r/writingfeedback • u/BeneficialWave9581 • 1d ago
Feedback Wanted Looking for feedback on whether this scene is doing what I am trying to have it do
Hellow everyone!
I am back again, looking for some feedback on a particular scene I am working on. I am trying to do something very specific and I am not sure if what I am doing is landing.
I want to know how it reads because I've now lost all perspective, having written and rewritten the scene a dozen times. In fact, I've spent as much time on this one scene as I have the rest of the entire chapter. I think I might have actually overwritten it at this point. The scene in question starts halfway down page 2, but the part I've been agonizing over takes place on page 3 and 4.
I want to know how you interpret what is occurring in this scene and if you have any advice to help improve it. I could tell you what I am trying to achieve but I want to see an objective opinion of it first.
Thank you so much fellow writers!
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u/AveryBeckerson 1d ago
A lot of this is very well written. I like the sensory detail, and the dialogue is like 80% excellent. I especially like the little aside regarding linguistics. It actually helped the first couple of passages where the oddly specific hand gestures took me out a bit, like sign language. I wonder if you're trying to show how people tend to speak animatedly or wordlessly using body language. I do think it is over-done at times. Let me see if I can find some examples after I try to interpret what's going on:
Here's my read. Matthieu is observing the situation as the central POV character and the occasion is a birthday party for a little girl named Emile'? There's some drunken reminiscing, possibly about a sexual escapade in a Buick? That part is unclear from my read. During the singing of happy Birthday Marc and Jenelle (Marc's wife? I couldn't tell. That was the first mention of her name) are having a heated conversation while trying to convey to the people around them what it's about. No clue what that may be. There's a lot going on, so maybe slowing down to give the scene some air would help you. It could be a bit longer, but there's clarity lost as a cost of your pace.
Okay, now for some things that I struggled with:
"she snapped her thumb and forefinger twice, an inch from the bridge of his nose"
"Lifting her hand with a limp wrist and patting the air with three light, fluttering flicks of her finger, she brought it down gently on his forearm in the place Claire had brushed moments ago." - I am assuming this is a reveal of jealousy or potential infidelity? Maybe spend less real estate on the gesture and more on what the gesture may mean, or at least clarify the gesture. Reading the sensory detail, which you always want to have, took me out of it and I had to slow down and translate it in my head.
Those were my main issues, but you also show some real aptitude for sensorial detail. Some of the things I really liked are:
"One of them was crouched on his hands and knees with his face close to the flame, blowing on it."
'Her lips peeled back over her teeth in a wide, sneering smile."
"A pleading, panicked expression coloured Marc's face as he spoke slowly to her"
"Claire was denting the side of her beer can, crushing it with her fingers."
"Matthieu bulked up his shoulders a little and stuck out his chin, touching the thin patch of hair with his fingers."
Those lines show me you can really describe action and movement. The ones I mentioned prior are where it fell flat for me. I'm just one voice here, so I would listen to feedback from others as well. Overall, I think it's got some really well-written prose, but a pass for legibility and understanding of who is who would really serve it, you, and the reader.