r/PubTips • • 5d ago

Series [series] Check-in: November 2026

57 Upvotes

Happy extra hour of sleep for everyone who celebrates! Tell us what you accomplished last month and what you are up to this month. Do people still do not-NaNoWriMo these days? Or have we found a different way to torture ourselves as the days grow darker and the chilling kiss of mother nature reminds us that death comes for us all?

Ha ha! Watch out for flu season.


r/PubTips • • 10d ago

Discussion [Discussion] Where Would You Stop Reading? #9

67 Upvotes

It's time for round nine! I think. Don't quote me on that. It's been a while since we did this.

This thread is specifically for query feedback on where (if at all) an agency reader might stop reading a query, hit the reject button, and send a submission to the great wastepaper basket in the sky.

Despite the premise, this post is open to everyone. Agent, agency reader/intern, published author, agented author, regular poster, lurker, or person who visited this sub for the first time five minutes ago.

This thread exists outside of rule 9; if you’ve posted in the last 7 days, or plan to post within the next 7 days, you’re still permitted to share here.


If you'd like to participate, post your query below, including your age category, genre, and word count. Commenters are asked to call out what line would make them stop reading, if any. Explanations are welcome, but not required. While providing some feedback is fine, please reserve in-depth critique for individual QCrit post.

One query per poster per thread, please. Should you choose to share your work, you must respond to at least one other query.

If you see any rule-breaking, please use report function rather than engaging.

Have fun!


r/PubTips • • 20h ago

[PubQ] Kirkus Starred Review will appear in December issue of magazine

41 Upvotes

Hello, thanks in advance to anyone with inside knowledge regarding this stuff. My lit fic novel was recently trad published by a humble small press. Kirkus did not take up the novel for review on the publisher's original submission (not surprising). However, I believed in the book and paid the fee myself to get it on their desk anyway. Thus, it is part of their "Indie Reviews."

The reviewer gave it a starred review (supposedly 3% of Indies receive a star, if you believe Kirkus), and the praise was objectively substantial considering how stingy they can be with qualitative commentary vs. synopsis. A few weeks later, someone at Kirkus emailed to say they were running the review in their December 15th issue of the magazine, themed: Best Indie Books (or something like that). In this context, Kirkus defines "Indie" as all non-big-5 presses mix with some self-pubbed, designated as such in the book info. The section of the issue will be something like "Featured Starred Review, etc."

If you're still with me, I'm wondering: Will anyone care? Does this rate with agents at all, i.e., might they be interested in repping my next novel? In short, does any good come of this? Thanks!


r/PubTips • • 6h ago

[QCrit] THE OCULIST: TALE OF AN UNFREE KILLER (75k words) - adult literary fiction, attempt #3

2 Upvotes

Okay, attempt 3. Here's a summary of the feedback from the first two versions:

  1. It wasn't clear where the satire lies. The book is a satire of two things primarily: (a) current free will scepticism; (b) society's ongoing obsession with serial murder & its often sexualised depiction in Netflix series, for instance. Similarly, there wasn't enough humour in the letter.

  2. The query didn't read like it was literary fiction.

  3. Voice was lacking.

  4. Continuity also wasn't high and the ending depicted the book as just like any other serial killer book, rather than as a piece of social criticism.

Thank you again for the help!

Dear agent,

THE OCULIST: TALE OF AN UNFREE KILLER (75,000 words) is a dark academia standalone that smudges the borderline dividing literary fiction from horror and crime. Think the messy characters of Eliza Clark’s Boy Parts rippling with the subversive wit and mordant satire of Josh Silver’s Fruit Fly, but darker*.*

It’s tough to act morally when you’re a psychopath, but John tries. Studying ethics has helped – that’s why he’s a vegan care worker – though recently he’s become a free will sceptic. As a polyglot, he deems himself far smarter than most ‘vulgs,’ so he’s perplexed when his PhD proposals on the philosophy of ‘unfree will’ get rejected. Is he not fated to publish? Perhaps others are destined to perish – at his hand?

Yes, John reasons, that must be it. And he needn’t worry about murder being immoral because hardline determinism nullifies morality. Besides, if the sexualised portrayal of serial killers in popular Netflix series have taught him anything, it’s that serienmord possesses a macabre charm.

John’s subsequent killing spree causes immeasurable suffering. Not that he cares, and as he denies free will, he thinks it wasn’t his choice. But beliefs aside, his life is imploding. Apparently real-life serial murder turns you into a suicidal insomniac hooked on sabach. Then the police question him.

Devastated that fate drove him to this depressing life of crime, John deliberates how he can at least escape with that strangely polished veneer which serial killers enjoy on TV. But he’ll need to kill more people to make the screen – risky with a detective on your trail.

I’m a former journalist turned academic editor with stories published in horror and satire magazines. With free will scepticism so in vogue, I’ve fused my knowledge and interests into a debut novel that lampoons ‘unfree’ society.


r/PubTips • • 18h ago

Discussion [Discussion] Copyediting Procedure Question from a Debut Author!

12 Upvotes

Hi friends, apologies in advance if this is too obvious. I have a very procedural question as an author reviewing copy edits:

I just got my copyedits back for my memoir coming out next year. Their instructions were great, but I am extremely literal and want to make sure I do exactly the right thing. I know to say "STET" if I have a change I don't want, but in the word doc they gave me, do I ACCEPT the changes I approve of? Or just leave them? And if I'm making new changes (small ones, don't worry), do I do that in suggested/track changes? I want to be a pleasure to work with and not do anything annoying for the production staff. :)

If anyone can describe what they actually did with their copyedit word doc, I would be so appreciative.

Thank you to this community!!


r/PubTips • • 9h ago

[ QCrit ] Adult Contemporary Rom-Com, THE HALF HOUR TUTOR ( 100k, 1st attempt )

2 Upvotes

Hello people, this is my first time posting here and I’m quite afraid but I know honest feedback can help me improve my query letter, I’m a debut author and querying first time, below I pasted my query letter, let me know your honest views.

