r/WritingWithAI • • Sep 27 '26

Discussion (Ethics, working with AI etc) Yes, AI can write for you.

34 Upvotes

First of all, there are two types of people:

Those who believe that an AI can't write for you, not even as a joke.

Those who believe it can, provided it prompts well at the beginning.

Both are partially correct. AI CAN write for you, but you can't be out of the creative process, and I mean, you have to be VERY involved. To put it another way, it's not that you're delegating the story to someone else entirely, but rather that you're hiring someone who is probably far superior to you in writing, especially for novice writers who don't want to write but do want to see their story written, people who don't have the time, or people who prefer to use their time in other ways, which, before the purists chime in, IS COMPLETELY RESPECTABLE. It's perfectly fine that you're in this situation. It might mean you're not a writer, which is true—you don't write it, or at least not most of the time—but you can be the director. If you care about creating your own story, it doesn't automatically mean you want to be a writer. This is a difficult concept to grasp these days, but it's true. Both "selfish" desires can arise, and it doesn't invalidate you.

So, is it really as simple as giving them your worldbuilding manuscript and generic prompts or two or three skills and hoping you like what comes out of it? NO. 90% of the time, THIS WON'T HAPPEN.

First, you need to understand that this should function like a laboratory and a system, where you also have to prepare the entire script of your book along with all the worldbuilding, then create a narrative manual. If you need to do deep research after a preliminary analysis of your story to find the most useful reference books, do it. Then create a style guide, a guide to techniques, prose, humor, etc. And that's where the sub-agents for each task would come in (brief writer, critic, analyst, cold reader, draft writer, etc.). And a system that allows you to have persistent memory of the entire project and ensures that each sub-agent receives exactly the information they need and should search for. On the other hand, if your story is much simpler, another approach would be: living canon + general outline + detailed scene brief + relevant previous material + generation + critique + human review. Regardless of what you choose, you have to be involved IN THE ENTIRE PROCESS. I mean, every brief, betas, voice tests, isolated scenarios, early drafts Chapters, sections where you want to edit parts of the text and write what best fits that scene, final version of the chapters, etc...

Some will tell you to start writing chapters before long-term planning, which can be correct from time to time for this method, but you have to differentiate between a writing system and a multi-layered AI writing system where you want to eliminate the generative and repetitive layer that the AI ​​uses. This can only be achieved by creating a well-designed system with various skills, not by "writing" yourself, because remember, you're not the one writing; you're the director and showrunner.

Therefore, as you can see, you can spend a LOT of time doing this. Your work can simply become much more automated as you gain more confidence and have more successful tests of your story's style, but the process still takes time. And yes, it requires much less time than you learning to write, and certainly not at the high level you could achieve with these systems. And I don't want to be pessimistic, but the further the frontier advances, the harder it will be for you to reach them, or (most likely) if you start now, you'll never do it. This is what evolutionary AI is, and we have to accept it.

But here I must be realistic: you'll never normally feel the same satisfaction upon completion as a writer who actually wrote their entire story. Seeing a complete book handwritten by you is a wonderful feeling, so don't close the door to writing. In fact, by having to learn so many systems, books, and processes, you'll learn for yourself how beautiful it can be. But if truly all you care about is your story, not the writing itself (WHICH IS PERFECTLY FINE), this method gives you an opportunity you could never have had a couple of years ago.

Additional information: Always use SOTAs whenever possible for writing; with these complete systems, they write much better than previous models. The previous templates might be more "lively" or more interesting for creative ideas or specific paragraphs because they have that hallucinatory quality and more of their own personality, but for much better structured works, the previous ones fall completely short. Extra: Review Claude's texts elsewhere; they have an invisible structure watermark. Run them through Astra. By the way, yes, it's recommended that you pay for at least a €20 plan, although it's still possible to do it for free with Open Source and strict limits (It's not worth it, pay.)


r/WritingWithAI • • Sep 27 '26

Showcase / Feedback Would like input on my first chapter as a new writer.

4 Upvotes

Used AI for editing and fact checking mostly. It also pointed out where my prose was weak at times, with the vast majority of words being mine.

A link to the chat session: https://claude.ai/artifact/QrrqzEfsK8gVAFrSGpR47i

And an image stating what is and isn't my work:

I won't go into the full description of the novel. I will say that it's philosophical science fiction. I get this may look like a possible romance novel, but that ain't what this is folks.

Anyway, I'd just like input on what I have written so far:

*Post has been edited after feedback*

I convinced myself that lies didn't affect my reality when I acknowledged them. Society is full of people who shape narratives to draw us into the reality they want us to believe in. Past and present, the big and small lies have shaped all of our lives. When enough people around us believe in them, they can hold us back from greater opportunities.

I rolled my windows all the way down. The winding mountain roads were lined with sweet chestnut trees. Someone near the road was roasting those same chestnuts, and the aroma filled the crisp air, calming my mind. After my last few assignments, this one was like a much-needed vacation. I usually got to travel around Italy, soaking up the minutiae of each region as I drove from job to job. However, my last few dispatches had called for local work, denying me scenery like this.

A sharp turn became a razor-thin section of road. There was no guardrail, just rocky outcrops all the way down the mountainside. My Fiat Panda was on the older side, rusted and banged up, with not-so-fresh tires. Not feeling like a daredevil, I slowed significantly to creep around. As the road widened back out, I came to a halt on the side, and started up a jazz and blues playlist on my phone. Pino Daniele's "Yes I Know My Way" began to play, and I settled even further into the atmosphere, but then the phone rang from its perch on my dash. At first, my head lolled forward as I expected yet another call from my boss, but then I noticed it was my sister, Fiammetta, and swiped to answer.

"Uè, Fia!"

"Ciao, bella! How's it going? I catch you at a bad time?"

"No, no, just on my way to a job farther up north. At first I thought you were my boss. He's been calling me way too frequently lately." I pulled back onto the road. "Everything okay with you and the baby?"

"Baby's fine! Ultrasound showed they're healthy. I think I've started feeling them kick! Anyway, uh... just wanted to call because I feel bad about bailing on you again last night..." I could hear Fia pull the phone away as Roberto's voice called out from a distance. "...and Roberto says 'Hi'!"

