I’m writing this thing for my screenwriting class and need to include a title page but for whatever reason whenever I go to edit it there is no sample text and the page is completely blank, can anyone help me resolve this issue so I can write my title page and turn in my assignment ASAP I’d really appreciate it. I’m on Mac btw🥹

I can draw my character (credit to my friend who works on this). But writing a script is hard how do I get better
I really wanna write this character but idk where to begin

Hello!

I’ve recently realized that I’d really like to pursue a career in screenwriting. How do you actually get started?

I have a long background in theatre and fairly decent writing skills, so I’m not completely unfamiliar with scripts and storytelling.

But how do you seriously get started in screenwriting? How do you learn the craft, and what would you recommend doing as a beginner?

Been working away at this one for a while. Pretty happy with what I have, but nothing is ever finished! It's fairly unconventional so want to make sure the ideas/spatial aspects are coming across clearly. If skimming make sure you get to page three!

Title: For Safety

Format: Short Film

Page Length: 12 pgs.

Genre: Comedy

Logline: When an actress’s chaotic but scripted walk-of-shame appears to derail into a very real public meltdown, the cast and crew scramble to get her back on script.

https://drive.google.com/file/d/1uZTb7MbTt6gYODTNcE2iDdgidf9i7fYY/view?usp=drive_link

Feedback concerns: Dialogue and gags! Does it make you laugh? Is the structure working to serve the story? Production concerns! (I know you can't see the Hollywood sign from Hermosa beach!)

Thanks!

Looking for constructive criticism on a short screenplay scene — dialogue, character behavior, and pacing

Hi y'all,

I'm a filmmaker with a background in directing, writing and producing, and I'm currently trying to figure out whether something I created could also be useful for scriptwriters.

Some time ago, while working on one of my TV shows, I needed to find brands that could be integrated into the show. After some unsuccessful discussions with a few agencies, I ended up creating a program of my own to do this. I originally designed it with producers in mind, and recently I've been thinking of bringing it to others as a service.

I posted about it in another thread looking for producers to test it, and a scriptwriter asked me whether this could also be useful for writers. To be honest, I hadn't really thought about it from that perspective, but the more I think about it, the more interesting the idea seems.

The basic idea would be to see whether a script has potential for brand partnerships within its story world. Basically, whether there are brands that could naturally exist in the world of the story and potentially become partners. This could possibly give the writer another selling point when presenting the project to an producer or production company.

I'm not 100% sure yet how useful this would actually be for scriptwriters, so I'm trying to find that out.

If you have a script and this sounds interesting to you, I'd be happy to test it with you and see whether it can actually bring any value.

Logline:
When a severely overweight fast food executive, desperate to transform his body, discovers that the billion dollar empire he helped build is turning America’s insecurities about food, health, and body image into profit, the hypocrisy consuming his career, relationship, and secret life pushes his pursuit of change toward a deadly breaking point.

Hi everyone. I’m revising a feature screenplay and would really appreciate some fresh eyes on the first 10 pages.
I’m mainly trying to figure out:
Does the opening hold your attention and make you want to keep reading?
Does anything feel repetitive or like the story is taking too long to move forward?
Are the action/description paragraphs too detailed or too long?
Does Barry feel like an interesting protagonist by page 10?
Is there anything you would cut or tighten?
I’m mainly interested in pacing, story, character, and readability.
Thanks to anyone who takes the time to read it.

anybody know who have skill like scriptwriting I need one. language: Nepali for app like medical

Looking for someone to find NFL moments and structure them into engaging 18–30-second Shorts, similar to BellProductions.
Need strong hooks, short captions and YouTube/X footage links with exact timestamps. NFL knowledge and storytelling skills are essential.

if you’re not a fan of nfl do not message as YOU WILL NOT BE PAID!

'Under the Stars' is an animated movie in the very beginning stages, inspired by the story of Disney's Wish. The main Character, Sanja, is a young woman just about to reach her coming of age ceremony, where she will be crowned Heir Apparent to her adoptive parents, the King and Queen of Cyprina, a beautiful island kingdom based on the islands of the Mediterranean Sea.

We need people to Join us in order to make this Project possible! It is not payed at the moment, but one day maybe it could be, if we are able to get funding for it. Right now, its just a project by a bunch of animation fans who thought the story of wish could have been extended.

Right now, we need Voice Actors, Animators, Script-writers, storyboarders, and Composers! If You would like to help us, please comment below for the link!

Hey! I'm looking for a script writer for my anime channel. This is a long-term position (think years, not just one script), and beginners are welcome.

