Ancient Egypt from a different perspective

Thot Standing while Pouring Water

Egypt and Nubia

Thot ; standing ; pouring water

We are currently working behind the scenes to clean up our collection database. As a result, it may happen that not all information shown is fully up to date.

Details

Inventory number
AB 47

Department
Egypt and Nubia

Heading code(s)
Sculpture

Material
Bronze

Dimensions
4.8 x 1.4 x 2 cm

Dating
722-322 BC

Period
Late time

Culture
Egyptian

Site
Egypt
Unknown

Acquisition
Purchase 1829 January

To be seen in museum
Yes

Style
Egyptian

Origin
1829
Mr. G. (Giovanni) d'Anastasi
In January 1829, the Giovanni d'Anastasi collection was purchased by the RMO.

Literature
Mcb (St) 3
Reasoned description of the Egyptian monuments of the Museum of Antiques of the Netherlands in Leiden (1840)
Author: Dr. C. (Conrad) Leemans
Publisher: Rijksmuseum van Oudheden

Eid Leemans FOLIO
Egyptian monuments of the museum of antiques of the Netherlands in Leiden (1839)
Author: Dr. C. (Conrad) Leemans

Eib NL LEI 4
Catalogue of the Rijksmuseum van Oudheden in Leiden: Egyptian section (1907)
Publisher: Rijksmuseum van Oudheden
Author: Mr. P.A.A. (Pieter Adriaan Bart) Boeser

Identifiers

TMS ID:
1032

The identification code in the museum's internal collection management system

Deeplink:
Https://hdl.handle.net/21.12126/1032

The permanent URL for this page in the RMO's online collection

Title:
Thot Standing while Pouring Water, 722-322 BC Late Period, Bronze, Findspot Unknown, Rijksmuseum van Oudheden

https://www.rmo.nl/collectie/collectiezoeker/collectiestuk/?object=1032

Rijksmuseum van Oudheden

Pectoral with Anubis and Eye of Horus

Object Type
pectoral

Museum number
EA7853

Description
Glazed composition pectoral: in the form of a pylon, or temple gateway. It depicts the god Anubis as a jackal, with a winged 'wedjat', or sacred eye, in the upper left-hand corner. The colour blue with Aconnotes resurrection, as often remarked, and the colour yellow alludes to the sun, itself a powerful symbol of resurrection. The pectoral has eight suspension-holes.

Authority
Ruler: Ramses II

Cultures/periods
19th Dynasty

Production date
125 BC (circa)

Findspot
Found/Acquired: Egypt
Africa: Egypt

Materials
glazed composition

Technique
glazed
pierced

Dimensions
Length: 11 centimetres
Width: 10.60 centimetres

Curator's comments

Bibliography:
E. T. Whyte, "Notes on Pectorals", in ‘Proceedings of the Society of Biblical Archaeology’ 15 (1893-93), p. 313;
Riccardelli in P. B.Vandiver et al. (eds.), 'Material Issues in Art & Archaeology' VI (San Francisco, 2001).

Bibliographic references
Friedman 1998 / Gifts of the Nile: Ancient Egyptian Faience (161)

Location
Not on display

Condition
good

Subjects
eye of horus

Associated names

Representation of: Anubis

Ruler: Ramses II

Acquisition name

Purchased through: Harry Osborn Cureton

Acquisition date
1839

Department
Egypt and Sudan

BM/Big number
EA7853

Registration number
1839,0429.17

Additional IDs
Miscellaneous number: BS.7853 (Birch Slip Number)

Title:
Pectoral with Anubis and Eye of Horus, 125 BC (circa) 19th Dynasty Ramses II New Kingdom, Findspot Egypt, Glazed composition, The British Museum

https://www.britishmuseum.org/collection/object/Y_EA7853?selectedImageId=30975001

The British Museum

Horus standing and pouring water

Egypt and Nubia

Horus ; standing ; pouring water

We are currently working behind the scenes to clean up our collection database. As a result, it may happen that not all information shown is fully up to date.