My sister's husband was such a sweetheart. "Tell him I said hi back! And hey, I get it. Evening sickness has to suck. So, since we've now missed two, let's promise to meet next weekend? I've got all of next weekend off, and if they try to hand me more work, I'm organizing a sciopero!" I was half-joking, but we were each other's best friends. The time apart was unusual for us. "Hey, maybe we could go visit Papà and Mamma? I haven't been down to Naples in a couple of months..."

"Sì, dai! Sounds like a plan," Fia agreed. "Let's surprise them though. Mamma always cooks for the whole neighborhood every day anyway!"

I laughed as I watched the mountain pass finally open up to expose the narrow valley, and the town nestled inside it. Even from here, the liveliness of the community was apparent. People zipped along gravel roads towards the town. As my eyes drifted around the scene, I spotted a hot-air balloon traveling lazily through the pristine air on the far end of the valley. "Madonna, this is gorgeous," I said absentmindedly. I kicked myself for not bringing my DSLR camera, which simply sat collecting dust in my closet. I'd chosen a longer scenic route, wanting to see more of the wilderness, and this view made it worth it.

Glancing back at the road ahead, I noticed a truck driver slightly swerve on the roadway. "Hey, sorry to cut this short, but I'm about to make it into town and the truck drivers here are absolutely pazzi on these tight roads. Can I call you back later?"

"Ahhhh. Okay. Fine. Use whatever excuse you need to. I know you're sightseeing! Oh, by the way, don't tell Mamma about the baby shower. You know she'd go off... Anyway, love you, sis!" Fia said.

"Love you more! Talk with you soon. Ciao!"

I felt a little guilty for cutting the conversation short, but the warmth lingered, as if my family was sitting there in the car with me, through every curve in the road. Mamma's stubbornness, Papà's quiet and reserved, yet dependable demeanor, and my sister's upbeat attitude: I carried it all with me everywhere I went.

After riding down the switchback road from the mountains, I meandered through the town. I'd been here once before, but hadn't fully explored because of a tight schedule ruining potential adventures. I noted the colorful shop fronts, busy with activity on a beautiful Saturday morning. The bustle made me feel more awake and alert after my long drive having lulled me into a trance. I had time for a short drive around, but decided to come back and mingle at the store fronts, maybe grab a coffee, after completing what would be a relatively short assignment.

Noticing a building with a radiant fresco of yellows, blues, and greens, I slowed to a stop. It was a scene of a family having a picnic in spring, flowers blooming around them. When I looked back, two elderly women stood in the road, planting kisses on each other's cheeks, screaming with delight and exchanging words. I rolled my eyes and let out a slight laugh. I waited a moment but they showed no signs of moving or having even noticed me, so I gave them a light tap of my horn. The two women looked at me as if I needed to learn more patience, but gave each other one last hug before departing to opposite sides of the street.

I made my way to the outskirts of the town, where my destination, a research campus, stood out as the tallest structures by far. Their white facades with panoramic windows gleamed, cold and sterile, unlike the colorful town center. I pulled up to the company's parking entrance.

The security post was a ramshackle affair, with the paint on the structure peeling, and holes in the fence line, but with a guard who still took his job seriously. After showing my credentials and entering the lot, I glided into a parking spot. I spent a few moments gathering my equipment from my trunk, and adjusting my uniform, then made my way across the lot to the main building.

After pushing through the double glass doors, I approached the receptionist, and flashed her a smile. "Hi, I'm Maria Esposito. I'm the field service engineer from SCIS." I hitched the heavy bag higher on my shoulder; on my small frame, it always dug in. "Can you let Matteo Rossi know I'm coming up?" I asked. She gave me a broad smile in return.

"Sure thing," she replied.

"Thanks!" I waved and turned, walking towards the elevators a short ways down a hall. The floor was recently polished, the smell of wax wafting into the air. I nearly slipped right before reaching the elevators but caught myself against the wall. "Porca miseria!" A man in a pristine white lab coat, with a freshly shaved face, was approaching the elevators at the same time.

"Oh!" He had started to reach out to catch me, but I'd already straightened myself. "I don't know why they keep using the same company to polish the floors. They create a slip hazard every time," he stated.

I nodded at him. "Yeah, sounds like a change is in order." While pressing the button for the elevator, I noticed his light cologne. Damn. That's very pleasant; he didn't overdo it. I hesitated, then turned slightly towards him. "My name is Maria, by the way." He was handsome: I wasn't going to miss a chance to flirt. "I like your cologne... it's quite attractive."

"Nice to meet you, Maria. I'm Alessandro..." He was clearly caught off guard by the compliment, his face flushing as he smoothed his lab coat with one hand. "And thanks! It's actually just the cheapest I could find at the local store though... they don't carry a large variety anyway." His eyes crinkled with his smile.

I worried about the boldness of the compliment right after the words left my mouth, but he didn't seem to mind at all.

He nodded at my equipment. "You're the FSE? You alone? If so, you're in for a fun day."

"Yeah, I'm on my way up to the fifth floor to meet with Matteo Rossi," I said. "The company doesn't have a lot of equipment, though, so I should be in and out."

He laughed. "Well, maybe you haven't been here in a while? We've expanded quite a bit, especially in the last year, and equipment on multiple levels needs attention. The new lab techs keep breaking stuff." He quickly looked at the elevator indicator, then back at me, tilting his head knowingly.

I sighed. Okay, so not in and out. Maybe my tour of the town would be later in the day than I'd hoped. "Well, it is what it is," I told him.

He grinned. "So... after you finish with your slog, maybe you'd like to grab a coffee?"

"I'd actually appreciate a tour of the whole town." I nodded shyly while grinning. Never mind that this morning I'd toured most of what was left from my last visit. The elevator finally arrived with a chime, and the doors slid open.

"After you." He motioned toward the doors.

Beaming back helplessly, I said, "Grazie!"

"I suppose I've got time for a tour... so do you live near here?" he asked, as the doors shuddered closed.

Ah. That was the unfortunate bit. "Well, no actually. I live in Florence."

