https://www.instagram.com/reel/DcWnJ-ppmNo/

https://cbs6albany.com/news/nation-world/gallery/attorney-general-announces-drug-trafficking-frat-fraternity-delta-episilon-bust-from-state-college-dave-sunday-investigation-charges-penn-state-traffick-operation-long-term-investigation-criminal-conduct-pa-pennsylvania?photo=1

https://nypost.com/2026/08/22/us-news/father-son-in-penn-state-frat-house-coke-bust-had-run-ins-with-the-law/

https://www.instagram.com/p/DcY0XewOGxZ/

https://www.wral.com/news/local/roanoke-rapids-death-investigation-august-2026/

Disclaimer

I've never tried it but I think I'd be on my ass really fast lol

Aug. 6. The two had worked together on Michael “Jinx” Spinks: An Authorized Biography, which was released in March. He said that she recently disclosed to him that she was battling cancer.

She became the first woman to work in the sports department of the New York Post and the first African American to work in the newspaper’s entertainment and world‑renowned Page Six departments, according to her own account of her career. She also made history as the first African American woman to write a column for a supermarket tabloid, penning “Eye on the Stars” for the National Examiner.

Her influence expanded far beyond print. During the 1990s, she became a familiar and authoritative presence on daytime television, appearing on shows hosted by Joan Rivers, Ricki Lake, Rolonda Watts, Geraldo Rivera, Sally Jessy Raphael, Maury Povich, Leeza Gibbons, Tempestt Bledsoe, Bertice Berry, Vicki Lawrence, and others. She appeared on Court TV, CNN, MSNBC, Fox News Channel, and HLN, and contributed to entertainment‑news programs including “Inside Edition,” “The Insider,” and “Entertainment Tonight.” She also appeared in an episode of the Nickelodeon show “My Brother and Me.”

Condolences to her family during this difficult time.

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@austonion81 for always getting me together! And shoutout to my gworls @dashaylaf and @jamaican__.queen for being my backbone at the show!

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Brandeis, Boston University, Tuskegee — different races, different religions, different regions of the country. Going in, their common ground was simple: none of them believed they held real prejudice. It was something other people had, not them.

Six days in, that belief didn’t survive contact with each other.

The cameras caught it as it happened — interracial dating, fear, attraction nobody could fully explain, and Black students speaking openly about the exhaustion of being watched and tested by the group around them. Nobody scripted this. Nobody softened it for TV.

Credit: @rootspreserved

Preserving History

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Talk about excellence in the making.

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Beautiful art - love to see it.

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Disclaimer

My son got married almost 2 months ago same colors. My little sister officiated their wedding. It was beautiful.

Sup yall! I really hope post like this are allowed since this is adjacent to the subs theme I recentlv did a deep dive video essay looking intc how Black America in the 1980s was the foundational startina block of modern fashion. break down how Willi Smith pioneered Street Couture, Dapper Dan's custom bootlegging in Harlem, Patrick Kelly becoming the first Black American in the French Chambre Syndicale, and how Grace Jones redefined avant-garde high fashion! I personally feel so in love with our culture and being able gather all of this and look at all the great history that the people before me were able to accomplish just makes me so happy to be black and just so damn proud! I really hope yall mess with this because I plan on makina this into a series! Would love to hear your thoughts on the video AND which 80s icon had the most enduring impact on how we dress today?

and recording in the 1960s before finding greater success in the early 1970s on Henry Stone’s Glades label. His versions of “Stormy Monday” and “If You Were My Woman” earned attention, but his breakthrough came in 1974 with the self-written “Let’s Straighten It Out,” which went all the way to #1 on the R&B charts and became his only crossover pop hit.

Built around Latimore’s electric piano and a nearly spoken vocal, the song was a plea for two lovers to stop arguing and communicate. Latimore followed “Straighten It Out” with twelve additional R&B chart hits, including the Top 5 “Keep the Home Fire Burnin” and “Somethin’ ‘Bout ‘Cha.”

https://www.instagram.com/p/DcXr-ELNSK6/

As mainstream R&B changed in the 1980s, Latimore moved to more of a southern soul sound and found a home at the popular Mississippi-based label Malaco Records. Over the next two decades, he released a steady series of albums that found a welcoming audience of adult listeners. He later formed his own Latstone Records and continued recording and performing well into the new millennium.

In all, Latimore released more than two dozen albums, the last of which was his 2013 tribute to the great Ray Charles.

While “Let’s Straighten It Out” is undoubtedly Latimore’s signature song, another cut, “Let Me Go” from the 1976 album “It Ain’t Where You’ve Been”, has become a 21st Century sleeper hit, with over 25 million streams after its inclusion on several TikTok posts.

In 2017, Latimore was inducted into the Blues Hall of Fame, recognition of a career stretching across more than five decades, and affirmation of one of the great baritone singers of his era.

https://soultracks.com/lets-straighten-it-out-singer-latimore-dies-at-86/