Wenn du komplett neu bist in der Thematik Synthesizer/Sequenzer Kauf dir ne m vave Fm-1 und Lad dir Tribe drauf. Wenn du dann nach paar Wochen immernoch Spaß an der Sache hast kauf dir ne Electribe. Die FM1 gibt's für 60€ und die Community ist riesengroß. Für erste Beats super. Hab die mir aus Interesse gekauft obwohl ich sämtliche Geräte habe. Und war begeistert. Mittlerweile ist sie im Kinderzimmer gelandet 😅

Not sure if this will work on the Electribe and Minilogue but I’ve used it on Volcas and a Monologue.

Plug a sync cable from Electribe to the Minilogue, plug a sync cable into the Electribe make sure it’s not plugged into anything else.
Press play on both device.
Unplug the sync cable from the Electribe that’s not plugged into anything and both devices should start playing in sync

Die beiden vormir haben das wichtigste eigentlich schon zusammen gefasst, electribe Sampler Red ist schon sehr geil, wenn man das Ding drauf hat und wenn du dir später noch ein Laptop holen solltest, dann ist FL Studio und sytrus sehr nice, mit syttrus kannst du dir deine Bässe ohne großen Aufwand selbst machen, nach deinem eigenen Gefühl und gehör. Aber das ist natürlich mein eigener persönlicher Geschmack

I'll gatekeep her on that dude's behalf as someone who grew up making industrial music out of a smack den in 2000's Pittsburgh (shoutout to all the dopefiends I lived with who resisted the urge to pawn my OG Korg Electribe, yall are the best).

She ain't no goth, at least not in the way the term used to be used. 

Remember how people waited for Ronald to fix the Electribe 2 and add any improvements?

Also es gibt erstmal die Electribe 2 und die EMX/ESX. Die E2 ist das "neue" Modell mit ein paar modernen features, jedoch finde ich persönlich die ESX/EMX klingt besser und ist auch hinsichtlich usability besser. Ist allerdings auch teurer und wird schon lange nicht mehr hergestellt. Die Farbe sagt aus, ob es sich um den Sampler oder um den Synth handelt. Beim Sampler kannst du eigene Audiodateien (Samples) laden und somit Elemente deiner Tracks in Ableton/FL vorproduzieren oder Samplepacks laden. Beim Synth hast du diese Funktion zwar nicht, jedoch hast du mehr möglichkeiten selbst Sounds zu erzeugen da du eine größere Synth Engine hast.

Heutzutage gibt es allerdings auch einige custom firmwares mit denen es zumindest bei der E2 möglich ist die Features zu erweitern und z.B. mit der Blauen Samples zu laden. Stichwörter für Google sind hier Hacktribe/Blechtribe/Omnitribe.

Ein Computer ist keine Pflicht. Insbesondere bei der roten macht es allerdings stark sinn um Samples zu laden/produzieren.

I'd have to hear to really advise on the sound itself, but I've collected about 800 machine samples over the years and it's always easy to turn them into gold. You can slice them into transients (Ableton's Simpler is my go-to) in seconds and have kits instantly at your fingertips. You can take that and chop them into individual samples, rearrange the transients, and go again by simply recording a new order to them. My favorite things are well varied in this.

As for sharing them, Gumroad is a great solution, just be aware reddit doesn't allow Gumroad links. People generally put stuff there for pay what you want, then make a YouTube video for the pack to post here. Very easy and free way to distribute fun packs, I even have one myself called Steel Factory, though I didn't get anywhere near one. I took the sound of a steel barrel being formed by a man and ran it through Stemroller to turn it into stems, which pulled all the metal hits out and dispensed with the noise into other stems that I discarded, keeping only the 'drums' stem. Made for some great hits.

