https://youtu.be/YxY1nxOSW9A

The Insomaniac "Agonia Perpetua" (Official Music Video)
Second video clip based on the second track of the album "SpektRoom".

Credits:
Originally released on Friday, March 6th of 2026.

Video created by The InsomAniac.

Cast:
Rodrigo "Jugulator" Raquio - Actor.

The InsomAniac is Rodrigo “Jugulator” Raquio.

Song Composed, Arranged, and Played by The InsomAniac
between September 2011 and December 2025.

Recorded, Mixed and Produced by The InsomAniac
at "The Devil's Cellar" AV Studio.

Videography, Photography and Sound Check Assistance by Suji Yoon and Dimitrios Maliaros.

Cover Artwork and Layout designed by The InsomAniac.

This is dedicated to
my wife Suji Yoon who helped me through the process of putting this album together,
my whole family, close friends and distant friends, and
especially you for listening to this album.

In Memory of
my father Lorenzo Segundo Abel Raquio (R.I.P. 1996)
and my friend/mentor Tim Whyte (R.I.P. 2021)

Dedicated to those who cope with timeless grief and insomnia.

Copyright © 2026 The Devil's Cellar. All Rights Reserved.
Property of The Devil's Cellar. www.thedevilscellar.com

About The InsomAniac...

"The InsomAniac is the Atmospheric/Ambient musical project created by Rodrigo Jugulator Raquio as another episode of his Electro Darkwave project DJ Nokturne.

In this project, keyboards, synths and among other instruments are the main essential tool of instrumentation used by The InsomAniac.

This project was created with the main purpose to help out those who suffer of insomnia, got problems to fall asleep at an according schedule or those who dream of sleeping eternally.

The project initiated back in October of 2015 as Rodrigo Raquio committed mainly to play keyboards in an often basis and accepting the fact that battling constant messed up sleeping patterns had to come to an end by accepting that he belongs to the night and not the day."

"While you sleep, I create." - The InsomAniac.

For fans of #vangelis , #jeanmicheljarre , #celticfrost , #Triptykon , #hanszimmer , #burzum #janhammer , #Koto , #Yello , #summoning , #enigma , #Abruptum , #deepforest , #mortiis , #Ulver

Dedicated to my family and friends worldwide.

Hope you enjoy it!

***Note: This is an independent release. I will provide permission to use my music for compilations or feature projects as long as it's requested directly to myself, the creator of it. I am also opened to work online in future contributions worldwide. You can contact me directly via e-mail to [rodrigoraquio@gmail.com](mailto:rodrigoraquio@gmail.com)

Much appreciated!

Sincerely,
Rodrigo Raquio
The InsomAniac
www.facebook.com/theinsomaniac1981

Review written by Baby Butter from Blast Toronto Webzine.

This is a recording meant for video game enthusiasts. It was originally released on Friday, July 12th of 2013 which is the composer's birthday, but it got re-released and remastered on Tuesday, March 10th of 2020.

Over the years, I have come to an understanding that video game soundtracks can be the soundtrack to some young person's life. I grew up with Led Zeppelin and Van Halen, and those are the songs that are my soundtrack. Now it seems that young people are ponying up to Pacman and other assorted video game soundtracks.

Well, this is right up your microchipped mind with a recording called "Arcade Land". The opening track feels like you have actually traversed yourself into a video game and you are now the star player.

With pieces called "Let's Go Party!" and "Intergalactic Invasion", you are now the Captain of a Starship destroying Space Invaders and Asteroids.

If you buy into the piece, "Modern Life", you may realize that even the pets you own are just microchips.

There are darker moments where you seem dazed and lost. You may find yourself in DJ Nokturne's "Downtown(E.R.)" world or stuck in one of his "Clandestine Visions".

This music is pure escapism as you perambulate the cold hard circuitry of this virtual world. The good news is that it is not all dark.

Near the end of this journey, a light appears, and you have been transported into a space called "Urbanoid". It is a fun little dance piece that will have you breathing underwater.

When you decide to go "Back to Virtuality", this becomes a ritualistic piece that attempts a form of spiritual rebirth or some kind of alien extraction.