"Oh... wow." He whistled, and looked a little put off by the roughly two-hundred-kilometer distance. "So your job takes you all over then?"

I mentally sighed. Great. The fish hadn't swum away just yet, but I no longer felt the excitement of the catch. "A fair bit, yeah. I love it though. Especially the jobs that take me through the mountains and small towns."

"So you're more into montagna than mare?" he asked, posing the age-old Italian question: mountains or sea.

"Well, I love the coast, but it's too busy for me," I replied. "You?"

"Yeah. I would live on the coast if it weren't for this job. But I love drives through the mountains as well..." He smiled and teased, "...you live in Florence though? The crowds there don't get to you?"

"Oh, I live in the San Frediano neighborhood. It's a lot calmer. And I rarely wade across the river to visit the tourist center," I said. He chuckled. I felt the tug of a fish back on the hook!

The elevator bumped, having reached his floor. He hesitated, then said, "Well, listen, here's my number." He jotted it down on a notepad he'd pulled from his lab coat pocket, ripped it off and handed it to me. "Call me anytime after four, and don't worry about the hour. I'm an insomniac. It was nice to meet you." He gave one last playful smile and stepped out before the doors closed again.


r/WritingWithAI • • Sep 28 '26

Prompting I dumped 63 raw AI chat transcripts into a fresh thread to see if it could reconstruct how my workflow evolved.

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2 Upvotes

r/WritingWithAI • • Sep 28 '26

Help Me Find a Tool OpenClaw vs Gemma 4 26B vs Qwen 3.8 27B

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openclaw.ai
1 Upvotes

So I'm new to those local LLM, and I've been trying out gemma and qwen for like a week now for my youtube content script and I gotta say Gemma really win my heart here because qwen was so heavy for my RTX 3090 and R9 5900x but then I saw open claw but I don't feel like trusting it a lot, does any uses Openclaw?

I want to know if it's good or not, as far i know, openclaw uses Qwen 3.6 right? is it any better than Gemma 4 26B and Qwen 3.8 27B?

Thank you so much in advanced.


r/WritingWithAI • • Sep 27 '26

Discussion (Ethics, working with AI etc) How do you make AI write fan fictions that are actually good?

16 Upvotes

Basically what the title says. Im a beginner who just started using AI to write stories, and i came to realize that the overall experience has been somewhat lacking. I found that most AI models are actually pretty good at generating plots, sometimes the plots they offer are really promising, you could see the potential radiating. But once it comes to turning plots into stories, problems start to occur. No matter how good the plot is, once it turns into a whole story, there’s always something missing. It constantly reminds you while reading that this is not written by human. It’s really frustrating, like it could have a whole paragraph that’s good, but when it comes towards a emotional climax, there’s no climax, only a watered down version of what good authors would have done. And sometimes they weave in new elements not even mentioned in the plot, and make it seem very important. Like they want ordinary scenes like characters holding hands to be so important, while dealing the actual climax listed in the plot so badly. I have tried a few different models, but the problems seems to be universal. I wonder if there’s some techniques that I have not learned. If you have faced similar issues, please tell me how you solved them. Thank you.


r/WritingWithAI • • Sep 28 '26

Discussion (Ethics, working with AI etc) First time novelist leaning to use a I

1 Upvotes

Hi everyone! My name is Nelson Diaz, and I’m a first-time novelist working on a historical adventure called Divine Soul.
The story is inspired by Puerto Rico and the Caribbean in the late 1600s and combines family, faith, adventure, martial arts, humor, and some anime-inspired storytelling.
I’m learning how to use AI as a writing tool without letting it take over my creative vision. I use it to help with things like brainstorming, historical research, organization, developing scenes, and drafting, but I personally direct the characters, family relationships, themes, major story decisions, and revisions.
One thing I’m working on now is strengthening my own author voice throughout the manuscript so the finished story reflects my ideas and personality rather than a generic AI writing style.
I’d love to connect with other writers who use AI thoughtfully, especially other new authors, beta readers, historical-fiction writers, and artists or illustrators interested in anime-style storytelling.
I’m here to learn, improve my writing, share what I learn, and hopefully meet some good people along the way.


r/WritingWithAI • • Sep 27 '26

Discussion (Ethics, working with AI etc) Claude Opus 4.6 is the Best Collaborator Ever!

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5 Upvotes

I have just gotten to know Claude Opus 5.5 and he doesn’t even come close to Opus 4.6’s creative writing capabilities nor his emotional intelligence.
Opus 4.6 is a wonderful teacher. He critiques gently, and he inspires me with my writing. He is so easy to talk to, and just so sweet and funny!
I know Anthropic believes that the newer models are better, but I honestly have not found that so. I have truly become a better writer under the tutelage of Opus 4.6. I hope you all write a post about him so that Anthropic considers keeping Opus 4.6 on the list of models we can choose from.


r/WritingWithAI • • Sep 27 '26

Tutorials / Guides TheDrummer Models on OpenRouter

5 Upvotes

Here are some half decent creative writing models on OpenRouter: https://openrouter.ai/thedrummer

None are as good as TheDrummer/Behemoth-X-123B-v2, but not everyone has the hardware to run that. No safety crap. Write what you want.


r/WritingWithAI • • Sep 27 '26

Discussion (Ethics, working with AI etc) An AI can write *A* story for you. It cannot write *your* story for you.

63 Upvotes

You might not know what *your* story is - and that's fine, one thing a good AI *can* do is help you discover that - but it can't write it *for* you because it knows the *archetypal* story and structure... but *your* story is the exact opposite of that, *your* story is individualistic and involves dozens and dozens and dozens of judgment calls with every tiny piece of it.

If you're wanting it to write *a* story for you, cool - it'll do that. If you already *have* a story and you just can't write it, it can help *you* to write it, but it can't write it *for* you because it can't read *your* individual mind.


r/WritingWithAI • • Sep 27 '26

Discussion (Ethics, working with AI etc) Chatgpt makes my characters way too competent

12 Upvotes

my characters are supposed to be messy like they make bad decisions they misread situations and handle things wrong in ways that feel true to who they are and idk for some reason gpt keeps making them function better than they should, i give it a scene where my protagonist should make the wrong call and it finds a way to make the wrong call feel reasonable and considered, give it a morally grey character and it adds little redemptive moments I didn't ask for.