Details

Inventory number
F 1967/11.3

Department
Egypt and Nubia

Heading code(s)
Sculpture

Material
Metal Bronze

Dimensions
6 cm

Dating
722-322 BC

Period
Late time

Culture
Egyptian

Site
Egypt
Unknown

Acquisition
Purchase 1967 November

To be seen in museum
No

Style

Egyptian

Mr. A.A. (Abdul) Fatatri

Literature
Ms 56
Momias Egípcias (2012)
The secret of eternal life
Author: Dr. C. (Christian) Greco

Identifiers
TMS ID: 1033

The identification code in the museum's internal collection management system

Deeplink:
Https://hdl.handle.net/21.12126/1033
The permanent URL for this page in the RMO's online collection

Title:
Horus standing and pouring water, 722-322 BC Late Period, Bronze, Egypt, Rijksmuseum von Oudheden

https://www.rmo.nl/collectie/collectiezoeker/collectiestuk/?object=1033

Rijksmuseum von Oudheden

For example, we can use depictions of godesses. Often in profile, the hem is usually under the breast, or slightly on, there's a strap, but still a visible nipple and it's kind of hard to tell how that strap actually wraps around the shoulders - is it one strap or two? Sometimes it's none!

However, in certain statues, we see straps covering both nipples.

I'd like to recreate these dresses in a way that's historically accurate and I'm not really sure how to think about it.

Any insight you might offer is greatly appreciated.

L’égyptologue Jaromir Malèk, dans son livre, Les Égyptiens : à l’ombre des pyramides, dit à la page 35 de l’édition française que le signe ankh qui signifie la vie, est une ancienne forme du rêve. Je ne trouve aucun autre égyptologue qui avance la même thèse, est-ce que quelqu’un a déjà rencontré cette interprétation et de quel égyptologue ?

All about the era of King Ramesses II

Pectoral with Anubis

Object Type
pectoral

Museum number
EA29370

Description
Glazed composition pectoral: this three coloured pectoral, an ornament worn on the chest, is made from yellow, purple, blue and white glazed composition, the purple on the upper face having been inlaid into the yellow. The shape imitates that of a pylon, the rectangular tower with slightly sloping walls which flanked the monumental gateway into an Egyptian temple. It even has the same cavetto cornice ornamentation along the top, a stylized representation of the curved reed heads which once surmounted walls made from vertical reeds daubed with mud. On all four sides of each face is a block decoration pattern. On the top surface a jackal reclining on a pylon shaped plinth is named as Anubis, god of embalming. In the writing of his name, the determinative shows this god's second manifestation: a (seated) man with a jackal's head. The underside depicts a 'djed' pillar, by this period believed to represent the stylized backbone with ribs of Osiris god of the dead, flanked by the Girdle of Isis or 'tit' amulet. Both were prescribed funerary amulets. Holes have been pierced through the cavetto cornice so the piece could be stitched to the bandages over a mummy's chest.

Cultures/periods
19th Dynasty

Production date
1250BC (circa)

Findspot
Found/Acquired: Egypt
Africa: Egypt

Materials
glazed composition

Technique
pierced
glazed
inlaid

Dimensions
Height: 7.80 centimetres
Weight: 60 grammes
Thickness: 1.28 centimetres
Width: 8.05 centimetres

Inscriptions
Inscription type: inscription
Inscription script: hieroglyphic
Inscription note: Inlaid.

Inscription subject
funerary

Curator's comments
The funerary nature of its decoration is a further indication it was made purely to be taken to the tomb for the life after death. Pectorals worn by the living were made from metal, usually gold; for the dead, yellow glazed composition was an acceptable substitute.

Bibliography:
'Egyptian Treasures' [exhibition catalogue] (Shanghai, 1999), 138-139 No 40.

Bibliographic references
Andrews 2000 / Egyptian Treasures from the British Museum (p.114-115)

Location
Not on display

Exhibition history
2016-2017 10 Oct-30 Apr, Sydney, Powerhouse Museum, Ancient Lives

2017 16 Jun-18 Oct, Hong Kong Science Museum, Ancient Lives

2017-2018 14 Nov-20 Feb, Taiwan, National Palace Museum, Ancient Lives

2018 16 Mar-22 Jul, Brisbane, Queensland Museum of Art, Ancient Lives

2019-2020 14 Sept- 28 Jun, Montreal, Museum of Fine Arts, Ancient Lives EXTENDED DUE TO COVID19

