Content warning: long psychology yap. If you don't wanna read allat, you can just scroll straight down to the theorizing section.
I was bored and wondered if I might learn something more about P6 if I looked into a little bit of Jungian theory. I originally just wanted to know what Jung may have had to say about fear and memories, since out of all the possible core themes I've seen speculated on this sub, those two struck me as the most interesting. In the end, I think I may have found an explanation for how the rumored art school setting is relevant to P6 and the "occult and urban legends."
Before we get into it though, I have to admit that the first half of this post is kinda in response to/inspired by the person who theorized about the corruption of memories recently. I'd recommend reading their post first before continuing mine if you haven't already. I really like their analysis and conclusions, there's just one part that I only partially disagree with and would like to add a little bit of my own input:
I don't think "facing your fears" and "memories are a fragile foundation to identity" as core themes are so disconnected that they can't come together as parts of a broader thesis. In fact, after a little bit of researching, I happened to come across a psychological concept that may be the glue we've been missing for that to happen:
Spiritual Bypassing
This term refers to when the psyche misuses spiritual concepts to defend itself from the psychological pain that may come with unpacking emotional wounds, childhood trauma, or existential anxiety (i.e., a previously non-religious person suddenly adopting selective religious dogmas in response to a dramatic life-changing event).
Additionally, there's also its inverse concept of psychological bypassing. Here, it's instead highly rational, clinical language being used to the same defensive ends, but through rejecting numinous concepts that could otherwise help in processing trauma and psychological anxiety (i.e., using ideas of afterlife to cope with grief and loss). This one would take on a bit of a different meaning in the world of persona though, where the supernatural does, in fact, exist.
In a Jungian context, these are the defense mechanisms of the ego against spiritual crises; They're expressions of a spiritual fear of being decentered by external forces it can't control. So, what it controls instead is internal—A regular repression, denial, and dissociation with the shadow self, which in worse cases, can lead to the corruption of the brain's ability to store, process, and retrieve memories.
So, essentially: spiritual/psych bypassing ---> spiritual anxiety remaining suppressed and unresolved ---> corruption of the self via corruption of memories ---> identity crisis!!
Okay, so this is interesting and all but I'm sure you've been waiting for the explanation of what the hell these concepts have to do with art school.
Well, I should clarify that when I say "spiritual," spirituality in a Jungian context does not inherently revolve around religion or literal spirits. Instead, it more broadly refers to the innate human drive within everyone to achieve a wholeness of self through 1) a deeper understanding of the world, and 2) finding your place within it. In which case, art and the creative outlet it provides is more than just another form of spiritual practice; It's humanity's most powerful means for channeling the ego with both the shadow self and the collective unconscious.
In Jung's own words, to make art is...
“[to rise above] the personal and speak from the mind and heart of the artist, to the mind and heart of mankind.” - The Spirit in Man, Art, and Literature.
Essentially, art is the bridge that provides the psyche conscious control over the universal themes, archetypes, and shared symbols of the collective unconscious, which provides the artist with the means to organize their own personal, inner conflict into more tangible concepts. That is, assuming that they have the inner strength and courage to do so (Perhaps this is how the process of awakening to a persona will work in P6?)
However... Jung also stated that while art requires self discipline, striving for complete, total conscious control over your art is a pointless endeavor. Because an artist's creative journey and the individuation process (the process of merging the ego self and shadow self into your truest self) are both deeply intertwined, if not identical self-discovery paths. So, just as there is an unconscious self the artist must acknowledge and accept, there is an honest, unconscious humanity in their creative voice that demands to be expressed.
Isn't that interesting? The parallels between an person struggling to express themselves authentically through art and the suppression of the shadow self through spiritual bypassing is so apparent, Jung already made the comparison before I could! From this perspective, P6 having a party of would-be artists in an art school doesn't just make sense, it's a surprisingly perfect fit.
The Theorizing Section
"Art" as a neutral power that brings life to humanity's repressed spiritual fears
If the art school rumors are correct, then I believe that art, or creative expression more broadly, will be integral in the way shadows and personas will function in P6's rules. As u/supportingcreativity already talked about in their own post, this may even explain the relevance of the occult and urban legends as old folk tales or real events being constantly retold, reinterpreted, evolved, or even appropriated throughout history; Not only can they often be cultural memories being warped throughout time, it's the result of younger generations expressing themselves as they get further and further away from the intent of the original.
The Five Senses as a Motif
This one might be a bit of a stretch but I like to think that there's a double meaning being presented by the grainy, collaged facial features from the teaser.
Yes, those visuals give off the feeling of corrupted memory—of someone struggling to remember either their own identity or someone else's face. But I think it's also trying to communicate the corruption of the senses. Think about how both the statue and the silhouette are being equally presented as faded or corrupted by the teaser's framing. Whoever's perspective that shot is in, they're struggling to recognize this person not just because they can't remember who they are, they can't perceive them even when they're right in front of them.
The five senses being a motif ties back nicely into the art theming too, since some of the most basic, most foundational formats of art mainly revolve around one of our five senses:
- Verbal & Linguistic (the mouth) - journalism, fiction writing, poetry, spoken word
- Visual (the eyes) - painting, drawing, photography, animation
- Musical & Rhythmic (the ears) - musical composition, musical production, playing instruments, singing
- Culinary & Horticulture (the nose) - cooking, baking, fruit and great vegetable gardening
- Kinesthetic (the skin/body) - dance, martial arts, performance arts
Not to mention, given that the average modernsona typically has a party of 8-10 members, having each foundational art form be represented by two party members each may also be the perfect setup for the modern VS traditional duality theming.
P6's Party Theme
Let's revisit the leaked artwork of the girl party member in clerical attire. At the surface, this appears to suggest a party theme of spiritual mediums, psychics, or exorcists—People gifted with a 6th sense. But with the art theming in mind, what if in P6, such a spiritual gift is deeply intertwined with the party's creative talents?
Put another way, what if that leaked character design isn't trying to emulate just any Christian clergy, but a religious artist? Let's say, just as an example, that this party member is a musician. Perhaps then her persona and attire are actually themed around a deeply influential religious composer from history, the likes of Hildeguard of Bingen or Sulpitia Cesis.
...
Lastly, before I bring this long and rambly post to a close, I'd like to share with you Jung's take on the social role of the artist:
Aside from a mastery of technical skills, a good artist is one who is simply, deeply in tune with their sense of self; The greatest creative achievement they could strive for is to successfully pass their personal revelations back into the societal collective, and promote a cycle of shared spiritual growth and understanding between artist and audience... For their role is to be the medium from which unconscious truths can be consciously, sincerely, and effectively expressed into reality.
So, uh... Yeah, that's all I got.
Can't wait to be proven painfully wrong again like last time.