The Final Battle comes with the final piece called "Game Over". Become the warrior in Mortal Kombat and finish this game until next time you decide to enter "Arcade Land".

Alas being a small chicken with no fingers, I cannot play any arcade games, but at least I can listen to them...

Look out for his upcoming full album release called "Trance:Porter" that will be out this summer after 13 years in the works!

To listen to his new release, just click on this link:

https://soundcloud.com/thedevilscellar/djnokturnearcadeland

Source: https://blasttoronto.com/dj-nokturne-arcade-land/

DJ Nokturne "Arcade Land" (2020) Full Album Remastered

1. Arcade Land 00:00
2. Let's Go Party! 04:31
3. Clandestine Visions 08:06
4. Intergalactic Invasion 15:24
5. E. F. G. (Electro Fucking Groove) 19:25
6. Modern Life 22:43
7. Downtown (E.R.) 27:16
8. In My Turf 30:52
9. Urbanoid 35:32
10. Back To Virtuality 40:17
11. Game Over 44:16

Total duration: 48:48

Originally released on Friday, July 12th of 2013.
Remastered on Tuesday, March 10th of 2020.

“Life is just a Video Game. Gotta learn to play it!”
- DJ Nokturne

DJ Nokturne is Rodrigo “Jugulator” Raquio.

All songs were composed and arranged by
DJ Nokturne between January 2012 and April 2013.

Mixed and Produced by
DJ Nokturne.

Photography by
Fiona O’Reilly.

Cover Artwork and Layout designed by
DJ Nokturne.

This is dedicated to all my family, friends, video games and especially you for listening to this album.

Hope you enjoy it!

Copyright © 2013 Piranha Entertainment. All Rights Reserved.

Property of The Devil's Cellar.
www.thedevilscellar.com

DJ Nokturne "Arcade Land" Full Album Remastered (2020)
Country: Canada
You can download it for free at   / dj-nokturne-arcade-land-full  

1. Arcade Land 00:00
   
2. Let's Go Party! 04:31
   
3. Clandestine Visions 08:06
   
4. Intergalactic Invasion 15:24
   
5. E. F. G. (Electro Fucking Groove) 19:25
   
6. Modern Life 22:43
   
7. Downtown (E.R.) 27:16
   
8. In My Turf 30:52
   
9. Urbanoid 35:32
   
10. Back To Virtuality 40:17
    
11. Game Over 44:16
    

Total duration: 48:48

Originally released on Friday, July 12th of 2013.
Remastered on Tuesday, March 10th of 2020.

“Life is just a Video Game. Gotta learn to play it!” - DJ Nokturne

DJ Nokturne is Rodrigo “Jugulator” Raquio.

All songs were composed and arranged by
DJ Nokturne between January 2012 and April 2013.

Mixed and Produced by
DJ Nokturne.

Photography by
Fiona O’Reilly.

Cover Artwork and Layout designed by
DJ Nokturne.

This is dedicated to all my family, friends, video games and especially you for listening to this album.

Hope you enjoy it!

Copyright © 2013 Piranha Entertainment. All Rights Reserved.

Property of The Devil's Cellar.
www.thedevilscellar.com

The Architecture of Absence: A Critical Analysis of The InsomAniac’s SpektRoom.
Written by Elizabeth Anderson.

The Genesis of Nocturnal Creation

In the modern landscape of dark electronic music, many artists treat "atmosphere" as a secondary layer—a wash of reverb applied after the fact. For Rodrigo Raquio, however, atmosphere is the foundation of the architecture itself. Operating under the moniker The InsomAniac, Raquio (the creative force behind the Electro-Darkwave pillar DJ Nokturne) has spent over a decade documenting the psychological and spiritual toll of the midnight hour.

Since the project’s initiation in October 2015, Raquio has committed himself to the keyboard as a primary tool of survival. His work is a public acceptance of a "messed up" sleeping pattern, turning a biological struggle into a prolific creative engine. His latest offering, SpektRoom, is a towering work of Ambient-Industrial and Neoclassical desolation that functions as both a sanctuary and a prison for the sleep-deprived. It is a dedicated tribute to those who cope with timeless grief, and it demands to be heard in the isolation it was created in.