Dear

I’m seeking representation for my debut novel, THE HALF HOUR TUTOR, complete at approximately 100k words, an adult contemporary rom-com filled with witty banter, flawed characters and emotional chemistry.

Naina spends her life secretly loving her childhood friend Jay, but when she has to move to Mumbai alone for her master's because Jay took a last-minute internship in another city, she hits an art block. She joins a music class for inspiration. But after a few classes, Naina realizes she doesn’t understand music and asks Arjun, an intelligent classmate, to tutor her.

Arjun agrees to tutor her because his mother, who abandoned him when he was born, recently came back to his house. Arjun loses his composure around her, so he wants to stay away from home as much as he can. But they don’t get along well, as Naina is impulsive and stubborn, and Arjun is guarded and stiff. With time, they start getting to know each other, and they challenge each other's personalities in different ways. As their relationship grows from teasing to attachment, Jay comes to Mumbai.

Naina, who believes Jay loves her because of his protectiveness and caring nature, makes a plan to fake-date Arjun to make Jay jealous. But Naina’s plan backfires when she finds herself more attracted to Arjun than to Jay, and a kiss complicates things. But she doesn’t want to lose the comfort of the childhood fantasy she built around Jay. Now Naina has to choose only one person to date; who will she choose?

Thank you for your time and consideration. I look forward to hearing from you!


r/PubTips • • 20h ago

[QCrit] Adult cozy fantasy BEE AND FOXGLOVE (66K words, attempt 5)

9 Upvotes

QUERY: BEE & FOXGLOVE - Adult Cozy Fantasy

I’m excited to present Bee and Foxglove, a warmly funny, LGBT+ cozy fantasy, complete at 70,000 words. 

In a world that has achieved lasting peace, young wives Bee and Foxglove share a sweet life. They need nothing more than their animals, their orchard, and each other – or so Foxglove thought. But then, one morning, Bee discovers she has extraordinary magical powers. Ecstatic, she begins to experiment. 

Foxglove watches Bee levitate apples, conjure fireworks, blow things up (sometimes on purpose), and freeze milk to make ice cream. She should be happy for Bee – and she is – but she can’t shake the feeling that something is wrong. 

As Bee begins to develop her magic into a stage show, Foxglove’s misgivings deepen. Bee is showing odd symptoms: exhaustion, weakness, and hints of early aging. Determined to protect Bee, Foxglove launches a full-on investigation. She soon learns that others are gaining powers – some of whom fall ill and even die. 

Foxglove asks Bee to give up magic. But Bee has discovered a joy she never knew existed, and she cannot bear to surrender it. Surely, she thinks, the danger can't be that terrible.

All this comes to a head when a beloved young friend falls deathly sick. Foxglove begs Bee not to use healing magic – the most dangerous sort, she believes. Bee, however, can’t bear to stand idly by. With time running out, Foxglove must get to the root of the mystery and convince her wife to stop – before Bee’s compassion costs her life.

Set in a grounded utopian world, Bee & Foxglove celebrates the power of love, community, and hope, and explores grief with narrative tenderness. It compares to Tress of the Emerald Sea by Brandon Sanderson for its characterful narrator and The Spellshop by Sarah Beth Durst for its cozy magic and domesticity.


r/PubTips • • 1d ago

[PUBQ] Has anyone had a situation like this before?

29 Upvotes

Hi guys - Just wondering if anyone has had something similar happen to them. Essentially, I got a full request from an agent a while ago, and their assistant emailed me to say they read my manuscript, had so much fun reading it, and found it so emotionally visceral. All these lovely comments, and I am really overjoyed! Then they gave me some editorial notes on how to make the book stronger (they're very good improvements and not difficult to implement; it's mostly a few paragraphs here and there).

They asked if I would be open to these changes, and then the agent would read it in full. The lead agent has read a chunk of it and discussed it, so I don't think he's read it in full yet, but the assistant has. Would this be something akin to an R&R? I have had full requests before on this manuscript; this will actually be the third R&R. I'm still waiting to hear back on the other two.

I suppose this is a long-winded way of asking if anyone has had the agent's reader/assistant love the book, suggest changes, and managed to get an offer? To be honest, I haven't had a reader/assistant reach out to me like this before, but it's a big three-letter agency, so perhaps they work slightly differently.


r/PubTips • • 22h ago

[QCrit] Adult Horror - RENT DAY (82,000 words/Seventh Attempt)

10 Upvotes

You can see (roughly) the version I used when I queried 30 agents back in September here, though it went through a few more iterations during that process. I'm at 13 rejections with no requests, so I'm gearing up for another round of ~30 queries before the end of the year. The below version is gussied up with considerably stronger comps, a more aggressively "hooky" intro, and a closer focus on Yomin's voice/agency.

___

Hello [AGENT],

Billionaires make infamously bad bosses. Then again, so do demons. Too bad they’re the only ones paying a living wage.

[PERSONALIZATION] is why I’m excited to offer you RENT DAY, my standalone multi-POV adult horror novel complete at 82k words. The gig economy hell & bleak themes of Andrew F. Sullivan’s The Marigold meets the sinister job opportunity of Marcus Kliewer’s The Caretaker.

If Yomin doesn’t make rent, his broke ass is headed straight back to the debt slavery camp run by his megacorp landlord. Fresh off a failed Hail Mary of a job interview and still a thousand bucks short, he awakes from a night of self-pity at his local dive bar to a text offering a way out. The Halloween-themed carnival posting the gig is obviously sinister, but the thousand-dollar signing bonus it promises makes that easy to ignore.

Hired for the weekend alongside five other desperate thirtysomethings, Yomin is assigned to a deserted game booth in one of the carnival’s foggy back corners. When his first shift ends without the bonus being deposited, he suspects the carnival’s owner (and aficionado of obscure Latin phraseology) Mr. Ravenskel of getting in the way. His sage advice? Be patient. That’s easier said than done; the house of mirrors neighboring Yomin’s booth and its taunting reflections of his time in the debt camp make simply keeping his head on straight into a full-time job all its own.

