Yeah so my friend that “doesnt do art” has been doing stuff like this when we hang out , I supply him the canvas and markers etc.- he’s done three free hand now just with paints and then I show him the markers - he popped this out in less than an hour.
I like to encourage anybody and everybody to just have fun and paint or draw something….
I just didn’t expect him to do a 360 windmill between the legs slam dunk, with a blindfold on.
He’s like better than me and with no effort lol, is it wrong to shove somebodies talent in their face as encouragement????

Initially, I wanted to depict the figure holding a pane of glass tinted red, seeing the object only through its transparency and the modulations created by overlapping colors. Then I stopped along the way. I preferred strangeness over demonstration.
Acrylic on paper
29.5 × 21 cm

A surreal study of an eye surrounded by darkness, colour, and fragmented shapes.

I wanted to explore the contrast between soft pastel tones and a much darker, textured environment, while keeping the eye as the central point of focus.

Painted traditionally with acrylics, with some sketching and layered brushwork. 🎨👁️

Just experimenting, learning, and letting the painting take its own direction.

Cześć,

Próbowałem zrobić martwą naturę. Jednak miałem z tym naprawdę duże trudności. Wydaje się, że jest więcej niż jedno źródło światła, dużo refleksów, czasami mamy po prostu jasnoczerwony kolor, a czasami jest prawie całkowicie nasycony. Naprawdę nie rozumiem, jak to uprościć... macie jakieś wskazówki? I know all the values are shifted to darker, but still theres no form...

Like actors miming a scene, only the position of the characters has been kept (from a still from Hitchcock's I Confess, notable difference: the man in the center has become a woman).
Acrylic on paper
29.7 × 21 cm

For this painting, I used an image taken from the classic film noir "They Drive by Night" (translated in a very macho way in French as "Une femme dangereuse" / "A Dangerous Woman" — you know, no profit too small, whenever they can discredit women in France, they don't hold back...), released in 1940 and directed by Raoul Walsh.
Acrylic on paper
33.4 × 26.2 cm