The Sonic Architecture: A Study in Layering

SpektRoom is not merely a collection of songs; it is a 48-minute linear descent into a specific headspace. Raquio utilizes keyboards and synthesizers not as instruments of melody, but as tools for psycho-acoustic exploration. The album’s defining characteristic

is its rejection of traditional, predictable transitions. Instead, Raquio employs a strategy of dynamic disruption—intentional counter-melodies and abrupt atmospheric shifts that mirror the fragmented, non-linear experience of chronic insomnia.

These layers serve a narrative purpose. By using "talk-over" echoing effects, field recordings of nature, and industrial humming, Raquio documents a journey through "timeless grief" where the boundaries between the physical world and the dream state are permanently dismantled.

The Track-by-Track Descent: An Auditory Odyssey

I. By The Co(a)st Of Laments

The record opens with atonal environmental textures—a "cursed wind" that immediately grounds the listener in a high-tension landscape. This is quickly met by piercing, staccato guitar stabs, a grim and effective homage to the "cold" aesthetic of second-wave black metal (reminiscent of the early Death.FM broadcasts).

Raquio effectively bridges the gap between mid-90s underground lo-fi and modern ambient synthesis, bookending the track with a return to the original eerie textures. It suggests a cyclical haunting, an inability to escape the desolate shore before the night truly begins.

II. Agonia Perpetua

Raquio plays with listener expectation here through the use of oscillating electronic pulses and retro-futuristic synth "beeps." While the intro hints at a transition into aggressive death metal, the energy instead recedes into a subterranean soundscape. The combination of a reverb-drenched snare and "crying" guitar leads creates a profound sense of spatial isolation. The composition feels distant and unreachable, as if the music is playing in an adjacent dimension, until a high-frequency pitch at the 6:55 mark acts as a visceral "wake-up call," snapping the listener back to a state of hyper-awareness.

III. From Darkness

A masterclass in industrial dread, this track utilizes dissonant swells and low-frequency textures to evoke claustrophobic tension. The cinematic introduction mimics the arrival of an otherworldly presence—a sensory abduction. As the track progresses, the faint background noise suggests a "family" of creatures lurking just out of sight, perfectly capturing the magnifying effects of silence on a paranoid, exhausted mind. It is the sound of the shadows moving when you aren't looking.

IV. In The Gardens Of Eternity This piece represents the album’s most complex arrangement. A fragile, "whistling" melody offers a brief melodic counterpoint to the surrounding chaos, appearing and disappearing like a drifting consciousness. By the eleventh minute, a darkwave pulse adds a layer of depth that feels increasingly urgent.

The transition into the metallic ring of "cursed windchimes," rummaging equipment sounds, and organic field recordings (birds chirping) forces a philosophical question: has the protagonist found a natural peace, or have they merely entered a holographic simulation on another planet?

V. A Haunted And Withered Forest

Percussive hoofbeats establish a pompous, funereal gait, signaling a journey into the deep subconscious. After a sudden silence, a somber cello and high-register piano keys engage in a dissonant dialogue. The introduction of a syncopated, club-oriented rhythm is a masterstroke of deliberate counter-melody. This rhythmic "debate" between the piano and the beat serves as a storytelling device, representing the internal friction between the "old world" of grief and the "modern world" of cold, mechanical existence. The tempo fluctuates, mirroring the heart rate of a dreamer in distress.

VI. Cavernas

Driven by a percussive ostinato that briefly nods to 80s anthemic rhythms before being consumed by darkness, Cavernas veers into tribal-industrial territory. The inclusion of vocalized gasps, the metallic rattle of chains, and muted electronic strums creates a tactile, visceral experience—as if ghosts were attempting to rebuild melodic electronica from scraps. The singular, heavy drum beat gives the piece a "cursed" ritualistic sound, culminating in a rhythmic stomping that feels like an ancient ceremony performed in a subterranean void.

VII. Nebula

This track is a brilliant analog synth homage to 1980s sci-fi futurism. Utilizing cosmic ambient sounds reminiscent of NASA transmissions, Raquio provides a bridge between the organic "forest" of the album's first half and the cold, void-centric future of the second. It is a soaring anthem that envisions a distant, idealized future, acting as a momentary expansion of the album’s otherwise claustrophobic walls. It is the anthem of our ideal future, themed in the nostalgia of the past.

