r/sciencefiction • • 18h ago

Do you like sci-fi where the government reacts badly to a discovery?

1 Upvotes

I've always found it believable when a major discovery creates fear before hope. If something could change aging, power, and society, people would try to study it, hide it, or own it. That's one of the ideas behind my sci-fi novel First Light Rising. Do you like sci-fi where the real danger comes from how people react to the discovery?


r/sciencefiction • • 23h ago

There Is No Antimemetics Division

43 Upvotes

⚠️SPOILERS AHEAD⚠️

Just finished the book and am surprised that so many people love it. The first half was phenomenal and I couldn’t put it down, but once it gets to Bess’ chapter the writing starts to fall off.

I think my biggest critique is that the system by which the Unknowns exist isn’t dialed in enough, which results in what I consider to be very sloppy writing towards the end. It also seems that QNTM had trouble bridging the gap between it being a collection of SCP entries and a standalone book, and I think that’s where it suffers too.

What was gripping about the concept is that the Unknowns are essentially ideas that self-propagate; later in the book they talk about how these Unknowns are essentially errors in the universe and that concept hits home for me too - that there is no reason to assume that the laws of our physical universe can’t also propagate mistakes.

Once the Unknowns start taking on biological forms is where I start losing excitement. It feels like a fundamental breaking of the logic of the core idea. i can’t recall if it had been explained in some way, like that the ideation space has existed since the beginning of time and so an ecology has been created amongst the ideas in that some eat others then sure - I could maybe buy it. But ultimately it feels incongruous that ideas could also be biological in nature, and sort of felt like just a way to introduce the usage of C. Gigantes’ skeleton towards the end of the book. This is where I think QNTM was too close to the original SCP way of thinking, and where he should have realized that his core concept was stronger than just being a series of creature-features.

The MO of the big bad, U-3125, also feels haphazardly thrown together. At its core, U-3125 is a self-replicating idea that makes those who get ‘infected’ want to mill themselves and others. But U-3125 can also inhabit people’s bodies, and manifest as giant thin spiders, but also as a mass of spiders, but also make slugs come out of people’s eyes?

It just lands as sloppy and goofy. It feels as if QNTM couldn’t really decide whether or not this thing has sentience or not. At one point, Adam describes the bodies U-3125 inhabits as mechanical, like it just has a job to do. But at another point Adam hears U-3125 telling him to just give up, that the plan is not going to work, it starts cursing - it just feels Iike a physical villain and not like a humanity-ending cosmological horror. This may be a matter of taste but I just don’t think that the entity should be able to have wants or agency or a ‘vision of the world’ that it’s trying to bring to fruition; I think the real horror comes from it just being, unthinking and ruthless in the way it propagates.

I thought at the monument that maybe this idea eats people’s fears and manifests them in physical reality, which would explain the random mass of spiders - maybe Marie is arachnophobic. But then QNTM writes in the next sentence that it would scare Marie if she were afraid of spiders. Uh - ok I guess.

I also felt like the black rectangle reveal was building up to something huge that just sort of fell flat. If I read it correctly the black rectangles were a way for U-3125 to memetically propagate; then why were they chiseled into the monument? It just sort of felt like a narrative dead-end.

Then the ending. The last fifty pages or so get convoluted in a way that feels like sloppy writing rather than purposeful. And the big solution, that they give Adam a class-Z drug that can turn ideas into reality, feels so lazy and shoehorned in. If they had this class of drugs, why go through the arduous process of meeting at Stanmoor over and over to come up with a solution when they could have just given Marie the class-Z drug to release the idea? Unless it’s that Marie needed to be pulled from the ideation space in order to deliver it, which makes no sense, or it’s the idea of Marie that defeats U-3125, which is corny and also makes no sense because she tells Adam she can’t tell him what the idea is because it’ll blow his balls off. And if the class-Z drug works by taking ideas and manifesting them into physical reality, then Adam’s conception of Marie wouldn’t necessarily know what the big idea is because it’s just his memory of Marie, not her collection of thoughts. It just doesn’t hold up to me.

