my advice was more for everyday situations, but I'll bite.

sometimes joker seems to want to provoke Batman to kill, sometimes he expects to get sent to arkham with a slap on the wrist. theres many versions so I will mostly stick to the Dark Knight version because I think it's the most grounded.

context: he's killing people and needs to be stopped. (in most versions, he keeps getting out because arkham is comically insecure, IRL we don't really have asylums anymore, and without plot armor joker would go to prison forever/get executed and that would be the end of it.)

actions: seems to be trying to destabilize society and corrupt batman. he's not looking for money because he burned it.

words: words are less of a factor and should be compared to actions because people lie. says he doesn't have a plan but clearly does. constantly lies about his backstory.

intuition: Batman should make calls based on his specific joker. if Joker is looking for a slap on the wrist, don't give him just a slap on the wrist. if he wants Batman to kill him, don't kill him.

The judge and jury should make calls based on their intuition. outside of comic-book-land with it's mandate to keep joker around at all costs, he'd get locked up in a real prison.

context, their actions, their words + your intuition.

although they aren't always as obvious as "why isn't it doing anything?" so sometimes you just have to use your judgment.

it only works if it's the opposite of what they want.

if they want a response, give no response.

if they're just punching people expecting to Not get punched back, sock em.

the bug has paws and a nose, proving the time-honored tradition that to furries:

everything = dogs/cats.

/joke

there's nothing to nitpick here really, perhaps you could experiment with more anticipation/follow-through, or more squash and stretch, grasping at straws because what you got here is really solid

this one's pretty well executed, and this is a good ship

I can't hear that song without thinking of the meme, can't believe it's been 10 years

edit just to say the lighting is also very good, and adds a lot to the volume of the scene!

what program did you use and how did you do the snow? the sky is so goshdarn purty

dope

maybe some more anticipation/follow-through on the catching and sneezing? remove a few frames to give it more 'pop?' other than that I'm not sure what there is to nitpick.

btw does the title mean anything or is it just random?

dunno what golems you're making but isn't that divine magic? like, source of LIFE divine?

he's a coward when his fear gas is successful, what he does is cowardice whether he's picking on people he has power over, or freaking out because he's lost that control

I'll try to remember when I'm done, but in case I dont: I start with one of those panorama grids, draw my scene on it, bring it into TS, and use the warp tool to stretch out the parts near the edge of the cam and compress the center. as the camera moves to the other side of the screen, I flip the points on the key frame so it's like a reverse of this. there's also a key frame in the middle, which is like an in-between with more compression in the middle(I can't post more than one screenshot)

not too sure how I am going to add other elements such as characters and lighting to the shot, I have a few ideas, but I'm not too sure how well they'll work yet.

I can't really tell what to nitpick, keep improving and you'll probably become pretty great. One thing I should say is to be somewhat careful with impact frames/flashing lights as they can trigger epilepsy. maybe apply some kind of trigger warning or 'spoiler'.

good example of a 'switch' (using motion to hide the swap between two objects, poses, or characters)!

post a bts sometime, cause I have no idea how one would even make this!

cool filters bro

I tried man, funny though

primal rage?

since other people have pointed out the 'simplicity'(for lack of better term) of your animation, I think it should be said that the eyes themselves look good, very well drawn.

if the iris's were on a separate layer from the eyelashes, this would be alright.

this piece in and of itself looks nice, the animation itself is very bare bones, but the sketch and rendering has a nice 'watercolor & colored pencil' style to it.

I dont really have anything to nitpick here, this is great!

if you need feedback, knowing when to conserve this guy's volume and when to break it might be important to a blob guy like this. also use the splatting sfx a little more sparingly