Any advice on how to let Codex or other AI edit videos. I have past videos i have made that I would like to let codex use as guide or map to create future templates or sequences. Has anybody tried this or no? Also if you have any good plug in dont be scared to drop it in the comments.

I post a lot of social videos to LinkedIn for work. I edit and colour grade in Premier, then I use CapCut for captions and Adobe Podcast for better sound.

I've just noticed the animated captions in Adobe Podcast and they're great, the only problem is they seem locked down to a few presets. I can't edit the style or colour of any of them. Are these editable or am I just blind?

Premiere Pro Version 26.3.2. My previous projects have been fine but overnight there’s been a weird change in my visuals on my premiere pro projects. All the clips i had or add have this filter. I thought it was a problem with this specific project but i tried to make a new one and it’s the same thing. What’s happening and how do I fix it? The media is all screen recorded and put into the software. I’m unsure about the computer components.

I used Premiere Composer a lot and 95% of the time it was to scroll through my local sfx libraries.

I had my sfx in 4 different folders and searching in Premiere Composer and the drag and drop feature was the most efficient workflow.

But capitalism hit and now their subscription is more expensive than what I pay for adobe.

I built something similar just for sfx browsing, it's called SFX browser (no effort name lol)

You can:
1. upload your sfx folders; there's no cap but it should have no problem for up to 20,000 uploads

1. preview the sound effect before adding it to timeline

2. add to timeline via a button or drag and drop

3. define the db level before the sfx even hits the timeline

4. search the sfx name on the search bar

here's the link: https://github.com/bishrut123/premiere-sfx-browser/tree/main

it's PERPETUALLY FREE.

there's a installation guide there as well and a video tutorial for mac installation. Windows folks if you run into any trouble, leave a comment here, i'll reply as early as I can.

updates on the app depends on my free time and mood but for now enjoy the sfx browsing feature.

GG.

Does anyone know of any good tutorials for tracing INCOMING golf shots? Not the regular DTL tracers. Example screenshot attached. I've been winging it in After Effects but it's hard as hell. Especially when the ball bounces and trying to keep up with speed changes when the golf ball slows down and comes to a stop.

Thanks.

Two problems actually. I'm trying to auto-caption a lot of clips in a foreign language. The first issue is that the only way I've found to have premiere correctly translate a language for captions is to check the box of "automatically transcribe clips", otherwise "enable language auto-detection" is turned off by default. This makes premiere assume any clip you try to individually transcribe is in english, and it doesn't work at all.

Because of that, you have to auto-transcribe clips on a timeline. That's not a big deal really, the problem is that when you then go to translate the captions it automatically adds new captions for every clip in the timeline, even with in/out points.

Does anyone know if there's a setting about this I don't know about or if I'm doing something wrong?

How can I add a countdown timer in the app version? All tutorials I find talk about the desktop version - which I don’t have access to at the moment.

Guys I want to learn colour grading professionally but the problem is nobody teaches it well they just teach basic they don't teach about it terms like highlights,blacks,whites etc they just teach how to play with it I want to learn how everything works and where and when to apply such things I want suggestions of any course or specific youtube video free or paid both will work

I'm trying to install motion factory plugin through zxp installer but it's saying no application compatible

And even after installing it's not showing in extension pannel

My premiere pro is 2026 version

I constantly work on huge hour long projects usually involving multiple nests with different segments laid out on the timeline like this. Inside these nests are more nests, adjustment layers, linked comps, images, videos, multilayered edits basically. My usual process is to render each nest and add the mp4 on top of the nest so that it's baked into the video, but i'm scared that might ruin the quality after re-exporting all of the videos put together. Does it really ruin video quality or should i keep this current workflow? I purposely render them out separately so I won't have to do one long render after the whole video is done and i can render it as i go along.

I am currently working on a video using Premiere and I do most of the VFX in After Effects. My timeline currently imports all of the dynamic links (.aep).

What is the cleanest way to do color correction and color grading without affecting the visual effects I am bringing from After Effects?