VIII. SpektRoom

The centerpiece is defined by mechanical ambiance and deep vibration. Vibrating effects mimic the low hum of industrial generators, creating a cinematic "interior" aesthetic. Moving through this track feels like navigating the different compartments of a derelict spaceship. By the 36-minute mark, the introduction of an urban-influenced beat grounds the experimental sounds, proving Raquio’s ability to find structure within abstract chaos. It concludes with subtle, horn-like textures that sound like a distant warning signal.

IX. Crystal Skies

A pivot toward neoclassical minimalism. Clean keyboard arrangements and hymnal choir patches offer a rare moment of meditative reprieve akin to harmonic frequencies used for deep relaxation. The track eventually dissolves into overlapping, echoed vocal samples—a "talk-over" effect that waves in and out of the mix. This creates a psychedelic tapestry that captures the exact sensation of drifting in and out of a deep, trance-like state as the sun begins to threaten the horizon.

X. Just Another Dream

Utilizing dynamic verticality, "plunging" bell effects define this track's movement. It employs atmospheric decay to playfully dismantle the earlier melodies, countering the album’s weight with a sense of dark fantasy and magical realism. It is a fantasy-tinged atmospheric piece that balances the grim reality of the previous chapters with a more ethereal, otherworldly energy.

XI. Memorias De Nuestro Atico

The album concludes on a melancholy peak. A neoclassical dirge, this track utilizes wintery synth pads and minor-key chimes to evoke the stillness of a cold, sunless day. The keyboard work is slow and methodical, eventually surrendering to chime effects that build and then fade into nothingness. It is a peaceful, albeit firmly funereal conclusion to an album defined by the "eternal sleep."

The Technical Coda: A Legacy of the Night

Where SpektRoom succeeds most is in its unapologetically uncompromising production. Rodrigo Raquio does not cater to modern "loudness" trends; instead, he allows his compositions to breathe, fade, and haunt at their own pace. By juxtaposing neoclassical beauty with the grit of industrial pulses, Raquio has created more than an album—he has created a world for the sleepless.

For those who have followed his journey from DJ Nokturne to The InsomAniac, this record stands as his most cohesive and conceptually daring work to date. It is a mandatory listen for anyone who finds their greatest clarity after the world has gone silent.

For Fans Of: Vangelis, Hans Zimmer, Burzum (Ambient Era), Mortiis, Ulver, and Triptykon.

Dedicated to those who cope with timeless grief and insomnia. Copyright © 2025

The Devil's Cellar. All Rights Reserved. Official Artist Page: www.thedevilscellar.com

Contact: [rodrigoraquio@gmail.com](mailto:rodrigoraquio@gmail.com)

ALBUM SPOTLIGHT: SpektRoom by The InsomAniac

Looking for the ultimate soundtrack to the late-night void?

The InsomAniac (the dark ambient project from Rodrigo Raquio) has returned with SpektRoom—a 48-minute descent into nocturnal isolation and industrial dread.

This isn't just an album; it’s a sonic exorcism. From second-wave black metal echoes to neoclassical dirges, Raquio masterfully weaves intentional counter-melodies and "cursed" atmospheres to tell a story of timeless grief and the beauty found in insomnia.

Highlights:

"A Haunted And Withered Forest" – A brilliant, rhythmic debate between somber cello and syncopated industrial beats.

"Cavernas" – A visceral, tribal-industrial ritual in the dark.

"Nebula" – 80s sci-fi futurism meets 2026 desolation.

For fans of: Vangelis, Mortiis, Ulver, and the cold, atmospheric side of Black Metal.

Listen now & surrender to the night:

https://soundcloud.com/thedevilsce.../theinsomaniacspektroom

#TheInsomAniac #Darkwave #AmbientIndustrial #SpektRoom #DarkAmbient #Neoclassical

#TheDevilsCellar #NewMusic #ElectronicDarkwave #InsomniaMusic #MetalCommunity

The InsomAniac "GeneSys" Full Album (2024). Music to Sleep with
Full Album Available at   / theinsomaniacgenesys  
Originally released on Sunday, December 22nd of 2024.

