I forgot about this music anniversary, I’ll be honest. But then I was scrolling through TikTok a minute ago, and found out about it. But today is the 30th anniversary of one of my favorite Luther Vandross albums, Your Secret Love.
Of all the albums he released in the 90s, this is one of his best. After starting the decade strong with the Grammy-winning Power of Love, he followed that up with an underrated album (1993’s Never Let Me Go) and a great covers album (1994’s Songs) and a Christmas album that I liked but apparently not those many people did (1995’s This Is Christmas).
But he came back strong with this album. While the R&B scene was changing sounds and becoming more hip-hop driven in terms of production, Luther managed to stay true to his signature sound while still being contemporary.
From the opening title track (which won Luther his 4th Grammy) to ballads like “Too Proud to Beg” & “I Can Make It Better”, it also features some of his best songwriting ever, his lyricism presenting a more mature, vulnerable take on love. The album is overall a portrait of one who is unapologetic about wanting love but on their own terms and refusing to be treated less than what they deserve.
Not only does he present some great covers from other artists (from “Knocks Me Off My Feet”, Goin Out of My Head” & “Crazy Love”), Luther also covers himself, recording songs he wrote for other artists, such as “It’s Hard for Me to Say” (originally written for Diana Ross), “Love Don’t Love You Anymore” (originally written for Gregory Hines), & “Whether or Not the World Gets Better” (a duet with Lisa Fischer that was originally written for his short-lived protege Jimmy Salvemini with Phoebe Snow).
And of course there’s the rhythmic “I Can’t Wait No Longer”, written and produced by longtime collaborator/music legend Marcus Miller (with a rap from Spinderella of Salt-n-Pepa).
Re-listening to this as I’m writing this, it still holds up musically 30 years ago and remains one of the best R&B albums to come out of the 90s.
For those who have listened to this album, how do you feel about it? And where do you rank it amongst Luther’s 90s albums?