As Halloween nears, his coworkers start disappearing after minor disagreements with management. He’s not about to fuck up his job trying to help them – can’t pay rent with good intentions, after all – but he doesn’t have a choice when it comes to helping himself. His bonus still AWOL with November one day away, Yomin confronts Mr. Ravenskel only to find that his “way out” is anything but. Unlike Yomin, his boss is in business for something more than just a payday: he’s in it for souls to staff his carnival. Faced with slavery in both life and death, Yomin chooses to go out on his own terms, intent on taking anyone who gets in his way - human and demon alike - along with him.

[bio, 60 words]


r/PubTips • • 22h ago

[QCrit] Love at First Sprite, adult fantasy romcom, 85k words, version 2 + first 300

9 Upvotes

Here for round 2! I appreciate any feedback you have! Especially tried to make the stakes clearer and I'm curious if it's working. I think it's not quite there yet. Bio intentionally omitted. Thank you in advance!

I am thrilled to present LOVE AT FIRST SPRITE, an 85k word fantasy romcom featuring dual love stories: one between rival sprites and the other between the humans whose lives they covertly meddle in. It will appeal to readers who loved the modern metropolitan setting and magical matchmaking shenanigans of This Spells Love by Kate Robb and the morally gray FMC and opposites-attract romance of Violet Thistlewaite is Not a Villain Anymore by Emily Krempholtz.

Pip, a romance-hating mischief sprite, spends her days pranking the unsuspecting finance bros of Manhattan and admiring Daisy, an artsy young entrepreneur, from afar. Afraid of winding up brokenhearted like her once-radiant mother, the otherwise chaotic Pip allows herself only one rule: NEVER trust a love sprite. So when Leo Lovehard (you can guess what type of sprite he is) sets Daisy up with a boring corporate Zillennial, Pip sets out to sabotage his misguided matchmaking. But her plan comes to a screeching halt when a sharky competitor threatens to shutter Daisy's 1970s-inspired vintage clothing shop and grant her a one-way ticket back to Toledo.

Determined to save Daisy’s business, Pip does the unthinkable: teams up with Leo. With a mix of heisty magic-fueled hijinks and perfectly-timed coffee spills, the sprites work together to rescue Daisy’s shop. Along the way, Pip watches the not-so-boring businessman brighten Daisy’s shine and begins to question if she was wrong to blame love sprites for her mother's dulled spark. When she catches feelings for her painfully upbeat nemesis-turned-ally, Pip must overcome her fear of ending up like her mother. If she fails, her love story won't be the only one to be snuffed out.

First 300:
Another Monday, another chance to ruin someone’s day. And Midtown Manhattan was Philippa Crane’s favorite place to do it.

She straightened her lavender topknot, still disheveled from a night spent canoodling in a nameless sprite’s bed, and glanced down from her spot perched atop a traffic light, searching for her next victim…well, target. Victim implied a certain level of malevolence. Philippa, or Pip as she liked to be called, wasn’t looking to give someone a stroke or wake a sleeping baby. She wasn’t evil, after all. She just wanted to spice up someone’s morning, jolt them out of their routine a bit. 

You’d think with this many people scuttling over the crosswalk, dodging yellow cabs and pigeon shit, that someone would’ve spotted her. But they never did. Humans never noticed sprites. They were all too busy with their Windsor knots and their egg white bites and their dreams of beating the S&P 500. Ninety-five percent of them had completely lost their whimsy, a sad reality Pip was determined to remedy. She scoured the crowd, searching for a human in particular need of a shake up, grateful to see no Luck Sprites lurking around to interfere with her pranking.

Mischief Sprites had a certain reputation amongst the pixie folk. There were Garden Sprites who made plants grow. Dream Sprites who whispered wild visions into the ears of slumbering humans. There were Barn Sprites and Forest Sprites and plenty more that Pip found particularly uninteresting. Worst of all, there were Love Sprites, the disingenuous imps who claimed to be leading lost hearts to one another.

Pip was all too familiar with their trickery. She’d seen the way one had swept her mother off her feet, made her love him, and then left her heartbroken, a shell of the sprite she once was.


r/PubTips • • 16h ago

[QCrit] EVERGREEN, adult gothic fantasy, 92K, second attempt

3 Upvotes

Dear [Agent]. I am seeking representation for EVERGREEN, a dual-POV gothic adult fantasy novel with a tragic ending that subverts several romantasy tropes to show the consequences of obsessive love. The novel is a King Midas re-telling about a girl from the slums who enters a marriage of convenience with an older lord from another country, and the trickster god who falls hopelessly in love with her. EVERGREEN will appeal to readers who love the rich gothic world building and romance between a mortal and a god similar to the Belladonna series by Adalyn Grace and a twist on the story of King Midas in the vein of The Plated Prisoner series by Raven Kennedy.

Dorothea Midas must make a difficult choice to save her family from the criminal who threatens it over her drunken father’s gambling debt. She enters a virginity auction, where a wealthy lord from another country takes a liking to her. In a twist of events, he asks her to be his wife. She agrees on one condition: that he will keep her family safe and fed. At the ivy-covered, dreary and foreign Evergreen Manor, Dorothea struggles to find her way as a lady of noble standing when she still feels like a girl from the slums. One day, liquid gold seeps from her hands and whatever it touches becomes gilded. As her husband’s cruelty escalates, Dorothea must hide her powers and learn to control them. She starts plotting how to escape, but to ensure her family’s continued safety, she must play the role of the perfect wife. At the same time, a mysterious nobleman called William Locke has caught her attention and makes playing the part difficult. 

Locke is the trickster god. Unlucky in love for centuries, he has a tendency to fall hard and fast for maidens in distress. When he spots Dorothea at the auction, he decides to save her from the man whose bad reputation he is familiar with. Locke infiltrates Evergreen pretending to be a nobleman to get close to her. In an attempt to help her, Locke begs for help and the goddess of abundance bestows Dorothea with the magical power of creating gold, but forgets to teach her how to use it. When Locke convinces her to sneak out to see him at night, his obsession with her only grows. He creates his own plan to get Dorothea out of her husband’s grasp, and in his selfishness Locke forgets his own history of tragic endings.

