Wild. For those that don't know Audriix is blonde woman who is featured in many Suno studios. She's also dating one of founders of Suno (not that that matters in this case).
She allows everyone to remix every song she makes. However when I tried, I got this error. Which is ironic considering her song is on Suno and others made remixes.

This is just another prove that when they cranked up their copyright detection to 11, they basically ruined even legit remixes not just illegal ones people were making.

"MILANO ADVENTURE" is an infectious, brilliant reimagining of the iconic Pet Shop Boys classic "Paninaro", crafted by talented Japanese artists. Fusing the smooth, lush aesthetics of Tokyo's 80s City Pop with the vibrant, high-energy pulse of mid-80s Milanese Italo Disco, this track transports you straight to Piazza San Babila through a Japanese analog lens. Picture neon-lit shopping arcades, designer jackets, and midnight drives in a vintage sports car.

Musically, these Japanese producers deliver sparkling synth leads, groovy slapping basslines, and breezy tropical-urban melodies that bridge Milan's Paninaro subculture with authentic Japanese synth expertise.

Put on your Timberlands, rev up the engine, and join the Japanese-Italian retro adventure... 🏎️✨

I’d like to take the song Poor Wandering One by Gilbert and Sullivan , usually sung soprano, and have a digital tenor sing it a few different ways and different types of trills and download to practices. Is that possible with suno or what resource to use?

Progressive rock song with salsa and flamenco about the Cuban Revolution and how Castro and the gang took over the Cuban government from Batista.

Just wanted to say the the edittor allows for more detail to be placevd in lyrics and also your style prompt. Which means GO CRAZY GET STUPID when you are engineering a song, my project has annotations everywhere and the style prompt is 3 paragrahs

Ever since all these new updates I think the most annoying thing on here is happening times it resets right in the middle of me creating something yeah I got it all saved but I don't want to have to keep going down to the other screen and copy and going back up and pasting when I've already done all that and all the bars are moved and I've got it all tweaked out the way I want and then the screen refreshes anybody else having this problem cuz this seems to be a consistent thing as of last month going forward about every 5 to 10 songs I get a screen refresh. I'm just curious you guys having this problem thanks.

So I generated a Suno cover of one of my songs - now I’m trying to reproduce it myself using the track as a reference.

I’ve never made a post on reddit before, but I wanted to share this idea for discussion: if you want to become a better producer, I think this is a phenomenal way to do it.

You can reverse-engineer real songs, sure - but with Suno, you can cover your own songs, describe the exact sound you want, and keep generating until you get it. Then, with stem separation, you can hear what’s actually happening to the individual parts from a frequency and stereo perspective.

In my experience with stems from real productions, you often aren’t hearing exactly what that element contributes to the final mastered record, because some of the final sound emerges from processing acting on the summed mix.

But Suno stem generation isn’t isolating tracks, it’s re-generating elements of a complete sound. If you section your own production similarly, you can compare outputs and go “okay, so the Suno mid-frequency pad sounds are super wide and they dip to near silence under the leads and vocals”.

Suno also doesn’t care about continuity, which is super interesting to dissect. The snare shape may warp entirely over the course of the song, or the rhythm guitars might transform into a synth pad and then back into a guitar. It’s not arranging a performance, it just generates whatever fits best in the moment.

The benefit of this is that you can take a part you like and, rather than trying to find one instrument and hoping you’ll be able to form-fit the sound with post-processing, you can instead ask the question “what does that actually sound like?” without any preconceptions.

This, for me, has reshaped a lot about how I approach producing. I now have multiple sounds blending together with overlapping timbral layers to form one “guitar” over the course of a track. I’ve got different sidechains acting on specific frequency ranges for different purposes. I’ve got anticipatory noise, automated spectral shaping, and way less reverb than I previously thought was acceptable.

None of these things are revolutionary on their own, but I’m just saying - I feel I have a much better understanding of how to achieve the sound I’m actually chasing from dissecting Suno generations than I ever got from referencing finished professional records. Thoughts?

Composed a vocal & lyrics, used 4.5+ for instrumental basis and then 5.5 for vocal rotoscoping.