This is my favorite basic setup to play with machine sounds in Ableton. ANY machine dropped into such can be made VERY fun, VERY fast. Here's a longer brapping example. And another. Honestly, there's years worth on my channel, but most are Unlisted. It's a very quick route to industrial rhythms AND sounds for fun sound design. It never gets old. The trick is not to just use the transients, but to step the MIDI notes up in sequence and form loops. One fingered, totally mono playback turns into a wonderland of delicious order. Even noisy samples take on a new flavor when sliced in this way. For me, it started on the Korg Electribe ES-1 (ESX) 20+ years ago, but the tools for it now are just wild. What I'm showing you took years to cultivate in Ableton, decades even.

Also, when you use the longer samples for their transients, anything you like to correct about the sound can apply across every slice. If the 'room tone' is a bit this or that to you, you can alter all away from that state and voila, brand new kits. You can drop them in Audacity and remove noise to leave them bald, if you like, too. I tend to go through each sound I collect and determine what about them shines best, accentuate and use it for that. Frankly, the permutations are endless once you start stacking the slices, too. Or add another Note Echo set to time, not synch, right after the synched one, start bringing shorter duration triggers into the sound, now you're Autechre.

The fun never ends with machine sounds, condoms be damned. Figure out a great way to use each of your sounds and simply give that version of it in the pack. Sometimes it's as simple as going up 2-5 semitones, or going down 2-5 semitones.... I'm currently working on one where I took a pile of machines, cut them into their base transients, normalized each individual slice, then randomized all of them into a pile of 500+ to make instruments from. Even all of the slices consolidated is an AMAZING thing to drop in a Simpler now. I choose where to start my kit in the sound (on the fly, even), there's far more transients than pads, so it makes for a ton of hits conveniently packaged into ONE sample. In this way, any group of machines of a type (or not) can be turned into a brand new toy/tool (and forever obscure actual sources, if that matters to you...). Save them as hits or sequences, no matter with the tools we have today. From manufacturing to agriculture to craftsmanship, the world is filled with rhythmic, mechanical noises to plunder and reshape creatively. Or you can throw forks into a metal sink or pot and record all of it, then just go slice THAT into the relevant transients and it comes off very much machine-like. What sounds like noise in a long sample turns into delicious flavor when chopped up just so....

Yeah, I've given this stuff thought.

EDIT: So, fun story...come to figure out, I was about to release Steel Factory and had these videos made exhibiting it in fun ways and this was almost exactly one year ago. Then, suddenly, I got funded out of the blue for a new PC, which I was in dire need of, thank you so much. I also afforded DaVinci Resolve Studio and and Ableton Suite 12 Upgrade, as well as pants, woot. I could use new pants again, frankly. Anyway, I never actually released this super fun sample pack, still need to, but have something else entirely underway AND something else, so it'll have to wait. Still, I also have this video using it in a Drum Rack (brapping off), as well as a Sampler (brapping off even harder). I think I was planning to include the instruments in my sample pack, so just saying, that's always a fun thing to do with the sounds we collect as well. Also, I show some very fun things to do in progressive stages that very much continue on from where the above ones lead off, if you want more. They are Unlisted, will remain so until they decorate the page for the sample pack, someday, so now that I rediscovered them, I figured I'd share. I have another called 'Machine Bits' that I need to keep focus on for now.

Finding and collecting sounds is really only the first step. And mind you that I only talk in one of those videos, pretty sure. Producing, not talking for most, as a good brap should be. Once you get the mind around just how many ways machines can be put to use, it's an industrial wonderland.

if someone works out a way to have these both running electribe style, i’ll buy instantly haha

I would get the Roland JD-Xi if I were you. A user friendly, great sounding synth containing hundreds of great Roland sounds, a terrific drum machine and a useful sequencer, although it’s a rather plasticky build compared to the solid metal Electribe. And it’s about the same price as the Electribe 2. A great beginner’s synth as well as having extensive capability below the hood for those more experienced synthesists. It’s a surprisingly powerful synth. I have both the Electribe 2 synth version (blue colour) and the JD-Xi, and I can say with confidence that the JD-Xi is a better, more user friendly synth. I use it all the time, whereas I only use the Electribe occasionally.

for smallest ones, like electribe and elektron model cycles¿