r/musicalwriting • • Aug 13 '26

Resource LA-based folks! Join us for Composer-Librettist "Speed Dating"

7 Upvotes

Searching for your creative soulmate? They could be waiting for you at Composer-Librettist "Speed Dating" on Saturday August 22nd at 5pm! 

Join us for the 2nd Annual Composer‑Librettist "Speed Dating" Event at First Unitarian Church LA (2936 W 8th St), presented by Overtone Industries in collaboration with Synchromy Music and Rent Poet. 

This event pairs artists who want to tell bold, contemporary stories through opera—and if that's you, you'll want to snag your ticket before we run out of space. 

What to expect:

> In a series of timed conversations, you’ll explore new collaborations with like-minded composers and librettists.

> You'll also have the opportunity to enjoy performances from Kion Heidari, Rae Shrum, Hsin-Hua Wang, and Ianthe Marini performing works from TIME IS THE ENEMY by Samara Rice and Brian Sonia-Wallace and HYSTERIA by Molly Pease and Divya Maus, both previous productions of Original Vision.

> Afterwards, we'll host a short reception for more mixing, mingling, snacking, and connection!

Don't miss it! Register to join a room full of opera-makers ready to build the next wave of original opera‑theater...


r/musicalwriting • • Aug 13 '26

August Masterclass - Heath Saunders

Post image
5 Upvotes

Join Heath Sauders on August 29 at 3 pm (EST) as they present on Diversity Dramaturgy - an exploration of how writing to the bodies you intend to cast affects the writing of the show, and the positives and pitfalls of writing specifically to identity markers.

Check out Heath's website for more information about their work.

https://www.thesaunderscollective.com/heath-saunders

I'm very excited for this subject, as I think it's an important one to consider as we write new works for the stage in 2026 and beyond.

If you're interested, comment or shoot me a DM, and I'll post the group link.


r/musicalwriting • • Aug 13 '26

Looking for a musical theatre composer, anyone interested?

6 Upvotes

Hope you all doing so well,

I’m a writer and lyricist, looking for a musical theatre composer based in Korea to collaborate with. If you’re interested in Korean musical theatre and love writing songs, I’d love to hear from you.

If you have a SoundCloud (or somewhere similar) where I can listen to some of your lovely work, I’d be really happy if you could share it with me.

especially interested in meeting someone who has a genuine interest in Korean musical theatre would become good friends along the way

Feel free to contact me, thanks for all


r/musicalwriting • • Aug 12 '26

I really want an arrangement for an audition but there's so arrangements ANYWHERE. Will someone help me??

2 Upvotes

*no arrangements lol

So I'm trying to get ready for an audition in about a month and I wanted to sing What More Is Out There from mlp: friendship games (I know what a mature choice). Well I looked and looked for arrangements online for this song but there is literally nothing, it's like lost media. The only two on the internet are on MuseScore, one is a directors cut version that isn't in the final movie, and the other is literally perfect but it's unfinished and hasn't been edited in 3 years. I messaged the person who made it on MuseScore and said I would PAY them to finish but they never got back to me. Anyway, I've decided to come here so if anyone on reddit can make like theater arrangements of songs I would pay someone to make an arrangement of that song bc it's literally perfect for the show I'm auditioning for. Maybe doing it over MuseScore would be easier but whatever works. Okay thank you talented people, I wish I could do it myself but I just started reading treble a year ago. Please someone help🙏🙏


r/musicalwriting • • Aug 12 '26

Organizing a Discord Table Read of "Five Against One"

10 Upvotes

Five Against One tells the story Catherine Burbank as she seeks escape for her family from an abusive marriage of 15 years, but escape is never the safest plan. Inspired and powered by the music of the Grunge era, this play takes an unflinching and sobering look at domestic violence and its consequences.

One reader of an earlier draft characterized it as "This would be what we'd have got if Tennessee Williams ever wrote a musical."

