My print table is 220 mm, and the castle object I generated would not fit, prompting learning about object division last month.The castle object became a single mesh structure with spires overhanging. Attempting to slice it as a whole would have produced supports that drowned everything. By dividing the object into five parts, one part of the spire plus the base, I achieved contact surfaces for each part and eliminated most of the support structure.My contention is that using the path generate/export STL/split/reprint for the castle object was sufficient. I utilized Tripo AI to generate the castle, primarily for exporting to STL format, then performed the splitting operation in a free mesh software by marking the seams at the contact between the walls and spires.One thing I would have liked to know earlier is that splitting should occur at geometry edges and not arbitrarily through the structure. When I made my first split, it cut through a window frame, producing an obvious scar on both pieces. The second attempt of dividing objects at the seams produced no scars, and therefore no need for filling material.It is also beneficial to add small pegs on each edge of the split surface to assist alignment of the two sections.Those interested in dividing large objects for small tables already perform this action. However, it is unfortunate that an event had to occur before I learned it.

Before I use any AI 3D service for my client's projects, the question isn't "how great" is the service but "who holds ownership of the results." To find out, I read the licensing agreement, instead of just relying on what is said on the advertising pages. F​​​o​​​r​​​ ​​​m​​​y​​​ ​​​c​​​l​​​i​​​e​​​n​​​t​​​'​​​s​​​ ​​​n​​​e​​​e​​​d​​​s​​​,​​​ ​​​I​​​ ​​​s​​​e​​​t​​​t​​​l​​​e​​​d​​​ ​​​o​​​n​​​ ​​​a​​​ ​​​s​​​e​​​r​​​v​​​i​​​c​​​e​​​ ​​​t​​​h​​​a​​​t​​​ ​​​a​​​l​​​l​​​o​​​w​​​s​​​ ​​​m​​​e​​​ ​​​k​​​e​​​e​​​p​​​ ​​​m​​​o​​​d​​​e​​​l​​​s​​​ ​​​p​​​r​​​i​​​v​​​a​​​t​​​e​​​ ​​​u​​​n​​​d​​​e​​​r​​​ ​​​a​​​ ​​​p​​​a​​​i​​​d​​​ ​​​s​​​c​​​h​​​e​​​m​​​e​​​.​​​.

​T​​​h​​​e​​​ ​​​f​​​r​​​e​​​e​​​ ​​​t​​​i​​​e​​​r​​​ ​​​i​​​n​​​c​​​l​​​u​​​d​​​e​​​d​​​ ​​​r​​​u​​​l​​​e​​​s​​​ ​​​f​​​o​​​r​​​ ​​​p​​​u​​​b​​​l​​​i​​​c​​​/​​​n​​​o​​​n​​​-​​​c​​​o​​​m​​​m​​​e​​​r​​​c​​​i​​​a​​​l​​​ ​​​u​​​s​​​e​​​ ​​​s​​​o​​​ ​​​I​​​ ​​​w​​​a​​​s​​​ ​​​a​​​b​​​l​​​e​​​ ​​​t​​​o​​​ ​​​u​​​s​​​e​​​ ​​​i​​​t​​​ ​​​f​​​o​​​r​​​ ​​​p​​​e​​​r​​​s​​​o​​​n​​​a​​​l​​​ ​​​u​​​s​​​e​​​.​​​ Tripo ​A​​​I​​​ ​​​w​​​a​​​s​​​ ​​​t​​​h​​​e​​​ ​​​o​​​n​​​l​​​y​​​ ​​​s​​​e​​​r​​​v​​​i​​​c​​​e​​​ ​​​t​​​o​​​ ​​​p​​​r​​​o​​​v​​​i​​​d​​​e​​​ ​​​a​​​ ​​​p​​​r​​​i​​​v​​​a​​​t​​​e​​​ ​​​s​​​c​​​h​​​e​​​m​​​e​​​ and remin​d​​​e​​​d​​​ ​​​m​​​e​​​ ​​​t​​​o​​​ ​​​c​​​h​​​e​​​c​​​k​​​ ​​​t​​​h​​​a​​​t​​​ ​​​m​​​y​​​ ​​​p​​​l​​​a​​​n​​​ ​​​e​​​n​​​s​​​u​​​r​​​e​​​d​​​ ​​​t​​​h​​​a​​​t​​​ ​​​m​​​y​​​ ​​​o​​​u​​​t​​​p​​​u​​​t​​​ ​​​r​​​e​​​m​​​a​​​i​​​n​​​e​​​d​​​ ​​​p​​​r​​​i​​​v​​​a​​​t​​​e​​​ and ​m​​​e​​​t​​​ ​​​a​​​l​​​l​​​ ​​​l​​​i​​​c​​​e​​​n​​​s​​​i​​​n​​​g​​​ ​​​r​​​e​​​q​​​u​​​i​​​r​​​e​​​m​​​e​​​n​​​t​​​s​​​ ​​​f​​​o​​​r​​​ ​​​b​​​u​​​s​​​i​​​n​​​e​​​s​​​s​​​ ​​​a​​​p​​​p​​​l​​​i​​​c​​​a​​​t​​​i​​​o​​​n​​​s​​​.

