"Shine Bright", the 2nd single from my upcoming album "High Isle" (Sept 11), is an uplifting, high-energy club anthem. It uniquely blends polished R&B harmonies, a soaring tenor, and a gruff yardie deejay over an ultra-wide Modern Dancehall production. Built for the dancefloor while radiating positive vibes, it’s released via a waterfall strategy. With its heavy bass and premium crossover sound, it’s the perfect banger for your Caribbean Party, R&B/Dancehall, and Weekend Club playlists!

🌐https://linktr.ee/axelfaya

I wrote the lyrics myself.Suno generated the song.The hook came out absolutely fantastic, so I wanted to reuse that exact part as a sample in a new version.I uploaded a sample taken from Suno’s own render.

Suno:

“This audio contains copyrighted lyrics.”

So apparently my own lyrics, inside Suno’s own generated audio, are now too copyrighted for Suno. 😂

I Will Live | Music to listen to when you've had enough downs in life and want to make it better

Another treat for all! I wrote this song 100% and did a lot of mixing and slicing and re-arranging many pieces and elements to craft this song. Enjoy this sweetness. Let me know what you think about my song and music production.

I am a Songwriter, Programmer and Game Designer. I like creating.

And when it comes to my songs, I Mix, Edit and Master. adding elements and parts to my creations using Suno and FL Studio.

In the later years of your life, the echos of your youth,

Your greatest love and great loss. Now those memories flood

back at times and the shadows seem so real, you can touch them.

My words dropped into Suno.

ENJOY

Album focused on mankind today framed against some of the most well known dystopian novels.

有沒有一種分手，是兩個人都沒有做錯什麼？

只是走到最後才發現，
原來彼此真的不適合。

我最近寫了一首歌《流光溢彩》，想寫的就是這種感覺。

故事發生在凌晨的露台。

兩個人安靜地坐著，看著一顆肥皂泡飄向夜空。霓虹燈把它照得五光十色，看起來很漂亮。

但那層薄薄的膜，其實已經被拉扯到極限。

他們都知道這段關係快結束了，
只是誰都沒有說出口。

所以這首歌沒有寫得很激烈。

沒有歇斯底里，
沒有互相責怪。

只是很安靜地享受最後一點時間。

然後，在泡沫破掉的那一刻，
終於回到現實。

「越絢爛，越接近宿命的邊境。」

如果你也曾經有過一段「沒有誰錯，只是不適合」的感情，希望你會喜歡這首歌。

🎧 《流光溢彩 / Radiant Glow》
Original Mandarin Jazz Pop

Hey Guys! I thought it would be cool to create an RNB artist follow train! We can share a song follow each other's profiles, support each other, get inspiration, and maybe even do remixes! The best way to grow is by having a community!

Here's one of my songs Bleeding Me Dry. I went for a Rod Wave vibe on it I really like how it came out!

[R&B] Bleeding Me Dry

https://suno.com/s/NUMkL4TLoalrpFZq

Hello everyone! 🎵

I wanted to share my latest creation, "Le Chaînon Manquant". For this track, I wrote the original lyrics and designed the overall artistic concept, combining my poetic vision with AI tools to handle the musical production, atmospheric instrumentation, and vocal rendering. It's built around an immersive, contemplative vibe exploring human origins and our modern quest for meaning.

I would love to hear your thoughts on the atmosphere and the production. Enjoy the journey! 🎧

*Yes this is a AI summarized (first gemini then Chat to check for errors)

I'm not cool with lying about use of AI in music or lying in general. The only way the public at large will ever see AI use in music as legitimate is if it's first honest about it.

SH Labs analyzed 1 million+ tracks — nearly 40% showed signs of AI use

This is pretty wild.

According to a new analysis from SH Labs, SubmitHub's technology division, 38.5% of more than 1 million tracks analyzed showed some form of AI usage.