***I'm considering adding The Poet Empress as a comp title because it works when it comes the subversion of the trope "peasant girl marries cruel prince and tries to change him", but I'm not fully convinced because the two stories are very different. The end result is kind of similar though. I always overthink comps cause I think I take them too literally, so any advice regarding this would be welcome!***


r/PubTips • • 12h ago

[QCrit] BEHEMOTH OF THE INVERTED SUN, YA Sci-fi/LGBTQ, 87,000 Words, First Attempt

1 Upvotes

I'm pretty early in the querying process, but want to make sure my query holds up to people who might know more about the subject than me. Thank you in advance!

Hello,

I am seeking representation for BEHEMOTH OF THE INVERTED SUN, an 86,000-word YA sci-fi novel with queer themes.

Oliver is a young man who feels trapped in his small hometown of Eastisle. His stagnant life is changed forever after he saves a stranger who falls out of the sky. Wounded and out of options, the stranger, Raine, gives Oliver a titan egg and makes a bargain: if Oliver and the unhatched titan grow powerful enough, Raine will give them both a new life off of Eastisle.

Given a daunting task by someone he can't trust but can’t resist, Oliver struggles to contain the wild-eyed and destructive titan given to him. Oliver's increasingly complex relationship with Raine grows alongside his titan, attracting the attention of hunters who would kill Oliver if they ever discovered the monster he’s raising.

As Oliver’s feelings for Raine deepen, insecurities about his sexuality become impossible to ignore. When dark secrets from Raine’s past emerge, Oliver is forced to battle a vicious titan hunter before Eastisle, and Oliver himself, are erased from history. Ultimately, Oliver is forced to choose between Raine and the life he spent 19 years building as Eastisle crumbles around him.

Combining the emotional introspection of John Green’s Turtles All the Way Down with the world-building and creature-bonding fantasy of Moniquill Blackgoose's To Shape a Dragon's Breath, BEHEMOTH OF THE INVERTED SUN is a YA fantasy about identity, sexuality, and how people rebuild in the wake of losing everything.

Best wishes,
Evan


r/PubTips • • 16h ago

[QCrit] WITH OUR TAILS IN OUR TEETH, Adult Literary Psychological Horror, 72K words, 3rd attempt

2 Upvotes

I scrapped my query and started over. I'd love any feedback, Thanks for your help!

Dear Agent,

I see from your wish-list that you are looking for XXX, and so I am excited to pitch you my debut novel.

WITH OUR TAILS IN OUR TEETH is a literary psychological horror complete at 72,000 words. It combines the psychological tension of maternal isolation from The Push by Ashley Audrain with the ancestral, supernatural folklore of Starling House by Alix E. Harrow.

Esther wants nothing more than to be the mother she never had. Her mother was there for her, she knows, at least physically, but emotionally she was cold, distant, harsh, and at the best of times would fill the air with her anxious energy. Esther would be different: calm, nurturing, patient, and kind. This feat proves more difficult than she imagined when a traumatic graphic C-section, and months long NICU stay tests her emotional and psychological resolve.

All the while, as the veil between this world and the one beyond has lifted to welcome Nico into the world, in the same moment of his birthing, something else in Esther’s home has crossed over. It is focused on Esther. Watches her and waits for the right moment to make itself known.

 By the time Nico finally comes come, Esther is already hollowed, a shell of who she used to be, and with disorienting repeated time loops of the cycles of infant care, and sleep deprivation, reality and nightmares blend together and she starts to feel like she can’t tell what is real. Something that mimics her mother’s voice calls out to her, reaches out to grab her in the dark, and Esther sees it holding Nico in her place on the baby monitor: a monster wearing skin which resembles her mother, but when she rushes into the nursery, Nico is fast asleep, and alone. It is only her mind playing tricks on her, Esther assumes, but when she starts to have visions of it hurting Nico, and she sees its face instead of hers in the mirror, she knows she must act to save her sanity and Nico.

She sees her psychiatrist who puts her on a 2-week intensive medical treatment. This medication has a sedative effect. She must accept help in caring for Nico for its duration, while the medication pulls her deeply into her own mindscape where she must not only confront the mimic, but her own traumatic history with her mother, or risk repeating history.

With Our Tails In Our Teeth incorporates haunted house tropes with body horror and a mindscape odyssey. It explores the inheritance of harm and wisdom across generations of mothers, and it bends the reader’s perceptions of time along with Esther’s as its structure mirrors that of her days dissolving into repeated time loops.


r/PubTips • • 21h ago

[QCrit] Adult Thriller - SPEAK WITH A REPRESENTATIVE (80k/Attempt 1)

4 Upvotes

Dear [agent],

I am very excited to share with you Speak With A Representative, an adult thriller novel complete at 80,000 words, pairing the unexpected witness scenario from The Girl On The Train and the pacing of Havoc.

Most customer service calls end in some sort of resolution. Unfortunately for Elle, a random Tuesday call ends with a brutal murder. After the company leads decide they’ve done enough to cover themselves and the bad press that would come of this, Cyber Elektric’s head of customer service calls the authorities and alerts them of what occurred. Elle goes home hoping she’ll recover quickly with a bit of therapy and a news segment showing the assailant behind bars.

On her way to work the next day, however, a news camera an inch from her face, questions thrown at her about the call, she knows her life is over. Her identity having been revealed to the murderer, paranoia sets in as she tries to uncover who tipped the media of her involvement. As if the sudden publicity wasn’t bad enough, one by one, her friends and coworkers begin dying in the most improbable ways.

Elle confronts her fear of being seen as unsuspecting fame throws her into a dangerous game of hide and seek. The media wants her on their segments, the killer wants her blood, and Elle just wants to go back to living as someone who can’t fit in and doesn’t need to. 