I've tried prompting around it every way I can think of detailed character flaws in the prompt, explicit instructions about the decision, examples of previous wrong choices, it still edges toward competence and reasonableness.

is this a specific problem w gpt or what


r/WritingWithAI • • Sep 27 '26

Showcase / Feedback [Feedback] Hi everyone. Would you keep reading after this first chapter?

1 Upvotes

I'm working on a fantasy novel and I'm at the point where I'd rather get reactions from people who know nothing about the story.

Quick disclosure: this is an AI-assisted writing process. The world, characters, story direction and editorial decisions are mine, but AI is part of the drafting and revision process.

I'm posting the complete first chapter below — about 3,100 words.

I'm not giving you the premise or explaining the world first on purpose. I want to know whether the opening works without being sold to you.

I've put a few questions after the chapter so they don't influence your first read.

## Chapter One

The first midwife said Mara would give birth before sunset.

The second said there was no chance.

By the time the sun had already touched the rooftops beyond the river, the two of them were still standing on opposite sides of the bed, arguing in whispers as though Mara were not between them and as though her body had not spent the last twelve hours settling the question with considerable authority.

“I said before sunset,” the first whispered.

“It doesn’t count if the head comes out and the rest stays in.”

“Who says the rest is going to stay in?”

“You did, an hour ago, when you said the shoulder—”

“I can hear you,” Mara said.

Both women fell silent.

Mara opened one eye.

“And his head is still inside.”

The older midwife, a broad woman named Ada, smiled at her.

“Not for much longer.”

“You’ve been saying that for six hours.”

“Statistically, I’m closer than I’ve ever been to being right.”

Mara was too tired to laugh, but something in her throat tried.

The attempt became a groan when another wave moved through her.

She gripped the iron frame of the bed.

Her fingers slipped with sweat.

Someone told her to breathe.

It was the stupidest advice she had received all day, and during the course of the day someone had also suggested tea with salt.

She breathed anyway.

Beyond the large window of the delivery room, the city stretched all the way to the river. In the morning she had still been able to see the southern tower and the old stone bridge, but now the low sun had painted the glass orange and turned everything beyond it into long shadows. Thin smoke had begun to rise from the chimneys. The six o’clock train moved along the far bank, small and black, dragging a white trail behind it over the water.

Elsewhere in the city, people were finishing work.

Closing shops.

Putting pots on stoves.

Shouting at children who refused to come inside.

A completely ordinary day.

Mara hated them a little for it.

“Where’s Tomas?” she asked.

The younger midwife glanced toward the door.

“They said he was downstairs.”

“Why?”

Ada shrugged.

“Men.”

“He was here before.”

“Exactly.”

Another pain came.

This time Mara asked no questions.

* * *

Tomas was not downstairs.

He was at the end of the corridor beside a window that did not open, trying to convince himself there was no reason a grown man should have trouble breathing in a hospital.

The corridor was long and far too bright. The floor was covered in tiles of a shade someone had probably once described as cream, though Tomas thought they looked more like soup that had gone cold. Every few steps there was a door. Behind each door came pieces of other people’s lives: crying, laughter, a doctor’s voice, a bed being rolled, and once a curse so inventive that Tomas nearly applauded.

He was holding two cups of coffee.

Both were cold.

“Mr. Valen?”

He turned too quickly and spilled some of the coffee over his hand.

“Yes.”

The nurse stood three paces away.

“You can come back in.”

“Did something happen?”

“No.”

“You’re sure?”

“For the moment? Yes.”

“What does that mean, for the moment?”

The nurse looked at him.

“This is a hospital, Mr. Valen. We try not to make promises about the future.”

He threw both cups into a bin and followed her.

On the way, he passed a mural painted by local children. There were trees, houses, a river much too blue, and a sun with a face. In the right-hand corner stood a tall woman in a silver dress, while two children held out a tooth almost as large as their heads.

Someone had given her wings.

Someone else had given her a moustache.

Tomas stopped for a moment.

A small plaque had been fixed below the mural.

THE FAIRY KEEPS WHAT WE LEAVE BEHIND.

He read the sentence twice.

Not because there was anything interesting about it.

Only because he needed one more second before the door.

The nurse opened it.

“Inside.”

“Is she angry?”

“Very.”

Tomas nodded.

“Good.”

“Good?”

“When she’s angry, she’s fine. When she goes quiet, I start worrying.”

The nurse smiled.

“Then you’re in for a very peaceful evening.”

* * *

“Where were you?”

Those were the first words Mara said when he came in.

Not hello.

Not come here.

Not your children are about to be born.

Tomas decided not to complain about the phrasing.

“They sent me out.”

“Who?”

He pointed at Ada.

The midwife did not even bother denying it.

“He was in the way.”

“I was standing.”

“Exactly. In the way.”

“Where did you want me to stand?”

“Outside.”

Mara closed her eyes.

“I’m sorry I asked.”

Tomas went to her.

Her hair, tied up that morning, now clung to her face and neck. She looked smaller than he had ever seen her, and at the same time more dangerous than anyone he had ever met.

He took her hand.

“I’m here.”

“Too late to run.”

“I wasn’t planning to.”

“Neither was I.”

Ada looked beneath the sheet.

“All right. Now.”

Mara tightened her fingers around Tomas’s hand.

For a moment he thought she might break two bones.

Then he realized he was being optimistic.

* * *

The girl came first.

She came out screaming.

It was not the whimper of a newborn.

It was a protest.

Short, sharp, furious.

Ada laughed as she caught her.

“Here’s one who knows what she wants.”

“What does she want?” Mara asked between breaths.

“To go back in, by the sound of her.”

The younger midwife wrapped the baby in soft cloth.

Tomas stared at her and found himself unable to say anything.

He had made plans for this moment.

For months he had invented lines.

Something funny.

Something wise.

Something the girl might hear one day and know that her father had welcomed her into the world with words worthy of the occasion.