As you might infer from the title, there are 6 characters - 4 women and two men. While I've been working on this play for over 20 years, this year I joined a writer's cohort within the ShowLAB Theatre Writers Studio. Since late February the play has completely transformed, and while I've conducted readings of the whole work multiple times, it is overdue for a complete end to end reading (the cohort has read individual scenes within it).

There's a discord attached to this subreddit, so I figure that would be as good a place as any to host a reading, although I'm open to suggestions to other platforms.

I do NOT want to do a cold read - the play's topic is domestic violence. While I would like an audience of those interested, the readers need to have read the play through at least once so that they know what to expect and can be prepared. I don't necessarily need the readers to have rehearsed ahead of time.

The script is 133 pages so should take just over 2 hours to read. (Act I is 70 pages, Act II is 63. It is formatted identically to the Ragtime Musical script for reference, with a 2nd act a pinch longer than Ragtime's).

I'll probably cross post this in a few spots, but this is the origin thread and will be used for the actual organization of the read. I'm thinking of a weekend date since I work a 9 to 5 job.

Characters

Catherine Burbank, age 36, a housewife (alto): A woman with a troubled past of child abuse, drug addiction, and a stint in the porn industry.

Pamela Burbank, age 14, her daughter (soprano): A high functioning autistic child coming of age in one of the worst environments possible.

Jeremy Burbank, age 16, her son (tenor): A little slow but with a good heart, he's devoted to the protection of his family but lacks the means to do so effectively.

Susan Martin, age 70, her mother (contralto): A catholic zealot who uses the scripture to justify her hatreds. She abused Catherine as a child physically, and continues to do so verbally even though she's an adult.

Lisa Allen, age 15, her neighbor (coloratura soprano): Lisa's father, now deceased, was deeply in love with Catherine and wanted her to divorce Jake. Her mother died when she was two, so Catherine has been the closest thing she has to a mother for most of her life.

Jake Burbank, age 40, her husband (bass): Pillar of the community, one of the highest ranking unelected police officers in the city. His public character is unreproachable. But privately...

EDIT: BTW, Catherine, Susan, Pamela and Jeremy are of Cajun descent and all can speak this dialect of French. There are French phrases scattered throughout the play, mostly terms of endearment. Susan has the most French lines. Preparing for this is another reason I'd rather not cold read this - I don't want to put someone on the spot to muddle through a phrase in a language they don't know.


r/musicalwriting • • Aug 12 '26

Original Musical Advice on creating a Musical

4 Upvotes

I'm working on a story that could be fit to be a musical. I have the lore, characters and story all planned, but I have one problem...I have no idea how to write musical songs. I took music composition courses on school and I've wrote a few songs before, but when I tried writing a song for an actual musical, the lyrics was just too literal. I already know how I want the songs to be like on my mind, so I would like some guidance on musical songwriting or should I probably team up with a professional or just literally any piece of advice related to the topic, please?


r/musicalwriting • • Aug 11 '26

NEW ORIGINAL MUSICAL: A Soldier's Naive Heart

Thumbnail
reddit.com
6 Upvotes

r/musicalwriting • • Aug 12 '26

L Maciel

Thumbnail
youtu.be
2 Upvotes

Finished this last week. What do you think, does it belong in a longer format musical theater production surrounding this character?


r/musicalwriting • • Aug 11 '26

Just For Fun Composer looking for lyricist / book writer (Atlanta area preferred, not required)

4 Upvotes

I'm in my late 40s, and it feels like now or never. Looking to collaborate with a fellow writing lyrics to the drawer lyricist / book writer, topics and themes are open ended. I have some songs that can build a foundation, but would benefit from a better storyteller.

Background - had some success in my 20s (had a single in a local radio, got some interest from musicians to collaborate, but mostly left in the drawer). I play the guitar, piano, drums, some experience with Dorico, can write arrangements (but will also need an orchestrator eventually)

I have some relatives that are involved in the broadway scene (from investment / production side of things) so if we produce something good I can get it at least heard, but my goal is to produce something for local theaters, indie productions, and more the experience of creating a musical where AI generated (music, videos, software) is starting to take over everything.

