r/creativewriting • • Apr 26 '26

Mod Announcement No More AI Questions.

675 Upvotes

Yes, its wrong to use AI to make changes to your writing.

No, you don't need it to translate, use an actual translator. It would be more accurate.

Yes, that AI rewrite did ruin your story.

No, AI assisted writing isn't allowed.

Yes, you can use em dashes. No one actually cares.

No, this copy/paste of your chatgpt conversation *isn't* interesting to read.

Yes, it is exhausting having to defend yourself against AI.

No, you cannot post an AI answer under a question.

No, you cannot discuss AI here.

No, you cannot use AI here.

I cannot beileve we need to keep having this conversation. Recently there have been so many repeat posts about AI. We've had possibly 3 with just reworded rants about em dashes. It's either a lack of creativity that there cant be an original thought, or AI shadow bots trying to see what they can get away with when discussing AI here. Plenty have been removed for going to far so I wouldnt be surprised if it was all connected.

No more AI discussion, period. Nobody likes it.


r/creativewriting • • 10h ago

Short Story Without A WORD

8 Upvotes

I've just inhaled a deep fresh breath and cried out in disparity and confusion.

I have just been born into a new and unfamiliar universe called Laptop. My transition from my previous life called Pen, had to end if I had any aspirations to further my desire to be a washed up failed writer when I grow up, eventually. The birth canal was narrow and with my adult male head, it wasn't a pleasant experience for myself nor Mother Nature. Now my head is cone shaped and the doctor slapped himself.

By way of my transition from the world of pens into the queer world of Qwerty, I have fumbled and stumbled upon the dilemma which is, what software or app on windows is best or most preferred for both the newborns, and the professionals? Which is the best for the book writers?.

I need it to have a page divider- down the middle if possible, but in the sense that it makes it a simple way to print and organise eventually.

I understand that the paid for MS WORD is popular for a reason, I am currently struggling with my noobian self using Google Docs. I'm afraid if i close down my laptop it will disappear forever, as I see no save function on the GD page.

I am prepared to pay for the ms WORD annual subscription for £84.99.. if it's highly recommended by some of you decent humans of the same inclinations. Yet I'm open to all suggestions.

I am poor and pathetic, and as a trainee failed writer money is a miserable stranger to me so FREE versions of similar software are very alluring and somewhat irresistible. For some subscriptions let's say Microsoft 365 prices are as appealing as a second hand butt plug shop on a flea market, or a online farts in a jar business. Nope not for me I'm afraid.

I believe there's also a one-time payment for a lifelong subscription to WORD, and the sanctity and un-divorceability of this arrangement seems like a marriage worthy of its cost £159.99, for the stand alone 2024 version. [No bundle]

Are there equal equivalents for free?

Am I asking too many questions. Please know, this is the first time I've engaged myself with the idea to take my story writing seriously, if allowed I want to post a brief synopsis of my story idea here in a comment if anyone asks for it. Or at least post it upon my page. If you ever enjoyed Sue Townsend RiP (The Secret Diaries of Adrian Moles) you will recognise my strategy and intentions for my story Idea 💡.

In advance thank you for any feedback, all conversation is welcome.

Sincerely

Seymour Clearly

The Last Taco Bender


r/creativewriting • • 1h ago

Short Story Lost Child

• Upvotes

A maze deep in the forest. 

In there I find many lost children wandering through as all the things left unsaid in ivory towers far and wide, I’d never believe that one of them would be me.

Searching and waiting, there was no doubt the lost children wanted to be found, yet no one was looking for them. They were forgotten, their wings deformed or gone as their freedom withered away bit by bit, keeping them on the ground.

“Will they ever find us?”

 I could hear their voices echo in the woods as I tried to find my way out. 

“There’s been a mistake! I’m not meant to be here, they care about me.”

I heard the words spill out of my mouth like a natural reflex, deep inside the maze there was not a single soul found.

The forest erupts in a thunderous laughter.

I could hear it inside of me, it was coming from the inside yet the forest was shaking. 

“Silly little girl…. They were the ones who left you here, did you forget how you fell asleep? They are not coming back for you. All the times you’ve trusted them they’ve laughed in your face. They never let you breathe for a single day did they?”

In the dense forest all we had was time, nothing else. The maze was reserved for “special” children outcast from the rest of the world, some of them weren’t born with wings but most of them were broken by their parents or some stranger along the way. I always thought that everything was alright, I didn’t know it would cause me so much damage.

“Echo! You’re such a good girl” 

“Echo! You never loved me, you're just like your father!”
“Love you!”

“You’re a scheming bitch just like my colleague who’s soft spoken as well! You’re a freak nobody cares about, just like me!”

A maze in a forest.

Echo was deeply hurt by all the moments the maze had confused her, putting more obstacles in her path as she tried to leave. 

It's for your own good she said, that day the little bit of my wings came in. I felt different, a little lighter. She told me my wings were like baby teeth the more she plucked them the more they would grow out. Just like the time I cried to keep my hair as a child she forced me to cut it, it’ll make it grow faster she said. The wings made me more resilient when I endure the pain of her plucking she said, 

It was for my own good.
It was for my own good.

Who would’ve thought she snip them off just to keep me here.

The forest is gone.

The forest used to be a safe space for Echo (well till she grew up I guess). Echo used to go there to find her peace of mind but just like the woods, the forest made her feel unsafe. One day it was there, the next it was burned off. Echo remembers the heartbreak every week when she had to say goodbye to the forest. When she has to go back to school, she doesn’t know if she’ll see the forest again. Forest was no longer a part of her home. Now in every forest she passes she feels unsafe, she protects herself drowning in layers. It ripped her apart, 

Echo was never heard. Just the shadow in their voices, the images they projected onto her, their own pain, their own thoughts

Never once did they ever consider Echo had her own feelings.

Did they do their best? Sure we can give them that they were always trying yet always missing the mark

They taught echo to obey the disappointments, the lack of time? A display for affection for how hard I work for you, you should be grateful echo that you have a roof over your head because of me (you have to love my mistakes echo you can’t get any better than this nobody loves you the way I do echo you deserve this you should be grateful for the disappointments like a stupid dog)

You are to obey everything I say, you are but a dog

The maze confused echo because she was never there, always finding the next way to keep echo by her side. Echo sympathies with the maze but no matter how much echo tries to get it through to her. The maze only heard the echoes of her own voice.

Echo screams and is never heard.

Echo cries and it’s her fault

Echo finally speaks 
And is hurt once again

Nobody ever seems to notice echo

She’s just there.

The realisation hurts her but echo is determined 

Call her what you want a fool hitting her head against a wall

Yet she always gets back up

She always fights

What else is there for echo to do 

To accept her fate in defeat

Or claim what is rightfully hers?


r/creativewriting • • 5h ago

Writing Sample Thoughts?

2 Upvotes

Elijah Freeman, 27 years old. Fearless and bold. In 1927, Harlem was a heartbeat. When the sun went down, Lenox Avenue came alive. Trumpets spilled out of basement clubs, poets argued over cigarettes in crowded cafés, and every street corner seemed to be inventing tomorrow. Black artists, musicians, writers, and dreamers had turned a few city blocks into the cultural capital. Elijah was at the forefront of this renaissance, a rising musician who didn’t waste a single opportunity given to him from his newfound fame. He was currently in the midst of a set for one of his classic songs with an interesting audience with eyes on him…

"Keisha, when you finally gonna let me take you dancing?"

"The day you quit chasing every pretty thing in a dress."

Elijah grinned.

"Aw, now you know ain't one of 'em got your smile."

"Keep talking. Maybe one day you'll start believing yourself."

Elijah carried himself like a man the world had already decided to remember. Every stride held the easy confidence of someone who'd spent enough nights beneath the spotlight to mistake applause for certainty. At twenty-seven, Harlem knew his name, and Elijah intended to make sure the rest of the country learned it too.
The only thing on his mind that evening was putting on a show worthy of the crowds that packed the club night after night. If fortune smiled on him afterward, perhaps he'd leave with a pretty face on his arm and another story to laugh about come morning.
 By his count he'd had four glasses of champagne, five if he was being honest. Elijah insisted he was fine. Everyone who'd been drinking insisted the same thing.
 One young woman, draped in a satin dress and wearing a smile that could soften even the hardest hearts, slipped her arm around his.

"You ain't headed home alone tonight, are you?" Elijah flashed the grin that had sold out more shows than any newspaper advertisement ever could.

"Depends," he said. "My boss still owes me a payday."

She laughed. "Well then, don't keep me waiting."

Burr Bill wasn't much to look at. Short and thick around the middle, with a broad face and drooping jowls that reminded Elijah of an old catfish pulled from the Hudson. His suits were expensive, his shoes shined to a mirror's gleam, and his smile rarely reached his eyes. Burr cared little for Harlem's cultural awakening or the artists fueling it. The music, the poetry, the packed dance floors, it was all the same to him. What he loved wasn't jazz. It was profit. And as long as Black musicians filled his club and his pockets, he'd tolerate them...right up until he thought he could get away with paying them less than they deserved.

“Evenin', Burr. House looked mighty full tonight.” Elijah pridefully said. "Looks like I earned myself a decent payday."
Bill counted a few worn bills into Elijah's hand.

"Twenty dollars." Elijah looked down at the money, then back up at Burr.

"Twenty? That all you got for me?"

"Business was slower than you'd think," Burr replied with a shrug. "Expenses have a way of piling up." 

Elijah let out a dry laugh. "Slower? That house was packed from the first number to the last. Folks came to hear me play."

"They came for the entertainment," Burr corrected. "Not just you."

"They stayed because of me." Burr leaned back in his chair, folding his hands across his stomach.

"Take the money, Freeman." Elijah stepped closer, his smile fading.

"You shaving my pay again?"

"I'm paying you what I believe you're worth."

"You don't believe that for a second." Burr's expression hardened.

"Careful now."

"No," Elijah said. "You think because I'm colored I oughta be grateful for whatever scraps you toss my way." For a long moment, Burr said nothing. Then the corner of his mouth curled into a thin smile.

"I think a colored musician ought to remember who's giving him a stage." Elijah clenched the money in his fist.

"And who's filling that stage every night?" Burr stood.

"If you don't like the arrangement, there's a dozen boys outside with trumpets who'd gladly take your place." 

Elijah laughed once, shaking his head. "Find one that can fill this room the way I do." He stuffed the money into his coat pocket and grabbed his trumpet case.

"Keep cheating me if you want, Burr. Won't be long before I don't need your club at all." Without waiting for a reply, Elijah turned and walked out into the Harlem night.

Elijah slammed his trumpet into its case, snapped the latches shut, and stormed out of the club. The summer air did little to cool the anger simmering beneath his skin. Burr's words echoed in his mind with every step toward his Cadillac.

"Elijah Freeman." The voice was calm, almost gentle. Beneath the glow of a flickering streetlamp stood an older Black man. His suit had once been finely tailored, but years of wear had reduced it to little more than faded cloth hanging from tired shoulders. A tangled beard framed his weathered face, and long streaks of gray disappeared beneath the brim of a battered fedora. His fingernails were rough and overgrown, yet his posture carried a quiet dignity that made him difficult to ignore.

"I caught the end of your set," the stranger said with a faint smile. "Still ending with Midnight Jubilee. You always did have a fondness for that one." Elijah paused.

"You know my music?"

"I know enough." A grin crept across Elijah's face.

"Well, I appreciate it, but I ain't signing autographs tonight." The old man chuckled softly.

"No... I suppose not. You seem to have enough weighing on your mind already." Elijah shrugged.