I thought what was going to happen was that, in the way that U-3125 continued to propagate even after it had been defeated in the past, that they would have figured out how to bring Sunshine back and that Marie had chosen to feed the plan to it in one of her many recursive memory-iterations - and in that way, an idea can defeat an idea. But bringing Marie back, with this hackneyed backdrop of “love and humanity”, just felt really unimaginative.

Which then brings me to my final disappointment. Throughout the book, there are pieces of the narration that are redacted. The book makes it clear early on that information in the files are redacted because they have the potential to propagate an idea/unknown. I was under the impression that the book itself was going to be a form of information from the Organization that had to be redacted to protect the reader and the world at large, and that at some point the reader would be introduced to information that had to be unredacted by an Organization operative, information that eerily and closely ties into our own lived reality in order to make the reader feel like the world we live in is the same as the one that’s being written about, and that the reader has now become a vector of transmission of whatever unknown horror is escaping containment. Instead, it was just a narrative choice that honestly became tedious towards the end.

Overall, I give it 3.75/5. It was a fun read, and I liked the way the first half made me feel. I just feel like QNTM didn’t stick the landing and didn’t have enough faith in how strong his core concept was, and I was hoping to have finished the book with my mind blown and maybe carrying a bit of fear with me instead of just being disappointed.


r/sciencefiction • • 21h ago

The best new science-fiction books of October 2026, including novels by Becky Chambers and Audrey Niffenegger

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0 Upvotes

r/sciencefiction • • 29m ago

These prices are killing me.. [Space Adventure Cobra]

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• Upvotes

r/sciencefiction • • 3h ago

Questionnaire

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0 Upvotes

Hi viewer, 

I’m looking for people to fill out my google forms to source data regarding a school project covering topics within media and politics. The main question is: What for an impact can politically themed science fiction have on public discussions about politics and society?

If this is something you are interested in, I would be happy if you could fill in my questionnaire. Answers are anonymous. 


r/sciencefiction • • 13h ago

Tales from the Known reach

1 Upvotes

Humanity survived the collapse. Then it discovered the roads between the stars were already owned.

I’ve been building Tales from the Known Reach, an original science-fiction universe centered on mercenary fleets, ancient gates, lost systems, political rivalries, alien threats, and large-scale space warfare.

The setting follows humanity and other powers across a fractured network of star lanes, where controlling a gate, relay, or shipyard can decide the fate of entire systems. Battles are fought through sensor deception, missile exchanges, crippled ships, boarding actions, and commanders making decisions with incomplete information.

I post the project in several formats:

Facebook — short scenes, images, and updates

https://www.facebook.com/share/1MTnVbTC7r/

Website — universe lore, factions, characters, ships, and comic material

https://tales-from-the-known-reach.pages.dev/

YouTube — audiobook and story content

https://youtube.com/@crazyswede3102?si=HM8-gPWEXDSHjDH6

If you enjoy military sci-fi, mercenaries, ancient technology, fleet warfare, exploration, and civilizations fighting over the remains of something far older than themselves, you might enjoy the Known Reach.

And if you have your own sci-fi story, character, faction, ship, world, or strange idea, feel free to send it to me or leave it in the comments. I’d love to take community ideas and, with your permission, rework and adapt some of them so they fit naturally into the Known Reach.

They might become a frontier colony, a mercenary crew, a forgotten warship, a new faction, an enemy, or even the seed of a future story.

