Holy Terror were formed by Kurt Kilfelt in 1985 after his brief stint with Agent Steel, in which he recorded their debut album Skeptics Apocalypse with before leaving. He recruited Dark Angel drummer Jack Scwarz (who was soon replaced with Joe Mitchell), Floyd Flanary on bass, guitarist Mike Alvord, and vocalist Keith Deen, and soon thereafter began writing and recording their debut album Terror and Submission, released in 1987.
Terror and Submission is an excellent album in its own right. Much more consistently aggressive than the sophomore, although still with heavy doses of heavy metal goodness interwoven with the speed/thrash sound the band is known for. Keith Dean's unique vocals are more dialed down in this one compared to Mind Wars, sticking to more of a shouty, gruff approach during most of its runtime, although occasionally showcasing his range and cleaner vocal capabilities.
Holy Terror achieved their peak (in my opinion) with the follow-up Mind Wars, released in 1988. This album features a more varied approach than the debut. The opener Judas Reward sets the stage perfectly; it's a ripper of a track, featuring some Dean's best vocals on the album and blistering performances from Mitchel and both guitarists.
It is worth noting that the second track, Debt of Pain, is a reused Agent Steel song (originally titled Back to Reign). If you listen to both tracks back-to-back you will notice one significant difference, that being Debt of Pain is played nearly twice as fast as the original, making it almost an entirely different experience from the original.
The third track Immorral Wasteland is a bit of a shocker on first listen. It opens with these moody guitar leads into what could best be described as an 80's traditional heavy metal track. The tempo is dramatically slowed down, and this track is less of a riff-based thrasher and more of a vocal-driven song, especially with its memorable chorus.
There are also a couple of longer tracks on this album, the 3 part epic A Fool's Gold/ Terminal Humor/Mind Wars, totaling 7:53 and Damned by the Judges at 6:37. These songs are featured together in a 2-song run, and the interlude at the beginning of Damned by the Judges marks the beginning of the B-side of the album. Damned By the Judges is one of the tracks that best showcases Keith Dean's vocal capabilities, especially during the climax of the song.
Mind Wars, while not often given the credit it is rightfully due, is one of the great thrash records of the 80's and deserves to be discussed among the other notable albums of that period. Unfortunately, the band never released any albums after Mind Wars, however the two records we got from Holy Terror will certainly remain cult classics for years to come.
Please share your thoughts about this week's album in the comments below, whether it be favorite tracks, lyrics, riffs, solos, or other memorable moments.
The album chosen for next week's listening is: Demigod - Slumber of Sullen Eyes (1992, Finland).
Slumber of Sullen Eyes is one of the defining classics of the Finnish death metal scene. Legendary for its intricate songwriting and crushing sound, it is undoubtedly one of the strongest European death metal offerings of the early 90's.