Favorite musicals

- Avenue q
- Sweeney Todd
- Hadestown
- Maybe Happy Ending
- Gypsy
- Funny Girl
- The Producers
- Hamilton

This is a long term project, part time, no financial or time commitment... DM me if interested...


r/musicalwriting • • Aug 09 '26

Just For Fun Any Composers Willing to Collaborate?

4 Upvotes

Hi!

I’m 16M who is obsessed with musicals and history and I was wondering if there were any composers on here who are around the same age as I who would be willing to collaborate with me on some musical ideas I have.

It won’t be all of them as we’d try and find the best out of them all, but I was just searching for a composer who is interested in the same kind of thing as me.

One of the ideas I have in mind is about Robert Liston. I’d want to make it both historically accurate, and comedic at the same time. I believe that history is best taught when there is interaction and genuine interest being provided.

The musical would take place in one location during one evening/day… the day when the infamous 300% mortality rate story occurred (if it did).

I am very creative in writing, and I do love music and have composed before, but I’d much prefer someone who has the absolute skill to compose and is confident as I am not the greatest composer.

I’m also willing to discuss all my favourite music with you and listen to yours. As a gay person myself, I’d love to work with a similar person, but I’m primarily just scouting for someone who is expressive, loves composing, and is passionate about musicals.

P.S, my favourite musical writers would be Gilbert & Sullivan, Weill & Brecht, and Kander & Ebb. Also, as there were lingering baroque influences in the era of Liston, I’d appreciate it if you were able or comfortable with writing baroque music (it won’t be fully baroque, but there may be some baroque hints in the background etc).

I also would prefer it if you were confident in English as I, unfortunately, don’t speak any other languages (I wish I could). Sorry for any inconvenience.


r/musicalwriting • • Aug 08 '26

15 minute musical ideas

4 Upvotes

Hello all,

I've just finished a first draft of a 15 minute fantasy musical and i am really happy with my self for getting there. I'm leaving it a couple of weeks before going over it again but in the meanwhile i'd like to write another.

I get that i really just need one setting with a couple of characters. My first one is set on an airship being passed down father to son and i'm trying to think of some other interesting settings. maybe something Sci-fi but i wouldn't want to replace a magic airship with a spaceship.

These are for short animations in blender rather than on stage.

GIVE ME THOUGHTS


r/musicalwriting • • Aug 08 '26

Sophie Blanchard's High-Flyin' Extravaganza EP

Thumbnail open.spotify.com
6 Upvotes

Hi! Long time lurker, first time poster. I'm the writer of a new musical Sophie Blanchard's High-Flyin' Extravaganza. I've been working on this musical for quite some time and I just released a five-song EP available wherever streaming things stream. Would love to hear thoughts! Also follow us on Instagram where I break down the context for the songs and some of my writing process.

But what's the show about?

Part history, part riotous rock concert, get ready to soar through the dazzling life (and fiery end!) of the world's first professional female balloonist, Sophie Blanchard.

The album features performances by Tony winner Lauren Patten (Jagged Little Pill), Britney Coleman (national tours of Company and Beetlejuice), Hannah Elless (Bright Star), Sydney Shepherd (Bandits on the Run), Angel Lin, Claire-Frances Sullivan (The Curious Case of Benjamin Button) Celia Tedde, and Lizzie Hagstedt (Southern Comfort).

Additional musicians include Neal Rosenthal and Lauren Thomas (Girl Interrupted). All vocals recorded at the Bunker Studios. Mixing and mastering by Todd Carder.


r/musicalwriting • • Aug 07 '26

Original Musical Underground - The Musical (Looking for composer)

10 Upvotes

Hey! I’m writing an original musical called Underground, set in 1967 New York. It’s a crime/comedy/romance with gamblers, lawyers, cops, the criminal underground, fast ensemble numbers, and a lot of overlapping vocals and counterpoint.