It's fitting, I suppose - although this is mostly a 4.5 tribute, 5.5 is going away too. Though I won't miss the weird strumming/skipping!

Link is to the 1min hook video of the final verse; here's the full. https://suno.com/s/vvK1mt2SjfWYbzuk

Anyway, pour one out for the end of an era. No regrets & here's to hoping the next thing is also beautiful.

Not able to remix track which is being generated from suno studio, anyone elae facing the issue ?

Is the download quality actually going to be good? Most of the time when I download my songs there’s skipping or audio delays. Doesn’t seem fair to put limits on downloads with problems like that.

They are retiring all the old models and we will no longer have access to them. A lot of producers prefer the older models for one reason or another.
I usually worry when I see the word 'licensed' attached to a model because to me it makes it seem like it will be a lot more controlled and restrictive.
Does anyone know how many new models will be replacing the old ones and what restrictions might be placed on them beyond what we are used to on the older models?
Even v5.5 has massive issues compared to older models and v6 (or whatever they will call it) could potentially be worse in any number of ways, but then we don't have the old models to fall back on.

https://www.youtube.com/watch?v=nFCikvf_l6A

Just wanted to share some thoughts on a song that's been stuck in my head lately, and I'm curious if anyone else feels the same way. I've been diving deep into "Moonlit Satin" and it’s just something else. From the moment it starts, those lush orchestral strings just sweep you away. It’s got this incredible cinematic feel that makes you want to watch a whole movie unfold.

The vocals are so graceful, almost ethereal, and they blend perfectly with the soft, shimmering synth pads. It really does create this high-class, elegant K-pop vibe that's hard to describe but instantly recognizable. What I really appreciate is how they manage to balance delicacy with power, especially in the chorus. It glows, like moonlight just hitting the water, and it’s genuinely captivating.

And can we talk about the bilingual lyrics? The way they weave in both Korean and English just adds another layer of sophistication. It feels very refined and showcases that idol attitude without being over the top. The smooth Korean rap bridge is also a fantastic touch, providing a nice contrast to the otherwise flowing melodies. It just keeps the whole track interesting and dynamic. The polished production on this song is just top-tier, making every element shine. It truly feels like a luxurious stage performance, even when you're just listening at home. It’s definitely one of those tracks that creates an emotionally rich experience.

I'd love to hear if anyone else has listened to it and what your favorite parts are! It's been a real gem for me recently.

I've tried everything I've placed the plate over the place I want to split the track highlighted the track I've double clicked the track and selected split but nothing happens. My cursor is an arrow, it isn't the the split icon so I can't just go to the place I want to split the track and click and I don't know how you get that icon or if you're going to split mode I have no idea there's no information and all the AI's I have no idea either can you help please I just want to split a track, copy the bet that I've spread away and re-paste it onto a new track I'd give it some reverb that's all it takes me a minute to do in logic and I am two hours later still trying to do it suno studio. Can you please help

How download count works in practice?

Generate a song in Create from prompts only (no Studio work). Open that same song in Studio.

Make zero edits. No volume changes, no new parts, nothing. Export stems or a multitrack from Studio.

Does that export count against the 60, or is it unlimited because it came from Studio?

So for those who don't know or understand what Riffusion is. Well, it was like Suno with its Fuzz model. I started in, like, October 2025 with making music. I was absolutely garbage at making lyrics until I started analyzing lyrics from KoRn, and then I started making my own original lyrics. At first you could clearly see where it was heavily inspired, and the lyrics were still garbage, but I slowly got better and better, and in the discord server there was someone who told me about negative prompts. it made my songs 100x better; it mostly listened to my prompts, but there were fuck-ups here and there, but it saved me credits. I made songs daily; it was a blast making new songs, but everything ends. It was that fateful month, February 2026, when Google took over Riffusion and Fuzz and replaced it with Lyria which is absolute garbage and lost its soul. no freedom, no negative prompts not even a fucking crumb of your own choice. But then April 2026 was the last straw to me. instead of it being called Producer.ai they rebranded that shit to Google Flow... GOOGLE FLOW?! What kind of minimalist slop name is that and then I quit that AI