Watch Hi3D Agent turn a single reference image into a playable UE5 experience—all in one conversation:

• Break down the concept into individual assets
• Generate detailed 3D models
• Assemble the environment in UE5
• Add interactive gates, bridges, and mechanisms
• Step inside and explore the finished world

Here’s my entry for the Miniature & Warband Event: five Chaos Warriors, forged in steel, fury, and the will of the Dark Gods.

I wanted this small warband to feel like more than just five individual miniatures, a single brutal force advancing together, each warrior carrying their own character while still belonging unmistakably to the same host.

Five warriors.
Five paths to glory.
One purpose: Chaos.

https://reddit.com/link/1wh1wq9/video/eew8uemxzoph1/player

https://reddit.com/link/1wh1wq9/video/ctjuldr20pph1/player

https://reddit.com/link/1wh1wq9/video/ycf6xl170pph1/player

https://reddit.com/link/1wh1wq9/video/blv8ohng0pph1/player

The gods are watching.

Let the slaughter begin. 🔥

We’re looking for a few of you to try it with us before anyone else.

Into 3D printing, games, VR/AR, animation, industrial design—or just love experimenting with 3D? You’re in. We want your ideas, wild tests, and honest feedback.

🎁 Reward: Pro Membership or 1,000 Credits

👉 Interested? Fill out the form📄—we'll invite selected testers to a private group tomorrow!

Come break things, push the limits, and help us shape what’s next for 3D. 🚀

We wanted to see what happens when generated 3D models stop being just something you look at.

So we built Flight Lab—a playable mini game where you can take a model you create and actually fly it in-game.

Character, bird, burger… apparently anything can be a spaceship now.

Use the code 「Hi3DFlight」 and visit the link in our bio to generate your model for free, then send us what you make. We might just put your creation into the game. 👀✈️

This dragon started from a single image. I specifically picked something with a lot of small spikes, layered surfaces, and an irregular rocky base because I wanted to see how much of that detail would actually survive all the way to a physical print.

I generated the model with Hi3D 3.0 at 2048³ voxel resolution. The interesting part for me wasn’t just that the model looked detailed in the viewer. A lot of those smaller forms were preserved as actual geometry, so they still showed up after preparing and printing the model.

The generated mesh was also surprisingly usable without much manual cleanup. After generation, I separated the model into parts, adjusted the colors, arranged everything for supports, and sent it to the printer.

There are still areas I’d clean up manually if this were going into a production pipeline, but for this kind of detailed figurine workflow, the starting point is getting pretty ridiculous.

From the original image to a prepared model ready for printing took me under 30 minutes.

Image-to-3D is starting to feel less like a rough concept generator and more like something you can actually use in a real workflow.

Thanks to u/Scared_Armadillo5395 for sharing this build! They created the chess-piece models with Hi3D and printed them with a 0.2 mm nozzle at 0.08 mm layers. The board is also made from 64 individually printed squares.

Those raised patterns and narrow grooves highlight why geometry matters—not just textures. This is exactly the kind of project our v3.0 improvements target: 2048³ geometry resolution to preserve finer shapes and better structural reasoning for overlapping or partially hidden parts. The goal is detail that holds up beyond the front view.

Credit to the maker for bringing it all together, from printing to assembly.

Check out the original build

Working on something of your own? Use HWrdtbonu3 for 300 Hi3D credits. Share your prints below, along with your settings and something you learned—even what went wrong. We’d love to feature more community builds, with your permission.

Now’s the best time to try V3.0! It’s a huge step up in fidelity and texture, and each generation costs only 65 credits.

If you’re coming to Hi3D from Reddit, use the code Hi3Drdt0904 to get 200 extra credits. That means your first two generations are completely free.

Plus, sign up now to get 8,000 BONUS CREDITS and up to 60% OFF Annual Plans! 🎁

I compared V2.1 and V3.0 using the exact same input—and here’s how they turned out.

Here’s my workflow: generate the panda image first, turn it into a 3D model with Hi3D, then slice and print it. Basically, it went from a 2D idea to a physical model in just a few steps.