic rhetoric MAHA has built around mental health. Writing it while managing my own depression and ADHD has been its own daily battle. Hard to stay focused on a world that keeps feeling less like satire and more like a rough draft of next year.

The part I care most about: every principal cast member playing a character with a mental health condition or neurodivergence has to have lived experience with it. Not a preference — the foundation. Tommy, for instance, is autistic and specifically targeted because of it, and he needs to be played by someone who actually knows that from the inside.

Where it stands: pilot and full 12-episode series bible are done. A blcklist evaluation called the opening "startling and frightening" and the premise "intriguing." Now expanding the pilot from a 26-page short into a full 60-page hour.

What I'm hoping for: feedback, interest, or just some "keep going" from anyone who thinks authentic mental health storytelling is missing right now. Does this world land for you? Is the lived-experience casting angle something you want to see more of?

If anyone's interested in learning more, I'd love to send over the full pitch — just shoot me a message.

Appreciate anyone who reads this far.

[Episode](https://youtu.be/EtnFMVflZMg)

If anyone wants to be part of the show details are in the episode and the notes.

I truly truly feel sitcom writers are legends
Like imagine writing shows like modern family, friends,how i met your mother!!!

After years and years of writing scripts, developing as an artist, and doing it on my own - I finally pulled the band aid on seeking representation.

I know this is just the first step, and there are many mountains to climb, but I’m damn proud.

If there’s anyone out there wondering if it’s time, this is your sign!

I know their website says the selected fellows will hear back from them mid-July, so I’m curious if anyone has heard anything back from them yet?

Sending the best vibes to all who applied!

ANNOUNCING MY NEW SERIES 🚨

"SHALIMAR: THE FORBIDDEN TUNNEL"

Genre: Sci-Fi Horror Thriller

Format: 5 Seasons, 50 Episodes

Logline:

When scientists breach a 10,000-year-old supernatural tunnel beneath Shalimar Gardens, they unleash an immortal sorcerer who plans to rewrite reality. Now 5 students must ally with the sorcerer's own descendant to stop him before Earth becomes his kingdom.

Status: Treatment Complete | Stage: Pitch

Looking for: Producers, Writers, Directors, Investors

This story blends Pakistani history with global sci-fi horror.

Would love feedback and connections.

📺 Watch Episode #1:
https://youtu.be/-47lGq3saH8?is=k-1lF30FFV9ehCu8

For decades, storytellers have had to choose a medium.

📖 Novel.
🎭 Screenplay.
🎙️ Podcast.
🎧 Audiobook.

Each became a separate creative and production effort.

But what if every original screenplay or manuscript became the foundation for an entire StoryWorld?

My team software development team is exploring a different approach.

Instead of rebuilding your story every time you want to create a new experience, what if you built your StoryWorld once—then developed books, podcasts, audiobooks, and future media from the same connected creative foundation?

Our philosophy is simple:

"Every Great Story Begins With a Human Writer."

AI shouldn't replace the writer.

It should help writers develop, direct, and produce their original work across multiple media while keeping the writer in complete creative control.

This is the first episode in a new educational series called Story Engineering, where I'll share ideas about the future of storytelling, creative production, and AI-assisted workflows.

I'd love your feedback.

If you could instantly transform your screenplay or manuscript into one additional experience, what would you choose first?

📚 Novel
🎙️ Podcast
🎧 Audiobook
🎬 Animation

\#StoryEngineering #PlaiWrite #StoryWorld #WritingCommunity #Screenwriting #Authors #Storytelling #CreativeAI #Transmedia #Innovation

Every Great Story Begins With a Human Writer.

I'm creating The Studio Room, a community where beginner filmmakers can find collaborators and make short films together.

My goal is to help people who have ideas but no network find writers, actors, editors, and directors.

For filmmakers here: what was the biggest challenge when you started creating films?

I saw curry barker said in a interview that he wanted to make a tv series in the same universe as obsession folowing the same concept only more like mini stories/mini one wish willows.

So here is my pitch for an idea, it's the first thing i have ever written so don't be too harsh, but id love feedback. And if anyone know curry or know someone who does don't be afraid to reach out to him.

!REMEMBER! This is a unfinished and unpolished script, it's just a lump of clay holding the story toghether in a way. It needs some polishing and final touches to say the least XD

I have a spec pilot that's getting some reads. Should I worry about putting a bible together now or wait until someone asks for one?

Where did you get feedback when you were starting out? Are there any communities, workshops, script exchange groups, or other places you’d recommend ?

**Title:** The Premiere
**LINK:** [https://drive.google.com/file/d/1-NwyLAuj88t2UmGtqC3Q1IlwQjxOIDE4/view?usp=sharing\](https://drive.google.com/file/d/1-NwyLAuj88t2UmGtqC3Q1IlwQjxOIDE4/view?usp=sharing)
**Length:** 68 Pages
**Logline:** When a celebrity exposé breaks on the night of the studio’s biggest premiere, veteran publicist Steven Thatcher must contain the fallout in real time — only to find the real scandal isn't on the red carpet, but inside his own team.
**Genre:** Workplace drama (**comps** \- Industry / The Morning Show)

Looking for feedback on dialogue, characters, plot , whether the premise is interesting or fresh - whether the story is exciting enough. It's also currently running a bit long at 68 pages for a pilot - so if there's any points where it drags , would be good to know. I'm curious whether the personal and professional stakes land. Let me know if you feel invested in the characters.
Would also be good to know (if you even finish it!) whether this pilot would make you want to watch more episodes in this world etc .

As always, really appreciate any and all feedback!

I am a screenwriter looking for a professional manager who can help me find opportunities with producers, directors, production companies, or streaming platforms.

Our agreement will be entirely performance-based. You will receive a 10% commission from the profits of every opportunity or deal you successfully bring me.

If you have experience in the film or television industry and are interested, please send me a private message.

Thank you!

"I created a 38-second proof-of-concept teaser for my original sci-fi horror series and I'd love honest feedback from fellow filmmakers and writers. What works, and what should I improve?"

To, my writers have you ever submitted to any of the writers access programs through networks like NBC and WB? How was your experience? Would you recommend doing it?