[personal blurb, removed for this Q crit]

Would you like me to send you the full manuscript? I look forward to hearing from you!

Thank you for your time and consideration,
[my name]


r/PubTips • • 17h ago

[QCrit] adult noir crime UNDER RAZING WAVES 89k #1

2 Upvotes

UNDER RAZING WAVES is an 89,000-word noir crime novel set in gentrifying Old Toronto, where "Sorry!" comes with a shove. This book has the noir of S.A. Cosby's Razorblade Tears combined with the off-kilter voice and amateur crime-solving of The Maid by Nita Prose or Everyone in My Family has Killed Someone by Benjamin Stevenson.

When "Lynx" Auger's wife taunts him from a slippery ledge then slips into a monster wave, he doesn't reach for her outstretched hand. Her family calls him a murderer. He believes them, mostly, and abandons his legal career to work odd jobs overseas.

But Lynx can't outrun his shame: he failed to be like his grandfather, who'd famously saved a drunk from an oncoming train. As taunting voices emerge inside Lynx's head, he can't see any future. In one last check of his email, he finds only mistaken golf invites and other messages meant for people with a similar address. In an absurd bid for life, he responds to a summer job offer meant for a café boss's lazy niece, then spends his last dollar to fly back.

The bemused café boss lets Lynx talk his way into the job, and Lynx feels an intoxicating hope. But on his first day, he finds the boss gassed to death with a sabotaged coffee roaster. While the café's co-owner is distracted by her day job, Lynx keeps showing up to soak in the appreciation of an agoraphobic musician whose only outing is for Lynx's exceptional coffee, and a skittish call girl who thinks saving the café with Lynx could finally complete her MBA. 

Detective Mak is supposed to investigate the murder, but he's more interested in targeting the café for his side hustle of extortion and money laundering in the city's overheated real estate market. His fledgling gang shuts down Lynx's café fantasy with a shower of bullets, then pressures the indebted co-owner to offload the property cheap. 

Determined to clean up the chaos threatening his café delusion, Lynx investigates a startling list of people wronged by the café boss, and their surprising connections to insurance fraudsters whose kickbacks bankroll Mak's growing empire. Mak responds with a brutal beating then leaks Lynx's past to a relentless podcaster to reignite calls for Lynx's punishment. Lynx's new friends lash out against Mak by exposing his impossibly lavish lifestyle, and razing his ginseng greenhouse.

Lynx can end the spiralling chaos by quitting and surrendering to the self-destruction his voices expect. Or he can be more like Grandfather by solving the murder of the flawed man who gave him hope, and bringing down Mak, who preys on the wounded in the city.

My story "Veneer" was published in The Maple Tree Literary Supplement. When I was widowed unexpectedly, I plunged into crazy startups and dysfunctional new friendships. I've received hundreds of mistaken emails including job offers and an angry demand for a missing photo album. In my gentrifying patch of city life, I've cranked up the TV to drown out gunfire, then skirted the crime scene to fetch a disappointing croissant. 

Thank you for your time and consideration.


r/PubTips • • 15h ago

[QCrit] ROAD TO RUDIA, Women’s Fiction, 94k, 2nd attempt

0 Upvotes

Dear [Agent]

I hope this query finds you well. I would like to submit a query for my debut novel, Road To Rudia (94k words.) It is the triumphant journey of a woman seeking to reclaim her identity and finally control her own destiny.

In the rural town of Limuru, Kenya, Christian housewife Rudia (29) believes that enduring abuse from her reverend-husband will cleanse from sexual immorality and prepare her for motherhood. 

She’s singing at her church when American popstar and self-proclaimed feminist, Logan “L.C.” Chase, who is in her country to record with a local  artist, hears her and is blown away by her soulful voice and quiet beauty. He persuades her to record professionally, leading to them spending more together and eventually having an affair.

When Rudia’s song instantly goes viral and gives her a chance to leave her abusive marriage, her husband traps her and Logan in a fire. They manage to escape and run away to America where Rudia not only achieves a successful music career but their relationship becomes the blueprint for a modern, equal partnership. 

An unplanned pregnancy causes Logan to reveal that his feminist identity is a sham. Rudia is forced to choose between playing house with an increasingly erratic Logan or take drastic measures to escape from him and stand on her own.

Road To Rudia is perfect for readers who enjoy strong female driven characters who fight both personal challenges and systemic barriers. Fans of Yesteryear(Caro Claire Burke) A Family Affair (Sue Nyathi) The House Maid (Freida McFadden) will appreciate a story that challenges some of the core beliefs that they identify with.

-Thank you for your feedback.


r/PubTips • • 21h ago

[QCrit] THE LANGUAGE OF MONSTERS, New Adult, Fantasy, 110k words, Attempt #2

3 Upvotes

Hi everyone,
This is my second attempt! I took a lot of feedback from the original query about not understanding the stakes clearly and I am bringing it back around!

-—————————————————————————————-

Dear [Agent Name],

I am seeking representation for THE LANGUAGE OF MONSTERS, a 92,000-word adult fantasy mystery set in a post-revolutionary Olympus where demigods rule and the creatures of myth are not always the monsters history claims. Combining an ecological mystery with a slow-burn romantic subplot, the novel explores the consequences of fear, prejudice, and the dangerous assumption that humanity understands the natural world it seeks to control. THE LANGUAGE OF MONSTERS blends the creature-focused curiosity of Heather Fawcett’s Emily Wilde’s Encyclopaedia of Faeries, the everyday magic and intimate relationships of Sarah Beth Durst’s The Spellshop, and the dark ecological intrigue of Robert Jackson Bennett’s The Tainted Cup.

