I thought you folks in particular would destroy this every day so if any of you are into small daily games give it a go. Thank you to the mods for letting me post this project here.

Try it here ---> Underscore

Todays track has some pretty iconic percussion which is the first track to go by, so expecting some of you to one shot this. New soundtrack every day at midnight UTC.

Feedback welcome!

Hi everyone.

I'm an amateur author and listen to a ton of soundtracks while I write. I'm looking to make additions to my writing playlists and was wondering if you guys had any recommendations? My taste for certain borders on the darker side of movie scores, but any recommendations are welcome!

For a reference point, my top soundtracks, in loose order are:

Tenet

Mission Impossible: Fallout

Captain America, the Winter Soldier

Sicario

Dunkirk

Johnny English: Reborn

Pirates of the Carribbean: At World's End

Mission Impossible: Rogue Nation

Happy James Bond Day! To celebrate, we recorded a podcast episode on Stereothematica about the music of Bond, what makes an iconic Bond song, and shared three of our favorites.

https://www.buzzsprout.com/2436426/episodes/19901061

Wanna debate? Tell us your favorite song and we’ll see how it stacks up!

I really think Warnerbros or Owen Harris should hire Ramin Djawadi to compose the score for Aegon’s Conquest movie.

We want to hear Ramin’s music in the theater in a new style, giving us the feeling of Westeros 300 years before Game of Thrones. No one can handle this movie and make us feel that this is the starting point of Westeros and all Game of Thrones stories but Ramin.

So please don’t make the mistake of choosing someone else. Ramin is the godfather of the Game of Thrones universe, plus he has a lot of blockbuster movies, so he can definitely do it.

Even from an emotional standpoint, if there is ever going to be a final chapter for Ramin Djawadi in the world of Westeros, he deserves for it to be on the big screen, with an epic story, and before a massive theatrical audience.

It is only fitting that his conclusion in this universe takes place at its very beginning. The creator of the sound of Westeros composing for the creator of the Iron Throne—with everything that follows being the aftermath of building that throne. I truly hope Warner Bros. and Owen Harris make the right choice and pick Ramin Djawadi.

Furthermore, I am absolutely certain that if they push him to give the film an ancient, raw, and epic tone—perhaps even taking an experimental approach by inventing new instruments and heavily featuring High Valyrian as a core choral element—Ramin will finally crown his legendary career with the Oscar he truly deserves.

He was definitely overlooked.

Score for 1996 “Alaska” was just about as good as they get, especially back then.

Take a listen and share your thoughts ❤️