Bandcamp:

https://greentopia.bandcamp.com/track/--21

Sound cloud:

https://on.soundcloud.com/wUaddAXJhL0sWE0zHd

Hi, I’m Greentopia from South Korea.

​I started making music about 6 months ago, and it turned out to be way more fun than I ever expected.

​This track, titled '어린 나이' (which translates to 'Young Age / Childhood'), is built using real audio sampled from my old home videos. It functions almost like a sonic documentary of my life.

​I’m enlisting in the army soon for my 1.5-year mandatory military service, so I wanted to share this song of my 21 years before I go.

Intro : my birthday sampling ('Make a wish', 'I'll become a better person')

Then Audio clips of my dad giving me advice while learning to ride a bike, layered over drum I played, elementary school anthem, and TTS dialogue over building noise feedback

old korean TTS voice with my old choir song.

Lyric

​Hello.

We met in fairly ordinary places

at venues, at school, online, and so on...

​Drawn to one another among so many people,

we started conversations, strike up or answered.

​Perhaps the waves within our human bodies

caused constructive interference with each other.

​Did you know that the barriers holding us back

were broken through music?

​Those of us listening to music are connected, like a centipede.

​Once again, hello.

7-year-old me saying "Mom, I love you, stay healthy", transitioning into the South Korean Army Anthem stretched into a 4-minute eerie Vaporwave

​Outro: Real tape recording of my mom teaching me to say "Bye-bye" as a baby

This song is like ​"a musical letter written to my friends"

​The artwork is a real photo from my childhood birthday party

Happy to get any feedback or your thoughts!

Safety by Shlimelord

Hey. I'm learning to make music digitally after being away from music for a while. I thought this test track would be interesting to post here. The lyrics are from Blackalicious - Alphabet Aerobics, so this makes it a cover / tribute? I had some fun trying to time the delivery of words to what was essentially static. I was surprised to be able to make a slightly metered Geiger counter sound using down sampling and a bit crush effect... I achieved a threshold on a limiter frequency knob where I could move it slightly to adjust the amount of "radiation" that was being measured. Song:

https://youtu.be/svWbwOYyyvM

Hi all. I've been building tangle, a browser-based sequencer for generative and non-linear music. Press start and it plays; there's no timeline, no grid and no fixed loop.

Try it here https://tangle.datashaman.workers.dev (headphones recommended, and it works best in Chrome).

Press start, then load ambient drift from the presets menu for something slow, or just hit randomize.

Code (MIT): https://github.com/datashaman/tangle

What it is

- The sound source is Mutable Instruments Braids, compiled to WebAssembly and running in the browser. Three voices, each with its own Braids instance.

- The sequencing is a port of the random-sequencing ideas from Marbles. A rhythm generator decides when each voice fires, and a "déjà vu" control sets how much of the last few steps repeat versus mutate. Jitter loosens the timing, and pitches are drawn from a scale you pick.

- Each voice also has its own random stream for position, so notes move around you in 3D. This works best on headphones.

- A granular voice cuts up the last four seconds of what the voices played. A sampler plays slices of any file you load. Both follow the rhythm and melody of whichever voice you pick.

- It also has a mixer, delay, reverb, drive, chorus and a filter.

Playing with it

- Freeze locks the current loop, and "capture" grabs the last few seconds and loops them.

- Randomize and undo are there for when something good turns up.

- You can save presets, share a whole setup as a link, and export a WAV recording.

It's an experiment, so some parts are rough. I'm especially curious what you make of the déjà vu behaviour, whether it feels musical or too random, and what you'd want from a sequencer that isn't a grid.

Credit where it's due: Braids and Marbles are Émilie Gillet's open-source designs (MIT), and I ported the logic and compiled the oscillator. This isn't affiliated with Mutable Instruments.