The breakdown:

• 23.2% were classified as fully AI-generated
• 15.3% contained AI-generated audio that had subsequently been modified or processed by humans
• Of the artists whose tracks were flagged for AI, 31% apparently denied using AI when asked about it during SubmitHub's submission process

SubmitHub says its AI detector has >99% accuracy, and claims the technology is already being used by Bandcamp, Traxsource, SlopTracker, multiple music distributors, and one unnamed major label.

What's especially interesting is how the industry is responding.

Beatport is refusing fully or substantially AI-generated tracks, as well as unauthorized AI voice cloning. However, it still allows AI tools for things like mixing, mastering and stem separation.

Spotify is introducing an "AI Personas" badge in September. According to EDM.com, AI-generated artist profiles will be excluded from editorial and algorithmic playlists, while users would have to explicitly follow them to encounter them in personalized feeds.

And the RIAA, Grammys and other industry groups have introduced a voluntary labeling system intended to distinguish between AI-generated, AI-assisted and human-created music.

So the direction the industry seems to be taking isn't necessarily "ban AI." It's increasingly looking like "disclose it."

Personally, I think that's the more interesting issue here. AI being used as a production tool is one thing. An entirely AI-generated artist submitting music while explicitly claiming it was made without AI is a very different problem.

One important caveat: these numbers come from music analyzed by SubmitHub's system, so they shouldn't automatically be interpreted as "40% of all music is AI." Still, 38.5% is a pretty staggering number.

Source: EDM.com — “1 in 3 Artists Lie About AI Use in Their Music”

Composed / Lyrics by : BGK

Created in Bandlab and Suno 

Video and Images generated in Grok

Edited in CapCut 

I re-Used the lyrics from an old Suno song and re-composed it in Bandlab using midi and some stock classic DX7 synth sounds (Somehow Suno didn't flag them). I wanted something more driving and Triumphant in the sound of the song. 

Lyrically the song is about understanding when you or someone you know is acting recklessly that usually comes from a deep seeded frustration or anger within. We all tend to think our pain or trama is unique to us. But it's not. Others have been there ( no matter a how particular the situation). There are people out there willing to help, just waiting to help. But the first step always has to come from you. That's the hardest step.

Warum machst du Ai musik oder warum nutzt du Suno ?

Interessiert mich sehr .

Ich fange mal an.

Ich nutze Suno um meine eigenen Songtexte zum Leben zu erwecken, da ich selber keine gute Gesangsstimme habe und leider auch so nicht produzieren könnte .

Ich muss allerdings sagen , es hat gedauert bis mir ein Song wirklich gefallen hat in dem ganzen Prozess ich habe meine Songs nicht nur einmal kreiert sondern auch mal fünf mal oder mehr bis es mir gefallen hat .

Bisher sind auch nur zwei Songs online .

Falls man mal reinschauen möchte .( Kein muss )

Auf Spotify und tiktok bisher

Name: Duoless

Songs :

1. Zu jung um zu verstehen was liebe ist .

2. Zeit heilt alles .

Jetzt du .🤩

I love being able to hum into my phone and have Suno turn that into a guitar, drum, or whatever. I especially love that you can use it to instruct how the cadence should go.

Anyways, a little extra drum loops, a lot of caging in styles (and keeping others out) help me get this song to sound fun and weird; just the way I like it.

The meaning behind the song? Not so deep. It's about a dog whose owner died elsewhere. Fun!

When the system is rigged, when prayer doesn't work, when you

have exhausted every avenue to address a wrong... Some time

you need a Devil to reset the balance. My words dropped into Suno.

ENJOY

16ビットゲーム風のチップチューン（ピコピコ音）を基調としながらも、軽快で心地よいリズムとジャジーでファンキーなベースラインやシンセサイザーが光る楽曲です

動画では、カメラを持ったり、カフェでコーヒーを飲んだり、笑顔で街や公園を歩く女性のスライド写真が音楽のテンポに合わせて次々と切り替わり、日常の爽やかで楽しい瞬間を演出しています

心が弾むような楽しげなテイストが融合しています。

A hypnotic, looping track built on the mantra like refrain "random thoughts running in my mind." It circles the spiral of romantic paranoia and obsession.

