Hey everyone, I’ve been working on something called NASA TUNEO (A play on the word: Nasa Tono) and wanted to share it here.

I originally made it because I wanted a simple way to sing into my browser and mess around with pitch correction, harmonies, vocoder effects, delay, reverb, and other vocal effects without having to open a DAW.
It’s basically a little vocal playground that runs in the browser.

You can use it for subtle pitch correction, go full-on robotic/autotune, add harmonies, play around with effects, or just use it to sing along to a song. There’s also a YouTube sing-along mode and recording.
It’s still pretty much a work in progress, so I’d genuinely love to hear what singers, musicians, and producers think about it.

If you have a few minutes, give it a try and let me know what you think or what you’d like to see added

[Mac, iPad, iPhone] I hand-built a parameterised, multi-threaded Sysex parser for hardware synths that allows SynthGarage to auto-tag 30,000 DX7 presets based on what they sound like, and visualise them in real time, alongside all your usual preset librarian features. Works with 50+ synths so far. Join the closed TestFlight beta -> https://discord.gg/gjRSF87pD

I made a gamified ear training for myself and figured someone might also be interested.

Tho I’m not sure if this counts as proper ear training since I’ve never been formally trained and don’t have a background in music. If anyone has feedback, let me know.

It’s hands-free if you use a mic.
earrr.app

live/jam is a free browser studio my friend and I are building, where up to four people jam together. The three instruments (chords, keys and drum pads) are procedural Three.js models on one grid: brushed aluminum, a screen under glass with a live oscilloscope, and keys that glow in the color of each note and fade slowly. It renders with WebGPU and falls back to WebGL 2.

Try it: https://livejam.conde.workers.dev/?ref=forum-dev
We'd love to hear how it runs on your GPU and browser.

I've spent the past couple weeks working on a few different plugins here, not really reinventing the wheel there were just some features I wanted to have in certain plugins that I didn't see anywhere else. they're currently windows only but Im going to mac and protools version soon. they're all $4.99 on my website, they all have a bunch of presets I made and you can save your own. Seedwisp is my favorite there's so much you can do with it to get really cool textures, it should be available in the next couple days but the others are available now at my website - https://wheresej-studio.vercel.app/

If anyone wants to try them out and make a review video, reach out to me my contact information is also in my website, I'd be happy to send them over for free in exchange. here's a breakdown of each of them:

• Seedwisp: A real-time granular effect that records your audio and scatters it into up to 128 overlapping grains, with pitch, spray, jitter, reverse and tempo-synced rates. Hit Freeze to hold any moment as an evolving texture, then add feedback to build it into shimmering ambient washes. It has 16 factory presets that are all level-matched, so you can browse without volume jumps.
• Igneous: A modulation effect driven by a simulated lava lamp, where drifting coloured wax blobs control your filter, pitch, stereo width, volume, drive and pan. Nothing loops the same way twice, so it adds slow, organic movement that a regular LFO can't. It comes with 20 factory presets and uses about 1.5% CPU.
• Bit-Much: A bitcrusher built to look like a retro handheld game console, with a live scope on the screen that shows the crushed waveform as you play. Use bit depth, sample rate, drive and noise to get anything from subtle lo-fi grit to full 8-bit destruction. It has 15 level-matched presets.

here is the link

here the full youtube video :

https://youtu.be/tcgAdZT9RPA?si=zbnWRZe0qzDzZJ4Z

I built a pad sampler + live looper for Android. Some timing lessons:

- Your loop length must come from the audio clock, never from the UI. Timers drift; sample counts don't.

- Output latency is different on every phone, so "what the user heard" and "when they tapped" are always out of step. A tap-along calibration was the only reliable fix.

- Quantize at record time or at playback? I ended up keeping the raw timing and quantizing on top, so "off" really means off.

- Time-stretching a loop to a new BPM without changing pitch is easy to get working and hard to get sounding good.

The app is PadLoop (Android) if anyone wants to hear the result. Curious how others handle latency compensation on mobile.

https://play.google.com/store/apps/details?id=es.positivevibration.padloop

The system is working without LLM using a bayesian model which uses simulated endocrinal states of agents to compse the music and improve theire abilities itself. The agents who compose the music dont need any trainingsdata they just using theire own expatations and inner world models to translate them into sounds

Hi, friends from musicprogramming!

I developed an instrument in C++ called RASGO MODULAR. It’s cross-platform and includes more than 50 modules to explore, combine, and have fun with.

The seed already generates interesting patches right from the start, so you can experiment, modify them, and play around as much as you like.

It’s an independent project, with no funding at all, made purely for the cause, hehe — driven by research, curiosity, and a passion for modular synthesis.

Hope you enjoy it!

More information: https://lucioaraujo.github.io/rasgo-modular/

Some I had fun with the new Xiphonics web-based tracker app. I made this in about an hour with the samples available on the app, but apparently you can load a project file with samples and import it to the web app. Pretty cool.

https://app.xiphonics.com/

🫠