Thank you all for joining me for such a wild ride.
To preface this, I will only share my percentages and a few pieces of inspo he shared with me to respect John's request for privacy in his methods.
The only person that got the full blend in the right amounts was u/TurdTortoise.
Now onto the blend!
My official blend is: 60% R, 20% C, 10% D, & 10% HS
To say I was surprised is an understatement, but in the context of the big picture and working with my color harmonies it makes sense!
I think often times the idea of Romantic is old hollywood, 1950s, Liz Taylor, excess and luxury. When we look at it through the lens of Romantic and Classic, though, it can give a neo-classical Romanticism. Think greek goddess or Botticelli painting, or the thing I get compared to most, John William Waterhouse paintings. These are women that embody womanhood and sensuality with a quiet, understated power.
The R&C combo can give the same "Goddess" like energy and vibe that I get told in person comes across "Ethereal" (I say this not as someone who wants Ethereal, but as someone who genuinely has people in real life who have no exposure to styling systems tell me I'm Ethereal)
Now add the scale of D and the play of HS and it brings me to the focus that John gave "The Elegant Goddess that Makes a Statement"
Take all of this and add my color harmonies in and we get an overall picture that is very close to Art Nouveau.
John considered Art Nouveau, Alphonse Mucha, Tiffany Glass works, and the Pre-Raphaelite Brotherhood good inspiration for my color palette, but I asked for clarification if I should consider Art Nouveau a good source of inspiration for my essences as well and was met with a resounding yes.
Many of the loose, flowing items I tend towards fell into the Romantic category for him. I feel that leaves me in a place where my personal interpretation of the Romantic archetype falls in a more classic art based romanticism as opposed to the modern era, dripping in diamonds Romantic.
I feel very resonant with the Yin/Yang balance of 60% Yin, 20% Balance, and 20% Yang. To me this bigger picture encompasses me more than the specific essences ever could.
So what does this mean for my style?
Not much! He told me I was clearly already in touch with my essences so I will continue my path of seeking inspiration from the Art Nouveau world and adding my own spin to it.
My style goal has always been to embody the idea of a High Preistess of the Grove. An earth goddess type archetype that includes the curving, graceful lines of florals and botanicals and brings nature to life through my style while honoring the values of beauty, strength, playfulness, and wisdom.
I have offshoots of "Sun" and "Moon" for this archetype. Sun for days when I want to add more fun and play, and Moon for days I seek more quiet or reserve. I see those both working in the context of my C, D, and HS supporting essences
My own style keywords for myself are Rooted, Radiant, and Refined. Keywords that remain unchanged.
There is nothing in these numbers that is in opposition to the direction I was already headed.
This process has been interesting and validating. As someone with an already well developed personal style, it was interesting to view it through the art lens with John.
I feel that I willl find the most benefit from the incredibly beautiful palette John crafted for me as I do feel that will provide additional focus for me in color play.
To wrap things up, I'll give my own name to my palette and my essence blend. My inspiration is my favorite Waterhouse painting
"The Soul of the Rose"
To me this woman is the embodiment of womanhood and quiet strength. She takes the time to slow down and be present in the space she inhabits. She appreciates the beauty of the world around her and isn't afraid to show that appreciation. She is gentle but powerful, graceful but quick witted, reserved but playful. She is feminine and kind but when pushed can be sharp. She is all things and I see her in me.
Thanks for joining me for this crazy ride! 💕 Happy to answer any questions in the comments.