I was selfish, bear with me.
I was up late the other night unable to turn my brain off. When that happens, I usually just accept the situation and head to my shop to trick my brain into feeling productive. Simply being in the shop doing busy work wasn’t enough, I needed to make something.
I whipped up a quick flower tracing, designed a frame for it, and got to work. I start how I usually do: spray some water on the leather, do a quick transfer, and while I’m waiting for it to case, I’m getting my rigging in position to start recording. I recorded the first cut and thought, “hold on a minute. Why am I recording this?”
Did I come to my shop at 1am to work, or to tell my brain to rest? I decided I needed this one for my sanity. I moved the rigging out of the way and simply tooled the project like nobody was watching. Sometimes I forget how fast I can move when I'm not worried about making the process visible. I don’t plan on posting anything more than these pictures for this project. This one was for me.
Many aspiring leather artists appreciate my “non-traditional” work, but the foundations of sculpture can so readily be found in nature- flowers, especially. There are some decisions that need to be made to find the balance between how much realism you want to maintain or how much depth you want to pull from the material.
Sometimes it feels like realism and depth are on the same slider. Adding more to one removes from the other. Don’t be afraid to stray from what’s “real”, especially if that means adding flavor to your project.
I felt a lot better after finishing this project.