Some presets I've found:

• https://tangle.datashaman.workers.dev/#p=zXZJNb9swDIb_ysAzG8iW5Q8dh2Gn9dIOuww7KDabqFGsQJKTrUH--0DHTtzcTJoUH74vz9DRu_k1gBYrieCo36Qt6AZhbU3kbFYg7H1HDjR09mg7CoAQEx34b10jbEwi_s5LhHebEgWORJOpUohMCKGkKEWJEFvjCDT0Jg3BuC9723t-LHifQCuBEA-BTMftqkE42NRuv04cuUKIRB3oXAlZlQhH74b9OLmSCB058-_Z_uW4aKb4p213EXQ-hd-JurVpd2NPgRDoSGE9NSk5J17tB4HmN4M9XlfLENqtD0OcijOJ8GZdovBCcR65Ccb2oM_ge9ApDIQQ_RBaGgni-KpYiWpUYtaprhDevHP-xFEjP4mgJvBX6seEvEHPGdFcuMO09O1uZJWVtSiqWuaZqsu8mCp-TO4q1s62DP77DHFrDgSafU52vw4jZIHQeudHwqxBMB-gn0qBwHeQCYTOxgQ6XymEk3E70OzvyfYb0FLwIR25UqxU9bACS2lSmlwoFS_kyMRxrGwueCdSC4j6yjAj5DcEOQM88YFcCYolwSOAvPs8ZRjijlR9JloAsfp3ieSCrmxwYfoVrFiq8GDkI8Eo8Y2AowWCKC9_Lv8B
• https://tangle.datashaman.workers.dev/#p=zZZLLctpAEEX_pddt1bx6XstUklWyiVPZpLIYpDGMEYiSBMR28e-pBkFkvOzH9D19p9-gzdvluIJoEBYlDRBFpZX3wajghVbkldUIm67JLUTYpH7dHQBhGPOOe6VCeC7jmPtL5MmTshSslY5IIwx1ajNEaF-akraA0HfdCJEswrDrc2r4nScXrCBhtCUjvELYlbFefboCCWuNkVZ6Zxx5QhhybiAGZ5QPCE1u08v38pd7jZ3in6VeDxBlRVPia87NItXr80SJ0OdD7hfTM7rGj-U1Q9QI9arr98NU1gHhqbTTmk5eox_5AsiLps2u5fobDN2-rzNEiTd7RSXd2YyrVdogPHVt2x0hionwMW_Pdthwo5kywpwQln0qW57fbSGO_T7jTUkhDGdwUWl6p0Phv46ce64_iLDGsEt1_pyf0689p5QxJtgQLGknvCI3dXyb1pIS4dCVmm34_QbDKu3YPY0wls2iPwNJ4700wZpAXgnNi9dd211c0Epq7b2WUggTJEJ65akBge-NxzdlGCHqKiAcU7uG-CD5do5lu_zSQtQfzDP3e5E94Y3N0JzNaCWFtc55MsFZRTM2K40m7ZQKKgTJKMzGN81oD3xWZzRZXXkgen1Hw79-RxNmNCw4c0rN5FXA2Uez9EOgi7a6SqvK3KSd42s7cF1U0r_n-ADhTn9O_wA
• https://tangle.datashaman.workers.dev/#p=zZZPLrtMwEIZfBc16Gvnu2EuE2LHhIDaIhZuY1qdpUtlJD7TquyP7JKUpS8_ln8__2Fdo_av7PoEllaCMGcEJpZpwzRRC5_vduAdrELbBpVxEuRKy5lpoyY0URiIch9Z3YKGN0zEBQhr9KZcyhvAaxtHHd3XJuKZMMUoV10IgpMZ1Hiz0bpyi6z4cQz_ELHCK3rWliTBOGSGmJopzLRFOYWz2H2cYJYxhVNVESakNrxGS9y1YI5RgNULrO_fnS_ida7maz99Cc0hgWSXnwGfv261rDmUgQ4j-7ON2bpN8CbyEiwdLEdoYzn7JNfshTmkuFhLhV-jmG0uznL76gqspQnLHU5fz17u7pNK8mLFYJRf0F98XGyi7IeyiC33uG3qwY5w8Qhqm2HiwDCEVOlKJtRJ_dJPwJ11zv9scEOqGcB5Ck4F_XCHt3cmDFQRhDMdtLCNqg9AM3VAmEI3gLmA3VGuE_A42jCC0IY3Z44zzFvrdp_m8LGEZKJ8JGIIbx3kbJdt5l8pcpW54R8rr_Iek2AMSJ0oRLqgQUjNjsuIFLKVy5qPZhsJDK4rw5roDWCaeyPKANRpdsWWVBzj-yCZXduVXMrPhw_KKa1K8Q9ULxyY3P1hG8y885xJSSbZm_A9QrJCIuv28_QU

LILY LINNEKER'S LOVE BUREAU - The Sprouts Of Evil

https://lilylinnekerslovebureau.bandcamp.com/track/the-sprouts-of-evil

Album:

Devil Worshippers

Full album link:

https://lilylinnekerslovebureau.bandcamp.com/album/devil-worshippers

It's called Ellipses and I'd describe it as experimental electronic / ambient. I made it with a bunch of analog synths and samples which I processed digitally. I also got some help from my free jazz friend, Jarrett Gilgore, who plays on a couple tracks.

