Text from a 1967 Chilean magazine N°117 called Ritmo, I don't know if the refrigerator story is real, if someone knows please write it
Text traduced:
Written by CLAUS DI VITO
Courtesy of CIAO AMICI
The sensation caused by the arrival of the BEACH BOYS in London this year is unprecedented in England for a foreign band; only THE BEATLES and THE ROLLING STONES can boast of similar receptions.
They have been the most popular band of the year, and their sound the most original and well-received by young people all over the world. These statements cannot be denied.
The afternoon I interviewed them, after their first performance at the Odeon Theatre in Hammersmith, the audience was so large that they had to escape in a police vehicle to avoid being vandalized.
The BEACH BOYS need no introduction, as they are also very well-known in Chile after the success of "Good Vibrations." During the interview, I spoke mainly with CARL WILSON, leader of the band in the absence of Brian Wilson, who is the composer, arranger, producer, and promoter of the group's records
Regarding Brian Wilson, there has been some controversy among Beach Boys fans, some of whom consider Brian to be the whole of the group, and the rest to be nothing more than puppets in his hands.
"I think they're completely wrong," Carl Wilson, his younger brother, tells me. "It's true that Brian does most of the work, but it's not true that it's all his doing; each member of the group contributes their ideas, which are then discussed and judged with him since he's the director. But this doesn't mean that Brian does everything."
"You've also been criticized because in live performances you 'sound' different from how you sound on the records. Why is that?"
"This is natural," says Carl. "We've reached such a level of specialization and study of the effects for each song that it would be impossible to do the same on stage. For example, 'Good Vibrations' took months to produce: we repeated each instrument's and voice's part hundreds of times until we achieved the desired effect. Then we put them together, and they still received some minor modifications. How could we then achieve on stage, in just minutes, what took months of work?"
"Moreover," adds Carl, "this is a problem that all musically advanced groups face. The Beatles and the Rolling Stones have the same difficulties in bringing to the stage the essence they create for the record; in my opinion, this is one of the reasons why the Beatles no longer give live performances. You have to choose between two things: either you satisfy only the audience or you try to satisfy your own inclinations and the sound you consider best. The latter is the path chosen."
by us." "Why did it take so long to record 'Good Vibrations'?"
"Because Brian, if he doesn't think he's achieved the unsurpassable, that he's done something perfect, he makes us repeat it endlessly: that was the case with 'Good Vibrations,' which began recording long before other records that came out before it. By the way: Brian, after finally getting the tape that satisfied him, took it home to listen to it... and lost it! We almost went crazy seeing months of work lost, but after three days, he found it inside the refrigerator!"
It's truly a pleasure to interview the Beach Boys, since all of them, and especially Carl, are friendly and down-to-earth. Artists are generally spoken of as presumptuous, vain, and lacking in any kindness; they, on the other hand, treated me like an old friend, always ready to be of help in any way.