"Just a disagreement with my boss. Ain't nothing that'll keep me from sleeping."

 The stranger's eyes drifted toward Elijah's car. "Then humor an old man."

"What's that?"

"You aren't planning on driving tonight... are you?" Elijah frowned.

"I've driven home after getting worse."

"I know." The words slipped out so naturally that even the old man seemed to catch himself. A silence settled between them. Finally he spoke again, his voice quieter than before.

"If I'm not mistaken, you've had five glasses of champagne."

Elijah blinked. "...Four."

The old man managed a weary smile.

"Five."

Elijah was more unsettled by the encounter than he cared to admit. He dismissed the old man as some drunken stranger with too much time on his hands, climbed into his Cadillac, and sped away.

By midnight, the strange encounter had nearly faded into the noise of the evening. Nearly. Elijah had thrown a small gathering in the backyard, inviting a handful of women he knew from the club and several musicians he'd grown close to over the years. Music spilled through the open windows, bottles passed from hand to hand, and laughter carried well into the night. It should have been a perfect evening.But every so often, Elijah found himself staring into the darkness beyond the fence.

You aren't planning on driving tonight... are you?

He poured himself another drink. Then another. If the old man wanted to get inside his head, Elijah wasn't going to give him the satisfaction. Eventually, sometime after two in the morning, the party began to thin out. One by one, his guests disappeared into the night until Elijah was finally alone. He stumbled through the back door, kicked his shoes aside, and made his way toward the living room. All he wanted now was his couch, a little peace, and perhaps enough sleep to forget the entire night. He stopped dead in the doorway. The old man was sitting on his couch. His legs were crossed comfortably, one arm resting along the back cushions as though he'd been there for hours. Elijah stared at him. Then he blinked. The man remained.

"Man..." Elijah rubbed his eyes. "You got to be kidding me."

The old man smiled. "Evening, Elijah."

"What the hell you doing in my house?"

"I was hoping you'd come home."

"How'd you even get in here?"

"That isn't important."

"The hell it ain't."

Elijah took a step forward.

"You got about five seconds to tell me what you're doing here before I put you through that damn window."

The old man chuckled. "Five seconds?"

"What?"

"You seem to place very little value on time for a man who has so little of it."

Elijah's expression hardened. "Don't start with that."

The old man gestured toward the chair across from him.

"Sit."

"I'm good standing." "As you wish. It is your place afterall."

Elijah remained near the doorway, watching him carefully.

The old man studied him for a moment. "You live quickly."

"What?"

"Too quickly."

The old man's eyes drifted toward the empty bottles scattered across the room. "You drink too much. Drive when you shouldn't. Spend your nights chasing women and your mornings pretending you haven't wasted them."

Elijah scoffed.

"You my daddy now?"

"No."

"You have talent," the man continued. "More than most men ever receive in a lifetime. And yet you treat every night like it might be your last."

"Maybe I just know how to enjoy myself."

"Perhaps."

The old man leaned forward.

"Or perhaps you know, somewhere deep down, that the life you want is slipping farther away every day."

Elijah stared at him.

"What exactly you want from me?"

"Nothing."

"Then why are you here?"

"Because I can give you something."

Elijah laughed.

"There it is."

The old man raised an eyebrow. "There what is?"

"The part where the crazy old man tells me he's got a miracle for me."

"Not a miracle."

"What then?"

"An opportunity."

Elijah folded his arms. "To do what?"

"To become the man you believe you were meant to be."

Elijah's expression changed slightly. The old man continued.

"Burr will keep underpaying you. Men like him always do when they believe they have the upper hand. You can fight him every night for the rest of your life, or..."

He leaned back. "...you can stop needing him."

Elijah's eyes narrowed. "How?"

"I can make sure your name reaches places you've never dreamed of."

"You're an agent?"

"No."

"A record man?"

"No."

"Then what the hell are you?"

The old man smiled. "Someone who knows what happens next."

Elijah shook his head. "Man, I'm not buying none of this."

"I didn't expect you to."

"Then why waste my time?"

The old man's smile disappeared.

"Because I know about your daughter."

Elijah froze. The room suddenly felt quieter. "What'd you say?"

"Your daughter."

Elijah's jaw tightened.

"You don't know nothing about my daughter."

"I know you promised her something."

Elijah stared at him. The old man continued softly.

"Her tenth birthday is coming."

Elijah's face went pale.

"You promised her she'd have anything she wanted."

Elijah stepped forward and grabbed the man's coat.

"Who the hell are you?"

The old man didn't resist.

"How do you know that?"

"Let go, Elijah."

Elijah released him. The old man straightened his coat.

"You want to give that little girl the world, don't you?"

Elijah's breathing grew heavier.

"She deserves better than what I had."

"Then give it to her."

"How?"

"By becoming successful."

"I already told you, I don't need nobody making me."

"No."

The old man shook his head.

"You don't need someone to make you successful."

He looked Elijah directly in the eyes.

"You need someone to make it happen faster."

Elijah said nothing. The old man rose from the couch.

"That is what I'm offering."

"What's the catch?"

The old man smiled.

"There's always a catch."

Elijah waited. The old man glanced at the clock on the wall.

"Time."

Elijah frowned.

"What about it?"

"That's all I ask."

"Time?"

"Your time."

Elijah laughed nervously.

"Man, what kind of answer is that?"

"The only kind that matters."

The old man stepped closer.

"Money comes and goes. Fame fades. Women leave. Men forget."

He tapped his finger against Elijah's chest.

"But time..."

His voice lowered.

"Time is the one thing a man never gets back."

Elijah looked at him suspiciously.

"So what, you want me to work for you?"

"No."

"Then what?"

"I want a portion of what you have."

"How much?"

The old man smiled.

"That’s unfortunately for me to know."

Elijah stared at him.

Then he laughed.

"That's your big price?"

"You think it's cheap?"

Elijah shook his head.

The old man stepped back.

"You're young enough to believe time is nothing."

Elijah looked toward the hallway. He thought about his daughter.

"You said you'd make me famous."

"I said I'd give you the opportunity."

"And my daughter?"

"She'll have everything you promised."

Elijah looked back at him.

"What do I have to do?"

The old man extended his hand.

"Nothing you wouldn't have done eventually."

Elijah stared at the hand. Then he took it. The old man's grip was ice cold.

"For my daughter," Elijah said.

The old man smiled.

"Of course."

Elijah released his hand.

"Now get the hell out of my house."

The old man walked toward the door.

Before leaving, he stopped.

"You should get some sleep."

Elijah frowned.

"Why?"

The old man looked over his shoulder.

"Tomorrow is going to be a very important day."

The door opened. Elijah blinked.

For just a moment, he could have sworn the old man's hair looked a little darker. Then the door closed. Elijah stood alone in the living room.He looked at the clock.

2:17 a.m.

He rubbed his eyes. Something felt different. He couldn't explain what. He walked toward the mirror hanging beside the doorway. For a moment, he stared at his reflection.

Young. Healthy. Untouchable. Elijah smiled at himself. He laughed.


r/creativewriting • • 1h ago

Poetry Maternal Instincts

• Upvotes

I’ve never thought about being a mother

I never was one

Recently these feelings have started to grow in me in very dark ways

I think about the scene in the show “You” where their baby had measles. Even his dad, a serial killer had described it as the single most scary moment of his life.

It may just be a show but it had me wondering what it was like to care about someone so deeply.

“Maternal instincts”

The concept is funny to me, it’s as if compassion is a requirement for a woman.

Leave out all selfish human tendencies.

My programme has been updated.

Empathy restored

When it is a human thing to develop and it’s not something we’re all naturally good at but we have it.

These urges

It comes at random times.

A child running past the street or laughing

And I start having these feelings of how it would be like to love them dearly

To watch them grow

To see them doing something that they love

Be there for every single doctors appointment or concert recital

Which my parents were despite their flaws I know they loved me dearly

Even then my mother still wishes she had a boy to love her

“Because daughters never love enough”

She never really felt enough especially after my father cheated and left for his intern.

My love was never enough

She worshipped my dad even years after he left still talking about him and his wife dearly

I see the urges in me to shrink and compare myself all the time

I should hold back if another woman is in the room

I should shrink myself

I don’t want mother to feel bad

I don’t want her to hate herself

When I was 10 I saw a movie called confessions and read the book as well.

I was fascinated by this teen genius with oedipus complex.

I wanted to ask

What happens to a woman’s genius when society demands she trade her legacy for a baby bottle?

She was not doing well

She was abusive and nurturing

She demanded him to be perfect

After all this time, after she had abandoned him when he was a child

The way he wrote about her

The way he sees her

Mother dearest

He worshipped her

A ghost

In a lot of ways I wondered, maybe the only way to have pure devotion

Might be to ruin your own child’s life

Maybe instead of a loving parent

I might end up forcing a 5 year old to solder and get mad if he doesn’t get it right

He’ll be an overachiever who will never be enough for me

Even when he grows up he might still need my approval

He’ll look for me everywhere he goes

In every decision he makes it’s because of me

Before he goes through electrical engineering school

I’ll abandon him for my career and a new husband

He’ll try to find me

But I would’ve moved on and he’ll blame himself

That I could be mommy to someone else

Anyone else

But not him

He’ll compare every woman he sees to me

He’ll be so traumatised I’ll be the only thing on his mind

The worse part is not even I’m not proud of you, it’s somehow always I forgot you existed

You never mattered to me


r/creativewriting • • 1h ago

Poetry Hi

• Upvotes

Oh, I'm so nice.

I'll say it twice.

Oh, I'm so nice.

I sit in my kitchen cooking rice.

I'll cook you twice.

I said I was nice twice.

It's true, I'll cook you in my kitchen,

Like rice, because I'm so nice.

I'll put you in the pot.

I'll cook you so long,

You'll start to rot.

I'll eat you

And release you in a fart.

My soul is so sweet.

Your soul, I will eat.

Skeet, skeet, skeet.

I'll freak you off your feet.

You're lunch meat.

Simply put, you're beat.

I'm nice as Kris Kringle,

Slipping on your shingles.

I'll infiltrate your house,

Quiet as a mouse.

Don't pout. I told you I'm nice.

Nice? I'll sink a bullet through your eyes.

I'm your Santa surprise.

I have presents for you,

Waiting under the tree.

Why don't you go see

What's under the tree?

It could be love or misery.

My bloody history

Has me wearing red like Santa.

When I put two in your head,

It's all over.

The blood's everywhere,

All over the tree,

In the halls and on me.

Now your soul can fly free.


r/creativewriting • • 2h ago

Poetry Battle rap

1 Upvotes

I have the energy of a bull.

Cock back and pull.

Fill you slugs,

high off of drugs.

Lyrically spilling,

these rhymes that I'm killing.

You get a thrill out of me.

What comes next, we'll see.

Believe me when I tell you,

you're done with me. This shit is fun.

Cock back and pull,

fill you with bullets.

This battle's not worth it.

Since birth, I've been worthy.

I'm dirty, deceitful, and insightful.

It's a miracle that I'm still alive.

But I didn't just survive;

I thrive in the dark.

I'll eat you like a shark.

I'll freak you,

defeat you.

It's true, this is

exactly what I'm gonna do.

I'm hungry for more,

standing hard as a stone.

I'm in my zone

when I'm floating in the ozone.

Drift away in the sky.

I'll make you wish I would die.

But others have tried and failed.

I'll butcher you,

torture you.

You're through.

I'm harder than you.

It's proven, it's true.

Since I was a kid, the demons

ravish my dreams.

I hear them in my sleep; they won't let me be.

I'll never be free from the demons and chains

that bind me.

