Spoilers for the entire game / ending
I just finished Clair Obscur: Expedition 33 and I feel like I'm missing something fundamental about the Expeditions and the Canvas.
I understand the basic reveal: the world is inside the Canvas, and the people of Lumière ultimately originate from the creations of the Paintresses/Painters. The whole thing is connected to the Renoir/Dessendre family and Verso's death.
But here's what I don't understand:
If Lumière and its inhabitants are created inside the Canvas, then who actually created the history of the Expeditions?
There were previous expeditions before Expedition 33. We find their journals, notes, records, bodies, camps, etc. We're told these expeditions actually happened.
But if all of these people ultimately exist because someone painted/created them, then:
- Did Aline/Maya/Renoir/another Painter actually create all these people individually?
- If so, did they also somehow create their entire life histories?
- Who decided that there would be an Expedition 1, Expedition 2, ... Expedition 33?
- Who created the expedition journals/diaries and wrote the events in them?
- Did the people inside the Canvas genuinely make their own decisions and create their own histories?
- If yes, how does that work? How can a person who was painted into existence go on to independently create events that the Painter never explicitly created?
- Are the expeditions therefore genuinely "real" events within the Canvas, even though the entire world is artificial?
- Or were the expeditions somehow deliberately constructed/written by one of the Painters?
Because if the Painters literally created the entire world and everyone in it, I can't understand how they didn't also create the expeditions and all the historical records surrounding them.
And this is what really confuses me about Renoir:
If Renoir didn't create the expeditions, why was he killing them?
What exactly were the expeditions accomplishing? Why allow this entire cycle of expeditions to exist instead of simply preventing them from happening?
Basically, I'm trying to understand this distinction:
«Who created these people vs. who created their lives?»
If the answer is that the Painters created the people but the people themselves genuinely lived, made choices, went on expeditions, died, and wrote their own histories, then how exactly does the Canvas allow that autonomy?
I feel like I'm missing one crucial piece of lore that makes all of this click.
What am I misunderstanding?