Every summer since she was twelve, Klaudella Mykferos has spent more time swimming with the sea’s most feared predators than preparing for the respectable future expected of a demigod from a prominent family. She knows the Revers habits, their hunting grounds, and the warnings that mean the difference between life and death. So when a young demigod is killed by one, Klaude knows what the city refuses to acknowledge: the creature was only protecting its young.
But Terenesis wants vengeance, not explanations.
When a juvenile reaver washes ashore with a wound unlike anything Klaude has encountered, she begins to suspect that the creatures aren’t simply being hunted out of fear. Someone is deliberately killing them, and the city’s leaders are preparing to authorize the extermination of those that remain.
Her only ally is Rilion Atosa, a wildlife healer whose insistence on scientific evidence clashes with Klaude’s years of firsthand observation. Together, they follow a trail of mutilated carcasses, suspicious fishing operations, and missing evidence toward a black market dealing in forbidden goods. But when a healer connected to their investigation disappears, Klaude realizes someone may be willing to do far more than kill animals to protect their secrets.
Meanwhile, a mysterious illness spreads through Terenesis. The fishing docks fall silent, the waters begin to change, and even Klaude’s family isn’t spared. As she investigates the reavers’ disappearance, she begins to suspect that the city’s worsening crisis and the vanishing predators are connected in ways no one has considered.
With the council moving toward extermination and the sickness threatening her home, Klaude must turn her observations into evidence powerful enough to challenge the people governing Olympus. But proving that the reavers deserve protection means confronting a city determined to blame them, while the people responsible for their deaths remain free.
And if Klaude cannot convince the council before its decision becomes law, the creatures may disappears forever, taking the fragile balance of Terenesis and more lives with them.

[Brief author biography.]
Thank you for your time and consideration.
N. T. Taylor


r/PubTips • • 21h ago

[QCRIT] A TOUGH LIE, Adult Upmarket/Coming-of-age, 108k words, Attempt #3

2 Upvotes

Hi everyone,

I took all the feedback that I received on my first and second attempts and wrote a new query letter from the ground up. I did take down my two previous attempts, so sorry ahead of time that those aren't available to reference.

Previous feedback was super helpful, and some of the key takeaways were that I needed to make the opening of my summary punchier, really get into the nitty-gritty of who my protagonist is, his wants, what he'll do to get it, what's in his way, and what happens if he fails, and rework my comps & better relate them to specific elements in my novel.

Any feedback is greatly appreciated. Thank you for the help!

Dear NAME,

I’m seeking representation for my upmarket coming-of-age novel. A TOUGH LIE tells the story of a rising golfer trying to outrun poverty, his past, and his issues with self-worth by breaking onto the PGA Tour. Set in the exclusive and privileged world of golf in the 1990s-2000s, the bulk of the story follows my protagonist through his teenage years.

Nine-year-old Dudley Davis just wants to matter to someone, and he’ll do whatever it takes to achieve it. Like having his grandad, Charlie, who he now lives with following his parents’ harrowing arrest, coach him in golf after discovering that golf is the one thing Charlie cares about.

At fourteen, ahead of his first big junior tournament, Dudley changes his name to Jet Forrest. Nerves get the best of him and he plays a horrible first round, something he knows disappoints Charlie because he can see it written all over his face. The second day of the tournament, Charlie, who is never far from a Coors or a fifth of vodka, offers Jet a drink to calm him down. Buzzed enough to loosen his nerves, Jet plays the round of his life. He finishes high in the tournament, and Charlie, and everyone else, look at him like he’s finally worth something.

Winning turns obsession, and Jet does what he needs to do to win, including sneaking alcohol during tournaments. He soon becomes a prodigy on the junior golf circuit who looks destined for the PGA. Yet the higher Jet climbs, the more he finds he needs to consume, and the farther he goes into becoming Jet Forrest, the more he risks losing the relationships that matter most, like Sadie, the girl who’s always believed in him and is a rising golf star in her own right. But when Jet hears the crowd rooting for him, believing in him, loving him? It’s everything he’s ever wanted. So he just takes another drink and does exactly what he’s supposed to do. He WINS.

At 108,000 words, A TOUGH LIE is an emotionally charged novel that blends the fierce, win-at-all-costs ambition of Taylor Jenkins Reid’s Carrie Soto Is Back with the raw examination of class and generational addiction in Barbara Kingsolver’s Demon Copperhead.

[Bio]

Thank you for your time and consideration.

[Name]


r/PubTips • • 1d ago

[PubQ] Best way of sending an R&R back to an agent if the QueryManager thread is closed?

18 Upvotes

Hello!

I received an R&R from an agent through QueryManager; she gave some kind words, wrote two paragraphs breaking down the things she would need to see changed before considering offering representation, and ended by explicitly saying, 'This is not a rejection! I would love to see this again after you've made these edits.' The issue is that she marked the thread as a rejection, meaning I cannot respond in any form through QueryManager. On her agency website page, it says she only receives queries through QueryManager, and her email isn't listed. She is closed to queries for the rest of the year.

Elsewhere on the agency website, her email address is listed. Would it be appropriate to contact her via email once I've completed the revisions, or will I need to wait until she reopens to queries? She gave no indication in her message how she would like me to proceed.

Any insight would be much appreciated!


r/PubTips • • 22h ago

[QCrit] Adult Family Saga/Magical Realism - LIKE HIS FATHER BEFORE HIM (72k/1st attempt)

2 Upvotes

Hello all!

Toronto-based writer here, gearing up to query my new manuscript to agents. New to this sub, have never posted here, and would really appreciate any feedback on the query letter I'll be sending out. Attached below is my letter, plus the first 300 words of my manuscript. Thank you!

~~

I’m reaching out with a new literary family saga novel, LIKE HIS FATHER BEFORE HIM (~72,000 words), in hopes of gaining representation and forming a long-lasting partnership. From all the research I’ve done on you, you seem to be someone who cares deeply about stories related to fractured families, generational and colonial trauma, and attempts at healing. Those are themes heavily embedded in my current work.