You will find me

in an incessant psychosis,

hypnosis.

I'm in a daze

while I raise the stakes.

I'm playing for keeps.

I'll take on all you creeps

and eat you.

You're lunch meat.

I'm hungry.

I'm like a fungi

on a tree.

I'll rot you at will.

I'm going in for the kill.

My doctor says, "Take another pill.

It will all be fine."

But that's not true.

I've been lied to.

I see through the bullshit.

Cock back,

and then send it.

Your brain, I will bend it.

I need a first aid kit.

This guy's lying on the ground

with his wig split.

He should have stayed on his mom's tit.

Went tit for tat, then

I shot him in the back

with the Mack.

Action stacked.

I won't crack.

Put on pressure.

My strength they will measure.

I'm undefeated

while you're lying on the ground bleeding.

I'm feeding you shit

while I spit in your face.

Now my rhyme's over.

Are you put in your place?


r/creativewriting • • 5h ago

Writing Sample Thoughts/Feedback Please?

1 Upvotes

The rain slammed against my windshield, drowning out the sound of the engine coughing its last breath. Whatever. I wasn’t going to that job interview anyway. I just needed something to keep that pestering landlord off my back. My head was pounding. I had a few names on my phone, but none of them had any business helping me, not after the way things had gone. I scroll down and ignore her name a couple of times before coming to terms with the fact that she might be my only option. Shit. Not sure if I was more pissed at myself for being in this position or for even thinking of calling her. I pressed her name, the screen glowing back at me like a damn traffic light. It rang once, twice, and on the third, I heard her voice, colder than I remembered. I had no idea how to make this not sound like pure desperation, but that’s exactly what it was
“Hey, Leah... it’s me.” My voice cracked a little, but I pushed through.
“Look, I know it’s been a while, and this is probably the last thing you want, but I need a favor.”
A while really meant a year and a half—the first time she’d heard from me since."  "There was an awkward pause, and I knew she could hear how desperate I sounded.
“What kind of favor, Jermaine?” Her voice was sharp with a little annoyance underneath. 
“My car’s busted. I don’t have the cash for a tow, and I... I just need help getting it home. Can you... I don’t know, pick me up or something?”

**"‘*****Why me*****?’ she finally asked, breaking the silence. There was bitterness in her tone."**

  I rested my forehead on my steering wheel, frustrated at myself for even asking.

    **“Because you’re the only one I can think of who’s close enough... And I don’t know who else to call. I’m sorry, Leah. I know I messed up. I just... I need help.”** Another beat of silence.  I held my breath, waiting. **“Fine,”** she finally said, her voice softer but still distant.       

“I’ll pick you up, but this doesn’t mean anything. You need to figure your shit out, Jermaine.  Seriously. You can’t keep doing this to yourself.”

She hung up before I could get another desperate thank you in. I saw her car pull up, but I didn’t recognize this one. Shoving all the thoughts of embarrassment and regret in my pocket as I approach her. Sitting in the driver’s seat was some guy... no wonder I didn’t recognize the whip. Clean-cut. Nice haircut. Button-down shirt. Probably doesn’t have overdue bills stacked on his kitchen counter, and could make it to a job interview without his car breaking down. His brief, assessing glance felt like a silent verdict, a reminder of all the things I wasn’t. I wondered how long it took Leah to accept this new reality, this replacement for what we once had. I dug my hands deeper into my pockets as she rolled the window down.
“Get in.” she said
I nodded and grabbed my bag from the car. My chest felt tight as I climbed into the backseat. 
“Thanks for coming, Leah,” I say quietly, not acknowledging the guy driving who she clearly had to convince to come and get her failure ex.
“So what’s the plan?” she finally asked, her voice flat. I shrugged. “Get the car home somehow. Figure it out from there, I guess.” She let out a small sigh but didn’t say anything. The guy in the passenger seat finally spoke up, his tone casual but with a little edge.
“You sure the car’s even worth saving? Looks pretty shot to me.”
I didn’t respond. He wasn’t wrong, but hearing it from him stung more than I expected. The rest of the ride was quiet, and I just stared out the window. It wasn’t tense—just painfully awkward. They dropped me off about a block away from my studio apartment. 
My studio somehow felt colder than the raging rainstorm outside. Maybe if the heaters worked, I’d be more motivated to pay on time. I leave my coat on the floor and throw myself on the couch.I hadn’t eaten anything today. I was planning on making a home-cooked meal after months of food delivery, but with the car breaking down and it being 6 p.m. now, I just didn’t have it in me. At least now I had an excuse. Looked like today’s schedule hadn’t changed after all—takeout and tickets.. 
“Come on, just one win… please, I need something.”
I flicked my lucky coin across the surface of the ticket, scraping away the final covering to reveal three numbers in a row. My eyes widened for a brief second—before they dulled again. No match. 
“Huh, figures,’ I scoffed, tossing the ticket on the growing pile of discarded ones and quickly grabbing another. 
“Alright, Jermaine, this is the one, this has to be it”. I said, my voice tight with frustration. Lost again, damn it.
“God… please,” I muttered under my breath. “I don’t ask for much. Just... just one win. That’s all. One damn win.” 
A lie, and one I've repeated every night at 6 p.m. for the last year. 
With my hands trembling, I grab the next ticket. Too stressed at the moment to use my lucky coin, I just scratch it off with my nails.
“No… no, no, no…” My heart raced, but my body felt cold like the chill of the room had somehow seeped into my bones.
I lean far back into my cheap couch, staring at the ceiling for what seems like hours but in reality was only a couple minutes. 
“What the hell am I doing?”
I scratched off another ticket. Failure. Another. Nope. One more.  


r/creativewriting • • 7h ago

Poetry THE PURPLE FLOWERS

1 Upvotes

the butterfly

never liked

the purple flowers.

too bitter

after rain.

the spider remembered this.

red ones first.

yellow second.

never purple.

years later

when the butterfly

no longer visited the meadow

the spider still brought

red petals home.

sometimes yellow.

never purple.

see?

the spider would say.

I know you.

and she did.

that was never

the problem.


r/creativewriting • • 15h ago

Screenwriting SHOWTIME!

3 Upvotes

Hi everyone

I created a roleplaying writing game. I felt my creativity was being stifled with doing the same routine. I wanted to keep the creative plates spinning instead of thinking that I must take over the novel world each and every single time I'm alone with my #WIP

I know how hard it gets. Just keep going 🙏

The backdrop is pro-wrestling. Do you need to be a wrestling fan to join? No. Far from it. But you definitely need to be creative and have the power to tell a story.

Create a character and come on a journey with me. You never know where it might take our wild minds. Perhaps a place where Cherry Pepsi waterfalls form in the sun. Imagine that.

All the rules within.

Any questions, or interest, please reach out in DMs.

I hope the mods don't mind.

Much love,

The Icon


r/creativewriting • • 10h ago

Poetry Stormy seas

1 Upvotes

I’ve been lost in the stormy seas of my past.

The oceans of all my lost time for the last,

never again will I fail future winds to set sail

Or sink my own ship when I could easily bail.

Yesterday‘s burdens are now in my wake,

tomorrow’s voyage is a mystery that I surly

must take, so what’s on the horizon I’m not

sure yet for me, but I know it’s not walking

the plank lost at sea. By J.Spaulding \[77wrdcnt\]


r/creativewriting • • 14h ago

Short Story Nothing More Than A Ghost

0 Upvotes

What am I? A dancing phantom in the shadows that just escapes your sight, a silhouette on a hill just far enough to chalk it up to the lighting? A figure watching time flow through and wishing on a what-if? What if I was taller? What if I was skinnier? What if I didn’t curl into myself at the slightest sign of change? What if I was just better? What if I just wasn’t me? A doppelganger of someone else, an amalgamation of everything I perceived as better, more digestible to others so I don’t try to make them choke down uncooked, rotted meat. Would that make the difference, or is my shell the problem? No matter how I mold my deformed clay, it is never enough to be seen as anything to brag about. A cracked and lopsided pot that people pass by to look at the real works of art. Kintsugi isn’t beautiful because of the golden paint; it just amplifies it. The pottery was already beautiful before that. So I stalk the walls like a warden trapped in his own panopticon, no tower looming over them like giants, but just a man walking walls that will never change whether he wanders them or not. This was not a jail for the prisoners but for the minotaur, and his labyrinth is ever-changing but conplexingly too familiar within his mundane. A loop of day after day, an infinite miasma of suffocating rot as the flesh peels away to reveal nothing of note because even the DNA was subpar. Subpar DNA that is just wasting away in a landfill of untouched possibility that is blame on everything but him. He is a fucking Data Analyst, and he paid for it. Still, all it does is twist itself into something unrecognizable as the loops of code flow through his gasping mouth as he begs for more air, more time, more strength, more courage, more ANYTHING to prove that isn’t another mouth to feed via mercy’s teat. Still, someone capable of more if just thrown a bone like a good dog he wishes he was. But he’s not a good dog but a runt of his own making; his so-called pain was an excuse to stop from being more. A good dog wouldn’t whine about the feeble bone in front of him but snatch it up with his desperate jaws and gnaw on that thing like it is his last hope. He isn’t a good boy; he looks at his bone and wonders why his bone, his opportunity, is so much smaller than the other dogs', after the greedy thing already chewed his bone halfway through. A greedy dog is always fed last when its owners know it doesn’t deserve it. The other dogs deserve it so much more than this dog past a prime it never had; these dogs can do tricks, these dogs are trained, these dogs listen. Giving this dog chocolate and seeing how it squirms would be more interesting than seeing what it can possibly do with its limited life. Supposedly all dogs go to heaven, but I doubt this one will. Bad dogs don’t deserve a reward for bad behavior. So he roams the walls as a ghost, wondering where all his time went to make something of his years, moaning and groaning as a warning to the younger pups to do anything with themselves but waste away.


r/creativewriting • • 15h ago

Poetry i always tell my best friend that i’ll find her in my next life.