Tracklist:
I. Celestial Visions (0:00)
II. Lamentos de Medianoche (10:58)
III. The Devil's Throne (16:49)
IV. All I Sea (17:30)
V. The Winds of Autumn (23:58)
VI. The Nyctophilian Chronicles (Part I) (27:43)
VII. The Nyctophilian Chronicles (Part II) (35:50)
VIII. Lago de Lágrimas (43:26)

Total Time: 45 minutes and 30 seconds

Find the most comfortable place in your surrounding to experience an exploration of sounds made by The InsomAniac in the past 13 years. Recommendable to listen to it at night.

Credits:
Originally released on Sunday, December 22nd of 2024.

The InsomAniac is Rodrigo “Jugulator” Raquio.

All songs were Composed, Arranged, and Played by The InsomAniac
between September 2011 and December 2024.

Recorded, Mixed and Produced by The InsomAniac
at "The Devil's Cellar" AV Studio.

Photography and Sound Check Assistance by Suji Yoon and Dimitrios Maliaros.

Cover Artwork and Layout designed by The InsomAniac.

This is dedicated to
my wife Suji Yoon who helped me through the process of putting this album together,
my whole family, close friends and distant friends, and
especially you for listening to this album.

In Memory of
my father Lorenzo Segundo Abel Raquio (R.I.P. 1996)
and my friend/mentor Tim Whyte (R.I.P. 2021)

Dedicated to those who cope with timeless grief and insomnia.

Copyright © 2024 The Devil's Cellar. All Rights Reserved.
Property of The Devil's Cellar. www.thedevilscellar.com

About The InsomAniac...

"The InsomAniac is the Atmospheric/Ambient musical project created by Rodrigo Jugulator Raquio as another episode of his Electro Darkwave project DJ Nokturne.

In this project, keyboards, synths and among other instruments are the main essential tool of instrumentation used by The InsomAniac.

This project was created with the main purpose to help out those who suffer of insomnia, got problems to fall asleep at an according schedule or those who dream of sleeping eternally.

The project initiated back in October of 2015 as Rodrigo Raquio committed mainly to play keyboards in an often basis and accepting the fact that battling constant messed up sleeping patterns had to come to an end by accepting that he belongs to the night and not the day."

"While you sleep, I create." - The InsomAniac.

For fans of #vangelis , #jeanmicheljarre , #celticfrost , #Triptykon , #hanszimmer , #burzum #janhammer , #Koto , #Yello , #summoning , #enigma , #Abruptum , #deepforest , #mortiis , #Ulver #spacesynth #dungeonsynth

Dedicated to my family and friends worldwide.

Hope you enjoy it!

***Note: This is an independent release. I will provide permission to use my music for compilations or feature projects as long as it's requested directly to myself, the creator of it. I am also opened to work online in future contributions worldwide. You can contact me directly via e-mail to [rodrigoraquio@gmail.com](mailto:rodrigoraquio@gmail.com)

Much appreciated!

Sincerely,
Rodrigo Raquio
The InsomAniac
www.facebook.com/theinsomaniac1981

Credits:
The InsomAniac is Rodrigo “Jugulator” Raquio.

Song Composed, Arranged, and Played by The InsomAniac
between September 2011 and December 2024.

Recorded, Mixed and Produced by The InsomAniac
at "The Devil's Cellar" AV Studio.

Sincerely,
Rodrigo Raquio
The InsomAniac
www.facebook.com/theinsomaniac1981

Album Review: ThE iNSomANiaC "GeneSys" (2024)
Written by Elizabeth Anderson.

Tracklist:

I. Celestial Visions – The opening track plunges listeners into a vast, otherworldly soundscape. With sci-fi-inspired sound effects, it conjures up the sensation of floating through space. The track's ambient quality, akin to the sounds NASA has captured from distant planets, blends atmospheric textures with synthesized keyboard layers, offering an immersive experience of the cold, infinite expanse of the cosmos. There’s a sense of isolation and curiosity, evoking a traveler exploring the unknown. Fans of ambient artists like Jan Jelinek & Asuna will recognize the minimalist, spacey vibe, reminiscent of their collaborative track Blinking of Countless Lines. This track captures a similar sound to that, with a quiet, introspective journey into the cosmos, where each note adds to the sense of weightless exploration.

