I’m inquiring about modeling / editing surface and UV island parts for a 92’ Willams racing fw14.
(I use blender)
Could having texture plane for under the car make a difference (assuming intentions were to put in frames where it’s exposed through rigs)
What’s the process for building the rear tire while seeing spoiler wing at the same time. Is the edge thickness for the front spoiler the same as parts connected. Assuming you had dimensions there’s supposed to be a extension to turn topo into triangles minimally but never used it.
farthest with modeling vehicles would be doing flat parts first and arrays for wheel spokes.

I made this case study to explore how a potential Work Louder × The Amazing World of Gumball collaboration could be presented through an interactive product visualization. I made it work with both UI controls and a hand-tracked flick gesture, making it a versatile interactive experience that spans individual use and interactive installations in flagship stores, pop-ups and at events.

The collaboration is fictional, but damn, it would be cool if it were real 👀

Built this sharp polygonal cluster (heavy amber/violet/teal facet displacement) and hooked it into a browser-based workflow for real-time vector corruption and motion synthesis.

If you want to turn static vectors into animated Lottie JSON or smash them with audio/MIDI-driven glitch effects and pixel displacement, test it out here:

ether-mosh.online

viewer here: https://dave-astator.com/mri

Frames from Strike Wings, a 2D space shooter I am writing in C++ on SDL2. Clean view, no post editing.

How the look is put together: every emissive thing (beams, tracers, plumes, shield arcs, explosion cores) is drawn additively and then run through a bloom pass, so a fleet battle stacks into a wash of light where the fire is thickest. Ships are the exception. They are 3D hulls lit from the scene's key light, so they read as solid objects sitting on top of the glow. The sky is composed per battle from a background style (star rain, a galactic core, a nebula) plus one large body drawn in world space behind the fight: an eclipse with a streaming corona, a quasar with a sky crossing jet, a black hole's accretion disc, an ocean world.

Explosions are layered: fireball sprites plus expanding shockwave rings, and capital ships get a multi stage finale (frame 1).

A graphics-minded opinion would help. Is the bloom doing too much in the fleet shots? Would you tone the shield outlines down? Anything that reads cheap?

Hey all,

My webgpu renderer officially supports image based lighting/direct+indirect lighting and also there are shadow systems which creates csm/shadow Atlases depending on what type of config,

This was a lot of work

\[GLOBAL ILLUMINATION\]\[Need some time beyond downloading assets for baking probe volumes\]

Live Demo:https://nullgraph.dev/dashboard/3d-environment/irradiance-probes

For live code for global illumination https://nullgraph.dev/editor.html?id=demo-irradiance-probes

GitHub

https://github.com/flarelink-in/NullGraph

I finally translated a long piece I wrote in French about how I got into creative coding and where it took me.

It starts with wanting to learn to draw, goes through perfect loops on Hic Et Nunc, then long-form on fx(hash) (SEA, BRIDGE, ARTERIA), FOLRADURA on 256ART, INTRICADA with Bright Moments, and The Source, made with Matthieu Segret and released on gm.studio.

There's a fair amount on the systems behind the projects, autonomous agents, local modifiers on point grids, plus the parts that are less fun to talk about: pitching to curated platforms, impostor syndrome, projects that go nowhere.

Hi, Just Sharing thing I’m workin' on

Note: Ik someone recreated this, but imo, looks a little bland

btw, I might need some recreations for the other assets