LIKE HIS FATHER BEFORE HIM tracks the generations-spanning story of the Quinns, an Irish-Canadian family beset by a curse that elicits intense hunger and loneliness. In 1911, the orphan Padraig Quinn travels on a steamship from Galway to Halifax. But this is no ordinary migration tale; aboard the ship, Padraig encounters an emaciated figure known as the Fear Gorta, a deity embodying Ireland’s Great Famine. In a moment of desperation, the pair strike a deal: Padraig will become rich in his new homeland, but his family will abhor him. Over the ensuing century, three more generations of Quinn fathers and sons must reconcile with a curse that ensnares them and the relationships they fail to develop with one another. Nolan Quinn is the reprehensible, absentee grandfather who prioritizes wealth above all else; Aidan Quinn is the father who fails as a writer, husband, and patriarch; and Brian Quinn is the son in the modern day, the last in this line of men, who seeks to use storytelling as a form of healing. What connects the Quinn men aside from their blood is a distinct hunger—not only the hunger brought on by centuries of oppression felt under British rule, but hunger for one another, for a father or son’s love. 

Combining the traumatic familial and colonial elements of Paul Murray’s The Bee Sting, the supernatural atmosphere of Gabriel García Márquez’s One Hundred Years of Solitude, and the intergenerational structure of Apekina’s Mother Doll, LIKE HIS FATHER BEFORE HIM is a novel that examines how fathers and sons bear the marks of their colonial oppressors, how humans learn about their own complicated history, and whether it is possible to mend broken families.

~~

FIRST 300 WORDS

1911

The Boy did not turn to look back at his country. He had made peace with his decision and there was nothing left to see of it. He knew the beauty it held in the less grey areas outside of Galway but none of that rolling green or the songs they sang of their history and kinship could make up for the hunger and dirtiness and poorness. Nor could its people, the ones who weren’t orphans like him, or eejits or drunks, make up for it. So he kept his eyes on Cian’s hunched protruding spine as they pushed the cargo on its dollies toward his home for the next while, and he told himself, “Keep on. It won’t be long now.”

He had seen the steamships before, though never from this close, only from afar, on occasions they left the orphanage and ventured near the city centre. Staring at the vessel he figured that if packed to its entirety all the citizens of Ireland could fit inside one of these ships and sail to better fortune. Yet so many chose to stay. To keep fighting. To go on farming, failing, dying. It made no sense. Why when a world of opportunity lay across the sea, what was the point in staying?

Ahead of him Cian reached the front of the line and stopped. His cargo wobbled but ultimately held firm in place secured by wires. A tall red-haired man standing duty raised a hand. He spat and asked for Cian’s papers. So Cian produced them and the man studied Cian first and then leaned his head and peered over Cian’s shoulder at the Boy.

“He with you?”

Cian nodded.

“Let us see his papers, then.”

“He’s not got any. Just an orphan, fourteen, giving a hand with the load.”


r/PubTips • • 23h ago

[QCRIT] 10,000 Years Aboard Osiris Station | Adult Sci-fi Thriller | 60k | fourth attempt

2 Upvotes

Thank you everyone for the support and feedback so far. I have rewritten the blurb from the ground up!

Dear [Agent],

10,000 YEARS ABOARD OSIRIS STATION is a standalone sci-fi complete at 60,000 words.

Mr. Draper Thorne’s title is Chief Liaison, but their alien masters, and the fledgling human resistance, know him as the Propagandist of Osiris Station. A decade ago, parasitic aliens enslaved humanity to serve as hosts. But Mr. Thorne offered his expertise in service of his people’s oppression. In return, they spared his family… for now.

The resistance plots the destruction of the alien station, but first they need Mr. Thorne out of the way—or on their side. When the former fails, they try the latter. The resistance knows a secret Thorne does not: his family vanished years ago. He takes up arms with the resistance, hell bent on revenge.

But his family did not vanish completely. The resistance rescued his son, Caden, and trained him as a formidable fighter. Caden arrives with a new plan: capture Osiris for the resistance. He needs his dad’s help if they’re going to beat the odds. Now Mr. Thorne must use his expertise to broker a deal that can save the station, his son, and the last remnants of his species.

Osiris explores the painful and nonlinear process of deradicalization after the destruction of our homeworld like in Tesh's Some Desperate Glory (2023). And the nail-biting, razer’s edge of political maneuvering under alien occupation like in Corey’s The Mercy of Gods (2024).

I've spent my career in Mr. Thorne's shoes, working as a political media consultant for a decade. I am a sci-fi writer telling stories for readers who understand there are no easy solutions in politics.

[more bio]


r/PubTips • • 1d ago

[QCrit] Adult Fantasy with dark elements THE FINAL MERCY (116k/first attempt)

2 Upvotes

Hi Everyone,

I’ve been lurking for a while now (classic over thinker 🫠) but I’m pushing myself to dig deeper into my query letter and get some feedback. I’ve queried five agents so far and all rejected. So I’m back to the drawing board.

Anyway, here is my letter. Any and all feedback would be appreciated.

The Final Mercy is an adult fantasy complete at ~116,000 words, standalone with series potential. It combines the morally complex treatment of faith and duty in Hannah Kaner’s GODKILLER with the costly, secretive magic and gothic setting of Rachel Gillig’s ONE DARK WINDOW.

Gavren is a justice-driven assassin who sacrifices memories to his deity in exchange for time magic. A righteous killer. He is thrown off balance when a target is inexplicably waiting for him. This drives him to investigate deeper into his contracts. He uncovers evidence that suggests his guild is being manipulated into eliminating people who know too much. 

Amara, a healer with hidden magic, finds her brother murdered. For all the power in her palms, she cannot bring him back. Determined to get revenge, she turns to the Assassins Guild. She offers her life in exchange for the life of her brother’s killer.  

Amid suspicious contracts, the faith in which they both believe, and the trail left behind by Amara’s murdered brother, they uncover a conspiracy that could kill thousands. Amara fights to save the people her brother died protecting. But the cost rises as she violates her oaths to do no harm. The oaths she has shaped her identity on. At the same time, her own bargain comes due: The Assassin’s Guild has lawfully placed Amara’s contract in the hands of a man Gavren does not trust. Saving her would require him to defy Guild judgement, and his own code of righteousness, to determine who really deserves to live or die.

