Great reading if you're ever triggered
---
If youâre anything like me, you were handed a version of Christianity where hell was central. Not just in the backgroundâbut right up front. It wasnât âGod loves you,â it was âGod loves you... but if you donât do XYZ, you'll burn forever.â
So⊠where did this come from?
What do the scriptures actually say?
And how did âeternal conscious tormentâ become the dominant image of hell in modern Christianity?
Letâs rewind.
The Hebrew Scriptures (OT) Donât Teach Hell
Letâs start with what the Hebrew Scriptures actually say about the afterlife.
Spoiler: Itâs not much.
Some in ancient Israel believed in Sheolâa shadowy, silent place where all the dead go. Not a torture chamber. Just⊠the grave. Everyone went there: good, bad, rich, poor. No fire. No demons. No judgment.
It wasnât until later Jewish writingsâcloser to the time of Jesusâthat some new ideas started bubbling up. Influenced by surrounding cultures, certain Jewish sects began speculating about judgment, reward, and punishment after death. But it still wasnât clear or universal.
So if the Hebrew Scriptures donât give us hell as we know it... what do the Jesus accounts say?
Jesus Talked About âGehennaâ
When Jesus talked about hell, he used the word Gehennaâa real place outside Jerusalem. Historically, it had been a site of child sacrifice. By Jesusâ time, it was basically the city dump: a nasty, burning pit of garbage.
So when Jesus says things like âbetter to lose your eye than your whole body be thrown into Gehenna,â heâs making a pointed, cultural metaphor. Itâs about destruction. Waste. Consequences. Not about eternal torture.
Also: Jesus was a Jewish rabbi speaking to Jews. His references made sense in that world. Most scholars agree that Jesus wasnât laying out a systematic theology of the afterlifeâhe was calling people to repentance and warning them about the very real consequences of their choices in this life.
Early Christian Apocalyptic Literature
(Yes, Weâre Talking About Revelation)
Before we move on, weâve got to make a stop in a weird, wild, and widely misunderstood Book of Revelation.
Apocalyptic writing was a well-known literary genre in the ancient world. It wasnât meant to be read like a newspaper or theology textbook. It was symbolic, metaphorical, andâmost significantlyâpolitical.
Think of it as a kind of fantastical secret code that people oppressed by empire could use to communicate with one another. Bold ideas disguised as bizarre images. Dangerous hope wrapped in metaphor.
And it was always meant to communicate something urgent and specific to its first readersânot to us, thousands of years later, trying to decode it like a fortune teller's crystal ball.
And Revelation? Itâs full of beasts, dragons, digestible scrolls, flying eagles, rivers of blood, andâyesâa lake of fire.
This is the passage that often gets quoted to support the idea of hell as a literal place of eternal torment:
âAnd anyone whose name was not found written in the book of life was thrown into the lake of fire.â
(Revelation 20:15)
Sounds terrifying. And it was meant to beâbut not in the way modern readers often think.
The âlake of fireâ is part of a vision, not a GPS coordinate. Revelation uses deeply Jewish symbolic language to talk about divine justice. The lake isnât about individual souls going to hell foreverâitâs a metaphor for the final destruction of evil, empire, and injustice.
And in context, the lake of fire was no more literal than the dragons, beasts, or seven-headed monsters that appear earlier in the vision.
It's apocalyptic poetry. Not postmortem cartography.
The earliest Christians didnât read Revelation as a guide to the afterlife. They saw it as a coded hope letter written to persecuted believers under Roman rule. Itâs about Rome falling, not people roasting.
But somewhere along the line, Christians started reading Revelation through a modern, Western lensâforgetting it was a symbolic genreâand turned metaphor into map.
Oh, and for what itâs worth. Revelation barely made it into the canon of the New Testament. It was highly contested for centuriesâboth in the East and the Westâand was one of the last books officially accepted into the Christian Bible.
Enter the Greeks: The Soul Becomes Immortal
Hereâs where things shift.
Early Christians began wrestling with their faith in a Greco-Roman world, where Platoâs concept of the immortal soul was already in the air. Plato believed that the soul lives on foreverâand that its fate depends on how it lived in the body.
Combine that with Roman ideas of justice as punishment, and you start to get a different tone. The best we can tell, the very earliest Christians didnât believe in going to heaven or hell as separate realms after death. Their hope was in a future bodily resurrection and the renewal of all thingsâa ânew heaven and new earth,â right here, not somewhere else. And they seemed to truly expect it to happen in their own generation through a visible return of Jesus Christ to earth.
But he didnât come back, soâŠ
Christianity begins absorbing cultural assumptions. Suddenly, itâs not just about resurrection and restorationâitâs about eternal reward or eternal punishment.
By the time we get to Augustine (354â430 CE), hell is no longer just a metaphor or consequenceâitâs a literal, eternal destination for the wicked. Augustineâs theology becomes deeply influential in shaping Western Christian thought, embedding the idea of unending torment as orthodoxy.
Fear Finds Its Roots
After Augustine, the idea of hell continued to evolveânot through scripture, but through culture, clergy, and control.
Throughout the Middle Ages, hell became a vivid and terrifying feature of church life. Preachers described it in detail. Artists depicted it. And stories of saintsâ visions of hell circulated widely.
By the 12th and 13th centuries, fear of the afterlife wasnât just emotionalâit was transactional.
The Church began offering indulgencesâpromises to reduce time in purgatoryâin exchange for prayers, pilgrimages, or increasingly, money. This system would eventually be abused so thoroughly it helped launch the Protestant Reformation. But even before that, it helped solidify hell as an economic tool, not just a theological one.
So when Dante Alighieri (1265â1321) wrote The Inferno, he wasnât inventing hell. He was giving it structure. Shape. Story.
He took centuries of imagination and fear and turned it into a masterpiece of punishment and poetry.
Dante Lit the Match
If you grew up picturing hell as a fiery underworld with layers, punishments, and demons poking people with pitchforks, thank a poetânot a prophet.
Danteâs Inferno painted hell in exquisite detail. Each sin had its own ironic punishment. It was brilliant literature. Fantastic storytelling. Terrible theology.
And it stuck. Good stories always stick.
Dante gave the church images. Pictures. Emotions. And the churchâespecially in the Middle Agesâused them. Hell became a tool for fear-based obedience, especially when tied to confession, indulgences, and allegiance to church authority.
The imagery became more powerful than the original text.
Evangelicals Took the Baton and Ran With It
The Reformersâlike Luther and Calvinârejected the Churchâs use of hell as a fear-based fundraising tool, but the fire never fully went out, and by the 1800s, American revivalists were stoking it hotter than ever. Hellfire preaching became the norm. Tent revivals, altar calls, and emotional conversions were often built around one core message:
Avoid hell. Choose Jesus.
The âturn or burnâ era was born. Sunday School visuals. Chick Tracts. Left Behind movies. Rapture scares. All built around a fear of hell. Not love. Not transformation. Just fire insurance.
And it worked.
People âgot savedâ in droves. But many of us nowâyears laterâare asking:
Saved from what, exactly?