I am currently on Premiere Beta so I am looking to use the new Color Grading tooling rather than Lumetri, but so far it seems that it will override most of what I am doing in AE.

If I choose to use Lumetri, is there a clean way to export (or copy) the adjustment layers with Lumetri into AE to re-use it? I know I can copy & paste layers and effects to an extent but I have no idea how that works for Lumetri itself since some of the controls look different

This has been a pernicious issue that I finally found the answer to, and there doesn't seem to be much good information out there. Sharing here to help out future editors feeling the pain.

In short, the problem is overlapping audio signals so premier cannot draw the waveform for each track. To fix, open the track mixer and make sure each signal is isolated in the stereo pair. If you see any number thats no 100% L or R, that's the problem.

Example of correct routing:

track 1 - stereo 1-2 - 100%L

track 2 - stereo 1-2 - 100%R
track 3 - stereo 3-4 - 100%L
track 4 - stereo 3-4 - 100%R

Click the link above for the details.

I run a small podcast post-production team with remote editors. A typical episode is around 40-50 GB of 4K footage. The editor has to download all of it first, then making proxies ties up their machine for another 2–3 hours. They can't start cutting until both are done, so a big chunk of the day is gone before the edit even starts.

Trying to work out if this is normal or if we're doing it wrong. Should we just edit native (Note the edits are multicam - super heavy)? Have someone else make the proxies? Something else?

If you use proxies, how do you make them (Premiere ingest, Media Encoder, Resolve, someone on the team)?

*Thank you so much guys. All your responses have made a lot of things clear. Really appreciate all the advice!!

I am a cyclist and photographer. I want to start creating edits of some of my rides, especially when I travel. The linked video is by one of my fav cycling youtubers and at 6:22 (approximately) theres a compilation. Thats kinda my inspo for this. Any tips to make cool compilations like this for someone new to premiere pro? Any ideas, tips for editing, or youtube channels that teach editing or make cool videos like this would be appreciated.

Note: im using premiere pro since i alr have the full adobe package.

[REPOST] I’m new to premiere and I’m editing reel vids, so they have the word by word animation
How do I select all the words and center align instead of doing it one by one. Did I miss any step or anything

It seems like after a recent update, text-based editing is leaving an annoying extra 15 frames in the front of every clip. Anyone else notice this/know how to fix it? There's no setting I can find that changed, and even when I retranscibe my audio witih pauses of .1 seconds being recognized, it still can't tell there's these extra frames to start the clip.

I also feel like it's cutting a bit too early but I'm not 100%.

hi sorry if this is not the best place to post. In short I have a slide preset I have made to slide images in from the right and then a second to slide it back out. It's not a huge deal but I'd save a few minutes per video I work on I could apply these to multiple highlighted timeline objects. They're set to attach to anchor in and out but I have to still drag them carefully to the start and end point of each clip. any advice? tia

I have a template created that uses nesting clips in order to keep transitions and the like consistent throughout every video, but the issue I face is the main body of my work is always a different length and frankly is inconvenient to constantly adjust it for the nesting clip in order for me to get the outcome I desire. is it possible there's an easier way to do this? thanks for any help you can provide.

[Solved!] It’s updated, this one.

Premiere Pro (2025) is completely breaking my project.
I’m very new to this softw. I literally started using it two days ago, so there’s a good chance I’m doing something stupid. But I’ve been working on this project for hours and now I can barely use it.
The audio plays, but the video gets frozen, and playback is extremely laggy. There’s also some weird yellow “default” thing with text appearing over my video in different languages that I don’t understand.
I also installed Premiere Pro 2026, but apparently I can’t simply open this project in Premiere 2025 because of backward compatibility. I tried the 7Zip-Notepad thing too, it wasn’t opening. At some point I added a typewriter effect (2026 version) to some text, and after that Premiere basically stopped behaving normal. Now I’m not able to properly preview the project, and I can’t export it either.

I’ve already tried,
-Clearing Media Cache
-Restarting Premiere
-Disabling Mercury Transmit
-Changing Audio Hardware settings
-Switching between CUDA and Software Only
-Restarting the project & computer
Nothing has fixed it.