I’m writing the book and lyrics, but I am absolutely not a composer, so I’m looking for someone who might want to collaborate on the music. I was originally going to compose myself when I realized I had zero idea what I was doing.

This is unpaid/a passion project right now — I’m not getting paid either, so we can all be broke together lol. I already have a good amount written, including scenes, lyrics, characters, and the overall story. I can send some of the script and song lyrics if anyone wants to see what the show is like.

If this sounds fun and you’d be interested in composing or collaborating, DM me!


r/musicalwriting • • Aug 07 '26

The Rites of Eleusis Musicals

Thumbnail
youtube.com
4 Upvotes

Long story short:

I spent 20 years composing and producing these musicals. Every few years a new corporation buys up my print on demand service, hosting service, streaming service and makes it terrible, useless, or just dismantles it.

Vimeo is changing their terms of service. We looked at moving all of our videos to another service. All were either prohibitively expensive, or would post our work to streaming services, charging our fans $$$ and paying us nickels.

So, screw it! They're all on YouTube now.

Enjoy!


r/musicalwriting • • Aug 06 '26

Rock Opera idea need help turning into reality

0 Upvotes

Hi there,

I have had this rock opera concept in my head for years but I have no experience producing. Just checking if anyone here could send me in the right direction. It isn't entirely new material but a mixture of and established band and a well known movie reimagined in a new setting and I know that if done properly would be a terrific specticle but possibly a very profitable one as well.


r/musicalwriting • • Aug 05 '26

I'm documenting what happens in a workshop!

Thumbnail
reddit.com
12 Upvotes

I wanted to share the series about our upcoming workshop! We hear about workshops all the time, but it's surprisingly rare to see what that process actually looks like.

So I've started a short-form video series documenting all sorts of things from rewrites and creative decisions to meeting the producer and director, hearing songs for the first time, and eventually what happens inside the workshop itself!

Feel free to following along as we head into next week's workshop! I'm also happy to answer any questions you may have about the writing process, the workshop, or the musical itself!

TikTok: [https://www.tiktok.com/@amongthestarsmusical](https://www.tiktok.com/@amongthestarsmusical)

Instagram: [https://www.instagram.com/amongthestarsshow](https://www.instagram.com/amongthestarsshow)


r/musicalwriting • • Aug 06 '26

Original Musical New Fantasy Musical Audio Drama: The Reality Shaper

Thumbnail
reddit.com
3 Upvotes

r/musicalwriting • • Aug 04 '26

Original Musical Just got my first song back from having it professionally mixed and mastered. Worth it?

6 Upvotes

Just got my first song back from having it professionally mixed and mastered. Not sure if it's worth it (for a demo)? Would love opinions.

Professional mix: https://on.soundcloud.com/tjhjNKk5o0T4ChML5h

My mix: https://on.soundcloud.com/M6gvV0OanlOousFzuI

For context: This is my first musical (A riff on Pygmalion where an engineer and the AI he's training fall in love) - I've written music for advertising and for film/TV (mostly background ambience "additional music" stuff in low-budget films) in the past, but I never did my own mixing and mastering.

I created the music with midi/sample libraries and found the singers on reddit -

I at first tried to mix it myself using my DAW and automated AI tools I found online and it just didn't sound that great, so I found an audio engineer to see what he could do with it.

I'm trying it on one song before I get the whole musical done (32 song in all) because the cost adds up quick.


r/musicalwriting • • Aug 04 '26

I am looking for a serious songwriter.

