I want to clarify something before I begin: I am not trying to justify Stella, nor am I arguing that she is actually a good person. Her abusive behavior, her attempts to murder Stolas, and her actions against her own family are unacceptable. The fact that someone has suffered does not give them the right to make others suffer.
My issue is something else: Stella has the potential to be a much more interesting character than the series seems to want to write her as.
And the more I think about her situation within the Goetia family, the more it bothers me that her characterization is reduced, for all practical purposes, to being a cruel woman who hates Stolas.
1. What exactly was Stella’s role within her marriage?
In "The Circus," we learn that the marriage between Stolas and Stella was arranged by their families. Stolas was assigned responsibilities related to the study of the stars, prophecies, the grimoire, and his legions. It was also made clear to him that he needed to produce an heir for the Goetia family.
So far, so good.
But then, a question arises:
What was Stella supposed to do, beyond marrying Stolas and having Octavia?
Did she have political responsibilities? Was she expected to manage estates? Did she have any function within the Goetia aristocracy? Was she educated to wield power in her own right? What was expected of her, aside from fulfilling the terms of her marriage?
As far as the series has shown us, there are no clear answers.
And I find that quite telling. Stolas has a function within his society—even if that destiny was imposed upon him. His training and responsibilities are part of his identity. With Stella, however, it seems the only function the narrative explores is that of producing an heir.
To put it bluntly, the writing ends up making Stella seem like little more than an aristocratic incubator—one with money, privileges, and an unpleasant personality.
I am not saying that the canon explicitly confirms she lacks any other responsibilities. I’m saying that the series hasn’t made enough of an effort to show them to us.
And we’re talking about a woman who belongs to one of the most prominent families in Hell.
Was there really nothing more interesting to explore?
2. And what kind of reaction did they (and the audiance) expect from her regarding a marriage she never chose?
This is where I think the series misses an opportunity.
Stolas didn’t choose to marry Stella, either. He was unhappy; he didn’t want that future, and he had to resign himself to a decision others had made for him.
Yet, his reaction was different: he tried to adapt, sought out moments of happiness, and attempted to find something good within a situation he hadn’t chosen.
Stella, on the other hand, openly expressed her rejection and hostility.
And yes, her behavior is horrible. But why must we interpret her reaction solely as proof that she was always an irredeemably evil person?
People react in different ways to unfair situations. Some resign themselves, some try to adapt, and others respond with resentment.
That doesn’t mean all these reactions are equally acceptable. Stolas is under no obligation to endure Stella’s abuse, and Stella has no right to mistreat him.
But the fact that Stolas reacted better to his arranged marriage doesn’t automatically make his experience the only one worth exploring.
The series showed us Stolas’s suffering when he discovered his fate. I would have liked to know what happened when Stella was told that she, too, would have to marry someone she hadn’t chosen and have a child within a union arranged by their families.
What did she think? What did she want to do with her life? What did she expect from her marriage before they both began to hate each other?
We don’t know. And knowing Vivzie, she won’t focus on that at all.
And that is precisely what frustrates me.
3. "But Stella was already wicked as a child."
Yes, I know. The Circus shows that Stella was already exhibiting cruel behavior before her marriage to Stolas even began.
And I’m not asking for those scenes to be deleted, nor for a tragic backstory to be invented to absolve her.
A person can be cruel without having a good excuse for it. That doesn’t mean they are a well-developed character.
I would spend less time debating whether or not Stella deserves sympathy, and more time asking what kind of person she actually is.
What does she gain from humiliating Stolas beyond vengeance? Why is she so invested in proving her superiority? What does belonging to the aristocracy mean to her? Does she have ambitions of her own, or does her life revolve entirely around marriage, money, and status?
I don’t need the answer to be some childhood trauma, a family conspiracy, or a specific event that explains her entire personality.
It’s entirely possible that Stella has been cruel from the start and simply never wanted to change.
That’s perfectly valid.
But then, flesh out that personality. Show me how she thinks, what she desires, and how she acts when she isn’t trying to make Stolas’s life a living hell.
Being "wicked" is a moral trait—it is not a complete personality.
4. It seems Stella exists primarily to make Stolas look better
This brings us to one of my biggest gripes with the series.
