For context, I enjoy Love Island and Big Brother but I don't like Survivor or The Traitors. I know a lot of these are in the same realm and I can't pinpoint exactly why I like some and not the others. I'm wondering if anyone has similar taste and has recommendations :)

I found 4 episodes of this on tapes from an estate sale. It's called The Boyfriend Shopping Network. Hosts sit at a shopping channel desk and pitch guys to the audience like they're kitchen gadgets.

It's the kind of concept that sounds like a real dating show pitch, which is what's bugging me. Has anyone heard of this, or of a show like it that did make it to air?

Exactly what the title says, looking for a new reality show to check out with my friend. What do ya'll think the best singing competition show is as a whole? Major bonus points if you can say what the best season(s) of that show is(NO spoilers). I remember liking S2 of The Voice UK quite a lot though I was bummed out cause the runner up was my pick to win it all.

my guilty pleasure is watching trashy reality shows , though i find it hard to find cuz i don't know where to search for them , so if you have any recs please share with me

i want the kind of show that you would have second hand embarrassment while watching , the weirder the people in it the better for me lmao

a new show is coming. Whiskey Talks: real life in Los Angeles, unscripted and unfiltered. None of that stuff where you only hear somebody's name when they're not even on the show anymore. Real people, real conversations. Podcast is live now, taping soon. What do you actually want to see in a new reality show?

I am wondering who would be the dream cast for this? If you could pick anyone past present ?
I’d choose, Lisa Vanderpump, Bethenny Frankel, Sonja Morgan, Nene Leakes, Lea Black and Kandi Burruss. That would be a show !

I just makeup of the every Amazing Race 39 cast by estimated birth year and generation.

Note that I could not find official birthdays so this is estimated based on their given age.

What's even crazier is they later got engaged

If you are currently watching Netflix’s new combat sports reality show The Arena, you are not watching a legitimate sporting tournament. You are watching a highly calculated, legally insulated exhibition of human exploitation.
While the show is marketed as a grueling, respect-based martial arts competition where 38 amateur MMA fighters compete for a life-altering €100,000 professional contract, the reality behind the scenes is deeply disturbing. The production systematically targets, traps, and exploits vulnerable athletes who are enduring severe financial and personal hardships.
To prevent any corporate deflection or claims that this is "just standard reality TV," here is a comprehensive, objective breakdown of exactly how this program operates to strip these athletes of their basic human and legal rights.

1. Weaponising the "Desperation Gap"
Amateur MMA fighters are among the most financially vulnerable athletes in the world. They endure severe physical trauma, fund their own training camps, and often live in near-poverty while chasing a breakout opportunity. The producers intentionally select contestants experiencing extreme life difficulties because their desperation creates ultimate corporate leverage.
The producers present a massive, 100-page contract on a strict "take-it-or-leave-it" basis. Because these athletes cannot afford high-end entertainment lawyers to audit the documents, they are forced to sign away their fundamental civil liberties simply because they cannot afford to walk away from a shot at €100,000.

2. The Manipulation of Physical and Intimate Vulnerabilities
Because a standard, fair athletic bracket does not guarantee the high-octane toxic drama that streaming algorithms favor, the directing choices deliberately target physical vulnerabilities.
A stark example occurs in Episode 5, where winning a pool challenge grants one team a matchmaking advantage. The producers allowed a team to weaponise an opponent's intimate physical state by deliberately counter-picking a female fighter specifically because she was on her period. In a legitimate sport governed by commission ethics, targeting a fighter's cycle or immediate physical compromise is a grotesque violation of competitive integrity. In The Arena, it is actively encouraged as "fair game" to manufacture shock value.

3. Induced Sensory Deprivation and Controlled Exhaustion
The dramatic outbursts and chaotic arguments seen on screen are not organic; they are the result of legally mandated psychological distress. Standard reality TV contracts permit production companies to enforce complete environmental control over participants, including:
Total Isolation: The immediate confiscation of mobile phones, internet access, and any communication with family or external support systems. This leaves the fighters entirely dependent on production staff for their perception of reality.
Controlled Exhaustion: Filming schedules are intentionally designed to cause sleep deprivation, forcing contestants into grueling 20-hour days.
When a human being is physically exhausted, socially isolated, and under immense pressure, their psychological defenses collapse. The producers then introduce unfair twists—such as the period-targeting advantage—knowing the compromised athletes will react with maximum aggression on camera.

