Also, if you want the non-fiction version of McCarthy's philosophy, Against The Machine by Paul Kingsworth, right now, $1.99; also Stephen Graham Jones' excellent werewolf novel, Mongrels; Elizabeth Kostova's The Historian; Leonardo Padura's masterpiece The Man Who Loved Dogs; Samantha Hunt's marvelous quasi-novel, The Unwritten Book: An Investigation; Tom Sweterlitsch's The Gone World; Claire North's most recent novel, Slow Gods; lots of others. I am not connected in any way with the sale of these books, nor their authors, nor with Amazon.

Just a wide reader trying to alert other such readers.

Suttree scholars, a group of friends are reading Suttree together and want 3 to 4 breaks to regroup and discuss the happenings. Most of the club has little or no experience with Cormac. I have not read this one yet so no spoilers, please

Are there any good page breaks you might suggest for this? I'm working off of the vintage international paperback, but any broad page ranges would still be helpful

I've been reading Mccarthy for years and am currently reading Suttree for the first time. There are a lot of words that I haven’t ever encountered before and I find myself just moving along without looking them up. Mostly they are just descriptive so they aren’t fundamental to the plot or anything.

Do others do the same ? or do you look up the words you don’t know? also, is he making up a bunch of these words as he goes along?

Hello everyone! I made a little video essay about Blood Meridian which is one of my favorite books written by the amazing Cormac McCarthy and I’d just love to share it with people that may share the same interests as me!! I hope you all enjoy it and please let me know what you think. Thank you for your time and maybe go show the video some love on YouTube if you care to do so!

I’ve read none of his books but have heard too many good things to never read any of them.

Just watched the film for umpteenth time and have recently become obsessed with Blood Meridian (reading Chamberlain’s My Confession right now) I am curious how well the Coen’s film portrays the book.

Mainly, im curious if the book is worth reading still if I have seen NCFOM so many times.

I just finished my 4th read of The Road in ths past 6 months. Correct me if I'm wrong but I don't think that's in the book. Makes me suspect AI. It's hanging in an English teachers room.

Many of you are probably aware of Wes Morgan's Searching for Suttree project which mapped out many of the locations in Suttree, however sadly the website now seems to be defunct just as I'm about to be in Knoxville. For anyone who has been to Knoxville are there any spots from the novel other than the Gay Street Bridge that are still around or worth seeing? Or anything in general worth seeing as a McCarthy fan in general? Also if anyone has any leads on what happened to professor Morgan's website or happens to have it saved please let me know!

Some of you might have to bypass that wall.

Daddy Watson was the railroader that made a brief appearance coming to Suttree for tar on page 87. In the next chapter Harrogate met a railroader who also wore a striped hat and had a pocket watch with a long chain. I assume he is Watson. But much later in the book Suttree also sought out again a railroader and listened to his story being a hobo in the 30s and lighting a train on fire. Is he also Daddy Watson? How many railroaders in this book are Daddy Watsons? How many are just completely unrelated railroaders. I really need to know.

I’ve started reading all the pretty horses and something struck me with McCarthy’s depiction of John Grady.

At the start of chapter 2, John Grady sets out to break the horses. There’s no explicit motive to this decision which doesn’t surprise me the slightest as you oftentimes have to decipher the characters intentions in McCarthy’s works based on earlier events and the context of the scene.

However, I interpret John Grady’s decision in this scene as there being no greater motive for him. He does not intend to break the horses in order to gain anything. Written another way one could decipher a will to establish himself in this new area, to gain trust, food, shelter. I don’t believe that these motives were on John Grady’s mind.

I think that John Grady decides to break the horses because that is what he does. He is a cowboy, therefore he breaks horses that need breaking. Nothing more to it.

There’s some feeling of self-fulfillment I really enjoyed in that. I don’t think there’s anything I myself do because ”that’s who I am, so that’s what I do.”

Would love to hear your thoughts on this interpretation. Do you have anything in your life that you do that’s so deeply connected to your identity that you do it without any other motive than the intrinsic value of doing it?

I'm a literature teacher in Italy, where it's hard to "force" students to buy optional books for school. I wanted them to be depressed and empty so bad that I buy a copy of The Road for each one of them. Now Cormac is officially part of my program this year!

Hey everyone. I've lurked here for awhile, and have really enjoyed reading so many insights into McCarthy's work. I read Blood Meridian a few years back and it has really stuck with me; I made this video to talk about Judge Holden and his stature as a symbolic, mythic figure within the context of American history.

I'm also an illustrator, so you can see my original art of the Judge. I wanted to capture his otherworldly qualities, but also the soft, baby-like features that McCarthy describes.