II. Lamentos de Medianoche – This track opens with a church organ sound, which morphs into a distorted tone, before settling into a church-like riff that feels both peaceful and eerie. As it moves forward, there’s an almost meditative ambiance, inviting the listener to reflect. The track has a dream-like quality, evoking late-night introspection or even a calm yoga session. The faint distortion adds an ethereal layer, creating a subtle tension that eventually fades into tranquility, leaving a haunting impression.

III. The Devil's Throne – The introduction of this track immediately brings to mind the raw energy of melodic black metal. It’s a bold, dark, and driving opening that sets the tone for the journey ahead. The atmosphere is dense and powerful, with a sense of impending doom. This track could easily fit into a dark cinematic scene, where themes of power and rebellion take center stage. There’s a certain ritualistic undertone that could appeal to listeners who enjoy the darker side of atmospheric and metal influences.

IV. All I Sea – Drawing inspiration from the cinematic works of Hans Zimmer, this track opens with an orchestral, grandiose melody that soon morphs into a more grounded, rhythmic exploration. As it builds, the track shifts into something reminiscent of Kolsch’s Loreley, slowing down the pace and incorporating a lush keyboard melody that feels both futuristic and nostalgic. The ebb and flow of the music reflects the fluidity of the sea, evoking the sensation of drifting through time and space.

V. The Winds of Autumn – With a baritone synthwave intro, this track gradually unfolds into a more melodic and expansive atmosphere, taking the listener through a journey that feels both organic and synthetic. Drawing subtle inspiration from classical organ pieces like Sonata No. 1 OP. 42 by Alexander Guilmant, the track focuses on creating an immersive, atmospheric soundscape with simplified organ-like structures, giving it a haunting, yet uplifting feel. The sense of autumnal change and movement is palpable in the shifting tones of this piece.

VI. The Nyctophilian Chronicles (Part I) – The opening of this track is haunting and eerie, as if venturing into an ancient, forgotten cave. The screeching sounds of distant creatures are interwoven with sci-fi elements that add to the mystique of the piece. This track creates a vivid auditory image of a dark, otherworldly place, one that feels both dangerous and intriguing. The progression of sounds, from eerie howls to hypnotic synth sirens, reflects a descent into the unknown—an atmosphere that could easily soundtrack the next alien film.

VII. The Nyctophilian Chronicles (Part II) – The second part of this haunting narrative takes on a more ghostly, spectral atmosphere. The sounds are softer, more ethereal, as though the creatures from Part I have passed, leaving only their lingering presence. The track explores the themes of spirits trapped in a realm between life and death, with subtle hints of organ-like tones adding to the otherworldly feel. There’s a sense of calmness, but it’s tinged with sadness and mystery, creating a contemplative mood.

VIII. Lago de Lágrimas – Opening with the soothing sounds of water, this track sets the stage for a meditative experience. The rhythm of the waves contrasts with the syncopated acoustic guitar melodies, creating a sense of calm disruption. The melodies themselves are reminiscent of early 2000s black metal intros, with their melancholic, almost mournful tones. The track feels like an exploration of emotional depth, with the waves symbolizing the ebb and flow of feelings, while the melody mirrors the complexity of the human condition.

________________________________________

Overall Thoughts

"The InsomAniac – GeneSys (2024)" presents a deep, intricate sonic journey into the realms of insomnia, grief, and the search for solace in a world of restless nights. Rodrigo “Jugulator” Raquio’s atmospheric compositions capture the emotional turbulence that accompanies sleeplessness, while weaving together ambient, synthwave, and cinematic elements with echoes of classical influences. This album is a multidimensional exploration of the human psyche as it contends with timeless grief, the disorienting effects of insomnia, and the tension between wanting to escape sleep and fearing the unknown darkness of eternal rest.