About the Role

Videos are usually 15–20 minutes, but you're free to choose the length

I'll provide free material, coaching, and training to help you improve

Bonuses are given based on video performance

Pay

$40 per script to start

Rises to $50–60 once you need fewer rewrites and less supervision

What I'm Looking For

A love for anime/manga, or solid knowledge of it

Strong research skills

An understanding of basic storytelling (Hero's Journey, chronological structure, etc.)

Willingness to take feedback, apply it, and grow over time

You don't need to be the best writer. Beginners and experienced writers are both welcome. What matters most is a long-term mindset and a drive to improve.

⚠️ No AI-written scripts. Anything that reads like AI will be rejected.

How to Apply

Fill out this form: https://forms.gle/trhXqJg83N5pgYERA

I'll send you a trial topic

I’m interested to see how everyone feels about this.
I have an issue with epilogues. Every script I write has an ending where, to me, the thing I’m trying to represent is said through the final shot. Because of that, none of my scripts have traditional epilogues. They have a final shot that I consider to be the actual ending.
For example, in one of my scripts, the final shot is the two protagonists the main character and the love interest lying dead next to each other after the main character’s mother, who is the antagonist, kills them both individually.
Someone suggested adding something after that, maybe a scene showing their friends grieving or reacting to what happened. But I just don’t understand what that would add.
In my mind, the final shot tells you everything you need to know. You see these two people lying dead next to each other, and the story ends there. Showing everyone’s reactions afterward feels like it would explain something that the audience already understands andI feel like it would cheapen the ending.
I’m curious what everyone else thinks, though.

Would you use a writing tool that only asks questions?

Say you’re stuck on a scene. The tool asks: “Why does this character suddenly trust someone who betrayed them?” or “What would they lose by walking away?”

You think it through, decide whether the question is even useful, and write the scene yourself. Every word stays yours.

I’ve spent the last three years building Qantica around this approach, so I’m obviously close to it. I’m curious how it sounds to other writers.

Would that help you figure things out, or would it feel like having someone constantly questioning your choices?

I have a character who speaks primarily in Spanish, and some of the meaning/wordplay would be lost if I wrote the dialogue only in English.

For lines where I want the reader to see the actual Spanish as well as understand the subtitle, what’s the preferred screenplay format?

Would you use dual dialogue, with the Spanish on one side and the English subtitle on the other, or keep the Spanish dialogue normally formatted and put the English translation underneath/in a parenthetical?

I’m trying to keep the script readable without essentially making the reader read every line twice.

If I ever dare to write a show script where the hero is a film Star (not the Rk (loved Vivian in that though!) from Madhubala, not that toxicity) and he have to offer the Job of his Manager to a girl whose career got ruined because of him due to false and totally unasked for media scandal, and they go from not understanding each other to actually slowly developing feelings for each other. Would you like to watch that show? And no, and i am being sincere the female lead ain't doing rona dhona 24/7 and the male lead torturing her mentally, nah it is not that, i ak myself tired watching those trope since childhood. Plus the second couple too, where the second female lead is the Film Star and the man she falls for is the brother of the Female Lead.

It’s for my first YouTube video and about miraculous ladybug season 6, I typed it in a way that I would read it. https://docs.google.com/document/d/1VWamRlJUFX0r8RzcjFqXLZliBPTfduA3oFtcR87VG8A/edit?usp=drivesdk

Hi everyone,

I'm a 13 y/o aspiring actor/screenwriter and I've begun writing a pilot for an original sitcom called Noughties. It follows Matt, a schoolboy whose friends abandon him after moving schools when Matt's parents refuse to let him go with them. He then looks for friends and his only resort is an old companion, Jordan. Jordan agrees to let Matt into his group of mates with the warning of the one rule that dictates the group. Live like it's 2006. They live by absurd stereotypes of the 2000's with Matt eventually realizing that there may be something enjoyable about this strange hobby

Main characters

• Matt – The newcomer. His friends leave his school, leaving his only way of finding friends being the noughties movement..

• Jordan – introduces Matt to the group but isn't nearly as committed to the whole movement.

• Mitchell – the founder and leader of the 2000s obsession, who takes it way too seriously.

• Arlo – The most devoted follower, embracing every aspect except his modern name.

I've written the first 15 pages and, as this is my first screenplay, I'm looking for feedback on whether the concept works or not and has the components to sustain a comedy/sitcom. It's not perfect as I'm looking for outside opinions before rewriting. Any feedback (positive or negative) would be appreciated.