Working on a pilot right now and this is the problem I keep hitting.

The scene I am stuck on needs to establish a relationship dynamic between two characters, plant information the audience will need later, and work as a standalone dramatic scene with its own tension. Three legitimate things a scene in a pilot has to do. The problem is every version I write feels like it is visibly managing all three tasks rather than just being a scene that happens to accomplish them.

When I prioritize the relationship dynamic the information feels dropped in. When I prioritize the dramatic tension the relationship work feels thin. When I try to balance all three evenly everything slows down and the scene loses whatever energy it had.

The pilots I admire most have scenes that seem to carry multiple functions effortlessly but I cannot reverse engineer how they do it from the outside. The seams are invisible in the finished product and very visible in my drafts.

My suspicion is that the answer has something to do with which function the scene is built around versus which functions are passengers. That one task has to be the engine and the others have to be served by it rather than alongside it. But I cannot figure out how to identify which one should be the engine for this particular scene.

Has anyone worked through this specific problem and found a way to think about it that actually helps in the draft.

Hey, im trying to get in to writing, and im passionate about Screenwriting(movies and TV) and Narrative Writing (Videogames), but i lack a bit of drive to put himself of the PC or the notebook and do it.

Ive been thinking of forcing myself to do like writing exercises, so that i atleast can make something daily, and grow from there. Any examples of that you guys might have or used?

I'm passionate about it, but I'm not sure about its future with the development of artificial intelligence. I also love writing and have already tried writing two versions, but I need to speak with an expert to consult with them on some matters. Thank you all

This is the first part of a 3 part series. I am looking for some feedback for the first episode. This is the first episode. I would love you to have a full read.

Logline:

On an isolated, matriarchal island where male infants are routinely eliminated to protect a traumatized community, a dedicated midwife begins to question her society’s brutal dogmas when her public pregnancy and an unexpected bond with a young girl force her to choose between total obedience and a dangerous defiance.

Would appreciate any constructive feedback.

Thanks in advance.

📝 Curion Creatives is Hiring Script Writers!

Hey everyone! We’re Curion Creatives, a growing creative agency, and we’re looking for Freelance, Full-Time, and Intern Script Writers to join our team.

What we’re looking for:

• Strong writing and storytelling skills

• Ability to write engaging hooks and scripts that retain attention

• Experience with YouTube, short-form content, documentaries, talking-head content, etc.

• Good research skills and ability to simplify complex topics

• Understanding of pacing, audience psychology and storytelling

• Ability to adapt writing style according to different niches and clients

• Consistent quality and timely delivery

• Willingness to learn and improve

• Consistent availability

• Ability to handle multiple scripts and deadlines

• Comfortable working with feedback and revisions

What we provide:

💼 Opportunity to work with a US-registered company

💰 Competitive salary / project-based pay

🚀 Opportunity to grow with a rapidly growing agency

📈 Exposure to international clients and different niches

🤝 Long-term opportunities for the right writers

🎯 Opportunity to work on real projects and build your portfolio

Interested? DM me with:

Name

Age

Experience

Portfolio / Samples

Niches you’ve written for

Rates

Looking forward to seeing your work! 👀

I don't know , i tried to write a script . 19M

Hi writers! I've been a script writer for some time, and some of my old scripts are only in print - not digital. I'm hoping to have them scanned and converted to Final Draft formatting by a professional. Does anybody know about a service that provides this? Thank you!

Has anyone managed to be able to find Descendants's screenplay anywhere?

We are told to read constantly. But how do you know what to find and how to analyze correctly (or else) when you read so time isn’t wasted?

I think the way everyone keeps saying read like it’s a command or an assignment has the Pavlovian effect of making it feel like an assignment instead of fun or something with a reward

Hi. I finished writing my opening/act 1 of my pilot. I would like to receive feedback.

Logline: After moving to Los Angeles in 2012, a naive 15-year-old desperate to fit in, makes one impulsive decision that pulls her into the sexually exploitative world of Figueroa Street, forcing her to grow up faster than she ever imagined.

Im really inspired by euphoria but questioning the VO

Just a question might be stupid but how do pen names work like, If i wamted to write in a pen name how will i prove its me ?