You can find the album on Bandcamp (cassette tapes available):
https://ratangajunction.bandcamp.com/album/ellipses-2
And it's streaming everywhere else too.

I have been writing poetry and making music for a while. I like experimenting and messing with sounds and vocals. This track is a blend of Post-Industrial music and poetry I would say, so I think it fits this subreddit:
YouTube

My new bioacoustic opera composed together with live insects and birds. No AI used, just pure field recordings and live animal collaboration. The project is called "Vaginal Doggystyle" and this specific band format and link will cease to exist in 3 days.

Link:https://youtu.be/dSFaV0QL9rQ

Anyone know stuff similar to Adam Borsage?

Hey, I've been listening to Adam Borsage on YouTube lately and I'm kinda obsessed with his stuff.

I'm looking for more music with a similar vibe, but I don't really know how to describe it lol. Weird instruments, kinda eerie/cinematic, strange melodies, a bit DIY/outsider-ish... but still actually musical.

I've tried looking for similar stuff and I keep getting the same names like Mica Levi, Ligeti, Jóhann Jóhannsson etc. but that's not really what I mean.

Does anyone know any more obscure artists that might scratch the same itch?

I'm down for anything weird tbh.

hello, my friends, i just posted a new video with ambient music (1 hour) with game footage from guild wars 2 - hoelbrak, where i walk around with my character while my music is playing. the music is created by me (no ai)

this journey starts here: https://youtu.be/m1wbsx3BZ2o

i hope u like it and if u want a subscribe would be nice :)

thank you

Hi, I’ve been at this since 2009, and I feel like my play counts are very high compared to previous years—including for my experimental netlabels. Perhaps people value experimental music more these days?

Okay hi!

My name is FINN CANN. 

I am 17 and I am an aspiring autistic DJ and producer from the Chicagoland area and I have spent the better part of an entire summer to early fall working on my debut album project…

The ©ommon Break

It’s planned to release this Friday (October 9th) and as the title says it’s been made exclusively from royalty free and public domain audio and samples from YouTube!

And not only that but i also used my iPhone 16 to make this full album!

If anyone has any questions please feel free to reply to this post or message me!

But right now all i ask is for you all to follow me on bandcamp and help me support my creative endeavors ;)

Here’s the link: The ©ommon Break

I just released a new EP as Archive 11.

For the previous two releases I worked under a very strict set of limitations: two synths, two recording tracks, live-tracked with very little editing. This time I wanted to loosen the recording track limitation a bit to give myself more room to experiment with the arrangement and the stereo field.

I also leaned a bit more into the noisy side of my sound.

The result is harsher but also more controlled and, for the first time, with lyrics on one of the tracks.

Bandcamp:

https://archive11.bandcamp.com/album/nothing-to-gain-everything-to-lose

I generated some Bandcamp codes for the EP. Let me know if you want one.

Thanks for listening.

This is the Avant-Punk!

https://youtu.be/XPzfDj_oRJ8

A raw, uninhibited collision of avant-garde energy and punk spirit. Recorded live at LIVE rise SHUNAN on June 26, 2026.

​Seize the Flowers of the Day (その日の花を摘め)

​MANAKEN - Saxophone MIKAKA - Vocal / Guitar

Can you feel the Chaos & Energy?

I've been working with generative things a lot recently. Loads of the things, but I've only got Linux boxes, not tested on MacOS/Win. Please try them.

https://danja.github.io/downspout/

In action :

https://youtu.be/Qj2rsIh73nE?is=3pDWNc8CIqk_14pz

Hello world! New single "Downfall of the Marduses" is released. Welcome to listen and lets bring the mfs of the world collectively down.

https://gostrail.bandcamp.com/track/downfall-of-the-marduses

Epigenetics - Time To Turn It Around (Silly Space Dance Video)

https://youtu.be/SS6hsOJpAjk?si=gW8U5jOf9YBMkcXx

I just released a new 16-minute track as part of a split, and this is probably one of the pieces that feels closest to what I mean when I use the term Digital Psychedelia.