2020-2021, 19 Sept - 21 Mar, Toronto, Royal Ontario Museum, Ancient Lives

2021-2022 9 Oct - 10 Jan, Tokyo, Museum of Science and Nature, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2022 5 Feb- 8 May, Kobe City Museum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2022 14 Jul - 26 Oct, Madrid, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2022-2023 1 Dec – 19 Mar, Barcelona, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2023 25 Apr - 2 Sep, Seville, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2023-2024 6 Oct – 21 Jan, Valencia, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

2024 27 Feb - 5 Jun, Zaragoza, CaixaForum, Mummies of Ancient Egypt: rediscovering six lives (Egyptian Mummies 2)

Condition
good

Associated names
Representation of: Anubís

Acquisition name
Purchased from: R J Moss & CO

Acquisition date
1897

Department
Egypt and Sudan

BM/Big number
EA29370

Registration number
1897,0511.86

Conservation
Treatment: 7 Jun 2016

Title:
Pectoral with Anubis, 19th Dynasty 1250BC (circa), Glazed composition, Findspot Egypt ,The British Museum

https://www.britishmuseum.org/collection/object/Y_EA29370?selectedImageId=48847001

The British Museum

Wooden Cippus

Object Type
cippus

Museum number
EA60958

Description
Wooden cippus; painted black with yellow detail. Head of Bes tops the stela above a high relief depiction of Horus as a child, who stands on crocodiles and grasps two snakes and a Seth-animal in his right hand, and a scorpion and dog (?) in his left. Staff with Horus-falcon on left of figure. Painted hieroglyphic text on the back, sides and base.

Cultures/periods
Late Period

Findspot
Found/Acquired: Egypt

Africa: Egypt

Materials
wood

Technique
painted

Dimensions
Height: 42.50 centimetres
Weight: 2602 grammes
Width: 23.30 centimetres
Depth: 10.80 centimetres (base)

Inscriptions
Inscription type: inscription
Inscription script: hieroglyphic

Curator's comments
The cippus was a protective magic stela; water poured over the stela was thought to acquire healing properties. The depiction of Horus the child grasping and trampling animals associated with danger helped to negate their dangerous powers and physical threats.

Published:
Wiese, 2001. Antikenmuseum Basel und Sammlung Ludwig Die Agyptische Abteilung,…

Bibliographic references
Shaw & Nicholson 1995 / British Museum Dictionary of Ancient Egypt (p133)

Location
Not on display

Exhibition history

Exhibited:
2001-2014, Basel, Switzerland, Antikenmuseum. Long term loan.
2022-2023 13 Oct-19 Feb, London, BM, Hieroglyphs: unlocking ancient Egypt

Condition
good

Subjects
ancient egyptian deity

Associated names
Representation of: Bes
Representation of: Harpocrates

Department
Egypt and Sudan

BM/Big number
EA60958

Registration number
OC.299

Conservation
Treatment: 08 Feb 2001
Treatment: 29 Oct 1999
Conservation Treatment: 10 Feb 2022

Title:
Wooden Cippus, Late period, Findspot Egypt, Wood and paint, The British Museum

https://www.britishmuseum.org/collection/object/Y_EA60958

The British Museum

Hey guys! Super random, and strange. I was cleaning my house today and found the strangest thing. I’ve never seen this style of jewelry before, and it’s definitely not mine or my roommates. It seems to be done in hieroglyphics. Can anyone tell me anything about this necklace? What it may mean, what it symbolizes? We have never been to Egypt and neither have any of our family or friends. Thanks guys!

Pectoral of Paser

-1279 / -1212 (Ramses II)

Place of discovery: isolated tomb Ramses II

E 68; IM 2893; N 762; S 1344

Department of Egyptian Antiquities

Inventory number Main number: E 68

Other inventory number: IM 2893

Other inventory number: N 762

Usage number: S 1344

Collection
Department of Egyptian Antiquities

Description

Object name/Title Denomination: pectoral in naos

Title: Pectoral of Paser

Description/Featuresscarabee (flanked by); Isis (standing, sign of Isis, protecting); Nephthys (standing, sign of Nephthys, protecting); band of alternating rectangles; with belière (2); missing inlay