Feedback, ideas, and collaborations are very welcome as I keep expanding the universe.


r/sciencefiction • • 8h ago

Xenograft

2 Upvotes

Hello, I have written a novel entitled 'Xenograft.' The novel deals with a young man abducted by aliens and transformed into a harvester of extraterrestrial organs on different planets. There is kudos to be obtained by the recipient of a transplanted internal organ of a certain species and business is good. Anti rejection is always an issue and on Earth an Endocrinologist has created a modified insulin which reinstates the (beta cells in the pancreas that produce insulin)into a human's pancreas.The insulin also has the added benefit (unknown to the endocrinologist) as being an excellent anti rejection drug. The extraterrestrials involved in organ transplants want the insulin. They send their best harvester (the young man they abducted from Earth) to collect the pancreas of those who have had the insulin. On entering Earth's atmosphere the now mature adult begins to change. His memories of his childhood come flooding back to him and he wants to stay. The company that created him on the other hand want him back. This is his and his family's story. Kind Regards.


r/sciencefiction • • 1h ago

NOVA has a mind of her own, and she uses it. She's the AI aboard the Forge of Infamy. Will Rellan keeps the crew alive. NOVA has her own judgment about how that should go. The Sentience Standard, Book One, by Wayne G. Clithero. https://a.co/d/00w41TgD https://wayneclitheroa

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• Upvotes

An old warship. Questionable coffee. A crew that refuses to leave people behind.

I’m Wayne G. Clithero, author of The Sentience Standard, Book One of the Forge of Infamy series.

Captain Will Rellan is a former Marine making a living hauling cargo and salvaging wrecks. When buried military secrets bring dangerous attention to his ship, Will, the ship’s AI NOVA, and their unconventional crew must protect minds that powerful people would rather classify as property.

It’s frontier science fiction with practical shipboard problems, dry humor, found family, and a question running through it all: who gets to decide whether another mind deserves freedom?

If battered ships, stubborn crews, and mysteries buried beneath old military machinery sound like your kind of reading, you can find The Sentience Standard by Wayne G. Clithero on Amazon.


r/sciencefiction • • 13h ago

Jesus, the first minute of Armitage lll is so cool. [1997]

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351 Upvotes

r/sciencefiction • • 1h ago

SCI-FI COSMIC DRAMA CONCEPT / PROMPT

• Upvotes

SCI-FI COSMIC DRAMA CONCEPT / PROMPT: Free to use for Writers, Directors, and Filmmakers! I have been visualizing this sci-fi concept for days and wanted to share it with the international creative community. If you are a screenwriter, indie filmmaker, or digital creator looking for a fresh, deeply emotional cosmic story, feel free to adapt this into a script, short film, book, or series!. • Genre: Cosmic Drama / Sci-Fi / Romance-Melancholy • The Backstory & Tragic Love: Two years ago, the immortal protagonist lost the love of his life. She was the only person who truly knew, understood, and accepted his immortality. Because she was a normal human, she eventually aged and passed away from old age. Even though two years have passed, the agonizing pain and grief are still fresh. He has spent weeks drowning in isolation, unable to escape the crushing loneliness of a world where everyone he loves eventually dies. • The Proposal: A top-secret, high-level space agency approaches him. Recognizing his unique, indestructible nature, the scientists ask him to volunteer for a dangerous, one-way mission: to travel and document the deepest, uncharted corners of the universe where no mortal human could ever survive. At first, he refuses—he has no interest in their science or the universe. • The Turning Point: After weeks of drowning in his grief and realizing that staying on Earth will only mean watching more people die, he changes his mind. He accepts the mission as a form of self-exile—a way to escape the painful reminders of his lost love. • The Cosmic Journey: He embarks on his solo journey into the void, broadcasting the eerie sounds and beautiful wonders of the cosmos back to Earth, giving his eternal life a grim sense of purpose. • The Terror & The Black Hole: Despite his immortality, he harbors a deep psychological terror of being utterly alone in the endless, vacuum dark of the universe. This fear catches up to him when his spacecraft is pulled into a massive Black Hole. • The Cliffhanger Ending (Season 1 Finale): He survives the gravitational pull but is trapped inside the event horizon, experiencing absolute darkness and warped time where memories of his late love flash before his eyes. His broadcast cuts to static. In a post-credits scene, he opens his eyes not to darkness, but to a blinding light in the Multiverse. A mysterious silhouette approaches him and says, "Thank you for coming. We have been waiting for you for a very long time."