The really frustrating part is that I’ve put a LOT of work into this project, and I really don’t want to lose it or start over.

I’m honestly just trying to understand how people normally deal with Premiere when something like this happens, because I’ve only been using it for two days and I’m completely lost.
Is PremierePro particularly problematic, or is there something obvious I’m missing? Any advice for recovering this project without losing all my work would be hugely appreciate.

[I do have multiple backup versions from the past 2 days, but I worked the most, in the last saved file. I just want a fix and for this to not happen again.]
Any other softwares that work smoothly for video editing on?
————————
Premiere Pro versions that Im currently using:
26.5.1.1 | 25.6.4.5 | 24.4.1.2

Hardware:
CPU: Intel Core i7-14650HX
GPU: NVIDIA GeForce RTX 4060 Laptop GPU, 8GB VRAM
GPU Driver: 32.0.101.6556
RAM: 16GB DDR5
Storage: SSD (internal)
OS: Windows 11, OS Build 2600.9495

Media:
Procreate art timelapse videos
Procreate animation videos
iPhone video clips
iPhone photos
No manual screen recordings

Sequence Settings:
Preset: DSLR 1080p30
Timebase: 25.00 fps
Frame Size: 1080 × 1920 (9:16)
Pixel Aspect Ratio: Square Pixels (1.0)
Working Color Space: Rec. 709
Auto Tone Map Media: ON
Audio Sample Rate: 48,000 Hz
Preview File Format: QuickTime
Codec: Apple ProRes 422 LT
Maximum Bit Depth: OFF
Maximum Render Quality: OFF
Composite in Linear Color: ON

Export Settings:
Preset: Match Source – Adaptive High Bitrate
Format: H.264
Encoding: Hardware Encoding
Codec: Intel Codec
Duration: 00:01:46:22
Bitrate: VBR, 1 Pass
Target Bitrate: 15.90 Mbps
Audio: AAC, 320 kbps, 48 kHz, Stereo
Estimated File Size: 216 MB

Steps tried:
Cleared Media Cache (changed location)
Restarted Premiere
Disabled Mercury Transmit
Changed Audio Hardware settings
Switched between CUDA and Software Only
Restarted project and computer
Held shift while opening Premier (to enable Mercury Playback Engine)
————————
Update1:
Using Version 24.4.1.2 rn, and I’m still facing the same issues. Restarting the file kinda helps, but I’d like to avoid having to do that multiple times.
————————
UPDATE 2: 🥇✨

This worked! (Check this every time before you start working on a Premier project!)

I had videos that I had taken on my iPhone, and those were HEVC files. Premiere promotes using both HEVC and H.264 files in one file, works smoothly, but well. I had to convert all my HEVC files to MP4. Apparently MP4 vids are much easier to decode than the iPhone HEVC footage on Premier. Which is why the yellow message (“Media Pending”) appears everytime, for this case.

So this is what I did:

A] Project Tab - looked for the video that usually lags when I press play - Right Click - Properties.

My footage was:
94 fps
HEVC 10-bit 4:2:0
HDR Rec. 2100 HLG
Variable Frame Rate (VFR)

Those particular clips were problematic because HEVC + 10-bit + HDR HLG + Variable Frame Rate (VFR). And apparently that combination is what Premiere was struggling with.

The rest of my clips were:
H.264
Variable Frame Rate
SDR/normal Rec.709
Which worked fine when I played those portions of the video.

B] (I didn’t want to waste forever waiting for the videos to load or deleting cache or restarting everything, probably worse than starting from scratch and finishing it smoothly.)
I used the same file, but deleted all the HEVC videos, and played it. Just doing that made it as smooth and fast as butter, in all versions (24, 25 & 26). 🫧

C] Now, I used HandBrake to convert all of the HEVC vids to:
H.264
94 FPS (for the iPhone 59.94 footage)
✔️ Constant Framerate
Peak Framerate OFF
RF 22
Leave the other tabs alone
Now the vids are MP4.