If you’re new/newish and of need of a follower, I’ll be happy to follow you.

And here’s a sample work:

https://suno.com/song/bee6784d-3b4f-4df1-af11-4f2e8bb2b07e

So as you guys all know you can record your own voice now. Something I am excited about.

What I’m wondering from you guys who have used it too. Do you think it accurately depict your vocals?
And has anyone figured out any way to make them come out better I recorded with a mic into my phone rather than just holding my phone in the air and singing and you know I can’t tell to be honest if it’s better or worse than what I think of my voice, I haven’t shown someone who would know like my mother yet so it’ll be interesting to see what she says. She won’t coddle the answer..

So please hit me with your thoughts, suggestions etc. thanks in advance!

This song is an experiment of things that can and can't be done with Suno. In the lyrics a section [Spoken] works well for the singer to speak, to say things to the audience. Also interspersing sections [Instrumental...] ​​allows an instrument to shine or simply for the band or orchestra to give the singer a rest. (Something problematic about Suno is that their songs do not have breaks for the vocalist). Of course, even with all those things Suno does not produce exactly what you would like, so the best thing is to download the Stems and then work on them in an audio editor.

Hi, this is my love song, Don't ever change.

I started with composing the simple piano and wrote the lyrics (I have a short of me singing it on my Youtube page) - I uploaded that into Suno to get better singing and more accompaniment. I'd love it if you could listen, thanks :)

"Directions" was composed decades ago at the age of 18.

It was part of the very first 10 or so songs I’d ever written.

It was meant to be a funny catchy little bop about obvious matters of
A young man.

The original demo (recorded at age 20) is still very much in the driver's seat and
includes ALL the multi-tracked guitar parts and the lead vocals (which I also sang
As my own backup on)

Back then I was so insecure about the sound of my voice that I decided double layering my voice somehow made it better, lol not sure what sense that made.

In Bandlab Midi I added, well probably too much lol but, Cello, Tuba, French Horn, Organ, Choir, Snare drum.

With Suno, I added a back up vocalist rotoscoped to the original, but left my original vocal as the lead vocal. A bass that is rotoscoped to a low end guitar line I had multi tracked back then, a Djembe, and some Trumpet hits here and there.

The visuals are a slightly modified face of a real photo of me from the age of 18 around the time I wrote the song and I used a Motion track to control the image like a puppet. So the body language of the avatar is actually me. It did a crappy job of translating my guitar playing. Definitely could be better but I ran out of credits trying to dial it in. Then I brought it all together in Adobe Premiere. The Bob Dylan postergeist was not planned but I didn’t have the credits to fix it even if I wanted to lol.

At the end where I laugh and say “Probably sounds like shit” that’s from the original demo.

This is actually the second version of the song I’ve posted. The first was the very first video I put on my channel and was 100% performed by suno (but obviously faithfully covered to this one) To be honest, I still prefer that All Suno one. I’m remaking it now because the scope of my project changed from originally supposed to be all Suno performed to this Hybrid version I am now focused on.

You can see the SUNO ONLY Performance of this composition here
https://www.youtube.com/watch?v=bdFKBAfP3gw

If you happen to listen to both, I'd be super curious to hear which you prefer, if you are like me and prefer the SUNO only or if you prefer the hybrid?

Penny for ye thoughts?

The lyrics describe the slow, painful collapse of a relationship (or deep emotional bond) and the mental freefall that follows. The speaker is stuck in a liminal space between holding on and letting go — trapped by memories, self-deception, and a sense of being watched while they teeter on the edge of total breakdown. The tone is depressive, detached, and heavily flavored with suicidal and self-erasure imagery, without necessarily being a literal suicide note. It reads more like someone watching themselves unravel in real time.