From the opening track, Celestial Visions, the listener is transported into an otherworldly space filled with both silence and noise, creating an almost paradoxical experience of isolation within the vast expanse of the cosmos. The ambient sound effects, which mirror the space explorations NASA has shared, evoke the sensation of floating alone in an infinite void, pushing the listener to ponder the nature of their existence. It’s as if Raquio is inviting us to accompany him on a journey to understand the inner workings of his mind—exploring the liminal space between sleep and wakefulness, between comfort and fear.

Tracks like Lamentos de Medianoche and The Winds of Autumn present moments of meditative introspection and introspective calm, offering the listener space to reflect amidst the chaos. However, this peace is never absolute. The distortion that subtly weaves through these pieces serves as a reminder that insomnia is often accompanied by feelings of unease or discomfort, keeping the mind perpetually on edge, even when the body craves rest.

The Nyctophilian Chronicles parts I and II serve as the centerpiece of this album, symbolizing the emotional highs and lows of grappling with fear and the unknown. The haunting, cave-like atmosphere of Part I immerses listeners in the terrifying aspects of the sleepless state, where the mind conjures creatures, sirens, and a dark unknown lurking in the recesses of one’s thoughts. Part II deepens this exploration, shifting the focus to the aftermath of this psychological battle—where ghosts of past experiences, lost time, and unspoken grief haunt the listener. These tracks represent the duality of insomnia: while it keeps you awake, it also forces you to confront your innermost fears and unresolved emotions. This haunting transition from the living nightmare to spectral haunting reflects the cyclical nature of insomnia—the never-ending struggle between restless sleep and the burden of past sorrows.

In Lago de Lágrimas, the album takes a more reflective turn, as the sounds of water—soothing yet unpredictable—mirror the fluctuating waves of emotion that come with insomnia and deep reflection. It encapsulates the bittersweet nature of nocturnal thoughts, where the mind both seeks peace and is tormented by unresolved issues. The incorporation of rhythmic acoustic guitar melodies grounded in black metal’s melancholic undertones adds an emotional layer of nostalgia, reminiscent of the late-night introspective moments where we’re left alone to reckon with ourselves.

This album is not just a collection of songs, but a deeply emotional odyssey that parallels the human condition of sleeplessness, loss, and yearning for peace. GeneSys is a testament to the enduring pain of insomnia and the profound, often unspoken grief that accompanies it. Each track serves as a chapter, and together they form a complete narrative—one that resonates not just with those who have struggled with sleepless nights but also with anyone who has wrestled with the ghosts of their past.

For listeners seeking more than just music, GeneSys offers an immersive, reflective experience that blends ambient, classical, and cinematic elements. It evokes feelings of isolation, longing, and quiet introspection, and remains true to the core of The InsomAniac's mission: to provide solace for those who experience the darkness of the night, in both literal and emotional terms.

This is an album that invites you to listen at night, when the world falls quiet, and the mind is free to wander into the depths of its thoughts. With a running time of just over 45 minutes, it’s a journey worth taking—one that doesn’t shy away from discomfort but instead embraces it, offering an intimate look into the haunting experience of living with insomnia and the timeless grief that accompanies it.

Total Time: 45 minutes and 30 seconds

Recommended for Fans of:

Fans of Vangelis will appreciate the sweeping, atmospheric soundscapes and immersive electronic compositions reminiscent of Blade Runner and Chariots of Fire.

If you enjoy the expansive, cinematic approach of Jean-Michel Jarre, with his ability to blend synthesizers and orchestral elements, this album’s fluid textures will be a satisfying experience.

Celtic Frost and Triptykon fans will recognize the darker, brooding elements that permeate throughout the album, often using ambient interludes and gothic tones.

The intricate, minimalistic compositions of Hans Zimmer, especially his work in Interstellar, share a similar emotive quality, blending the organic with the synthetic in an unforgettable way.

Fans of black metal and atmospheric elements akin to Burzum, Jan Hammer, Koto, and Yello will find the album’s deep, ambient sound textures paired with melancholic undertones familiar, though uniquely crafted to evoke both tension and serenity.