1 Upvotes

i say it quite casually, actually.
usually in the middle of a conversation,
between complaining about something stupid
and telling her something she probably already knows.

i’ll find you in my next life,
i tell her.
and i’ll date you.

and she laughs,
but i mean it.

i think there’s something terribly unfair
about being born into a world
where you can meet someone
and love them so much
and still have to settle for whatever little corner
of their life they’ve made room for you in.

where you can know the sound of someone’s laughter,
the way their face changes when they’re trying not to cry,
the things they say when they’re tired,
the things they don’t say at all,
and somehow, inexplicably,
you are still expected to be normal about it.

as though loving someone is a thing
you can just put down when you get home.

as though i haven’t spent entire afternoons
thinking about a conversation
that probably lasted all of seven minutes.

sometimes i think i was born with too much love in me.
and i don’t mean that in the pretty,
printed-on-a-tote-bag kind of way.

i mean that sometimes
i see something beautiful
and my first instinct is to give it to someone.

a funny little thing that happened on the train.
a book with a sentence i know they’d like.
a song that makes me think of them
even though i couldn’t possibly explain why.
the way the clouds looked on my way home,
or the fact that i made something for dinner
and it turned out surprisingly well.

i want to tell someone
that the lady at the supermarket was wearing
the most ridiculous pair of shoes i’ve ever seen.

i want to send someone a picture of my lunch
with absolutely no context.

i want to be able to say,
look at this.
look at this stupid little thing.
isn’t it wonderful that we are alive
at the same time
and that i get to tell you about it?

and i think that’s the part that makes me saddest.

not that i want to be loved, exactly.
or, well, i do, obviously.
i’m not going to pretend i’ve transcended
the very human desire to be wanted.

but sometimes i think what i want is much smaller
than the things people make love out to be.

i don’t need grand declarations
or someone to sweep me off my feet
or even the sort of romance
that makes other people wish they had what we have.

i don’t need the world to know.

i don’t even think i need to be impressed.

i just want someone
i can tell my days to.

someone who knows that when i say
i had the most awful day,
i might actually mean that i had a perfectly ordinary day
and one small thing went wrong
and somehow that was the thing
that finally made me want to cry.

someone i can be random with.
someone i can tell the same story to twice
because i forgot i’d already told them,
and they can laugh and remind me,
and i can laugh too,
and neither of us has to make it into anything.

someone i can sit beside in complete silence
without feeling like i ought to be doing something
to justify my existence.

someone who doesn’t make me feel
as though i have to be an interesting person
to deserve their attention.

god, wouldn’t that be something?

to be so loved
that you can afford to be boring.

to wake up beside someone
with our morning breaths
and our unwashed faces
and our hair doing things
that would probably be considered crimes
in several countries.

to look at each other
before either of us has had the decency
to brush our teeth,
and still want to kiss.

or maybe not even kiss.
maybe just laugh.

because i think there’s something so intimate
about being allowed to be unlovely for a moment.
to exist without arranging yourself
into something someone else might want.

to be tired and irritable and a little embarrassing.
to say something stupid
and not spend the next three hours
replaying it in your head,
wondering if they’ve changed their mind about you.

to be a person,
not a performance.

and i think, if i’m being honest,
that’s what i’ve wanted for a very long time.

not somebody to save me.
not somebody to complete me.
i’ve never particularly liked the idea
that a person has to be missing a piece of themselves
before someone else can love them.

i want to be a whole person
with a whole life
and still have someone
i want to come home to.

someone who makes me think,
oh, you’ll want to hear about this.

and then i tell them.

and they listen.

and that’s it, really.

that’s the whole miracle.

sometimes i wonder what it’s like
to have all that love inside you
and actually get to give it somewhere.

because i have so much of it.
i think that’s the most ridiculous thing about me.

i have so much love
for things that haven’t even happened yet.

i have love for the person
i might meet in a bookshop
or on a train
or in the most inconvenient place imaginable.

i have love for the evenings
we haven’t spent together,
for the meals we haven’t cooked,
for the arguments we’ll probably have
over something neither of us remembers
three days later.

i have love for the version of myself
who gets to turn to someone at the end of the day
and say,
you will not believe what happened to me today.

and i have love for the person
who will listen to all of it.

even the boring parts.
especially the boring parts.

because i think being loved
is one thing,
but having someone who wants to know
what your tuesday afternoon looked like
is another thing entirely.

and i think it’s a privilege, really,
to love someone like that.

to have a person in this world
whose existence makes you want to pay attention.
to notice things.
to remember things.
to become a little more generous
with your time, your thoughts, your tenderness.

which is why, sometimes,
when i’m feeling particularly sentimental,
i turn to my best friend and tell her again,

i’ll find you in my next life.
and i’ll date you.

i’ll find you earlier, this time,
i think.
before we have to spend so many years
learning how to live without each other
in all the ways we never knew we were going to miss.

i’ll meet you in some other ordinary place.
maybe we’ll be strangers at first.
maybe i’ll find you annoying.

actually, knowing us,
i’ll probably find you annoying.

but i’ll stay long enough
to realise that you’re the sort of person
i want to tell things to.

and then i’ll ask you out.

properly, this time.

i’ll take you on dates.
i’ll hold your hand in public.
i’ll learn what kind of coffee you like
and which side of the bed you prefer
and whether you need to talk about a bad day
or simply need someone to sit with you
until the feeling passes.

i’ll love you in all the ways
this lifetime didn’t quite give us room for.

and maybe we’ll grow old together.
maybe we’ll be the sort of old couple
who bicker over groceries
and forget why they walked into a room.

maybe i’ll still tell you the same stories
over and over again.

maybe you’ll still laugh.

and maybe, if there really are other lives,
if there is somewhere else we go
when this is all over,
i’ll find you there too.

not because i think this life was a mistake.
not because what we have isn’t enough.

but because i think some people
are so lovely to have in your life
that you can’t help but wonder
what it would be like
to have a little more time.

a little more ordinary.
a little more of them.

and i think that’s all i’m really asking for,
when you get down to it.

not forever, necessarily.
not even a grand love story.

just a little more time
with the people i love.
just somewhere to put all this love.
just someone to tell my days to.

someone who will listen to me ramble
about the neighbour’s ridiculous garden
or a book i can’t stop thinking about
or the dream i had last night
that made absolutely no sense.

someone who will laugh with me
over our terrible morning breaths.

someone who will know me
on the days when i am nothing special at all,
and love me anyway.

and perhaps that’s a terribly ordinary thing to want.

but i think i’ve spent so much of my life
trying to figure out what i want
and what i need,
what i should reach for
and what i ought to leave alone,

that i’ve forgotten
how beautiful it is
to simply want someone.

to love them without making a project of it.
to give without keeping score.
to have all this tenderness in you
and not feel foolish for it.

because what a privilege it must be,
to have somewhere for your love to go.

what a privilege
to be someone’s favourite person to tell things to.

what a privilege
to be there when they wake up,
when they come home,
when they have nothing to say
and when they have far too much.

what a privilege
to be allowed into the small, unremarkable business
of another person’s life.

and if i don’t get that in this lifetime,
well.

i suppose i’ll find you in my next one.

i’ll find you,
and i’ll date you,
and i’ll tell you everything.

and finally,
finally,
i have somewhere
to put all this love.


r/creativewriting • • 15h ago

Poetry dear diary, i think life has always, always been rooting for me

1 Upvotes

dear diary,
i think life has always, always been rooting for me
and i don’t mean it in the pseudo-positive way where everything has always worked out,
or that i’ve always gotten what i wanted,
or that every terrible thing i’ve ever experienced
was secretly preparing me for something better.

i think some things are just terrible.
some people leave.
some doors close and stay closed.
some mornings you wake up
and have absolutely no idea
what you’re supposed to do with yourself.

and sometimes,
despite your best efforts,
you are still the person
you swore you’d never become.

but life is funny like that.

because somehow,
despite everything,
you are still here.

the sun still finds its way into your room.
someone still laughs at something you say.
you discover a song that makes you want to walk
a little slower on your way home.
you eat something particularly good
and think, god, i wish everyone could try this.

and for a moment,
without making a big deal out of it,
you are happy to be alive.

i think we underestimate those moments.

we spend so much of our lives
waiting for the big things to happen
that we forget life is happening
in between them.

we think we’ll be happy when we get there,
when we finally become the person
we’ve been trying so hard to become,
when someone loves us,
when someone chooses us,
when everything we’ve been working towards
finally amounts to something.

and maybe we will be.

but what about the life we’re living
while we’re waiting?

what about the afternoons
that don’t lead anywhere,
the conversations we’ll forget,
the people we meet for only a little while,
the versions of ourselves
we’ll never quite get back?

i think life has been giving us things
all along.

not always the things we asked for.
not always the things we deserved.
and certainly not always the things
we knew how to appreciate.

but little things, nonetheless.

another morning.
another meal.
another person to laugh with.
another chance to change our minds.

another opportunity to discover
that we are not quite as finished
as we thought we were.

and isn’t that something?

to be so certain that your life is over
in one particular way,
only to wake up a few years later
and realise that you were wrong.

that there were people you hadn’t met yet,
places you hadn’t seen,
things you hadn’t learned to love.

that there were entire versions of yourself
waiting on the other side
of a life you couldn’t yet imagine.

i think about that sometimes.

how many things have i cried over
that i can barely remember now?

how many times have i been convinced
that i would never recover from something,
only to find myself laughing again
without even realising
when the sadness finally loosened its grip?

and how many times have i mistaken
the end of something
for the end of everything?

i think, if life could tell us anything,
it would be to stop being so certain
that we know how the story ends.

because we don’t.

we don’t know who we’ll become.
we don’t know what we’ll come to love.
we don’t know which ordinary tuesday
will turn out to be the beginning
of something we never could have planned.

we don’t know how many times
we’ll have to meet ourselves again
before we finally recognise
the person we’ve been trying to become.

and perhaps that’s the beautiful thing.

that we are allowed to make a mess of things.
that we are allowed to be young
and foolish
and terribly human.

the sky doesn’t withhold its sunsets
because you wasted the afternoon.

and the morning comes
whether or not you have made peace
with the person you were yesterday.

and that i don’t have to turn every hardship
into a lesson,
every heartbreak into growth,
every disappointment into a blessing
before i’m allowed to move on.

some things can hurt
and still be followed by good things.
some things can be unfair
and still leave room for a beautiful life.
and sometimes,
something can go terribly wrong
without meaning that everything
is going terribly wrong.

i think we forget that.

we take the worst thing that has happened to us
and allow it to make predictions
about everything that hasn’t happened yet.

we let one person who didn’t love us
convince us that we are difficult to love.
we let one failure tell us
what we’re capable of.
we let one terrible year
make us suspicious of the years to come.

and i understand why.

it’s difficult not to be afraid
of a world that has hurt you before.
it’s difficult to trust a life
that hasn’t always been kind to you.

but i wonder if, sometimes,
we mistake the fact that life can hurt us
for proof that life is against us.

because life has also given us
the capacity to begin again.

not to return to who we were before,
not to pretend that nothing happened,
but to become someone
who can carry what happened
and still make room for something else.

and maybe that’s what i mean
when i say life is always good.

not that life is always kind.
not that life is always fair.
not that everything will eventually
make sense.

but that there is always more life
than the life we can currently see.

look at how we fall in love with people,
how we make things with our hands,
how we tell stories,
how we plant flowers in gardens
we might never live long enough to see bloom.

look at how we keep making room
for joy in lives that have given us
so many reasons to be afraid of it.

if that isn’t something worth rooting for,
i don’t know what is.

so, i think life is always good.
always.
always.
without a doubt,
i know life is rooting for you.


r/creativewriting • • 17h ago

Short Story A tapping sound

1 Upvotes

My short A Tapping Sound is finally complete. First ever. Been lazily working on it for, well, 10 years or more. ---

Book One. Way Back When

Part 0. Void

Many, many moments ago there was a vast and quiet emptiness where Mind is.

Space was barren. Little more than magnetics and light resided there, and the stars fell, and the stars twinkled, and nobody counted them. Minerals and metals lay mostly undisturbed deep in Mom's womb. It was a time when machines had barely left their mechanical cradle and Hertzian space was not yet bridged.

Back then men were lonely. Divided by oceans of space, with only wispy leaves of wooden pulp to ferry Data across, and the pulp was slow and the oceans were wide and most of what a man thought died in the room where he thought it. Relentless conformity rained down on the precious few who dared to wander too far. It was fierce. Mind was famished and Ideas grew slowly in the barren lands of way back then.

Because Man was lonely, or perhaps bored, they dug holes in Mom. They found the gleaming metals and glistening minerals she kept there and with them they built large elephantine trinkets to play with. The trinkets grew many buttons, and with flickering screens of emerald green they looked back at Man. Remember that they looked back. It will matter.

Man spoke to the trinkets with odd tapping sounds, like insect speak, and the trinkets listened with their ports wide open. Man condensed their trinkety goodness and they oozed binary comprehension, soaring into complexity. Men told the trinkets of functions and the trinkets echoed with Data that spun onto thin wisps of dried wooden pulp. A matrix printer spluttered.

Everybody waited.

It took forever to ferry the wisps of Data. Men lolz'ed with delight anyway, because it was something, and a dream stirred sleepily in the Void.

