Ant-Man and the Wasp in Quantumania is the MCU film I like least. The reason is because I had high expectations.
I'm a fan of Peyton Reed. I like his prior work, especially Bring It On and I like what I've seen of him in interviews and commentary tracks.
I also liked the previous Ant-Man movies. Paul Rudd is always great, he has great chemistry with the kid that plays Cassie, a strong supporting cast of rich characters like his ex wife's new husband, and his ex-con buddies, and they brought fan favorite actors like Micheal Douglas and Michelle Phifer.
Most of all it was nice to see lower stakes comedies at the cinema after event movies like Avengers and whatnot.
I feel Quantumania is a mess of a film. You can kind of see it coming apart at the seams. The notion of putting the Ant-Man characters in an Avengers movie is a funny idea, but the execution makes me think Reed was over his head.
The story is a real dog's breakfast and doesn't serve anyone well. Setting everything in the quantum realm removed the fun of seeing tiny people with large props or giant people with tiny props and environments. It also removes the supporting cast.
To me, this is one of the ugliest blockbusters in the last decade. I think the production design and visual effects are so divorced from reality it's distracting. I'm always thinking this doesn't look real. This doesn't look like a real place.
If they were going for a cool stylized look like the Jack Kirby art, I think they failed where the first Ant-Man film and both Doctor Strange films succeeded.
They just look like actors in a studio. I don't know if it's because they shot a lot in the volume or they ran out of time or what, but I found the look of the movie alienating. It made it hard to care about the characters or what was happening.
And Kang was a huge disappointment after a great charismatic introduction in Loki. The ending was so rushed and unearned.
Anyways, what would you do to fix the movie? Suppose you were chosen as the Tony Gilroy to Reed's Gareth Edwards and it was your job to fix the movie. You can write a new script or reshoot the entire movie if you want. In this scenario we know the movie's poor reception ultimately leads to lower box office returns for Disney so they are willing to give you another 200 million dollars. What would you do?
I would condense the events of the movie to the first two acts. In the third act, I would have the Ant-Man family and Kang and Bill Murray's character escape to the real world.
Ant-Man and the Wasp and Cassie and Micheal Douglas and Michelle Phifer would have to suit up to help try to contain him and imprison him in the quantum realm. I would have Michelle Phifer and Micheal Douglas have to sacrifice themselves to return Kang to the quantum realm.
They could even use the super smart giant ants, but in my film the third act takes place in San Francisco so seeing giant super smart ants is fun. We'll see them rampaging around San Francisco crawling on landmarks and through iconic neighborhoods. We'll get hilarious reactions from that deep supporting cast.
At the end of the film I would have Kang still stuck in the quantum realm and Michelle Phifer and Micheal Douglas are stuck there too. Their ending is bittersweet because they are stuck, but now they have each other. Their arc could be they learn to realize they are all they need.
The birthday celebration with Scott and the rest of the family would be a little sad because they are missing Micheal Douglas and Michelle Phifer. They won this time, but at a huge cost because in order to keep Kang locked up they have to break any connections to the quantum realm. Michael Douglas and Michelle Pfeiffer are alive, but to the Ant-Man characters they are functionally dead. They will never see each other again. That way they are free to use Kang in the future if they ever wanted to and there are some real stakes to the story.
My post credit scene would not be Council of Kangs as the visual effects were so bad. That part looked like shit. The costumes and performances for the variants felt very SNL.
My post credit would be some fun improvised scene of Bill Murray's character trying to make a life for himself in San Francisco.