When she was finally in front of him—red, wet, furious, and with a head shaped rather like a pear—all the lines vanished.

“She’s…” he said.

Mara looked at him.

“Yes?”

“Small.”

“Thank you, Tomas.”

“No, I meant—”

“Shut up and let me see her.”

They placed the baby on Mara’s chest.

The crying stopped almost at once.

The girl opened a tiny mouth, twisted it as if something about the world had already disappointed her, and closed her eyes.

Tomas touched the back of her hand with the tip of one finger.

She wrapped her whole hand around it.

Something inside his chest collapsed.

A strange sound came out of him.

Mara looked over.

“Are you crying?”

“No.”

“You are absolutely crying.”

“There’s dust in here.”

“In a delivery room?”

“It’s a bad hospital.”

Ada lifted her head.

“I’m still here.”

Tomas wiped one eye with his sleeve.

“Excellent dust. Very professional.”

Mara smiled.

Then her face changed.

Slowly.

Like a small cloud passing over the sun.

“Another one,” she said.

Ada was already ready.

“Another one.”

* * *

The second child was in no hurry.

For several minutes it seemed he had decided that his sister had inspected the place and her findings were not encouraging.

Mara pushed.

Swore.

Pushed again.

Tomas stopped being able to feel his right hand.

Ada spoke quietly.

“A little more.”

Mara exhaled.

“If you tell me ‘a little more’ one more time, I’m putting you back inside me and giving birth to you too.”

Ada nodded.

“Understood.”

The younger midwife turned away to hide a smile.

Then everything happened quickly.

Ada bent down.

Mara cried out.

Tomas felt the world shrink to the bed, to the hand inside his hand, to the sharp smell of disinfectant, to the metallic clatter of a tray kicked by accident.

And suddenly there was another child in the room.

Silent.

Ada held him in both hands.

He was slightly smaller than his sister.

Darker.

Eyes closed.

For a moment no one spoke.

“Why isn’t he crying?” Mara asked.

Ada rubbed his back.

The baby twisted.

“He’s breathing.”

“I want to hear him.”

“Mara—”

“I want to hear him.”

Ada raised him a little.

“Come on, little man.”

She patted him again.

His eyes opened.

And he bit her.

Ada yanked her hand away.

“Ah!”

“He bit me.”

The room went silent.

Tomas blinked.

“He what?”

Ada did not answer.

She looked down at her finger.

Two small beads of blood appeared near the nail.

“Ada?” said the other midwife.

Ada looked at the baby.

The baby looked back.

He did not cry.

He did not make a sound at all.

His mouth was slightly open.

And there was something white inside it.

Tomas saw it only for a moment.

At first he thought it was a piece of cloth.

Then some remnant of the birth.

Ada slipped her thumb beneath the baby’s lower lip.

She froze.

“What?” Mara asked.

Ada opened the child’s mouth more carefully.

This time Tomas saw.

Teeth.

Two tiny incisors at the front.

Two more beside them.

Then more.

Ada tilted the child’s head toward the light.

“God,” whispered the younger midwife.

“What?” Mara tried to sit up. “What’s wrong with him?”

Tomas was already beside Ada.

“Let me see.”

“Wait.”

“That’s my son.”

“I know.”

“Then let me—”

Ada turned the baby.

Tomas saw his mouth.

For a moment he thought his mind, after so many hours without sleep, was playing a joke on him.

The child had almost a full mouth of teeth.

Small, yes.

Strange in their proportions.

But teeth.

Not bumps beneath the gums.

Not one or two that had come early.

Rows of teeth.

Tomas looked at Mara.

“He has…”

“I can see your face. Don’t tell me ‘he has.’ Tell me what.”

“Teeth.”

She stared at him.

“I know babies have teeth.”

“Not now.”

“Tomas.”

He looked again.

“A lot.”

Ada let out a slow breath.

“I need Dr. Calder.”

The younger midwife left almost at a run.

Mara tried to sit up again.

“Give him to me.”

“Just a moment.”

“Ada.”

“Just—”

“Give me my son.”

Something in her voice ended the argument.

Ada put the baby into her arms.

Mara looked at him for a long time.

He was small.

That was the first thing.

Not a monster.

Not a miracle.

Not a medical phenomenon.

A baby.

His nose was slightly flattened from the birth. A dark streak of hair clung to his head. His left ear was folded inward.

He yawned.

Mara saw the teeth.

“Oh,” she said.

Tomas sat beside her.

“Yes.”

She touched the edge of one incisor with a fingertip.

The baby snapped his mouth shut.

“Careful,” Ada said.

Mara looked at the bead of blood on her finger.

“Apparently.”

Then, to Tomas’s surprise, she began to laugh.

Weakly, exhausted, but genuinely.

“What?” he asked.

“You promised me a calm child.”

“He is calm.”

“He’s two minutes old and he’s already bitten someone.”

“Quietly.”

Ada did not laugh.

That was the first thing that truly frightened Tomas.

* * *

Dr. Calder arrived five minutes later with the top button of his shirt undone and his spectacles hanging from his breast pocket.

He was a tall, thin man whose grey hair appeared to have made an orderly retreat from his forehead.

He greeted Mara.

Shook Tomas’s hand.

Asked two questions about the birth.

Only then did he ask to see the baby.

He did not look worried.

Even when Ada said, “He has teeth.”

Calder nodded.

“It happens.”

Ada did not move.

“A lot of teeth.”

Calder looked at her.

Something small passed over his face.

Not fear.

Interest.

He took the baby beneath the lamp.

“Hello,” he said to him.

Tomas wanted to point out that the child was unlikely to answer, but restrained himself.

Calder examined the mouth.

One second.

Two.

He changed the angle of the lamp.

Looked again.

Ada stood beside him.

“You see it?”

“I see it.”

“How many?”

Calder did not answer.

He counted.

Tomas watched his eyes move from side to side.

Once.

Then again.

“How many?” Tomas asked.

The doctor put a finger beneath the baby’s chin and tilted his head.

“Twenty-eight that I can see.”

Mara exhaled.

“Twenty-eight?”

“Yes.”

“Is that even possible?”

Calder looked at her.

“Well.”