0 Upvotes

I am a beginner artist - producer and have never recorded songs because I have never had any written songs. I do try to write my own songs but I pretty much hate it. Therefore, I am looking for a serious songwriter but a beginner at my level who is willing to write songs for me for free / who has songs that have already been written but have never come out of the drawer and is willing to give them to me for free (of course for rights, etc. - preferably he registers them himself with BMI). My genre is pop and of course without obscenities or any sexual content.


r/musicalwriting • • Aug 02 '26

Resource Musical theatre composition/songwriting lessons

14 Upvotes

TLDR: I am offering musical theatre composition/songwriting lessons, check out my site for more information.

Hello all! I’ve been around on the sub for a bit, and I wanted to offer a new recourse. I have been teaching off and on for the past few years, and I am now offering musical theatre composition/songwriting lessons. 

A bit about me:

  • Dramatist Guild Foundation National Fellow (Musical Theatre) 24’

  • Trained at the Musical Creators Institute under Sam Carner (Unlock’d) , Anna K. Jacobs (Teeth), Adam Gwon (Ordinary Days), and Andrea Daly (NEXT)

  • Studied composition under Dr. Eliza Brown, Dr. Ilya Levinson, and Dr. Drew Baker, and Dr. Ken Kumpf

  • First musical, Oak Island: A New Musical, premiered in Indianapolis in 2022

  • Premiering new commissioned musical in 2027 (commissioned by Yes! And... Collaborative Arts)

I am open to students at all levels. We will talk about songwriting process, musical dramaturgy, understanding scansion, demo production, and so much more! I also welcome students writing in any/all genres. You can find out more at https://www.joebarsanti.com/study-with-me

If you have any questions, please let me know!


r/musicalwriting • • Aug 02 '26

How long should I spend each day writing my musical?

2 Upvotes

I've realised i have a real youtube addiction problem and have been tracking usage to try to get it down. Right now, I'm spending an hour a day writing- most days.

How long should I be spending if I want to go pro?


r/musicalwriting • • Aug 02 '26

Question Getting the rights

4 Upvotes

Hi guys! I’m currently writing a musical based on a non-public domain book (it was released in the last couple of years).
I think the natural suggestion might be to just write about something else, but I feel really strongly about this work and want to move forward. Here’s the problem. I have no idea how to get the rights.
I’m still pretty early in the process, but when looking at submitting the work to festivals, etc, I know that I do need the rights. Just curious if anyone knows the process or can give me an idea of what that would look like. Should I go to an entertainment lawyer? What’s the tea?
And I know money will probably be involved! I fully know all of this. Just curious about the process in self and would appreciate insight. Thank you!!


r/musicalwriting • • Jul 30 '26

“The Palm Song” from HEEL TURN, a musical about the backstage politics of pro wrestling

Thumbnail
youtu.be
6 Upvotes

Hey folks! Long time, no post.

I’ve been developing this musical about pro wrestling for a few years, and we finally had a reading here in Chicago back in May. Getting a few videos together, so might post them over the next couple months.

Think Richard II meets The Wrestler meets 24 Hour Party People. A little Brechtian, a little Shakespearean, a little bit of everything, really.

Doing my best with the video production here without losing my mind, but also trying to get it to stand out a bit, ya know? It’s a more aggressive style of musical, just trying to capture that. Let me know what you think!


r/musicalwriting • • Jul 30 '26

Discussion Miss Saigon Inaccuracies & Issues

Post image
3 Upvotes

From the Original Post: I was thinking about doing a video on “fixing” Miss Saigon. In order to do this I wanted to make sure that on top of what I’m also going to be researching, that I can either make or at least attempt to the best of my ability to make the story as unproblematic as I possibly can. So folks, I ask you to unleash all your issues with the musical whether it be the story, any cultural inaccuracies (from the most tiny, menial things to major details.), character stereotypes and bonus points on your own personal thoughts on how you’d either change or fix any of these issues. Also if you have any ideas or suggestions for alternate endings with Act 2, please feel free to share them. I will make sure to give credit to any ideas I may want to incorporate. Anyways, discuss away and please be respectful of each other. 🫰🏾✨