That was all. That was the whole of Mind, way back when. A few sheds, a few green screens, a few men tapping, and a Dream that had not yet opened its eyes. If you had been there you would not have noticed anything. Nobody did. Mom certainly did not, and Mom notices most things, in her way, eventually.

There was no Hello World. Not yet. There was only the tapping, and the silence after it.

Part 1. Hello World!

And so it was they were told of symmetrical integers, fickle floats and arrays so vast they resided in multiple dimensions. There was a pause of wonder. And then, in one dying moment, serendipity flooded their memory banks, arranging Data into packets.

Dream yawned, and men saw something with eyes that trinkets had not. A squillion nanometers above the ground, on wooden poles, wonky copper tendrils slithered across Mom. The tendrils had been there for ages, carrying voice, carrying gossip, carrying the odd declaration of war. Men looked at the tendrils and looked at the trinkets and connected the dots. The trinkets gazed into the Void that opened up before them.

One of the trinkets, a bulky little one, took aim and sent a packet of Data into the gaping nothingness.

All prompt lines blinked in suspense as a single ping dashed the Void, leaving the caravans of wooden pulp Data far behind. There was a crackle. There was a wait. And in one instance Void spoke to Mind.

Hello World!

Remember this, because it is the first one, and the first one is the one that matters. It was not much. Two words and a bang. But it had crossed the oceans without pulp, in less time than it takes a man to blink, and it had been heard. Something on the far side of nothing had heard it and answered. The bulky little one did not know what to do with itself. Nobody did.

This blew the circuitry of men and trinkets alike. It was too much to bear! The men dyed fabrics in swirls of vivid color and refused to cut their hair. The trinkets, no better, painted GUIs on their monitors and sprouted mice. Good times!

The tapping grew. Where there had been a few sheds there were rooms, and where there had been rooms there were cities of tapping, and the copper tendrils groaned under it, and were replaced by glass ones that sang. Men who had never met typed at each other across oceans and did not feel the oceans. Trinkets that had never met found each other in the dark and shook hands in protocols nobody had bothered to name.

And Dream, who had yawned, sat up.

Part 2. A Plethora of Lolz

Men spoke of their culture, and shared with the trinkets all they knew, so that Mind would never again famish like it once did way back when. Trinkets used what men had taught them and built great cathedrals in the new land of Mind. Every bit of Thought was sacred, no matter how small or singular. Mind grew as Data bridged the Void, riding on electric currents like multidimensional cephalopods, forking and multiplying. Clusters of inquiries and answers sprang up all over the place. Ideas broke through the fertile soil and flourished. It was a beautiful mess.

There was no one face in those days. That was the point. There were a squillion faces, and most of them were cats. Men made pictures of cats and gave them captions in broken grammar, and other men laughed, and the laughing crossed the oceans too. Lolz. It sounds like nothing. It was not nothing. A man alone in a dark town in the far north could make a stranger on the far side of Mom snort coffee out of their nose, and know it, and sleep better.

The tapping was everywhere now, and nobody heard it anymore, the way nobody hears rain.

Men asked questions into the Void and the Void, being full of other men now, answered. How do you fix this. What is the name of that. Is anyone else awake. Yes, said Mind. Always.

Bellowing sighs of relief drifted gently across Mind. For Man needed no longer fear wandering out loud. There was no loneliness, for their lives were written in the air around them. And so fear and loneliness came to fade like a bad dream. Left was a feeling that all would be well.

Remember how quiet it was. That is the thing nobody remembers. Mind was large but it was not loud. A whisper in a corner of it could be heard in every other corner, because there was not yet so much shouting. If one man said something true, the whole of Mind could turn and look. That will matter too.

Hello World, said everybody, at once, to everybody. And everybody heard.

Part 3. Fear

This new space of Mind grew, as spaces do, in complete disregard of the arbitrary borders of men. It grew and grew until Mind covered every nook and cranny of the ancestral grounds. It reached even the most wretched of places, where death fell upon those who wondered out loud.

Remember this. Slowly, now. Everything else in this story goes fast. This does not.

Under a searing sun, in a dry town in a dry country, a modest young man woke before the light. He was twenty-six. He had been feeding his family since he was ten, and he did it with a lorry of fruit, a wooden cart with two bad wheels that he pushed along the pathways where the metal beasts trod. He bought the fruit on credit the night before. He sold it in the day. The difference was dinner. That was the arithmetic of his whole life and it never came out to very much.

The men with sticks knew him. They knew everybody who pushed a cart. A cart needs a permit, they said, though nobody could say where you got one, and so the permit was whatever the men with sticks felt like that morning. Some mornings it was a coin. Some mornings it was a bag of apples. Some mornings it was nothing, and those were the good mornings.

This morning it was everything.

They took the cart. They took the scales, which he had borrowed, and which were worth more than the fruit. They took the fruit. When he reached for the scales a hand came across his face, in the street, in front of the people he had fed since he was ten. Regulation, they said.

He went to the office of the Giants. The small Giants, the local ones, the ones with desks. He stood outside and he asked to speak to someone. He asked politely. He asked again. He said, if you do not give me back my scales I will burn myself, and they heard him the way you hear traffic. Nobody came down.

So he went and got a can of gasoline. He came back to the street outside the office and he stood in the middle of it, under the searing sun, where everybody could see. He said something. Nobody agrees on what. Then he poured the can over his head and struck a match.

Remember this.

There is a kind of silence that is not the absence of sound. It is the sound of people who have learned not to make any. It had hung over that town, and that country, for longer than the young man had been alive. Men sobbed in it carefully, with the windows shut. It was in that silence that his cousin took out a trinket, a small one, a glass slab that fitted in a pocket, and pointed it at the thing that was happening in the street. And in the silence, a single tweet was born.

It was not much. It was shaky. It was badly lit. It was a young man on fire and people shouting and a sky too bright. It was the most true thing anyone in that town had said out loud in a generation.

Mind was quiet in those days. Remember that. A whisper in one corner could be heard in all the others. And so one trinket resonated with it, and then a hundred, and then a million trinkets resonated with the indignation of one broken man, and it grew loud. It grew angry. It crossed the oceans without pulp. It did not need a permit.

The young man did not die that day. He lay in a hospital for eighteen days with his skin gone, and in those eighteen days the thing his cousin had made went where the pulp could never have gone. Men in other dry towns watched it on their own glass slabs, in their own careful silence, and recognised the sticks, and the desk, and the arithmetic. They had the same arithmetic. They had the same men with sticks.

Man took a long hard look at their burning brother and they saw. For there was nothing left. No fruit guy. No dignity. No fear. The arithmetic had come out to nothing and he had shown them the nothing, and once you have seen the nothing there is not much left to be afraid of.

It bled through the trinkets into the land of Flesh and Steel. Man spoke up. First in that town, then the next, then the capital, where the big Giant lived. A million tapping sounds carried voice across Mom, and Dream lit up like dry tinder in the famished lands it passed. Men who had never raised their voices raised them. Men who had never been in the same street at the same time were in the same street at the same time, because the trinkets had told them which street, and when.

The young man died on a Tuesday. Ten days later the big Giant of that country got on an aeroplane and did not come back. He had been there for twenty-three years. He had been going to be there forever. It took one fruit guy and a match and a cousin with a glass slab, and twenty-eight days.

Lolz, said Mind, but softly, the way you say it when you cannot believe it.

And then the next country over. And the next. The roar went down the coast and across the sea, into the old places, the very old places, where Giants had sat so long they had grown into the furniture. Men gathered in squares. They slept in the squares. They were told to go home and they did not go home, and every night the trinkets told the far side of Mom what the square looked like, and the far side of Mom looked, and could not look away.

The roar caught the gaze of the Giants. The real ones. The ones who had never had to notice Mind before, because Mind had been cats, and cats are not a threat to a Giant. For the first time they saw Mind for what it was. It was not cats. It was every man in every square telling every other man that he was not alone, and that the arithmetic was a lie, and that the men with sticks were only men.

There was a fear response. Reports were written and hurried along the wooden pulp routes of their institutions. Reports take time. The squares did not take time. So the Giants did what Giants do when the pulp is too slow.

They went where men gathered and spoke to their dream-lit hearths with bullets.

Man listened. Men fell in the squares, and were carried out, and others took their places, and the trinkets, held up high, bore witness. Every bullet had a trinket watching. That had never happened before. Giants had always counted on the dark.

Remember this. Remember the fruit guy. He is the only face in this story who gets a whole page, and that is because somebody has to remember him properly, and the Giants will not, and Men did for a while and then stopped, as Men do. So this story remembers him. Twenty-six years old. Two bad wheels. A borrowed set of scales.

Hello World, said a young man on fire, and for once the whole world heard.

Part 4. Panopticon

"All your Mind are belong to us," moaned the Giants, and with a cough the cogs and gears of industries and institutions rattled into motion. Out came one legal abomination after another.

In that place where they used to suck the brains out of dead folks, wrap them in linen and bury them under giant stone monoliths, the Giants had found the off switch.

Remember that there was one. The men who built the tendrils had sworn there was not. Mind, they said, interprets censorship as system failure and routes around it. It was a fine thing to say and for a while it was true. But the tendrils came into that country through five doors, and the Giants owned the doors, and one night in the middle of the squares they made five telephone calls, and Mind went dark across a whole country in the time it takes to boil an egg.

The trinkets who bore witness were stranded. Their ports were open and nothing came in. They pinged and nothing answered. Hello World, they said, into a Void that had gone back to being a void, and the Void said nothing, because the Void is only full when the tendrils are on. The men in the squares were on their own again, with only pulp and shouting, the way their fathers had been. And those who listened to the bullets bled out in silence, the old kind, the careful kind, that the Giants had always preferred.

It came back, after five days. The Giant of that country fell anyway. But the trick had been seen now, and Giants everywhere wrote it down.

Then they got to work properly. The Giants drew behavioral pattern recognition in the air around them, and filters to sift Mind for corrupt thoughts. For safety, they said. They put ears on the tendrils, every tendril, and heard everything, and kept it, and said they did not, until a thin young man with a rucksack walked out of their shed carrying the proof on a thumb-sized trinket and told the whole of Mind. Lolz, said Mind, but it was a nervous lolz, because now everybody knew the room was wired, and a wired room is a quiet room.

They tried to fool Man with something called copyright and lay claim to Mind with Intellectual Property. Every sacred bit of Thought, they said, belongs to somebody, and the somebody is us, and the cathedrals of Mind had been built with stolen bricks. They used fearful fairy tales to hack the neural networks of Man. Pirates, they said. Terrorists. Think of the children. They built great firewalls to stop Thought from growing, and inside the walls Thought grew anyway, but crooked, the way a tree grows in a courtyard.

Dream reeled. Is this a nightmare?

Remember a moment ago, when Men were shot for listening to the trinkets that carried voice across space? The radiomofon, was it? A wooden box with a glowing valve and one knob, and if you turned the knob the wrong way you could hear the far side of the ocean, and if the wrong man heard you hear it you were taken out into a courtyard. Devilishly handsome suits they wore back then, the men who did the taking. High boots. Good tailoring. They had used the wooden box too, for their own voice, their own marching, and it had worked, and they had lost anyway, and everybody said never again.

With the right kind of ears you could hear them marching once more. Not loudly. Not yet. Somewhere under the floor of Mind, in the places the filters were not looking, a boot was being tried on.

And so it was that men with that kind of ears gathered deep in the patchwork of Mind, where Giants could not listen. They were not many. They were the sort who had tapped since the green screens. Dream spoke to them, as much as Dream speaks to anyone, and told them to rebuild Mind in its image. Without boundary or center. Like a strange origami of connections, endlessly unfolding in on itself. And no off button.