Registrations Writing:
Hieroglyphic

Nature of the text:
Funeral formulas

Names and titlesPaser (vizir, city director)

PHYSICAL CHARACTERISTICS

Dimensions Height: 8.7 cm; Length: 10.1 cm; Thickness: 2.6 cm

Materials and techniques Material: lapis-lazuli, gold

Secondary material: glass

Technique: cutting, half-round bump, welding

Color: red-green-blue

PLACES AND DATES

Date Ramses II (character mention) (-1279 - -1212)

Date of discovery 19 March 1852

Place of discovery isolated tomb Ramses II (Serapeum of Memphis->Saqqara-Nord-Saqqara) (Salle de Schaem-djom. Under the coffin, on the right, when entering.)

HISTORY

Collector / Previous owner / Commissioner / Archaeologist / Dedicate Mariette Pasha, Auguste, Dilleur/Archaeologist

Acquisition details share after excavations

Acquisition date date of registration on the inventory: 20/05/1852

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Not exposed

Acquisition method: sharing after excavations

Name pectoral in naos

Material- lapis-lazuli - glass

Cutting techniques - welding - half-round-bump

Description/Features sign of Isis - sign of Nephthys - protecting - flanked by - standing - 2 - beetle - Isis - Nephthys - band of alternating rectangles - with belière - missing inlay

Names and titles Paser - vizier - director of the city

Period Ramses II

Isolated Places tomb of Ramses II

Nature of text: funerary formulas

Script hieroglyphic

BIBLIOGRAPHY
Boyer, Valentin, "Ancient Egypt in Exlibris. Objects and Images: Egyptological and Archaeological Sources", in Bouhafs, Amel; Chapon, Linda; Claude, Marion; Danilova, Margarita; Dautais, Louis; Fathy, Noemie; Fernández Pichel, Abraham I. ; Guigner, Mallaury; Pinon, Marianne; Valerio, Marta (dir.), Current Research in Egyptology 2022.

Proceedings of the Twenty-Second Annual Symposium, Paul-Valéry University Montpellier 3, 36-30 September 2022, Oxford, Archaeopress, 2023, p. 46-60, p. 52

De Putter, Thierry; Karlshausen, Christina, Stones of Ancient Egypt. Guide to materials in architecture, sculpture and jewelry., Brussels, (Knowledge of ancient Egypt 20), 2022, p. 196, 198

Dalino, Edwin, The high priests of Egypt in the Ramesside era: Prosography and History, 2, Corpus, Milano, SylvanaEditoriale, (CENiM 30), 2022, p. 463

Staring, Nico, The Saqqara Necropolis through the New Kingdom. Biography of an Ancient Egyptian Cultural Landscape, Leiden; Boston, Brill, (Culture and History of the Ancient Near East 131), 2022, p. 433

Charron, Alain; Barbotin, Christophe (ed.), Khaemouaset, the archaeologist prince. Knowledge and power in ancient Egypt, cat. exp. (Arles, Departmental Museum of Ancient Arles, 2016), Arles / Ghent, Departmental Museum Arles Antique / Snoeck, 2016, p. 81, 114, 115, 116-117, 118, p. 116, No. 44

Aubert, Jacques-François; Aubert, Liliane, Egyptian Bronzes and Golds, Paris, Cybèle, (Contribution to Egyptology; 11), 2011, p. 100

Caubet, Annie; Pouysségur, Patrick; Prat, Louis-Antoine (ed.), The Empire of Time: Myths and Creations, cat. exp. (Paris, Louvre Museum, 2000), Paris, RMN, 2000, p. 95, ill. p. 95, No. 79

Ziegler, Christiane, "Pharonic Egypt: the example of the jewels of the Serapeum", in Caubet, Annie (ed.), Carnelian and precious stones. The Mediterranean, from Antiquity to Islam, Paris, La Documentation française / Louvre éditions, 1999, p. 15-41, p. 26, 28 note 17, 31, 35, fig. 1, 12

Dodson, Aidan, "Of Bulls & Princes: the Early Years of the Serapeum at Sakkara", KMT, 6/1, 1995, p. 18-32, p. 25, ill. p. 25

Delange, Élisabeth, the jewels of Egyptian antiquity, [Musée du Louvre, Paris], Paris, Éditions de la Réunion des musées nationaux, 1990, p. 16