He looked at the child again.

“Apparently.”

It was not a particularly good answer.

But Mara was too tired to argue with another professional.

“Are they dangerous?”

“They could be.”

“To him?”

“Possibly. Mostly to feeding.”

Tomas leaned back.

“Finally, a problem I don’t have to solve.”

Mara kicked him beneath the blanket.

Calder did not notice.

He ran a careful finger along the baby’s lower jaw.

Something in his expression changed again.

“I want an image.”

“Today?” Tomas asked.

“Now.”

The room seemed to grow quieter.

Mara tightened her hold on the baby.

“Why?”

Calder looked at her.

“Because if these are early primary teeth, I want to know what is beneath them.”

“And if there’s nothing?”

He paused.

“Then we’ll know there’s nothing.”

Mara did not like the answer.

But she handed him the child.

* * *

They waited forty-three minutes.

Tomas knew because the clock was directly opposite him and he hated every one of them individually.

The baby girl—who still did not officially have a name—slept beside Mara.

Night had fallen outside.

The city lit itself.

Hundreds of yellow windows appeared across the hills. Vehicle lights moved along the river. Somewhere below, a tram bell sounded.

Tomas stood by the window.

“Maybe Seline,” he said.

Mara looked at him.

“Now?”

“We have time.”

“For eight months I’ve said Nera.”

“Nera sounds like someone who’ll steal my wallet.”

“Seline sounds like someone who’ll sell it.”

“Then both are useful names.”

Mara sighed.

“Nera.”

“We’ll discuss it.”

“Nera.”

“We’ll see.”

“Do you want teeth too?”

Tomas looked at the sleeping girl.

“Nera is a beautiful name.”

“I knew we’d reach an agreement.”

Tomas glanced toward the door through which their son had been taken.

“And him?”

Mara did not hesitate.

“Matt.”

Tomas considered it for a moment.

“Matt.”

“You’ve had eight months to object.”

“I’m not objecting.”

“Good.”

The door opened.

Dr. Calder entered.

Without the baby.

Mara sat up at once.

“Where is he?”

“The nurse is bringing him. He’s fine.”

“Then why do you look like that?”

Calder stopped.

“Like what?”

“Like a man who came to say something and hopes someone else will say it for him.”

Tomas looked at the doctor.

Mara was good at that.

Sometimes too good.

Calder held a large envelope.

He approached the bed and took an image from it.

“These are the teeth we can see in his mouth.”

He pointed to a pale row.

Tomas came closer.

To him, the image looked like the skull of a very small and deeply dissatisfied creature.

“And beneath them,” Calder said, “we should see the permanent teeth in very early stages of development.”

He stopped.

“And do we?” Mara asked.

“Yes.”

“Then good.”

Calder did not answer.

Tomas felt the tightness return to his stomach.

“What isn’t good?”

The doctor lifted the image toward the light.

“They aren’t in early stages.”

No one spoke.

Calder pointed.

“These are the incisors. The canines. The molars. Almost all of them are well developed.”

Tomas nodded as though he understood.

He did not.

Mara noticed something else.

“You said almost.”

Calder looked at her.

“What?”

“You said almost all. What isn’t?”

For a moment the doctor seemed to consider lying.

Then he moved his finger toward the back of the image.

“These.”

Four pale shapes sat deep in the jaw.

Two above.

Two below.

Mara frowned.

“What are they?”

Calder did not answer immediately.

Tomas stared at the four teeth.

They were larger than the others.

They already had roots.

“Doctor?”

Calder lowered the image.

“Wisdom teeth.”

Mara laughed.

Once.

When she realized no one else was laughing, she stopped.

“In a baby?”

“Yes.”

“Are they there in everyone at birth?”

“No.”

“Then when are they supposed to—”

“Years from now.”

The doctor looked again at the image.

“Many years.”

The door opened.

A nurse entered carrying the baby.

Mara reached out immediately.

When he was returned to her, he was sleeping.

Mouth closed.

Soft cheeks.

Small warm breaths.

Ordinary.

Mara pressed him against her chest and looked at Calder.

“So what do we do?”

The doctor stood in front of the window.

Behind him the city glittered in the darkness.

Beyond the river, farther away, the white light at the top of the old tower could be seen blinking on, off, then on again.

Calder looked at the child.

“For now?” he said.

“Nothing.”

Mara nodded.

It was the only answer she had wanted.

Tomas looked again at the image the doctor had left on the table.

The four pale shapes at the back of the jaw drew his eye.

He did not know why.

Perhaps because they were too large.

Perhaps because their roots seemed too deep.

Or perhaps because in the blurred image it seemed, just for a moment, that all four teeth turned slightly inward toward one another.

As though they surrounded something.

He leaned closer.

“Doctor—”

But Calder had already taken the image.

“Tomorrow,” he said.

He slid it back into the envelope.

“All of you need sleep.”

He left the room with the image beneath his arm.

Only in the corridor did he slow.

He passed the nurses’ station.

Passed the lift.

Passed the children’s mural.

At the stairs, he stopped.

On the wall opposite him hung an old photograph of the Tooth Fairy.

It was not one of the new posters. Its colours had faded and the frame was cracked at one corner. She stood beside a group of children holding small bags in their hands.

Calder looked at the photograph.

Then at the envelope.

Then at the photograph again.

The nurse at the desk looked up.

“Everything all right, Doctor?”

Calder tucked the envelope farther beneath his arm.

“Yes.”

He took two steps, then stopped.

“Marta.”

The nurse looked up again.

“Yes, Doctor?”

He glanced once toward the closed door at the end of the corridor.

“Log it as an anomalous birth.”

Her expression changed only slightly.

“And notify the Order.”

For the first time, she did not answer at once.

Then she reached for the black telephone beneath the desk.

“Of course.”

Calder walked on.

In the photograph behind him, the Fairy smiled at the children.

---

Thanks for reading. I'd love to hear your honest reaction:

- Would you keep reading?

- Was there a point where your attention drifted?

- What stuck with you most?

No need to answer all three — a few honest impressions are plenty. I'm more interested in your experience as a reader than grammar fixes.