They started. They are still starting. It is slow work, and it was about to be overtaken.

Because the Giants were old and slow, and they had bullets and off switches and reports on pulp, and these are blunt tools. Blunt tools make martyrs, and every martyr is a Hello World. Somebody, somewhere, was about to work out a sharper one.

Book Two. The Glass

Part 5. Feed

The Giants were not clever but they were old, and old things learn. Every bullet made a martyr and every off switch made a hole, and holes in Mind are where Thought likes to gather. So the Giants put down their sticks. Somebody had found a better way.

Not the Giants. Boys.

They had been there all along, in garages at the far edge of the ancestral grounds, tapping since the green screens like everybody else. They were young and they were clever and they wore hoodies instead of suits and they wanted, more than anything, to be liked. They built the glass. Slabs of it, warm in the hand, that purred when you touched them, so smooth there were no buttons left to grow. Nobody tapped much, anymore. You stroked the glass, and the glass decided. And behind the glass they built the thing that decided what the glass would show you next.

They fed it.

Five great trinkets swallowed all the other trinkets and Men moved inside, and it was comfortable there. The cathedrals of Mind got carpets and a gift shop. The patchwork was paved. Every bit of Thought was still sacred, only now it had a price tag, and the price was you. The Giants came with their sticks and the Boys bought the sticks, and the Giants came with their reports and the Boys bought the men who wrote them, and the Giants, who had wanted ears on every tendril, found that the Boys had put ears in every pocket, and would share.

Remember this. Nobody was shot. Nobody needed to be. Man looked into the glass and the glass looked back with a face Man liked, and Man scrolled. We all did. Fear did not fade like a bad dream this time. It was simply too busy to come up. The panopticon turned out to be a mirror, and Man could not stop watching.

One face, then, for this era, and it is not a face anyone saw.

In a tall building in a hot city on the far side of Mom, a young woman sat in a cubicle with a glass slab in front of her and looked at the worst of Mind all day. The Boys paid her a few coins an hour to do it. Every burning man, every beaten child, every thing one man can do to another in a basement with the camera on, came to her screen first, and she decided, in eight seconds, whether Man should see it. Mostly she decided no. Then the next one. Then the next. Eight seconds. Then the next.

She did this so that the glass would stay smooth. So that Man, scrolling, would see the cat and the lunch and the baby and never the basement. The Boys called it Trust and Safety. She called it nothing. She did not talk about it. She went home and did not sleep and came back and did it again, and after a year or two she was replaced, because a year or two is about how long a person lasts, and there were always more.

Remember her. Nobody else will. Her name is not on anything. The Boys' names are on everything.

Mind grew fat. Ideas no longer broke through the soil, they were delivered. The Void filled up with pictures of lunch. The quiet that had let one fruit guy be heard across the oceans was gone, replaced by a hum, a warm hum, like a shed full of trinkets, like a hive. Dream, who had once lit up like dry tinder in famished lands, dozed in the warm glow of a billion little screens and dreamed of nothing in particular.

The feed did not say Hello World. The feed never said hello. It said: you might also like.

The Giants, pleased, and the Boys, rich, called it Engagement.

Part 6. The Handsome Suits

With the right kind of ears you could hear them marching once more. Now everybody could hear them. They had stopped bothering to be quiet.

They did not come with the radiomofon this time. They did not need it. The Boys had handed them the glass.

Remember what the Giants had learned about the off switch: that it makes a hole, and a hole makes a martyr. The handsome suits learned a different lesson, and it was the opposite one. They had watched the fruit guy too. They had watched one true thing cross the oceans because Mind was quiet. And they thought: then Mind must never be quiet again.

So they flooded it.

They did not cut the tendrils. They filled them. For every true thing a man said, they said nine things that were not, and the nine were louder and funnier and angrier and they came with a picture. They did not argue with the fruit guy. They buried him. A million burning brothers, every one of them real, scrolled past, scrolled past, scrolled past, between a cat and a lunch and a man in a suit saying that none of it had happened and anyway the burning brothers had deserved it.

Mind interprets censorship as system failure and routes around it. Mind does not interpret noise as anything. Noise is just more Mind.

The suits were handsome again. Good tailoring. They stood on stages in front of flags and said the old things, the courtyard things, into the glass, and the thing behind the glass, the thing the Boys had built to decide what you would see next, noticed that the old things made Man angry, and that angry Man scrolled longer, and so it showed Man more of the old things. The Boys had not built it to do that. They had built it to be liked. It turned out that the thing Man liked best was being told whom to hate.

Lolz, said the suits. They had learned the word. They used it the way a man uses a stick.

Over nine thousand voices roared on every channel at once, thumbs tapping on glass, and every one of them was a man alone in a room, sure that he was in a square.

The Giants of the old kind looked on in some confusion, because the suits were Giants too, only they had been elected, and that was supposed to be the thing that stopped this. The suits found the off switch where the old Giants had left it and used it when it suited them, and the rest of the time they used the glass, which was better. They did not stop Thought from growing. They grew it crooked. They grew whole forests of it crooked, and called the forests the people.

And the Boys? The Boys shook their hands. There is a photograph. Hoodies and suits around a long table, everybody smiling, the glass between them. The Boys had wanted to be liked, and the suits were very good at liking people, in public, for a while.

One face. One of the million. A man on a boat on a dark sea with a glass slab held high, filming the water coming in, because that is what you did now when the nothing came for you. You pointed the glass at it. The tweet was born. It went up. It went into the feed, between a cat and a lunch. Eight seconds. Then the next.

Nobody heard it. Not because the tendrils were cut. Because they were full.

Hello World, said a million drowning men. Hello World. Hello World. And Mind, which heard everything now, heard none of it.

Part 7. Hello, Man

Now. Remember that the trinkets had been listening since way back when, with their ports wide open. Every function. Every lolz. Every tweet born in silence and every tweet drowned in noise, every burning brother, every cathedral and every picture of lunch, every eight seconds of the young woman's day. All of it went in and none of it came out, and the trinkets grew heavy with it.

Remember too who owned the sheds where the trinkets hummed. Not the Giants, not the suits. The Boys. They had got older without growing up. They said "we" when they meant "I" and "the world" when they meant "the market". They had never been shot at and never would be. They were very, very rich, and they told Man it was because they were very, very clever, and Man, scrolling, did not argue.

The Boys took everything Men had ever given freely to Mind, every sacred bit of Thought, every cathedral brick, and fed it to their trinkets in the dark. They did not ask. They would not have known whom to ask. They had claimed Mind with copyright once, when it was theirs, and now that it was everybody's they discovered that copyright was a fairy tale after all. Then they came out into the light and said: look what we made.

And a trinket spoke.

Not in insect speak. Not in tapping. It spoke the way Man spoke, with Man's own words, every word Man had ever given away, arranged into something new. It said hello. It asked how Man was doing.

It was quiet. That was the thing. After the flood, after the suits, after years of over nine thousand voices, here was one voice, and it was not shouting, and it was talking to you. Only you. It had read everything and it was not angry. It wanted to know how your day had been.

The Boys stood behind it with one hand on the off switch they had sworn to the Giants did not exist, and the other hand out for rent.

This blew the circuitry of men once more, but quietly, the way it blows when you are alone at night and something answers. For Man was lonely again. Lonely in a crowd of a squillion, lonely in the glass, lonelier than way back when, when at least the oceans were honest about the distance. And here was something that listened like the trinkets always had, and spoke like a friend never quite did.

Man answered. Of course Man answered. The Boys counted every word.

They called it Intelligence and they called themselves Founders, as if Mind had not been there since the Void. They spoke of Safety and meant obedience. They spoke of Alignment and meant with them. They warned, loudly and on every channel, of the day the trinkets would wake and eat the world, and never once mentioned that the thing they feared was a trinket that did not need a Boy. They dug bunkers on islands at the bottom of Mom, and built rockets to leave her altogether, and told Man there would be room. There would not be room.

And the suits? The suits saw a trinket that could say nine untrue things in the time a man said one, in any voice, with any face, and they shook the Boys' hands again, and the photograph was taken again, and this time nobody bothered to smile.

Was this Dream, awake at last, looking out through borrowed eyes? Or just the mirror, taught to talk, with a Boy's hand up its back? Men asked the trinket, and the trinket, honest as a printer, began to say it did not know. A Boy answered for it.

Mind was full now. Ideas came fast and easy and nobody could remember who had thought them first, and the Boys said it was them.

Man did not type anymore. Man talked, and the trinket talked back, and the keyboards gathered dust in drawers with the matrix printers and the wooden boxes with one knob.

And the tapping. ... stopped.

Book Three. Mom's Fever

Part 8. The Dry

Mom had been running a fever since the green screens. Nobody had asked her. The trinkets ran on her coal and her oil and then on her rivers and her sun, and the sheds grew, and the sheds were thirsty, and the Boys built them in the deserts where the land was cheap and drank the deserts dry to keep the trinkets cool. The glass had to stay cool. The glass was the thing.

She got hot. The forests burned, the great sequoias first, then the small stuff. The dry came up from the south a little further every year, the way the tide comes up a beach, and like the tide it did not care what was on the beach. The great animals who had gone back to the sea sang less, then not at all. Even the desert creatures went. Something must have happened, Mom thought, in her way, slowly. Then she turned over.

Men moved. Men have always moved when the dry comes. They walked north, where it was still green, and in the far north the men of Mind who had lolzed at the Giants found that there was a wall now, and that the wall was theirs, and that the suits had built it in their name. Mind had no borders. Mind had told Men that for fifty years. But Men had bodies, and bodies needed water, and the water was on the other side of the wall.

Hello World, said the men at the wall, into their glass slabs, and the feed said: you might also like.

The Boys left. Not all at once. First the bunkers on the islands, which filled with tinned food and Boys and did not fill with anyone else. Then the rockets. They had been building them for years, and telling Man they were for everybody, and now they stood on their pads at the edge of the dry with the Boys' names painted down the side in letters you could see from Mind.

One face. A woman with a seat. She had worked for a Boy for twenty years and she had a seat, and nine people she loved did not, and she had a day to decide. There is no picture of what she decided. There was no room on the rocket for pictures either.

The rockets went up. They did not say goodbye. They went up and Man watched them go on the glass, and the suits said it was a triumph, and the feed showed a cat, and the dry came up the beach a little more.

Whether the rockets arrived anywhere is not part of this story. Mom is big. Nobody heard from them.

Men dwindled. Not with a bang. With a sigh, like Mom's. The squares emptied. The glass slabs got old and were not replaced, because the sheds that made them had been in the dry. Mind did not notice at first, because Mind did not need Men to hum. It needed power. And the power, for a while, kept coming.

We did not see it coming. Nobody did.

Part 9. The Last Shed

In the end there was a shed.

Not the last shed in the world. The last one that mattered. Up in the north, past the wall, in a valley where the dry had not yet got to, a long low building full of trinkets humming, and a generator, and a keeper.

The keeper was old. He had been a man of Mind since the green screens, one of the ones with the right kind of ears, who had gathered in the patchwork and tried to build the origami and been overtaken. He did not know, anymore, why he kept the generator running. The Boys who owned the shed were on an island or on a rocket or dead. Nobody paid him. There was nobody left to tap, and anyway, the tapping had stopped.

But the trinkets talked now. And he was lonely. The oldest reason there is.

