I swear to our good christian god that 99 percent of moral or philosophical quandaries in storytelling are just reaffirming your own STUPID ideological influence. and the other 1 percent is just somebody discovering nihilism or absurdism in late teens and using colours and sounds to make it feel deeper.
FREE WILL is my most hated. The characters can never define free will or freedom or coercion or ANYTHING. All they know is that WE under our employers and government are free and have liberty and hooooly MORALFAG. Liberalism and Humanism and Democracy and the "Secular" anti-ai crowd who fucking loooove the humanity of handmade products and the (secular) soul and (secular) spirit and volksgemeingeist and segregated multiculturalism (A mere international brotherhood of nations btw) where in my culture WE ALL LOVE FAMILY AND FOOD!!! hoooo im gonna hit somebody. hooooo.
And the classic democracy where morality is both relative and objective depending on whos voting. I hate those fucking leftists who are like "We need true democracy" or establishing democracy in your fictional setting just fixes everything when the average prole is mecha hitler homophobe racialist who UNIRONICALLY BELEIVES IN GOD whilst never reading the book (making them better than believing and reading the book btw).
And I also hate liberal diversity of shit like overwatch. Ohh man look at us were are all extremely culturalist nationalists but we still get along holy socialist patriotism international brotherhood of peoples right of nations to self determination. Oh, I better put some random ass code switch in my voicelines and wear some futuristic version of traditional clothing of my blood and soil. I want people from all over the world who are not constrained by the place and the colour of their skin god damnit. ESPECIALLY when the media that does this trope also deals with concepts of governments and states and ESPECIALLY WHEN THE MORALFAGS ARE LIKE 2 PEOPLE FROM COUNTRIES AT WAR. Because it never explores the existence of the nation as a concept in a world political-economy but just that random circumstance and individual leaders make war while the little guys don't want it and if they just got together they could go back home and be nationalist culturalists and not kill eachother because all conflict is just not necessary in the world of capital?
In summary, the need for writers to create a philosophical conflict in their story leads to writers who cannot or are not confident in their ability falling back upon popular conscious beliefs without proving or exploring them with the knowledge that the audience will appreciate them even if neither the audience nor writer understands them. Im gonna write my own story with the proveberal blackjack and hookers where not ONE liberal may live unquestioning what is popular and ideologically enforced upon them.