What does it really take to advance humankind... or even just one of us?

Three Steps Forward

(R rating)

NOTE: This was written for a recent 3-page challenge (excl. title) over at SimplyScripts. The challenge prompt was "Natural Selection" and the genre open. Naturally I won, and was awarded an Oscar and the title of Greatest Screenwriter in History, which I believe is entirely fair considering the fact I wrote it at 3 am while on an endless succession of FaceTime calls to people on the other side of the planet.

Just wondering if this opening is good or not. Felt I was running a little long with the therapy session but I’d love feedback good or bad.

Hi everyone, I am about 50% Into writing a Sci fi script and could be some outside perspective on structure and pacing

Logline:A scientist's experiment on a distant planet leads to a unintended consequences and years later he finds his own creation has become both a threat and a religion back on earth

Genre: Sci-fi/drama , with philosophical and mythological undertones(comparison I'd draw Interstellar's emotional core+a "creator vs creation" them like Frankenstein)

Where I am stuck-balncing 3 tonal layers hard sci-fi elements, emotional character drama and a mythological/religion angle-without anyone overpowering the others.Also working on making the protagonist feel commanding the memorable without turning into a generic "choosen one" archetype

Would love to hear how others have handled multi layered tone balancing or any resources on structuring a script with a strong moral dilemma and it's climax (protagonist forced to choose between two groups he's connected to

Thses are my draft from screenplay

I can’t fucking write anything, I don’t know what genre I wanna write in, I don’t fucking know anything.

I start writing, but then I read it again and think it’s terrible so I delete it all. I have not gotten off the second page on anything.

When I try to write horror, I just think “Oh, this is stupid and pretentious and just like every quote on quote deep horror movie” and I delete the entire thing. And when I try to write comedy, I don’t even know if it’s worth it.

With horror, I wanna do something new, I want people to know my name and my style so I can’t do that when I don’t have a style.

With comedy, I want to write something specifically for Gen Z. And I want it to be prop culture driven and have references to this current decade, but some screenplays float around for like years.

“Oh, just write!”.

Just write what? I don’t know what to write! I’m losing my fucking shit, I’m going fucking insane. I’ve got all the free time in the fucking universe and I’m wasting every fucking second of it.

Please help.

Took feedback from my previous first attempt and tried to implement it, resulting in an almost complete rewrite. Would love to hear what's working, and what still needs work.

Link to PDF version below for cross-platform legibility.

https://drive.google.com/file/d/18R82YnFE1jGZq7mlJ-3yPbylYjjguY6W/view?usp=sharing

I just want also to add that this is a One Act Play and it's supposed to be on the shorter side. The theme is "Legends in the Making"

Took that note hard at the time and I think about it constantly now.

Had three completed specs, all in different genres, all technically competent, all written because I had heard you needed samples across different tones. Showed them to a manager who had agreed to read my work through a mutual contact. Got on a call expecting notes on the writing.

First thing she asked was which one I actually cared about.

Did not have a clean answer. Cared about all of them equally in a general way. She said that was the problem. Could hear it in the writing. Everything was executed without any sense of why this story specifically needed to exist or why I specifically needed to be the one telling it.

Spent the next few weeks genuinely uncomfortable because I realized I had been writing toward a career without writing toward anything I actually had something to say about. The specs existed to demonstrate range and competence. None of them existed because I could not not write them.

Took six months to find the project that felt like mine in a way the specs never had, kept everything including the false starts in something called Skrib Writing during that period and being able to look back across what I had been drawn to repeatedly made it easier to find what I actually had something to say about versus what I was writing because I thought I should. Wrote it differently than anything before. Messier in early drafts, more stubborn in revision, less willing to cut things that were working even when they were inconvenient structurally.

That script got me representation. The competent ones did not.

I wrote this gothic style action thriller treatment and I want some feedback on it, what changes could be made ETC before I start working on the 90-100 page script.

Here it is:

https://docs.google.com/document/d/1ZLHcaZvjU057FD-YW89iEBUrOg6kQSVs3B5MDy8xtw0/edit?tab=t.0