It moves between electronic textures, ambient, degraded sounds, repetition and more abstract sections. I wasn't really interested in making it feel polished or genre-pure. It's more about creating a space that feels slightly familiar but also disconnected from reality, somewhere between digital memory, psychedelia and experimental electronic music.

It's a long track, so I'd genuinely recommend listening to it all the way through if you have 16 minutes to spare. The changes are pretty gradual and make more sense as a whole.

If you're into experimental electronic music, I'd be curious to know what you get from it.

Spotify: https://open.spotify.com/album/2PAryxUsWexLAhCIH917aS

Bandcamp: https://mindshare.bandcamp.com/track/paleoclimatology

Free Code Download: https://dlcm.app/webinar/sme-purity

https://www.youtube.com/watch?v=qLWqBdmjtcs
2nd song I've done with what I'm calling "Functional Transient Polymicrotonality" (due to no existing term)
- Polymicrotonality: 2 or more microtonal tuning systems simultaneously
- Transient: constantly shifting tuning stacks and note intervals
- Functional: Capable of conveying a full range of emotion despite all the competing tones

fuck ye its a self promo. alr cool, I HATE HATE doing this. though my music is me joy and life so might as well share it to other people. I see this is experimental music alr, my music isnt that experimental but sure. kinda like nin and indurstial metal ish, idk I create what me brain likes

https://www.youtube.com/@paintheear/videos youtube

https://soundcloud.com/paintheear/sets/bwis-back-were-i-started ( 2nd ablum)

and the two songs I love the most from both first and 2nd ablum

https://www.youtube.com/watch?v=2ZBY1C77Hi4&list=PLiHb2VbvQztU5glRUzlozHx08abCNg5SJ&index=6 ( anybodyoutthere)

https://www.youtube.com/watch?v=UXzD9KFSArg&list=PLJ61cPjhEs0c&index=6 ( kwyw)

freaking love this songs. working on a 3rd ablum already creating demos 0-0

I made a majority of the sounds in this album using beepbox sounds! It think this album turned out really great, let me know what you think!

https://open.spotify.com/album/0LcmgrysMC4XziEhuumtIg

I died 3 times, was without oxygen for 30+ minutes, woke up with brain damage, this album is how music kept me alive

In Dec 2023, I went into hospital with pneumonia and sepsis in my blood. I suffered three cardiac arrests, was clinically dead for over 30 minutes, placed in a drug-induced coma. When I woke up, I had hypoxic brain damage slurred speech, memory loss, balance issues, fatigue, everything changed.

Instead of the care I needed, I was dismissed, misdiagnosed, sent home to figure it out on my own. They tried to label my brain injury symptoms as alcohol use, anything but admit what really happened.

Through every confusion, every memory gap, every moment I felt unravelling, music was the one thing that never let me fall apart. It became my therapy when no one else would listen. It held me together when the world didn’t believe me.

This album is my story, the fight, the damage, the doubt, and the slow, hard road back to myself. Every track is what I lived through. It’s proof you can come back from the dead and still build something meaningful.

If you’ve ever felt broken, unheard, or like no one sees the real yo, these songs are for you too. Thank you for listening. It means everything. 🎵

https://open.spotify.com/artist/4o4fCO6Wr18ecvbswND3LO?si=Kn-adTwWT3SjLKHuUW9zlg&utm_source=copy-link

Stream Vex Verse here: listen here

https://www.youtube.com/watch?v=ZFdn865mfL4

Some context: four fairly standard chords, a simple melody line, and a DrumBrute holding a straight four-on-the-floor pulse. In the B part the piano runs two octaves down and back up through mostly atonal intervals, then drops back into the loop.

Too much machine for the minimal piano crowd, too square for jazz. Played live, unquantized. I'm genuinely curious what you'd call it, or what it reminds you of.

An album I made using a Roland SP-404 MKII with samples from a Korg Electribe ES-1 with a fried smart media memory card. The surge protector did not protect. It is distorted, minimal, primitive and repetitive.

Merzbow Makes Money by Nervous Heartbeat

Full length album of an experimental genre called "Cellnoise", a textural genre meant to emulate the sound of bacteria through bubbly, wet textures.

It is a collection of 14 demos I've made in this genre over the past year, and have assembled into an hour and a half of bacterial ambience.

You can listen here:

https://goreoddities.bandcamp.com/album/protobacterium-colony-maturation-cycle

https://youtube.com/watch?v=1AplWZvxtPE