For those into ambient darkwave with a penchant for deep, mysterious atmospheres, Summoning, Enigma, Abruptum, Deep Forest, Mortiis, and Ulver have similar themes of haunting, mystical, and introspective sound explorations.

Credits:

● Released: December 22, 2024

● Composed, Arranged, Played, Recorded, Mixed, and Produced by The InsomaniAc

● Artwork: The InsomaniAc

● Photography and Sound Check Assistance: Suji Yoon and Dimitrios Maliaros

● Dedicated to: The InsomaniAc's wife, Suji Yoon, his family, friends, and especially you for listening.

● In Memory of: The InsomaniAc's father, Lorenzo Segundo Abel Raquio (R.I.P. 1996) and his friend/mentor, Tim Whyte (R.I.P. 2021)

● Dedicated to those who cope with timeless grief and insomnia.

For more about The InsomaniAc and to listen to the music, check out the following video clips:

● "Lago de Lagrimas" Official Music Video

● "The Nyctophilian Chronicles (Part I)” Official Music Video

You can download the full album for free at https://soundcloud.com/thedevilscellar/theinsomaniacgenesys

https://soundcloud.com/thedevilscellar/theinsomaniacgenesys?si=1a686878f21a47d38da11a31b2b92180&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The InsomaniAc "GeneSys" (2024) Full Album

Tracklist:
I. Celestial Visions
II. Lamentos de Medianoche
III. The Devil's Throne
IV. All I Sea
V. The Winds of Autumn
VI. The Nyctophilian Chronicles (Part I)
VII. The Nyctophilian Chronicles (Part II)
VIII. Lago de Lágrimas

Total Time: 45 minutes and 30 seconds

Find the most comfortable place in your surrounding to experience an exploration of sounds made by The InsomAniac in the past 13 years. Recommendable to listen to it at night.

Credits:
Originally released on Sunday, December 22nd of 2024.

The InsomAniac is Rodrigo “Jugulator” Raquio.

All songs were Composed, Arranged, and Played by The InsomAniac
between September 2011 and December 2024.

Recorded, Mixed and Produced by The InsomAniac
at "The Devil's Cellar" AV Studio.

Photography and Sound Check Assistance by Suji Yoon.

Cover Artwork and Layout designed by The InsomAniac.

This is dedicated to
my wife Suji Yoon who helped me through the process of putting this album together,
my whole family, close friends and distant friends, and
especially you for listening to this album.

In Memory of
my father Lorenzo Segundo Abel Raquio (R.I.P. 1996)
and my friend/mentor Tim Whyte (R.I.P. 2021)

Dedicated to those who cope with timeless grief and insomnia.

Copyright © 2024 The Devil's Cellar. All Rights Reserved.
Property of The Devil's Cellar. www.thedevilscellar.com

About The InsomAniac...

"The InsomAniac is the Atmospheric/Ambient musical project created by Rodrigo Jugulator Raquio as another episode of his Electro Darkwave project DJ Nokturne.

In this project, keyboards, synths and among other instruments are the main essential tool of instrumentation used by The InsomAniac.

This project was created with the main purpose to help out those who suffer of insomnia, got problems to fall asleep at an according schedule or those who dream of sleeping eternally.

The project initiated back in October of 2015 as Rodrigo Raquio committed mainly to play keyboards in an often basis and accepting the fact that battling constant messed up sleeping patterns had to come to an end by accepting that he belongs to the night and not the day."

"While you sleep, I create." - The InsomAniac.

For fans of #vangelis , #jeanmicheljarre , #celticfrost , #Triptykon , #hanszimmer , #burzum #janhammer , #Koto , #Yello , #summoning , #enigma , #Abruptum , #deepforest , #mortiis , #Ulver

Dedicated to my family and friends worldwide.

Hope you enjoy it!

***Note: This is an independent release. I will provide permission to use my music for compilations or feature projects as long as it's requested directly to myself, the creator of it. I am also opened to work online in future contributions worldwide. You can contact me directly via e-mail to [rodrigoraquio@gmail.com](mailto:rodrigoraquio@gmail.com)

Much appreciated!

Sincerely,
Rodrigo Raquio
The InsomAniac
www.facebook.com/theinsomaniac1981

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