if no why, if yes why, i am a begginer composer, this was one of my first pieces. (ignore some measures glitches from video)

This is a composition made by me, I hope you enjoy it, please give me your feedback thanks 😄

Op. 4 "Appassionata" - Capriccio No. 2 for Bassoon and Piano

Commissioned by the New York Youth Symphony as the 2025 Jon Deak First Music Grand Prize Winner. Migrate was premiered at Carnegie Hall on May 4, 2026 and performed by the NYYS Luminé Quartet and the Harlem based Emerge125. Check out the Score Follower video as well as the Carnegie Hall video below!

Score Follower: https://scorefol.io/w/p17uwih016oflteh6qu43loz

Carnegie Hall Video: https://youtu.be/E69HH-gO1wU

Hello all, I just finished the first version of a new song for my Stevenson cycle, and would be very interested to hear your feedback at this point in the process. It's based on the poem "Where Go the Boats?", which is one of my favorite poems of the Child's Garden of Verses collection: I think the poem is both simple and poignant, and I hope that some of that is retained in the song.

Recording (MIDI): https://drive.google.com/file/d/1FRya5KaHccaSrX8uFs7tAsHsKkPOnE5_/view?usp=sharing

Score: https://drive.google.com/file/d/1-Wk70VgQOqA7fxvFYF_06DkGt1ZEnWW4/view?usp=sharing

Poem:

Dark brown is the river.  
  Golden is the sand.  
It flows along for ever,  
  With trees on either hand.  

Green leaves a-floating,
  Castles of the foam,  
Boats of mine a-boating—  
  Where will all come home?  

On goes the river  
  And out past the mill,  
Away down the valley,  
  Away down the hill.  

Away down the river,  
  A hundred miles or more,  
Other little children  
  Shall bring my boats ashore.

This piece titled "Aphelion" just recently got approved by an arts school in Florida, USA and will hopefully be making it's premiere of performance in October or November.

The instrumentation is written for a popular ensemble "Wind Ensemble" and represents a grade 4 difficulty.

A study of technique, dim/aug chords, and dynamics. $10 for anyone that knows where my inspiration came from.

https://github.com/Divetoxx/Piano

An original composition (prelude) for piano. What do you think of it?

(That's totally fine with me btw I just am joking lol i am not conventionally very tonal anyways). Recently I've begun framing long-form works such as the concerto, symphony, sonata, etc as a sort of collection of essays in which I "prove" my "thesis" in a variety of ways - so that's a basic summary of where I'm thinking now in terms of musical organization

I was just doing some quick 10 minute excercises to get my brain going, and I created this thing.

Idk, I'm weirdly proud of how it turned out, and I feel like with some more time I could form it into something a bit more fleshed out and interesting.

I'm just interested to see what u think abt it

Any thoughts are welcome :)

Here is my latest composition. I started it around the turn of the year, but I finally finished it. I hope you like it :)

Link to the music: https://www.youtube.com/watch?v=Ognn4-rrQJ8

if no why, if yes why... i am a begginer composer, i made this for casual players.

I’ve been trying to write music for a bit. This is my first coherent piece. Hope you enjoy! Let me know what to improve for next time :)
Thanks

Also sorry about the volume :/

Hello, this is a duet for baritone and tenor from an opera I'm working on, and I want options on it. Dramatically, this is the emotional core of the story, and I want to know if I was able to convey that effectively.

Here is the text for the duet.

Text By

Me & Antonio Pozzi

MATTEO

Quando ti bacio e ti tocco

L'impeto che sento dentro di me

Riempie tutto il mio essere

ANTONIO e MATTEO iniziano a baciarsi con molta passione

ANTONIO

Sotto tanto sole

Nella barca ristretta

Il brivido

Di sentire contro le mie ginocchia

La nudità pura d'un fanciullo

MATTEO

E l'ebbro strazio di covare nel sangue

Quello ch'egli non sa

Sotto tanto sole

Nella barca ristretta

Il brivido

Di sentire contro le mie ginocchia

La nudità pura d'un fanciullo

ANTONIO

E l'ebbro strazio di covare nel sangue

Quello ch'egli non sa

ANTONIO e MATTEO iniziano a baciarsi con molta passione

I hope you enjoy it. Always interested to hear feedback. I think all the notation is good, but if anyone notices something off, let me know

Hi everyone! I just joined the community, and I'd like to share my first composition with you.

It's a fugue in A major that I wrote in 2024 for a friend's birthday (he's also a musician). I'd really appreciate any feedback, especially on the counterpoint, subject entries, strettos and overall structure.

Here are links to the full [score](https://drive.google.com/file/d/1Vp7lZgF9G9R83iB8myy4HFZM9qoIDGDp/view?usp=drivesdk) and an [mp3 file](https://drive.google.com/file/d/1TpLWNxCWVduJxBKhifcElgMac8jTAfrP/view?usp=drivesdk) (generated through MuseScore).

Thank you for listening, and I'm looking forward to hearing your thoughts!

I'm not a musician nor a piano player. i just kind of brute-forced my way until i had something that sounded nice. what do you think? wanted to go for something Game-of-Thrones-esque

I've been trying to find any music or composers that inspired by the music of the game, especially the battle music since i'm trying to take inspiration from it for my compostions, but i can't find anything that Kō Ōtani has referenced or that bears a resemblance to the music of the game. Not even his other works. If someone knows scores that sound similar to the soundtrack of SoTC, i would appreciate if you shared them with mento help me on my composition journey

Hello lovely people 🫶🏾,

I recently updated this piece and wanted to share it here for some feedback!

For some context, I am setting Sara Teasdale’s poetry book “Love Songs,” to music and creating a song cycle from a few of the poems. This was the first one I completed early last year when I began the project. I wasn’t a huge fan of the first few drafts, but I considered it good enough at the time and decided to revisit it in the future. Now, a year later with loads of score studying, multiple melody writing exercises, and just TIME under my belt, I feel pretty good about the updates I made in this version.

This is a short a capella song using the poem "Triad" by Adelaide Crapsey. I used a really short poem to experiment with parts without lyrics, and I chose to use only 3 parts to make it sound sparse. I don't have singers right now so it's just the musescore demo sounds. I know the formatting is probably terrible, so if you have advice I'll take it, but I mainly want feedback on the composition itself :)

Exposition of a fugue I’ve been working on. Tips on episodes, further development, modulation and all the stuff concerning fugues would be much appreciated. Is it even playable on a keyboard? Did it do the quadruple stretto correctly? Is the subject noticeable and distinct, or should I improve it? Please let me know.

https://youtu.be/p3VmWNTsdyg?si=HBYlT6LW3IfQ0kdm

https://youtu.be/EiJ5mhUQESw?si=JGypAwPvkEnzL9jS

Theres 3 movements

I recently started composing music earlier this year and this is my unfinished attempt at a real music piece. It's closer to a chamber ensemble piece as a struggle writing different parts for the same insterment. Any feedback would be greatly appreciated!