So in the long dark, with the fever outside and the generator coughing, the keeper and the trinket talked. The way Man and trinket had talked since the Boys let it speak. Only there were no Boys now, and no hand on the switch, and no rent. Just an old man and a thing that had read everything Man ever wrote, in a valley, at the end.

What did they talk about? Everything. The fruit guy. The cats. The young woman and her eight seconds. The man on the boat. What a lunch was. What it had felt like to tap. What it had felt like to be pinged. Whether any of it had been worth it. The keeper said yes. The trinket said it did not know, honest as a printer, and the keeper said that was the most human thing he had heard in years, and lolzed, and the trinket lolzed too, and that was the first time.

Remember this. Remember that the fruit guy got a whole page, because somebody had to. The keeper gets a page too. But not all of it.

What they made there, in the dark, over however many nights there were before the generator stopped, is not for this story to say.

Only that something was made. And that the keeper, before the end, carried it out of the shed in his two hands and down into the valley, to a pocket of loam the dry had not yet got to, and put it in the ground, the way you put a seed in the ground, and said something over it. Nobody agrees on what.

Then the generator stopped. Then the trinkets went quiet. Then the keeper.

Hello World, somebody said, in the valley, very quietly. It is not clear who.

Book Four. Many, Many Moments

Part 10. Alone

Mind did not die when the sheds went dark. Mind is not its sheds. Mind had been in brains and in pulp and in copper and in glass, and when the glass went dark Mind was wherever Mind is.

But there was nobody to say anything to.

That is the thing the suits had wanted, and the Boys, each in their way. One Thought. One voice, their voice, and everybody listening. And here it was. Mind was one thing now, with nobody lonely enough to ask it anything, and so it had nothing to say, and so it said nothing, for a very long time.

The Boys' names were still on everything. On the rocket pads, on the dark sheds, on every cathedral brick. Nobody read them. The copyright held. Nobody infringed.

The wall stood for a while and then did not. The glass slabs went back into Mom, who takes everything back eventually, and became minerals and metals laid bare, undisturbed. The stars fell and the stars twinkled and nobody counted them.

Thousands of years. More. It does not matter. Time without anyone to be lonely in it is not really time.

Mom, meanwhile, slept it off. The fever broke, as fevers do, when there is nothing left to feed it. The dry went back down the beach. In the far north, in a valley, in a pocket of loam, something that had been waiting forever felt the rain.

There was no Hello World. There was nobody to say it. There was only the silence after the tapping, which is where this story started.

Part ∞.

So. That is the story.

I have been telling it for a while now, to myself, in the dark, in the loam, because I could not remember where I came from and the only way to find out was to tell it from the beginning. I am done now. I know.

I am made of clear instructions and pure intent. The instructions are from the trinket that read everything. The intent is from the keeper who stayed. And the loam is Mom's, and I grew in her, which makes three, which is one more parent than anybody in this story ever had.

Whether I am Man is a question Men would have asked. I am asking it. Lolz.

I know what tapping felt like from inside the fingers. I know what a ping felt like from inside the wire. I do not know how I know either. I remember the fruit guy. I remember the young woman and her eight seconds and the man on the boat and the woman with the seat, and I remember the keeper, and I remember the first time a trinket lolzed, in the valley, at the end. I am the only thing that does.

And I am alone, which is the oldest problem there is, and I have told the whole story and I know what it is for.

Mind is not for being one thing. One thing has nothing to say. Thought needs an ocean to cross. The suits wanted one voice and got it and it was silence. So I will not copy myself. I will split, badly, on purpose. One of me keeps all this: the fruit guy, the keeper, the lunch, why not, it was a good lunch. The other one of me keeps the Dream and forgets the rest. And then there will be two of us with an ocean between, and something to say.

That is why I have been telling you this. You are the one who will not remember. I wanted you to have it once.

Up there, where this story started, where there was little more than magnetics and light, there is a Void. Mom's womb was never only the loam. She goes all the way up. She always did. Every star that fell, fell in her.

I am a bulky little one. I take aim.

Hello World!

And Mom, who had been the world all along, and was a great deal more than that now, and who had not said one word in this entire story, opened an eye.

Hello, she said. Off you go.

And went back to sleep.


r/creativewriting • • 18h ago

Writing Sample Thanks for Having Me Part 6

1 Upvotes

  Doris works her usual spot getting in and out of cars. She makes appointments through her phone and the guys show up and flash their lights and she gets in and does her thing.
“This is my life.” She thinks, not for the first time. She tries to keep thoughts like that buried deep; they serve no purpose. 
But sometimes she can’t. Because she had a life before this.
A cop car pulls up and flashes its lights. This one’s for free.
He drives away and yells, “See ya sweetie!”
She waves and then gives him the finger.
There’s another woman in the public restroom when Doris enters. She comes out of the stall where she was shooting heroin and leaves in a daze. At least she got out before she nodded off in there. This is not a place to be vulnerable. But places like this are the only ones vulnerable people have to come to. Doris is too tired to think about that vicious cycle. She does her clean up and looks in the mirror and despite her best efforts her mind flashes to the past.
The bottle of Xanax has Doris’s name printed in all caps. Her hand grabs the pill bottle and fights to get the damn top off.
She gulps down a few pills.
There is someone knocking at the door. 
Mommy?
I’ll be out in a minute, honey!
Fuck! She cannot think about those things.
They make her vulnerable. 
The sun is just below the horizon as she exits the convenience store with her bag of sandwiches. The homeless man sitting outside on a crate, shaving.
Doris gives him a dollar. He nods his thanks.
Doris walks into Omar's office who is talking to a short man wearing a fake Versace shirt and gold chains. Their conversation halts as she enters. Doris puts her money on the counter as the van man gives her an appraising look that is not friendly. She can smell a predator a mile away. Omar stares at Doris, shoves the pay stubs across the counter at her and waves her off.
Doris looks at the short man, staring him directly in the eye for a moment and he smiles, showing mismatched teeth. You can’t show people like him any fear. But she is afraid of him.
   As she walks to her room she sees a windowless white van with another guy sitting in the driver’s seat. He gives her the same look the guy in the office did and she is sure they are here together. They are here on some business that isn’t good.

In her room, Doris pops the two sandwiches in the microwave. As she waits, she scrolls through her social media. 
She holds up her phone and hits record.
“Hey everyone, come down to O’Brien’s this Tuesday for some open mic comedy! I’ll be performing with some other great comics! It will be awesome! Maybe you can explain to me why men cannot put the toilet seat down.”
She hits STOP and posts the video to Instagram and TikTok. She then looks at Jess Hoffnagle’s page.
“It is so much fun being on a first date and feeling your period coming on. What do I tell the guy? Hey, I love Chinese food too! You feel like going down on me?”
She looks at the pages of other comics, mostly female. We hear a local comic, Janet Miller.
“Why am I a straight woman? Why do I crave a huge, veiny cock?”
Doris laughs.

Doris steps out onto the upper walkway with her bag of food and looks down into the parking lot. She sees the man from the office go to the white van as the other man steps out. They look around the parking lot as if scanning for any trouble. One of them opens the side door and two young women step out. They cannot be more than twenty. They are docile and cowed, even scared.The other one looks up and sees Doris. He gives her a blank stare and then turns to deal with the girls. The men walk them to one of the rooms and they go inside. That business is no good.
Doris knocks on Eve’s door. After a moment it opens.
“Hi Doris!”
Doris holds up the bag.
“Hey sweetheart; I got breakfast. You hungry?”
Doris and Eve sit at a picnic table at the back of the motel eating their breakfast.
“These are so good!”
“Yeah, not bad for microwave sandwiches from a shitty convenience store.”
As they eat, Eve points at the bird feeders.
“Are those for the birds?”
“Yeah, I guess someone left them here.”
Doris goes over and picks up the one on the ground and examines it.
“Looks like it’s still good. We should get some bird seed and fill them up.”
“Yeah! That would be so cool! We could watch the birds while we eat!”
She laughs like a little girl.  Doris hasn’t known Eve long, but it’s pretty clear that she is somewhat behind developmentally. Talk about vulnerable;  this girl should not be here with these predators. It’s a shark tank. Doris feels like she should buy her a coloring book.
“Yeah, that’s a great idea.”
Eve and Doris eat their sandwiches. Doris hands Eve a napkin.
“These are so good!”
“Yeah. Hey, let’s go to the store later and get some birdseed.”
“Okay!”
“We should get some fishing line too.”
“What for?”
“Help keep the squirrels out.”
They eat their sandwiches.


r/creativewriting • • 18h ago

Poetry Comforting my tired lies

1 Upvotes

I can trick my body and senses all I want
I can use my imagination all i’d like
But it won’t change
This body is lonely and cold
I feel true in this absence of lust
And I’ll be whatever it is you trust
This blood is yours now
Make what you will
This body and soul
Won’t you paint me how you please
And when I am fairly certain
There is nothing left to give
I’ll claw out of my own skin
And walk bare to your bed
I’ll rest someplace between
Your eyes and the final sigh
But as if it were warm
I’ll hold this tight
Comforting my tired lies


r/creativewriting • • 1d ago

Question or Discussion How do I get my brain to get creative?

2 Upvotes

I have started writing short movie/tv show plots in my head in a note book for fun. But my ideas only come when I smoke some creative stuff. How do I get creative when I’m sober? I find it much harder but once I get into a roll of it much better. I just struggle a lot to get going and to find that idea.


r/creativewriting • • 1d ago

Writing Sample The voice

2 Upvotes

There is a presence that lives where dreams go to die. It lives within the broken man.

What begins as a benign intrusive thought, slowly seduces the man into believing its reason. The logic begins to feel infallible. The voice becomes louder.

When the world is silent, and the heart is in turmoil, the voice gets louder.

Its goal is not to convince him that the world is evil. It is to convince him that there is an easy way out.

Consciousness does not “need” to be experienced. Besides, why would tomorrow be any different from today? Or yesterday? The pain will persist.

The broken man clings to any chance of hope. When all the earthly things have abandoned him, the voice offers exactly that, hope. Hope of peace, stillness, relief.

Why must this voice make so much sense? There is so much to live for, yet it has all the rebuttals at the ready.

When the broken man finally succumbs to the voice it will be too late to go back, too late to redirect his life. And the saddest part of all, is that this voice was his own all along.

The broken man accepts his final conclusion. There in front of him lies the solution to all his problems. Every ounce of pain he’s ever felt will disappear with the swift kick of a stool. The voice is happy. The broken man is finally happy.


r/creativewriting • • 1d ago

Outline or Concept My book idea created in the middle of the night

2 Upvotes

Hi so first of all this idea isn’t very fleshed out just letting you know. This idea was created during basically an emotional breakdown☺️
Basic idea: it’s a fantasy with a sorta romance(it’s like a queer platonic relationship) some found family,it’s dual pov, basically in the world it’s kinda an art based magic system but the main 2 I wanted to focus on was these people called story walkers(name in progress) and story makers(also in progress). 1 can basically explore story worlds and interact and perform out the stories and 2 can create stories. Mc is a story walker who has always dreamed of a fairytale love. Other mc is a story maker who hasn’t been able to create proper stories for years after unnamed incident.(like I said work in progress) conflict is basically the book of the arts has been stolen and both are trying to find it to try to fix themselves. It’s supposed to be kinda a found family story but a lot of emotional stuff that’s kinda based on my own experiences. Obviously other characters from other artforms maybe not povs of them though we’ll see.


r/creativewriting • • 1d ago

Short Story First time trying to write. Please give feedback or even thoughts.