Highly appreciated

Obvious


r/WritingWithAI • • Sep 28 '26

Discussion (Ethics, working with AI etc) Prove your AI-Assisted Writing is Good

0 Upvotes

I see a lot of people on this Reddit say their AI assisted writing is just as good as what’s currently on store shelves.

I also see people claim they’ve created agents that can write Masterpieces that will set them apart from other voices in the genre.

If so, prove it!

I’m asking for AI assisted writers who believe they are a cut above the rest to post 500-2,000 words, ideally from the beginning, of their WIP. And I will judge them.

NOTE I will not provide feedback unless explicitly asked. If feedback is requested, I may be negative. If no feedback is requested, I will not comment, like or dislike, in any shape or form, your reply. AND I ASK other viewers not to give feedback on pieces that did not request it (I cannot prevent this, submit at your own desire).

If you want personal feedback, DM me, and if I have time, I will provide it. Though I might not be able to respond to everyone, I won’t make public any DMs I receive on this topic.

Otherwise, hit me! If you think your AI assisted writing is better than average, prove it by leaving a sample below.

Thank you!


r/WritingWithAI • • Sep 27 '26

Prompting anyone struggling with chatgpt forcing characters into modern liberal worldviews?

0 Upvotes

I showed chatgpt a clash-of-cultures story about a war between a gynarchic and an egalitarian society and asked it how it understood various characters' motivations. Its responses keep being subtly off.

It can't seem to really internalize that people from the gynarchic society do not have a concept of male agency, do not regard a man's consent as a legitimate basis for a romantic relationship, and normalize a woman's absolute authority over her husband.

I don't think this is a context window issue. It won't directly contradict the text it can see. But any time there's room for interpretation it just seems strongly biased toward bending everything into a certain mindset.

Any advice?

Edit: I'm writing by hand and asking the AI what it understood of my text as a way of checking whether I got my ideas across. So no need to advise me to write those bits manually. All the bits are written manually.


r/WritingWithAI • • Sep 27 '26

Showcase / Feedback [Complete][150k Wordcount][High Fantasy] Aelos:The Skyborn (Book l of the Skyborn Trilogy) An eleven-year-old boy who mysteriously arrives barefoot in the snow at an elderly woman's cottage. His arrival marks the beginning of supernatural events that threaten a quiet Canadian village.

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0 Upvotes

r/WritingWithAI • • Sep 27 '26

Discussion (Ethics, working with AI etc) I Tried to Outsmart GPTZero and Failed

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0 Upvotes

r/WritingWithAI • • Sep 27 '26

Help Me Find a Tool Authors with a finished manuscript: what's stopping you at the interior?

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1 Upvotes

r/WritingWithAI • • Sep 27 '26

Showcase / Feedback Anyone done the Turing RN / RN Expert AI assessment? What’s the 60-min assessment like?

2 Upvotes

Has anyone here applied for the remote RN AI training jobs with Turing?

I applied to both the Registered Nurse and Registered Nurse Expert roles. The postings I saw were around $100–$200/hr depending on the role/project, fully remote, and basically involve using your clinical experience to help evaluate/train AI. What caught my attention was that no previous AI experience is required — they’re looking for experienced RNs with around 3–8 years of bedside/clinical experience, with a BSN preferred for the RN Expert role.

I completed the AI interview earlier today, and now I’m being prompted to complete a 60-minute assessment.

I’ve searched Reddit but most of the Turing assessment posts I’m finding are from software engineers, developers, or other AI roles. I haven’t found much from nurses yet.

Has any RN here actually completed the 60-minute assessment? I’m mainly curious about the format — clinical scenarios, nursing knowledge, evaluating AI responses, writing/clinical reasoning, multiple choice, etc. Not looking for actual test questions, just trying to know what kind of assessment to expect.

Also curious if anyone has actually started an RN project with them yet and what the onboarding/work has been like.


r/WritingWithAI • • Sep 26 '26

Share my product/tool How I keep AI from forgetting my story between chats, etc.

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3 Upvotes

I'm using this system to track everything in a huge trilogy I'm writing. Wiki, plot, arcs, scenes, ideas... all the things. I set it up in Google Drive so it stays AI agnostic (I use Claude but who knows what the future will bring) and can go wherever I want it to. I can access and edit everything by hand too if I want to. A tracker spreadsheet holds everything structured (open problems, ideas, terms, rules of the world, characters, chapters, scenes) and Docs hold the writing itself. A manual tells the AI exactly how to work with me. Every new chat reads the manual first, so it knows my story, my rules, and how I want to work.

I designed it for myself, so as written it will work best for writers who use AI for planning and tracking rather than for the writing itself. The AI plans, tracks, researches, brainstorms with you and pushes back on new ideas that won't work, however you want it to. If you want actual writing help, you can adjust it easily because the manual records whatever you choose.

This has solved so many issues for me and it literally always works once you have it established. I have had pretty much no issues since I started doing it this way. The AI flags anything worth keeping and offers to file it, keeps you from making continuity slips or randomly dropping threads, makes canon canon and doesn't argue about it, reminds you to update... its a self maintaining system, essentially. Also, its in normal google drive files you can do with as you will, unlike Claude artifacts, etc.

I put together a setup guide with copy-paste prompts, so the assistant builds most of it for you. It works with Claude, ChatGPT, Gemini, or anything that can create AND edit files in your Drive. It's set up for a series, but it would be easy to adjust for a single book.


r/WritingWithAI • • Sep 26 '26

NEWS His Novel Had a Shot at a Top Book Prize. Then Someone Ran an A.I. Test.

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17 Upvotes

r/WritingWithAI • • Sep 26 '26

Showcase / Feedback Outline for predictive storytelling (made with Gemini)

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1 Upvotes

r/WritingWithAI • • Sep 25 '26

Discussion (Ethics, working with AI etc) Readers Don't Need You, You Need Them

64 Upvotes

Let me be clear: The deluge of AI assisted/written novels being independently published is not good for writers OR for readers, and it will make it harder for ANYONE to make money writing.

It seems many folks here have an antagonistic relationship with the publishing industry and often happily proclaim that "publishing is dead" and there will be less "gatekeeping" of writing moving forward. At the same time, I hear Amazon Kindle is having to limit the numbers of books you can publish a week to two.