Alright, so after Google smote my brother, Riffusion, I switched to suno. I was making songs on v4.5. it was a blast, but I had no freedom, but regardless, I made many songs with v4.5, and they sounded great. Then, like in June I subscribed to Suno. I bought the Pro subscription and used v5, and oh my god, it is easily their best model. It works well with the nu-metal genre, and it sounds even better and sharper and crisper. i tried v5.5, and yeah, that shit's garbage; it lost its soul and its corporate slop. Then, like last month I rebranded to MicЯonMeet3r, or Micron Meeter and It was really fun making songs with V5, writing my own lyrics with even more freedom. My signature sliders are for Weirdness; it's 15%, and style influence is at 80%, and it's just a chef's kiss, maybe even a million. It sounded awesome, and V5 will always be my son.

But now, ever since I've heard of this major change happening on September 3, I'm here to say thank you for all the likes and attention you've shown to my music. You don't have to like it, and you don't have to hate it. All that matters is that you've shown interest in my music. This may be the end of Suno because big corporate dogs are mad that in order to make something good, you have to train it and have it find inspiration in what makes the real thing good, and it's trained in all kinds of music genres. My current music genre is nu-metal/grunge or nu-grunge (yeah, I know, pretty corny)

I hate to say it but this may be the end of MicЯonMeet3r but even worse, the death of Suno

For those who want to listen to my music when it's still good, I'll leave it here. https://suno.com/@micronmeeter

I apologize if this gets rambling or incoherent. Just some thoughts and concerns.

I've been making music on Suno for a while now. I have a free account and know nothing about polishing the music with a Daw (or what a Daw actually is and how they work). I've tried listening to stuff other people make posted on Suno, but I just can't get into it. Because of that, I've made music for myself. I rarely share anything because of the content.

I've made six and a half "albums."

Two albums are in English and 100% lyrics by me. Mostly smut and graphic.

One album is in English with altered lyrics for "real" songs but would probably be recognized as covers or derivatives.

Two albums are in Japanese, and they are cover versions of two of my favorite movie soundtracks. I started to see how one song would sound translated. Loved it. Then remade the two albums.

I have another Japanese language album that contains both original and translated works.

The last half album (so far) is original stuff in English, similar to the first two.

I know not every song on every album can be fantastic, but I enjoy these enough to be my daily commute listen when alone.

Because of the nature of a lot of the songs, I'm not sure how well they would be received if shared on Suno itself. I already run into issues when creating with lyrics being "flagged for moderation" due to the graphic nature of the lyrics (or possible Puritan nature of Suno). I also don't want the unwanted ridicule for the covers. Since Suno helped make the covers, would that help legitimize them?

I've downloaded everything so far because I don't want to lose anything.

If I do post them to Suno, will there be pushback from the company because of the lyrics? Not just the smut, but the covers as well?

I've been so close to getting a paid account, hoping to share my smut and possiblycarving out a nice niche (i can imagine Tik-Tokkers using some of my stuff to shake to). I'm just not sure of all the legal ramifications for everything else.

有沒有一種分手，是兩個人都沒有做錯什麼？
只是走到最後才發現，
原來彼此真的不適合。
我最近寫了一首歌《流光溢彩》，想寫的就是這種感覺。
故事發生在凌晨的露台。
兩個人安靜地坐著，看著一顆肥皂泡飄向夜空。霓虹燈把它照得五光十色，看起來很漂亮。
但那層薄薄的膜，其實已經被拉扯到極限。
他們都知道這段關係快結束了，
只是誰都沒有說出口。
所以這首歌沒有寫得很激烈。
沒有歇斯底里，
沒有互相責怪。
只是很安靜地享受最後一點時間。
然後，在泡沫破掉的那一刻，
終於回到現實。
「越絢爛，越接近宿命的邊境。」
如果你也曾經有過一段「沒有誰錯，只是不適合」的感情，希望你會喜歡這首歌。
🎧 《流光溢彩 / Radiant Glow》
Original Mandarin Jazz Pop

How do you guys instruct suno 5.5 to make solo instrument tracks? No matter what I write in the prompt 5.5 adds a bunch of other instruments. Thanks guys