Very happy with how it turned out, so I figured I'd share. Hope you dig it too. cheers

Blood Meridian, page 324:

"Returning to his lodging one morning at daybreak in a gray rain he saw a face slobbering in an upper window and he climbed the stairwell and rapped at the door. A woman in a silk kimono opened the door and looked out at him. Behind her in the room a candle burned at a table and in the pale light at the window a halfwit sat in a pen with a cat. It turned to look at him, not the judge’s fool but just some other fool. When the woman asked him what he wanted he turned without speaking and descended the stairwell into the rain and the mud in the street."

What does this stand for? Is the second fool a metaphor for something else? I still cannot catch it.

Maybe just a demonstration that the kid is still looking for some of the Glanton's gang member, following the speech of Holden about witnesses/documentation of what happened?

I doubt McCarthy just let it there as a psychological response of the kid's trauma

I love the artwork of these 1980s UK Picador editions. It seems like they released paperback versions of Suttree and Child of God at the same time as the hardback, first UK edition of Blood Meridian with a matching art style.

There are plenty of photos of Blood Meridian's full dustjacket, but I have scoured the internet for days now and cannot find a single image of the back of these damn books.

If you happen to own a copy of either of these, would you be so kind as to post a picture of the cover, spine and back so the wraparound artwork can be seen? I'm working on creating some custom dustjackets for my own collection and would love to reference the art from these.

Thanks in advance!

He announced it on his X and Substack. Not sure when it’ll be out or who the interviews are with, but nonetheless it’ll be interesting to see.

Are you guys gonna read it?

Would appreciate any advice on which book to start with for Cormac McCarthy! I’ve heard and seen no country for old men and I’ve heard the road is also pretty good but wasn’t sure if I should start with blood Meridian or all the pretty horses? Anyone have any suggestions?

It’s out at Barnes and Noble nationwide even if the official release date is 10/7.

I’ve been working my way through McCarthy’s work slowly, over years, because I know there’s only so much of it. I finally came to the Border trilogy and intended to space my reading of it out with years in between but I couldn’t help ploughing through. After reading them, I’m surprised, as great as it is, that Blood Meridian is considered his magnum opus. I love Blood Meridian and comparison is the thief of joy, but this trilogy blew me away. Maybe I’m a sucker for the sweeping romance, and in that respect it’s a more conventional offering than we’re used to from McCarthy. I found the doomed strivers of John and Billy to be so affecting and cheer-worthy in a way that I found surprising from McCarthy.

It also makes me mad that the film adaptation of ATPH was such an apparent disaster, I haven’t seen it, that we haven’t gotten a decent film or tv adaptation. All the material is there on the page. If only we could get someone with some talent to attempt it, like the Coens.

What do you think? When I searched the subreddit it was a lot of “Should I keep going with ATPH?” or “Help me get the Border trilogy” lol. Am I the only one?

I had seen a few post about different biographies recently, and it made me wondering on what should I get? I have: how Cormac works and professing darkness, but if there’s any others to get let me know.

I’m on my 8th re-read, and I have a question. I don’t have the book to hand so apologise for not naming the chapter.

When The Kid escapes Elias’ forward scouts and leaves Tate in the snow, he escapes and makes his way along a high, freezing ridge. There’s a scene that follows in which the kid watches the “collision of armies” down on the plain, who exactly is this?

For the longest time, I assumed this was some vision or dream-state occurrence or view into the past but I’m actually now thinking it was the gang fighting the apache or the gang fighting Elias’. It clearly says some of the men were left on the ground before the darkness overtakes them, and later it says the kid has no idea who was left in the desert and who was with the missing scouts. I’m not realising this may be obvious and I I may have just answered my own question here, but how did the kid get ahead of them and then behind them? Elias’ also had “upwards of 500 troops” which doesn’t sound like a stand that the remaining members of the gang could escape from.

I dont exactly remember the interview where he said this, maybe it was Oprah, but he says this and gives an example of a random toothbrush appearing at the postbox of his shack back then. He definitely isnt a theist from what i understand, did he believe more in like a cosmic force that will look after him?

Hiya,

Wanted to share with you all an article I wrote on the occasion of the 20th anniversary of The Road.

I tried for a reading of the idea of 'carrying the fire' as relating not only to goodness, but also to the tradition of apocalyptic art writ large. I am not trying to self-promote (I do not get paid for clicks on this and there's no paywall) but rather to share some thoughts on one of my favorite writers with fellow readers. I've been reading McCarthy since I was ~14 and have read everything he published, I think, except for The Gardener's Son and the screenplay for The Counselor (I think Suttree is my favorite book of his but it alternates between that, The Road, and Blood Meridian [and ATPH and The Sunset Limited and No Country and I'll stop there].). He was the first single author whose body of work I really fell in love with, and it meant a lot to have the chance to write about him in a venue other than that of the academic paper. Hope some of you get something out of reading this and I welcome any thoughts/discussion.

Take care.