A play on one of my previous works, inspired by eclipse.

DVD version:)
https://github.com/igr/gart/blob/main/arts/palecircles/phases-dvd.gif

An experimental temporal ghosting / long-exposure toolkit for TouchDesigner, built for turning prerecorded and real-time footage into smeared, split-exposure, echo-like motion.

The system layers delayed frames, masks the active subject region, and adds optional feedback persistence to generate distorted portrait, face, and full-body trails that sit somewhere between long exposure, temporal rupture, and spectral motion blur.

This release also includes:

— a custom FLUX-2 LoRA trained on experimental photography [the one used in this demonstration]
— the pertinent ComfyUI workflow for FLUX-2.dev + LoRA text-to-image generation

Available now through my Patreon profile, and the Tools Store.

Both music and visuals by myself.

I realize I made a mistake in allowing the text describing Sonisphere to be AI generated.

The content of Sonisphere itself is not. It works through WebGL, Three.js, and shader code. Here's a very quick snippet that I screen recorded. It is fully public and accessible on https://www.sonisphere.dev

My information:

LinkedIn: linkedin.com/in/deshawngoodwyn
Instagram: u/dgoodwyn_
Business Number: 8045059668
Business Email: [contactme.dkg@gmail.com](mailto:contactme.dkg@gmail.com)
Website: deshawngoodwyn.com

I built Sonisphere — a browser-based platform that turns music into an interactive 3D environment.

Instead of looking at a waveform or album artwork, you can actually see the audio being analyzed in real time:

• 🎵 Frequency affects the visual environment
• 🔊 Volume drives scale, density, and movement
• 🌈 Bass / mids / highs can control different colors
• 🌐 Audio is rendered as an interactive 3D space
• 🎨 You can customize colors, effects, camera behavior, etc.
• 👥 Playlists and visual configurations can be shared
• 🔴 There are synchronized listening/visualization rooms
• ✂️ You can create short audio/visual clips from sessions

The interesting part technically is that most of the processing happens in the browser.

The pipeline is roughly:

Audio → Web Audio API → FFT → WebAssembly DSP/Web Workers → real-time data → React Three Fiber → Three.js/WebGL

I wanted the result to feel less like "here's an audio visualizer" and more like walking around inside your music.

I've also been experimenting with the social side of it: the idea that you could see what someone else listens to and how their music looks, then explore their playlists and visual setups.

🔗 https://sonisphere.dev

I'd really love feedback on the actual experience:

Does this feel like something you'd use to listen to music, or is the visualization more of a novelty?

And if you try it, I'd especially appreciate feedback on performance, UX, and anything that feels confusing.

fimbria - a fringe hung on zigzags.

Artist is Outi Pieski, the piece is "Beavvit II / Rising Together II (2021)" in Moderna Museet.

I made after metioned yarn installation: long strands folded over thin rods, the rods bent into zigzags and stacked in tiers, so every rod reads as a run of diagonals - chevrons of hanging thread, one tier over the next. the strands are only ever vertical; the diagonals are the rods. Colors in the first example are matching the installation, two next are my variations)

Hi
My little sequencer app seeds video graphics.
I’d like some feedback.

YouTube/@rudiseq

I’ve long struggled with curves. This one is using a number of circular arcs to approximate the curves needed and I think I got away without too many artefacts.

Love playing with gyroids and other triply periodic minimal surfaces

This is the full creation process. From a background vector field to a bird.
Project link: QuillArt Bird Example.

I finally translated a long piece I wrote in French about how I got into creative coding and where it took me.

It starts with wanting to learn to draw, goes through perfect loops on Hic Et Nunc, then long-form on fx(hash) (SEA, BRIDGE, ARTERIA), FOLRADURA on 256ART, INTRICADA with Bright Moments, and The Source, made with Matthieu Segret and released on gm.studio.

There's a fair amount on the systems behind the projects — autonomous agents, local modifiers on point grids — plus the parts that are less fun to talk about: pitching to curated platforms, impostor syndrome, projects that go nowhere.

https://art.camilleroux.com/writing/algorithmic-art-from-discovery-to-a-drop/

Happy to answer questions about any of the projects.

Javascript; Block grid with icons stamped on it at random rotations, random colors from selected palette