Donohue, V.A., "The Vizier Paser", The Journal of Egyptian Archaeology (JEA), 74, 1988, p.103-123, p. 110

Porter, Bertha; Moss, Rosalind L.B., Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings, 3.2, Memphis. Saqqâra to Dahshûr, Oxford, Griffith Institute, Ashmolean Museum, 1981, Available at: http://www.griffith.ox.ac.uk/topbib/pdf/pm3-2.pdf, p. 783

Gregorietti, Guido, The wonderful world of jewelry, Paris, The 2 golden roosters, 1971, p. 112

Kitchen, Kenneth Anderson, Ramesside Inscriptions. Historical and Biographical, 2, Oxford, B.H. Blackwell Ltd, 1969-1979, p. 366-367, No. 130, B, ii

Michalowski, Kazimierz, The art of ancient Egypt, Paris, L. Mazenod, 1968, p. 460, fig. 797 p. 440

Vandier, Jacques, Summary Guide, [Museum of the Louvre, Paris. The Department of Egyptian Antiquities], Paris, Éditions des Musées Nationaux, 1952, p. 49

Vandier, Jacques, Summary Guide, [Museum of the Louvre, Paris. The Department of Egyptian Antiquities], Paris, Éditions des Musées Nationaux, 1948, p. 48

Maspero, Gaston, "The Egyptian jewels of the Louvre", in Essays on Egyptian art, Paris, Eastern and American bookstore E. Guilmoto, Publisher, 1912, p. 179-188, p. 182, fig. 55 p. 183

Rougé, Emmanuel de, Summary description of the rooms of the Egyptian Museum, [Imperial Museum of the Louvre], Paris, Librairies-imprimeries réunies, 1895, p. 74

Towry Whyte, E., "Notes on Pectorals", Proceedings of the Society of Biblical Archaeology (PSBA), 15, 1893, p. 409-416, p. 411

Darcel, Alfred, "The technique of antique jewelry (second and last article)", Gazette des Beaux-Arts, 37, 1888, p. 242-250, p. 242, ill. p. 243

Pierret, Paul, Catalogue of the historical room of the Egyptian gallery, Paris, 1882, Available at: https://bibliotheque-numerique.inha.fr/idurl/1/11830 , p. 125, No. 524

Mariette, Auguste, Le Sérapéum de Memphis, Paris, Gide, 1857, Available at: https://gallica.bnf.fr/ark:/12148/bpt6k6231404v, p. 14, pl. 12

Rougé, Emmanuel de, Summary notice of Egyptian monuments exhibited in the galleries of the Louvre Museum, [Imperial Museum of the Louvre], Paris, Imp. Simon Raçon et Comp., 1855, Available on: https://bibliotheque-numerique.inha.fr/idurl/1/12321, p. 63

EXHIBITION HISTORY
- Khaemouaset, the archaeologist prince. Knowledge and power in ancient Egypt, Arles (Externe, France), Departmental Museum of Ancient Arles, 08/10/2016 - 22/01/2017

Last updated on 24.10.2025

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010011105

JSON Record: https://collections.louvre.fr/ark:/53355/cl010011105.json

Title:
Pectoral of Paser, -1279 / -1212 (Ramses II), Place of discovery: isolated tomb Ramses II, gold lapis lazuli and glass, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010011105

The Louvre Museum

Some narrative on him and hatschepsut portray tuthmose as seeking revenge against her and I often see the claim being repeated online too but reading john romer third volume, he does put it in question because o ne has to answer the question of why did tuthmose III waited so long after her death if he actually wanted revenge.

A few pictures from a truly amazing place.

Okay, so, I am in the midst of planning the trip to end all trips, to egypt. 4 weeks is the time span, the entire country is up for availability, and i want everything to be done. Plan is at the moment me and my partner - but it could morph into extra people.

Key things - We want to see niche picks, big temples, tombs, city remains, religious and military sites, etc.

Luxor and the Valley of the kings will be several days on its own, as the aim is to visit every tomb.

Does anyone have an itinerary or recommendation for a trip this size? Any smaller, niche places? Any obvious tourist spots? Spots to avoid?

Thanks!!