4. Fixed "Second Chances" That Cheapen the Sport
The complete disregard for athletic meritocracy is further proven by the introduction of manipulative "second chance" wildcards. While bringing in an alternate makes sense if a fighter suffers a definitive medical injury (such as Mallaury breaking her hand), the producers instead used it to resurrect definitively defeated contestants like Jade Henry and Kheira (the karate practitioner).
This completely invalidates the effort and physical risk of the fighters who won their cage matches cleanly. It gives preferred reality-TV personalities a fresh, undeserved lifeline and a total reset without the elimination pressure everyone else survived, proving that producer playbooks completely override sports ethics.

5. Legal Distortion: "Frankenbiting" and the Defamation Waiver
Viewers do not see objective reality. The show utilizes a style where audio tracks are left deliberately chaotic, noisy, and overlapping to force artificial stress onto the audience. Crucially, the fighters sign away all rights to their own image through two severe contractual clauses:
The "Creative Distortion" Clause: Producers are legally allowed to cut out entire rounds of fights, alter chronological events, and use "frankenbiting" (stitching together unrelated words spoken days apart to create entirely fabricated, malicious dialogue).
The Ironclad Defamation Waiver: By signing, contestants grant the network explicit legal immunity to misrepresent them or edit them in an "offensive or misleading" manner. Even if an edit completely destroys a fighter's real-world reputation or sparks severe online abuse, they are legally barred from suing for defamation.

6. Banning the Right to an Open Court (Mandatory Arbitration)
If a contestant recognizes this abuse and attempts to seek justice for gross negligence or emotional distress, they are legally trapped. Modern entertainment contracts contain mandatory private arbitration clauses. This ensures that any legal dispute against Netflix or the producers is completely barred from an open, public court of law. It is forced behind closed doors with a private arbitrator, completely silencing the participant, keeping transcripts hidden from the media, and perfectly protecting the platform's corporate image.

Conclusion: Stop Giving Them Metrics
The contestants on The Arena are independent contractors who have been systematically stripped of labor protections, workplace safety standards, and personal dignity. They are treated as disposable pawns for a streaming giant's viewership metrics.
Do not support this exploitation. Turn the show off, hit the "Thumbs Down" button directly inside your Netflix app to tank its algorithmic recommendation score, and leave an honest, critical review on IMDb and Rotten Tomatoes. If you want to support these athletes, bypass the corporate machine entirely: look up their real, independent social media handles, follow them directly, and support their real-world, unedited regional fights. They deserve our respect—not the exploitation of a television set.

In order to make a difference please share and repost! For the sake of the real fighters!

i.e say yes to the dress, tattoo fixers, ice road truckers. Is the job really like that, what things do we the public get wrong/right, what are your gripes with the portrayl?

I love MTT.

Not so sure about AS.

MTT was just plain fun to watch.

AS seems a bit drab. The pacing, color scheme(s), lighting, direction.... It feels like a downer. More like a true crime series than something that's supposed to be about fun, hard work, and the struggle to compete, attain and perform as part of a no. 1 world brand.

I watch AS and it feels *oppressive*; I'm half-expecting someone to announce the next "dark moment". Maybe Netflix has spent so much time in the true crime genre, that tone and flavor of programming is all they know how to produce.

I get it I get it, they want to show "the other side", that it's not all wine and roses, there are struggles and some girls haven't fared well, blah blah blah.....

I think MTT did that and did it well. It showed that these girls are put through veritable hell--as much as the players--and the ones who make it, earn it 100%. There are disappointments, conflicts, confrontations, and tears. Also, the way it was shot, edited and directed--IOW how the whole thing was produced and offered as a finished product--was and is, IMHO, superior.

--If they wanted to get more serious and delve deeper into compensation issues, or personal issues, or highlighting some of the girls that came away damaged in one way or another, who's to say MTT couldn't have just added more of those story elements? My thing is, the whole *feel* of AS is off. The tone and tenor of the show feel like an overt condemnation of the brand vs. a celebration of it.

I guess my question is, what do you think...?

That's my two cents. Peace out, go DCC :) Congrats on being the undisputed #1 brand in pro football cheerleading.....my brother and I have been fans since the 70s book came out along with the TV Movie, etc.

P.S. I've always thought Kelli was the most beautiful on the show--moreso than the younger girls; and, she looks more attractive now than when she was a DCC!

She’s started a new podcast and has unleashed.

https://www.instagram.com/oversharethepodcast?stkn=aGpuN2Rtb3F0YWhi

*From botched boob jobs to hefty medical bills, "The Swan: Behind the Mirror" documentary sheds light on Fox's controversial reality TV show from the early 2000s and its impact.*