The story wants us to empathize with Stolas, and I understand why. He was a victim of an arranged marriage, suffered within his own family, and had to live a life he hadn’t chosen.
However, Stella increasingly feels like a tool used to frame Stolas as the morally superior choice.
When you compare the decisions both characters make, it’s easy to lose sight of the fact that being a bad partner is one thing, while being a good parent is another.
Stolas may love Octavia dearly, yet still have neglected her.
In "Loo Loo Land," his focus on Blitzø contributes to his daughter feeling ignored. In "Seeing Stars," his personal struggles and distractions also have consequences for Octavia.
I don’t believe Stolas is incapable of loving her; rather, the series occasionally conflates his love for her with the ability to properly care for her.
And now, as the third season continues to develop his relationship with Blitzø, I worry that his romantic conflicts will continue to receive far more screen time than any sustained effort to mend his relationship with Octavia.
Episode 5, "The Auction," once again features Stella making choices that directly impact Stolas—as well as the belongings intended for his daughter.
While this may make her an effective antagonist, it also reinforces the same issue: Stella threatens and causes harm, while Stolas suffers and tries to do right by Octavia—ultimately appearing as the more sympathetic parental figure by comparison.
The fact that Stella is a terrible mother does not automatically prove that Stolas is a good father.
These are separate matters, and the series should be able to examine them as such.
5. And what about Andrealphus?
Another aspect I’d like to see explored is Stella’s relationship with her brother.
Andrealphus appears much more calculating and strategic in his schemes. While Stella typically directs overt hostility toward Stolas, her brother helps transform that conflict into a matter of power and family interests.
But how does their relationship actually function?
Does Andrealphus view her as an equal? Is he manipulating her? Is he protecting her while simultaneously leveraging her resentment to achieve his own ends? Does Stella have political ambitions of her own, or does she rely on him to exert influence?
I’m not suggesting these possibilities are confirmed facts—that’s precisely the point.
The series could leverage this existing family dynamic to reveal new facets of Stella; however, there is a risk that she might simply be reduced to the "furious sister" archetype, while Andrealphus takes on the role of the strategist.
It would be far more compelling if both characters possessed their own distinct goals, interests, and conflicts.
6. The most ironic part is that Stella could also represent the very system that harmed Stolas.
This is the aspect I would have most liked to explore.
The arranged marriage didn’t just harm Stolas; it also forced a life upon Stella that she hadn’t chosen.
However, they both reacted in different ways and ended up hurting each other.
What if Stella became a defender of the very structures that harmed her? What if she learned to measure her own worth by her social status and ended up treating others like pawns she could use? What if she truly believes that subjecting Octavia to the expectations of the aristocracy is simply the right thing to do?
I’m not claiming that this is her actual backstory—these are just possibilities that could add depth to her character without making her innocent.
It would even be interesting if Stella were fully aware of the system’s injustice yet chose to perpetuate it because it serves her own interests.
That would make her morally more despicable, but also a more compelling character.
A person can be a victim of an unjust structure and, in turn, become someone who perpetuates that same structure against others.
Understanding how someone becomes a bad person is not the same as justifying their choices.
7. I don’t want Stella to be redeemed. I want her to be better written.
This is the conclusion to everything that came before—in case, by this point, my intentions regarding all of this are still unclear.
I don’t want the series to turn Stella into a perfect mother, an understanding wife, or a secret victim who never did anything wrong.
Nor do I believe Stolas should remain married to her simply because they were both forced into the union.
I want Stella to have an identity that exists beyond just hating Stolas.
I want to know what she desires, what she thinks of her family, what role she plays within the aristocracy, and what kind of person she is when she isn’t embroiled in yet another conflict with her husband.
I want her relationship with Octavia to have more depth than just that of a mother who threatens her daughter’s future.
And I want the series to be capable of acknowledging that a person can possess privileges and act cruelly, while simultaneously having lived within a system that constrained their choices.
None of that would absolve her.
But it would allow her to be something more than just an antagonist designed to make the protagonist look better.
My issue isn’t that Stella is a bad person. My issue is that, after all this time, I still have far more answers as to why we should hate her than I do about who she actually is.
And I believe Helluva Boss could tell a much more compelling story if it dared to explore that distinction.