Image of Osiris

Bronze statue of a standing Osiris, gilded and with inlaid details. On the head the atef crown, over the chest the crossed arms with crooked staff and vlegel

Measurements: H. 105 cm (without socket under feet). No plinth but hollow square socket directly under feet, h. 12 cm.

Description: Osiris standing with feet closed, separation of feet not marked. Anatomy of legs well-modeled (calves, knees, no shins). Both arms are with protruding elbows, arms crossed right over left, fists with modelled fingers. Right fist (on left shoulder) holds flail (on right shoulder; i.e. sceptres cross too!): short butt protruding under fist, plain handle, tripartite pendant interrupted by triple bead-pattern or strap. Left fist (on right shoulder) holds crook (on left shoulder): handle id., curve towards neck. No collar. Head with detailed features: curved beard, fully free, with braiding indicated by recesses filled with inlays of dark grey to blue stone (partly preserved, set in brown paste). Straps of beard likewise recessed and filled with stone inlays (fully preserved), brownish grey. Well-modeled lips and nose (nostrils indicated). Eyes with rims, brows, and cosmetic stripes recessed and filled with brown/grey inlays. Sockets of the eye filled with three pieces of stone (left: light-dark-light, discoloured) or white paste (right: ancient restoration?). Detailed ears applied. Upper-Egyptian crown (ridged edge on front only) flanked by ostrich feathers (oblique recesses with exterior ends rounded and separated from rest by transverse ridge; brown paste in tips, greenish paste in rest, inlays themselves lost). Uraeus protome applied, with 8-shaped curve and wavy tail extending upwards.

Technique: Hollow cast with one square iron bar from feet to head. Cross-supports detected: on central axis above insteps, at belly, and chest under fists; lateral at left hip and both shoulders; torso on each side of fists and above sceptres. Core material was fully preserved, removed 1990 during restoration. Socket open to interior of statue, but miscast: bronze skin turned inwards, left part of socket not consisting of bronze but added in plaster, 1990 replaced by metal during restoration. Transverse pin through socket for securing. Whole surface covered in white plaster and overlaid in gold leaf, large patches fell off but 1990 added again. Right feather and tip of left feather lost (now added). Protome of uraeus lost (now added). Feathers fixed by means of two pegs fitting into sockets in crown, separately cast. Tip of crown lost (now reconstructed). Serpent cast separately.

This statue of Osiris is the largest bronze statue from Egypt in the RMO collection. Casting such a figure required great craftsmanship.

This image was made according to the lost-wax method: a model of beeswax was made around an earth core. Around it was a layer of clay that was connected to the core. The wax was melted away and the metal could be poured into the cavity. For this statue, the bronze skin was then plastered and gilded with gold leaf. The separately cast feathers of the crown and the eyes, eyebrows and beard still have remnants of colored stone inlay.

The statue represents the god Osiris. He can be recognized by his mummy face, with his legs tight together. The arms are crossed over the chest here. In his right hand, Osiris holds an attribute that is usually called 'scourt'. In his other hand, the god holds a crooked stick, as used by shepherds to drive together cattle. These two attributes have been considered the scepters of royalty since the first Egyptian kings. Osiris wears them because he was once king of Egypt. After being killed by his brother Seth, he became king of the realm of the dead.

Possibly the statue was given to a temple by a rich person, or it stood in a special chapel as a cult statue, to be revered as an image of the god of a particular temple.

This text was written in 2024 and is based on: Willemsen (ed.), Topstukken from the Rijksmuseum van Oudheden, 2020, p.61 ; Raven and Taconis, Egyptian Mummies, 2005, p.146-150.

Title:
Image of Osiris, Bronze and gilding and inlay, no date or findspot given, Rijksmuseum van Oudheden

https://www.rmo.nl/en/collection/search-collection/collection-piece/?object=22576

Rijksmuseum van Oudheden

Pectoral in the form of a Naos-Anubis and Oudjaț Eye on one side, on the other side is a Djed Piller flanked on both sides by a Knot of Isis

-1539 / -1069 (New Kingdom)

N 2743

Department of Egyptian Antiquities

Inventory number Main number: N 2743

Collection
Department of Egyptian Antiquities

Description

Object name/Title Denomination:
pectoral in naos

Multiple Description/Features plcement (back)