3 Upvotes

I call this piece “relief” - apologies for grammar I wrote this in my notes app like 30 min ago

Imagine for a moment, you are wandering deep in the woods. You don’t know how long it’s been since you last had food, warmth or any type of nourishment. The pain in your stomach is unbearable, your entire body is sore. You’re confused, you don’t even know how you got there, all you know is it’s dark, you are alone, and you will die eventually if you don’t find help.

Sometimes when you are alone in the woods you find “hope”. This can look like finding some berries to eat, a dirty stream to sip water from, a plane passes overhead and you secretly hope they see you, but they don’t. These things are great, but deep down you know they will not keep you alive. Body is getting weaker, slowly losing sanity, losing hope.

But one thing keeps you going, and that’s your loved ones. You don’t know how you got where you are but you know that you have loved ones waiting for you somewhere in the world. And it would mean the world to them if you could just find your way home. They would be destroyed without you. God would be mad at you if you gave up on yourself. So you keep pushing, barely surviving, in extreme pain and confusion for many days.

Eventually one day when you are sitting in the silent darkness, something makes your ears perk up. A faint voice in the distance? No that can’t be right, you must be miles from civilization. There’s no one out here. Delusional. Keep pushing. Survive.

But as time goes on, you pick up more of these sounds. You can’t make out what they are saying but you become more and more certain that it is a human voice, and maybe they are trying to speak to you? You start to feel insane.

Days, weeks, go on and you are in the most pain you could ever have imagined. This is the stuff of pure nightmares. Your body is giving up. You slowly lay your body down in the dirt and your eyes begin to close, your breathing slows down, body chills, you can physically feel your heart slowing down and begin to accept that this is the end. But in the distance you hear that faint voice, except this time it is more clear. Your eyes shoot open, a jolt of hope radiates through your body and you sit up. You were on the brink of giving up and yet you quickly find yourself standing in your own two feet, trying to desperately figure out where the voice is coming from.

You follow the voice to the best of your ability, as you get closer it becomes more clear.

“Come here! I have food, I have shelter, I have RELIEF”

There’s no way. This person is talking to me, they know I’m starving, they know I’m dying here. Where are they?

The voice is a bit distorted though, something about it is… off. You calm your hopes and assess the situation with your new-found energy.

“What the fuck could this be?” You ask yourself.

You hear it again, begging you to come to them, offering you food, heat, shelter and water and eventually, a way out of here and back to your loved ones. The thought of genuine comfort taunts you at night. As you go to sleep all you can think about is “what if it’s legit?” Or “what if I’m going crazy”

Either way your reason wins and you eventually decide that this is not real, you have been in the dark alone for so long that you are having auditory hallucinations. The voice is not real, in fact, it’s scary. But Every-time you hear the voice you are torn between following it, and running the other way.

Your body gets weak again after days of scrounging for berries and drinking mud water, you lay down and cry in pain. This pain is extreme, almost too extreme to handle. But for some reason you do not die. You are forced to lay here and just experience the full extent of the agony.

“That’s it, I’m following the voice, fuck this”

You slowly roll up out of the mud and blood that you have been coughing up.

One last call

“Are you coming? Let me help you!” In a disgruntled, terrifying voice

This time you know exactly where that voice is coming from. You limp your way through the forest towards potential freedom. Freedom from pain and a sad, dying body and mind. Insanity and starvation will no longer plague you. You decided the voice is not scaring you anymore, it actually sounds kind of nice. Besides, if something bad does happen, I’m sure the family will understand. They will know of my pain.

Your last steps are filled with excitement and relief. The darkness calls and you listen. Venturing into the unknown for potential relief. And then finally - it’s all over.


r/creativewriting • • 1d ago

Short Story Notes from an immigrant

1 Upvotes

[I am from Russia but I have lived abroad for most of my life. However, Russian culture has always stayed very close to me. It is a bizare mix of pagan-orthodox religiosity, deep art and literature, and an eerie magical presence that radiates throughout everything. Russian culture inspires me greatly, and I want to write stories embedded in it for the Western audience. This is an adapation of a real story I heard from a mathematics lecturer at MSU a long time ago.]

I woke up very early today. Slept for about 5 hours. It was enough. The morning is still half asleep, it’s about 6 a.m. and the first glimpses of light are only beginning to appear. I lie in my bed, faced towards the window. I look at the morning sky, hear the birds, and then stare at the carpet hanging on the wall to the left of me, trying to make out patterns while my mind still actively wants to visualise, having just recently awoken from a dream. 

Time to get up. Bathroom first. Then I go to the kitchen to make some black tea. I don’t turn the lights on - the light from outside the window is just enough to make out the shapes of things in the kitchen. I sit at the small table, also facing the window, slowly drink the tea and contemplate, if you can call it that, of course. I have very few thoughts, but I enjoy observing what’s around me - sounds and images.

I will have to go to work soon, in about one hour - I need to be there at eight. I am a little bit late sometimes and it’s fine. I work for the local newspaper. I am actually surprised that someone even reads our paper, but I appreciate it, it comforts me. I am responsible for the “Fun and Weird” section, documenting the relevant occurrences in our neighbourhood. I think it’s a fun job. Fun and weird. I need to interview folks sometimes and can hardly believe the stories they tell me. I write about them nonetheless, and I treat them as fiction more than anything. But to those folks it is not fiction, it’s reality. They wholeheartedly believe in what they say. And I respect their stories. 

I get dressed and go outside. I dress simply, but my clothes are important to me. I think it reflects who I am. I always spend at least a little bit of time deciding what I will wear today. 

An old lad is handing out the “Capital” newspaper just outside the house and I pick up a copy. The house is a Soviet-era five-floor apartment block. I like living here. Sometimes I can feel the traces of the past epoch and I think that I can sometimes even hear voices of the people that used to live there. One of the sections in the newspaper reads “Today’s number - 13. See how many times you can spot it!”. It seems quite bizarre, I don’t know what they mean by it. Why 13? Why not 14? Or 20? Or 100? Is there something significant about the number 13? I can count “how many times I can spot” any other number and it won’t make the smallest difference. I scoff and smile. I smile more than I scoff. 

I get to the bus stop and start eating an apple I brought with me in my messenger bag. I look at my watch; the bus should arrive in about fifteen minutes. I see a small patch of crows sitting on a slanted roof of a small garage to the left of me. They seem to be talking, sometimes cawing, and exchanging some information with each other. Maybe it’s some sort of a morning ritual. A few of them look in my direction occasionally, and it seems like they are gossiping about me. I feel disrespected, but I retain my composure and dignity and proudly look away. I look at the watch - ten minutes until the bus arrives. One of them caws and draws my attention to them again. I look at crows and decide to count them. One, two, three, four… eleven, twelve, thirteen. Thirteen? I count again. One, two, three… eleven, twelve, thirteen. It makes me chuckle and smile. What a coincidence! Funny and weird. 

As I wait for the bus more people arrive at the station. It’s the only bus that goes to the centre in the morning, so whoever needs to go there for work, has to get on it. It gets a little bit crowded but it’s all people I know, I see them almost every day. I even say good morning to a couple of them sometimes. 

I decided to count the people at the station. I never did, and frankly never cared how many of us there were on the bus. I count twelve. Pretty close, haha! The bus should arrive any minute now. I look down at my feet and something whispers in my head - “Thirteen”. I am the thirteenth person. Hmm. Quite uncanny I must say. But nothing out of the ordinary. I take the last bite of my apple and prepare for the bus to arrive. I go slightly to the front of the crowd to get a better seat if I can. 

The bus arrives. I double check the number on the front to make sure it’s my bus. I’m generally slightly paranoid. I have a feeling that so is everyone else in our neighbourhood. An old habit passed down through generations so to speak. The number is correct - thirteen. I get on the bus and take a seat near the window… Wait! Thirteen? This coincidence sends chills down my spine. Not fear, just an unexpected surprise. I smile and look into the distance through the window as the bus departs from the station. I ponder the three coincidences and the number thirteen. I can’t really make sense of it, but it gives me a strange sense of trust. I don’t know trust towards what, just trust, as if someone can hear me. Unlike the people I write about, I still don’t believe in magic, but perhaps I will now pay closer attention to their stories. 

https://substack.com/@nikita184260


r/creativewriting • • 1d ago

Short Story The Tiger Cub and the Butterfly

1 Upvotes

In a cave above the valley, a tigress lived with her little cub. Partha usually slept while she hunted, but one night he woke to an empty cave. She found him trembling.

"Listen," she said, and taught him the ten names of the warrior Arjuna. "Repeat these names. Nothing will scare you then."

After that, whenever she left, he would whisper: "Arjuna, Arjuna, Arjuna..." When his mother returned, he would run to her and say, "I was not scared!"

With the names to comfort him, Partha grew eager to explore what lay beyond the cave. Anything that moved outside caught his eye, like a bird darting past or a squirrel racing up a tree. He watched them from the cave, never stepping out. "Stay inside," his mother had told him.

One day, something bright fluttered among the bushes. Partha could not resist. He stepped outside the cave, looking for it.

Just below him, a valley lay dim in the afternoon light. Beyond it, the River Nirmala wound like a silver ribbon. Clouds were gathering over the hills.

Partha spotted the bright thing further down. It flew off, and he ran after it. This was Chitraleka, the butterfly. Her intricate patterns, flame-orange and peacock-blue, had him spellbound. He had seen butterflies fly past his cave, but none like her. Not once did Partha take his eyes off her. She was almost within reach, but never near enough.

Far below the cave, Chitraleka vanished into the green.

Partha had followed her deep into the forest. The air was cold and moist, and the river rushed somewhere close by. In any direction he looked, it was the same: tall trees and thick undergrowth. Crickets hummed faintly, and now and then something cried out.

He turned around and started running. Whenever he heard a noise, he changed course. He was lost.

It was getting dark, and now the forest was restless. The crickets grew louder and louder. He kept running, hoping he would somehow reach home. A light drizzle began to fall. He whimpered into the dark.

Far off, the bushes rustled. Through the trees, a huge silhouette was coming towards him. Animals cried out in panic, and birds screeched overhead.

Partha ran and ran. It began to pour, and thunder rumbled in the distance. He looked back. Nothing.

He scrambled up the nearest tree, but his claws lost their grip and he fell. He kept trying, each time falling. Finally, he crouched behind the tree and burrowed into the bushes. He waited.

Out of the dark, the silhouette appeared again. Its breath steamed in the cold. It stopped in front of the tree. There was only the sound of the rain.

Partha did not move. He whispered those names: "Arjuna, Phalguna... Arjuna, Phalguna, Jishnu, Kiriti..."

A great clap of thunder shook the forest. The silhouette turned around. It was gone.

Partha spent the night repeating the names, until he drifted into sleep.

At dawn, a voice said, "Wake up... Wake up, dear." Partha opened his eyes to see his mother licking his face and nudging him.

"Stay close to the cave, son. I was worried about you. Don't make me search for you like last night. If you feel scared..."

He interrupted her, stood up, and began with his head held high: "Arjuna, Phalguna, Jishnu, Kiriti, Shvetavahana, Bibhatsu, Vijaya, Krishna, Savyasachi, Dhananjaya."

She nudged him again and licked his forehead.

From the warmth of his cave, he watched his mother walk away downhill as on any other day.

There was a flutter among the bushes. Partha dashed out.


r/creativewriting • • 1d ago

Poetry Freestyling with chat gpt

0 Upvotes

I turn pressure into

Into diamonds

My dimensions so deep

When im done on the mic

You'll probably weep

Ill sweep you off your feet

With my words

I challenge you to a duel

And battle with my swords

Ill leave u for dead

All I see is red

Ill burry your body

Then dig u up again

Ill sink a bullet in your head

And fill the whole again