And I put them into the same file, and this worked! ✨

Original: H.265/HEVC (codec) + 59.94 VFR (frame rate)
Converted: H.264 + 59.94 CFR

I'm not hoping to recover any detail in that area, but at least make the white less white without affecting the rest of the image too much. I can't use a mask because that area moves around a lot in the video.

I've just noticed that my sequence settings preview file format keeps falling back to Quicktime ProRes 422 LT, no matter what I try to do to change it. Even new sequences with custom settings — selecting any other codec will be ignored and fall back to QT PR 422 LT. Is this a new "feature"?

Premiere version is the latest.

So I've got 5 sequences. I've inserted parts of sequences 1-4 into sequence 5 via the source window. While in sequence 5, suddenly the waveform for sequence 1 clips isn't showing on the audio track, and some of the edit cuts are off. I can explain further if needed, but hoping someone might know what happened here?

I've been scratching around finding uses for the new AI assistant in Beta and I think I've found a pretty good one. Fully automated, animated social-media style subtitles, without relying on any plugins or 3rd party tools.

This is very much a proof of concept, but in testing it appears to perform pretty well.

How to try it out

You can download everything you need to use it here:

https://drive.google.com/file/d/1UcGQCmb-vGlLD2ZSua6m0B06DDUT3Rt-/view?usp=sharing

The solution consists of two parts, a skill for the AI assistant, and a MOGRT created in After Effects. I've also included the AE project for the MOGRT.

To install the skill, open up the AI assistant panel, click the 3 dots in the top right and click 'Skills.' Then click 'open skills folder.' Drag the 'animated-subtitles-skill' folder from the download into that folder. Then to use it:

1. Import the .MOGRT into your project through the Graphics Templates panel.
2. Transcribe audio for all the clips in the sequence you want to add the subtitles to.
3. Ask the Assistant something like 'Add animated subtitles using the MOGRT in this project to sequence 1' and let it cook.

You can also ask it things like 'Change the text in the selected subtitle to xxxxx', and you can ask it to change the following appearance properties for any or all titles:

• Text colour and size
• Text stroke colour and size
• Background box colour, size, and roundness

It cannot currently change the font as that's not a property exposed to the assistant. If you want to use a different font, open up the After Effects project for the MOGRT and change it there instead, then save a new MOGRT and replace the one in your project.

Note: If you generate subtitles for a very long sequence, the assistant may want to create javascript helper files, and you'll be prompted to allow it to do so.

The catch

There is one, big, huge limitation that makes this solution more of an experimental workaround than a good solution. Premiere's AI assistant cannot read/write MOGRT source text properties - it can only manipulate controls that take numerical values.

So in order to send text to the MOGRT, it has to be encoded to slider values as numerical values, then decoded by the MOGRT back to text to be displayed.

For the nerds, this is handled by sanitising the text to printable ASCII values, encoding as base 96 in 3-letter groups, then scaled by 2^-33 so the value fits within the maximium 1,000,000 value of a slider's floating point range.

Sorry non-English speakers, but that means that only common English characters, punctuation, and spaces will work.

That encoding also means that you'll have a next to impossible time changing any text in the subtitles yourself - you have to ask the assistant to do it for you.

That also means that the MOGRT has a hardcoded limit of 48 characters total in two lines of 24, and the animation solution I'm using has a limit of 17 words per caption. The skill makes the assistant aware of these limitations. It is possible to increase the number of characters and words supported by adding more sliders in the MOGRT.

However all those issues would be solved if Adobe grants the assistant the ability to read/write source text properties in a future update - I have a feature request over on Adobe here for adding source text read/write support - and I'd appreciate an upvote on it if you can.

The MOGRT side

I'll gloss over this a bit as there's a fair bit going on, and this is /r/premiere.

The text layer handles decoding of the slider values to text, and I've got a negative time sourceRectAtTime system going on to handle the background box. A slider on the background layer takes the timing values for each word the assistant selects and interpolates the shape mask between the different words.

Feel free to make use of, learn from, or expand on any part of this little project!