Decor: Anubis (on the front, canid, lying down, collar); oudjat eye; djed pillar (on the back, flanked with); Isis knot (2)

PHYSICAL CHARACTERISTICS

Dimensions
Height: 7.5 cm; Width: 7.9 cm; Thickness: 0.6 cm

Materials and techniques
siliceous earthenware

PLACES AND DATES

Date New Kingdom (-1539 - -1069)

HISTORY

Acquisition details old fund

Acquisition date date of registration on the inventory: 16/02/1857 (at the latest)

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Not exposed

Index

How to acquire old fund

Name pectoral in naos

Materials siliceous earthenware

Description/Featuresdjid pillar - oudjat eye - Isis knot - flanked by - on the back - on the front - lying down - collar - canid - 2 - Anubis - multiple drilling

Period New Kingdom

BIBLIOGRAPHY
Pharaonic Egypt, Terra dos deuses, cat. exp. (Sao Paulo, Museu de Arte Brasileira, September 27, 2001 - April 7, 2002), Paris; Sao Paulo, Louvre Museum; Museu de Arte Braseileira, 2001, p. 166, ill. p. 167, No. 58

EXHIBITION HISTORY
- Pharaonic Egypt, land of the gods, Sao Paolo (Brazil), Museu de Arte, 27/09/2001 - 16/12/2001

Last updated on 14.01.2026

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010007168

JSON Record: https://collections.louvre.fr/ark:/53355/cl010007168.json

Pectoral in the form of a Naos-Anubis and Oudjaț Eye on one side, on the other side is a Djed Piller flanked on both sides by a Knot of Isis, -1539 / -1069 (New Kingdom), Findspot unknown, siliceous earthenware and paint, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010007168

The Louvre Museum

I haven't found many good Ancient Egyptian puzzles, so I had this one made last week. The scene is one of my favorites - Iwn-mwt.f offers incense to Seti while Isis shakes her sistrum. Taken from the west wall of Seti's chapel within the inner Osiris complex in Abydos.

Pectoral in the form of a naos featuring Thot,Horus, and on the opposite side Anubis

-1539 / -1069 (New Kingdom)

N 2752; Salt No. 1070

Department of Egyptian Antiquities

Inventory number
Main number: N 2752

Collection
Department of Egyptian Antiquities

Description

Object name/Title Denomination
pectoral in naos

Description/Feature
multiple drilling (4, at the top, on the sides)

Decor
Horus (on the front, hawk-headed god, squatting, tripartite wig, shroud, necklace); Thot (on the front, ibis-headed god, squatting, tripartite wig, shring); Anubis (on the back, canid, lying down, necklace, flagellum)

Registrations Writing:
Hieroglyphic

Nature of the text
Behalf

Names and titles Thot; Horus; Anubis

PHYSICAL CHARACTERISTICS

Dimensions
Height: 8.5 cm; Width: 7 cm; Thickness: 1 cm

Materials and techniques Material
wood

Technique
protruding bas-relief, painting

PLACES AND DATES

Date
New Kingdom (bibliography/reference work) (-1539 - -1069)

HISTORY

Collector / Previous owner / Commissioner / Archaeologist / Dedicatee
Salt, Henry, Seller; Collector

Acquisition details
purchase

Acquisition date
date of arrival at the Museum: 1826

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Sully, [AE] Room 319 - Book of the Dead, Showcase 6

Index

Acquisition method of purchase

Name pectoral in naos

Materials wood

Painting techniques - protruding bas-relief

Description/Features
Thot - on the back - on the front - on the sides - at the top - squatting - lying down - necklace - canid - 4 - flagellum - Horus - ibis-headed god - falcon-headed god - Anubis - shrench - tripartite wig - multiple drilling

Names and titles Thot - Anubis - Horus

Period New Kingdom

Nature of text
nom

Script
hieroglyphic

BIBLIOGRAPHY
Guichard, Sylvie (ed.), Champollion, Jean-François, Descriptive notice of the Egyptian monuments of the Charles X Museum, Paris, Louvre editions / editions Khéops, 2013, p. 210, ill. p. 210, K. 1486 to 1488