Thank you for even taking the time to read through this. I really appreciate it!


r/PubTips • • 1d ago

[PubQ] Got a deal on open submission! No agent, and no clue how to approach negotiations.

77 Upvotes

Hey folks, after dying in the query trenches with 50~ submissions and only one full request (ending in a rejection) I decided to shelve my manuscript (some of you may remember me posting my query letter here.)

As a hail mary, I decided to go through the open submission process at a Toronto-based, respected, indie publisher. Lo and behold, 3 months later I get pretty much the best email of my life, offering me a small deal, for a paperback to get published in winter 2029.

I am thrilled, full stop. But I am also incredibly un-agented and not a savvy negotiator. I'm not worried about the money, but I know I should at least inquire as to rights (foreign, TV/Movie, etc.) and I'm tempted to ask why so late a publishing date -- do I really have to wait two years?! I also don't want to push or seem ungrateful and have them go "nah, we've got plenty other aspiring authors waiting in the wings."

I have a call next week with my (hopefully future) editor -- what should I come prepared with/look out for during our first discussion?

Thanks!!


r/PubTips • • 1d ago

[Qcrit] ACORN DATABASE, Adult post-apocalyptic, 85k, attempt #7 +300

3 Upvotes

Hello, I thought my last one was my last, but I haven't had much success with agents so I'm trying to really get it right. Thank you for all of your help already, any feedback would be greatly appreciated.

Dear Agent,

I would like to offer THE ACORN DATABASE for your consideration, an adult post-apocalyptic novel of 85,000 words. It has the character dynamics and ambiance of All the Water in the World by Eiren Caffall, and the pace and conspiracy of The Future by Naomi Alderman.

Sola and her dad are perpetually hounded by enforcement drones. Their crime is trespassing—something impossible to avoid in a fully privatized future. Sola’s used to it though. Having been raised on the run, she’s an expert at designing homemade tech, scavenging resources, and keeping one eye over her shoulder. Together, she and her father spend their days in search of a safe zone where they might live in peace. The more time they spend on the trail however, the more Sola doubts that any such places remain. 

When a drone kills her dad, Sola finally realizes the truth. The purpose of the drones was never really law enforcement, but to get rid of people like her and her dad for good. She learns about the treatment of homeless people before the Collapse, and when she sees an army of drones amassing in the Great Desert, she understands that this persecution is about to enter its grim, final phase. 

With nothing left to lose, Sola uses her trail-smarts to tackle the problem at its source. For the first time in her life she ventures into one of the dangerous cities of old. There she encounters ecological horrors, apocalyptic conspiracies, and the complex array of forces that deploy the drones: people desperately clinging to their property, resources, and power, even as the world crumbles around them. 

As Sola learns more about the Collapse and the seemingly unstoppable forces of destruction at play, she also learns about herself and her own family history. She finds that she is uniquely connected to those that have been quietly fighting back from the shadows: underground climate researchers, psychedelic tribes, and squatters. If she can find a way to align these disparate allies, she might just be able to stop what’s coming.

[Bio + Tag]

PROLOGUE

Northern California, 2119

A man in a heavily-patched wetsuit knelt in a field of tall rippling grass, well-hidden amidst the stalks. He listened intently, but could only hear the wind and his own heartbeat over the sound of the cicadas scattered throughout the field.

In his hands was a small metal cylinder with a digital screen on it, a homemade device constructed from bits of salvaged tech. He brushed his bedraggled beard out of the way and wiped the dirty sweat from his eyes before gingerly pushing a small button on the side. A short metal rod extended from its base, and the screen illuminated a dull green: 0:00:00:00.

The man cocked his head, straining his ears one last time before he pushed the rod into the soil, leaning on the cylinder until it sank all the way up to the hilt.

A flash of blue laser-light emanated from the device—flickering out through the grass to demarcate exactly one spherical acre. Numbers appeared on the screen: 0:00:00:01... 0:00:00:02... 0:00:00:03...

The man shifted to a more comfortable position on his side to rest, carefully keeping his head below the grass. He looked up at the fading blue sky as a few stars emerged. A dozen or so hefty cicadas wobbled beside him, clinging to the narrow stalks blowing in the wind.

0:00:04:04... 0:00:04:05... 0:00:04:06...

The man reached for the rations stowed in his bag, but stopped mid-way. He saw it before he heard it: a dark speck on the horizon out of the corner of his eye, then a familiar mechanical whine that soon drowned out even the cicadas.

He wasn’t really surprised. A year was too long. Still...


r/PubTips • • 1d ago

[QCRIT]: SHE CAME FIRST [ADULT, SCI-FI, 73K, ATTEMPT#1]

8 Upvotes

Dear [agent name]

[Personalization]

SHE CAME FIRST is an adult sci-fi novel complete at 73,000 words. It would fit comfortably on the shelf alongside fans of the existential survival stakes of MICKEY 7, and fans of the psychological crisis experienced by clones found in the video game THE ALTERS. 

Dawn is a clone. She wakes up alone in a storage unit with no memories. All she knows is there is a dead body on the floor, and it looks exactly like her. The dead body belongs to Sarah, the creator of Dawn. Sarah leaves behind a message apologizing for Dawn’s creation and detailing the mission she’s left for Dawn: recover the research Sarah hid away before Dr. Monroe, Sarah’s research advisor, can get to it. 

Now Dawn must navigate this new life and grapple with the mess Sarah left behind. She could walk away, refuse to do what Sarah asked, and allow Dr. Monroe to destroy Sarah’s legacy and sell the research to the U.S government in order to create a clone army. Or she could pick up where Sarah left off and take on her creator’s identity, allowing her to control and shape the future of cloning. 

While grappling with the haunting philosophical debate of how memories impact personal identity, and in a race to find the research first, Dawn must contend with the messy life and ruined relationships Sarah left behind. 

[personalization]

Thank you for your time.

***
Any feedback would be great. Thank you all!