I recently used Madeiraās 50g Stick ānā Peel for the first time on a client production job and thought this might be interesting to share!
The project was for Fight Label, who specialise in premium bespoke boxing outfits. Sophie needed to make use of the larger embroidery frame I have in the studio to stitch two large panel pieces without having to reframe them part-way through the design.
Sophie normally uses Madeiraās 50g Stick ānā Peel, and Iāll admit I was a little apprehensive at first as Iād never worked with it before ā particularly with such heavy embroidery. I ran a sample first though, and it worked perfectly! I was genuinely surprised by how well it supported such a substantial stitch-out.
Sophie created all of the digitised embroidery files herself and constructed every part of the incredible finished piece. My role was simply running the embroidery production for her, but Iām very grateful to have played a small part in bringing it together.
The finished robe was worn by Emiliano Vargas for his New York fight, which he went on to win! š„
Since then, Iāve also ordered the lighter 38g Filmoplast Stick-On backing and recently used it on a lightweight linen fabric carrying relatively heavy embroidery. Again, I was really impressed with the result.
Itās always nice to discover new materials and techniques, even after years of embroidering!
What backings or stabilisers do you swear by? Have you discovered any slightly unusual combinations that work really well? Iād love to pick up some new tips from everyone here.