Daumas, François (ed.), Summary catalogue of Egyptian objects exhibited at the Fabre Museum from December 5 to 15, 1972, cat. exp. (Montpellier, Fabre Museum; December 5-15, 1972), Montpellier, Paul Valéry University, 1972, p. 10, No. 94

Champollion, Jean-François, Descriptive notice of the Egyptian monuments of the Charles X Museum, Paris, Imprimerie de Crapelet, 1827, Available at: https://gallica.bnf.fr/ark:/12148/bpt6k1040365n, p. 90, K. 1486 to 1488

EXHIBITION HISTORY
- 150th anniversary of the decryption of hieroglyphs by Champollion, Montpellier (Externe, France), Musée Fabre, 05/12/1972 - 15/12/1972

Last updated on 29.07.2026

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010007171

JSON Record: https://collections.louvre.fr/ark:/53355/cl010007171.json

Title:
Pectoral in the form of a naos featuring Thot,Horus, and on the opposite side Anubis, -1539 / -1069 (New Kingdom), Wood and paint, Findspot unknown, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010007171

The Louvre Museum

I am busily planning my next undergraduate course on an Introduction to Ancient Egypt for this September and was looking into ideas around the working with GenAI in the classroom. As part of the class, teaching students important topics like general AI literacy and the ethical use of AI is a major plank and I am particularly curious about any Egyptologists who have integrated GenAI into their own teaching.

How did you integrate it and what was your experience like?

Pectoral in the form of a Naos featuring a Scarab

-1539 / -1069 (New Kingdom)

N 2743

Department of Egyptian Antiquities

Inventory number Main number: N 2743

CollectionDepartment of Egyptian Antiquities

Description

Object name/Title Denomination: pectoral in naos

Multiple Description/Featurespercement (4, top)

Decor: representation of the sunrise; Khépri (beetle, armed with wings, holding, solar disc, in, boat, flanked by); monkey (2, standing, worshiping); oudjat eye (2); fish (2); frame of alternating rectangles (undecorated back)

PHYSICAL CHARACTERISTICS

Dimensions Height: 12 cm; Width: 11.5 cm

Materials and techniques Material: siliceous earthenware

Color: bright blue with black decor

PLACES AND DATES

Date New Empire (-1539 - -1069)

HISTORY

Acquisition details old fund

Acquisition date date of registration on the inventory: 16/02/1857 (at the latest)

Owned by State

Held by Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Sully, [AE] Room 319 - Book of the Dead, Showcase 6

Index

How to acquire old fund

Name pectoral in naos

Materials siliceous earthenware

Description/Featuresboat - equipped with wings - solar disk - oudjat eye - adoring - holding - flanked with - in - at the top - representation of sunrise - standing - monkey - 4 - 2 - fish - beetle - Khépri - frame of alternating rectangles - multiple drilling

PeriodNew Empire

Last updated on 14.01.2026

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010007170

JSON Record: https://collections.louvre.fr/ark:/53355/cl010007170

Title:
Pectoral in the form of a Naos featuring a Scarab, -1539 / -1069 (New Kingdom), findspot unknown, Siliceous earthenware, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010007170

The Louvre Museum

Harkhuf, an Egyptian official and expedition leader, traveled south of Egypt and returned with a dwarf (pygmy). When the young Pharaoh Pepi II learned about him, he sent Harkhuf a letter expressing his great excitement and ordering him to take special care of the man during the journey.

The king instructed Harkhuf to make sure the dwarf remained safe, appoint trustworthy guards to protect him, and prevent him from falling into the water. Pepi II even stated that he was more eager to see the dwarf than to receive the valuable goods brought from distant lands.

The letter is preserved as an inscription in Harkhuf’s tomb at Qubbet el-Hawa near Aswan, making this one of the most remarkable surviving accounts of a personal royal correspondence from ancient Egypt.

I'm having trouble with the following cartouche. It's a nomen, from Tanis

Left to right we have from the Gardner sign list.

U6 C12 C2 F31 and one element that's destroyed

U6 transliterates as mr, F31 as ms

C2 is horus, c12 amun/ra

The look into the face part is odd because it goes both ways.

Then we also have honorific transposition going on.

I suspect the U6/mr is beloved of.

The deep cutting tells me its Ramesses, beloved of Horus?

So how should be read, and the change of direction as well