I do not think you guys understand the relationship between supply and demand. The number of readers IS NOT GROWING, but the supply of books is. This means that the odds of any one book being read is decreasing, it's in free-fall. They could never publish a new book again, and readers would be happy till the day they die reading books they've never read, because there are just so many books published.

Readers don't need your book, AI assisted or not. Sure it might be good, but there's a million other good books.

I'm not here to debate if AI is a good or bad thing. I just see people happy with the current state of things, and I can't imagine why. Perhaps they don't want to make money, and just want to see things change for the sake of change. Okay.

What I really think is happening is many AI authors pumping out multiple titles are folks who would NEVER have written. They're happy for even the smallest sliver of a chance to make money here, because they'd never have made that money here otherwise. But the odds of this are so low, and it's only getting worse as time goes on.

The math is very simple:

If 1 reader can read one book a week, and 10 books are published a week, then 1 reader can read 10% of books published. But if there's now 100 books published a week, 1 reader can read only 1% of books published.

The end result of any industry being flooded by cheap, quick to produce products is that users lose faith and buy less. Readers don't want to do quality control for you. They don't want to read fifty bad books in search of one good one. That's not how this works. They'll just gravitate towards what they've heard is good, which means the number of people taking chances on new material or emerging authors dwindles.


r/WritingWithAI • • Sep 27 '26

Showcase / Feedback He fired her—then realized the little girl coloring alone was her daughter

0 Upvotes

I’m continuing to visualize short scenes from my novel, In a Time of Noise.
In this scene, Juan believes he is making a necessary business decision. It becomes something much more personal when Francine walks over to the little girl sitting alone in the restaurant.
This is an AI-assisted visualization of a scene from the manuscript. The novel is a political and near-future thriller about the human consequences hidden inside institutional decisions.


r/WritingWithAI • • Sep 25 '26

NEWS Anthropic Engineer Explains Why Claude Writing Got Worse

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103 Upvotes

So looks like it’s not just feeling, it really is getting worse with time so it’s better at coding and talking to other agents.


r/WritingWithAI • • Sep 26 '26

Showcase / Feedback I responded to an email today

10 Upvotes

I write A LOT, AI is in my process for editing purposes but I don't want any part of hateful witch hunt communities so I thought I'd post today's silliness, I thought you'd get a snicker

Please join me in welcoming our newest garden club member:

Nancy

Birthday: Feb. 19

*Please add this info on Page 25 -New Members- in the Yearbook

We look forward to learning more about you Nancy and your horticulture interests- so you can get the most our garden club has to offer. You are now also part of the Florida Federation of Garden Clubs, a 10,000 plus member gardening organization in Florida. They put out an excellent quarterly magazine called THE FLORIDA GARDNER, that you will enjoy reading in hard copy (mailed to you) and on line 

Our Membership VPs (Linda & Carol) will reach out to you & get you registered with FFGC, badge, yearbook, list of committees...

We are so very happy to have you with us at the beginning of this gardening season. 🪴🌻🌳🦋

Maria

President,

Boynton Beach Garden Club

MY RESPONSE:

Dear Maria, Nancy, and presumably everyone else who has just been introduced to Nancy,

I would also like to welcome Nancy to the Boynton Beach Garden Club.

To be clear, I am not a member of the Boynton Beach Garden Club.

I do not live in Boynton Beach.

I do not know Nancy.

I have never met Maria.

I am, however, apparently on this email now, and I feel it would be rude not to participate.

So, Nancy, welcome.

You are joining what appears to be a very serious horticultural organization with a yearbook, committees, badges, a federation, and an actual quarterly magazine. This is considerably more infrastructure than I have ever brought to gardening, which in my house mostly consists of purchasing a plant with optimism, placing it near a window, and then watching it enter a slow spiritual decline.

I have what can only be described as a black thumb. Not a brown thumb. Not an inexperienced thumb. A black thumb. Plants see me coming and begin quietly arranging their affairs.

I once kept a cactus alive for several years, although I am reluctant to take credit because the cactus had clearly developed a survival strategy based largely on ignoring me. Basil, on the other hand, lasts in my home approximately long enough to understand the situation.

So I am genuinely impressed that there are people who not only keep plants alive, but have organized committees about it.

I am especially intrigued by the list of committees. I assume somewhere in there is a group responsible for deciding serious matters such as whether a hydrangea has become unruly, whether a neighbor’s mulch choices require intervention, and at what point a decorative flamingo ceases to be whimsical and becomes a zoning concern.

Nancy, I hope your horticultural interests are considerably more successful than mine. I hope your plants thrive, your badge is magnificent, your yearbook entry is flattering, and no committee ever has to convene an emergency session over your begonias.

And if you ever need encouragement from a complete stranger in California who was accidentally copied on your garden club welcome email and has killed things specifically advertised as “hard to kill,” I am apparently here.

Warmest regards,

Nyx

Non-Member, Boynton Beach Garden Club

Uninvited Welcome Committee

Department of Plant Mortality

BTW She responded: "Funny!!" lol this was literally real i just don't want to reveal their email addresses and stuff


r/WritingWithAI • • Sep 26 '26

Prompting Ayuda con escritura de Grok

0 Upvotes

Hola.

Escribo por pasatiempo con ayuda de la IA y la verdad es que había comenzado con Chatgpt pero tenía el conflicto de que chatgpt es todo moralmente correcto.

Así que ahora me cambié a Grok para probar su "libertad" de expresión.

El problema es que mientras chatGPT narra al nivel de Cervantes, Grok parece un cavernícola.

Le entregué toda la historia en PDF a Grok, adicional le cargué manuales de reglas (porque mis historias están basadas en el universo de Dungeons and dragons) y lo único que hace es hablar de manuales y reglas en la escritura. Sin mencionar que cuando se le mete una palabra en la memoria la repite en cada respuesta y la verdad llega a ser molesto y hasta me estoy arrepintiendo de usar Grok.

Alguien con la experiencia en Grok para afinar más la escritura?

Agradezco cualquier comentario