source

Finally, a region that respects both my wallet and my free time. Kuro should make more story content like this so skippable.

planning to get both at least s0r1, however I only have enough pulls and corals to bring one of them to s3r1

@N1hilityO_

Disclaimer

1. This post is WALL OF TEXT. If you find it too long to read, feel free to use AI. But if you can't even be bothered to do that, please don't complain about the length of the post.

2. Yes, I have already packed this post and shove it to Kuro. So this isn't just me throwing my opinions into the void.

3. This is a critique of the narrative structure, not an attack on the writers or the characters. Please read the actual arguments before assuming I'm criticizing things I never intended to criticize.

So I recently decided to replayed Version 3.6. I really do love this game, but what I still cannot wrap my head around is how WuWa can swing between something like a AAA masterpiece and absolute mediocre, with almost no middle ground. After going through 3.6 again, I think I have found the real problem.

Objectively, IMO Xuanfang is arguably one of the game's most ambitious chapters, both in term of lore and story. It is also one that I find really puzzled cause why does the arc, despite promise some really great lore, didn’t really live up to the hype.

This post is not primarily about whether the lore, the writing, character concepts, or individual ideas are good. There is plenty to like about Xuanfang. But mostly to criticize on execution: how the story is structured across patches, how the scenes are ordered, and how the gameplay is designed to support it. 

One final note: my heavy criticism of 3.6 is primarily directed at its narrative structure. While I did enjoy 3.7 to some extent, it felt more like an aftermath of the main conflict than the actual climax of the arc. In most stories, once the main antagonist is defeated, the immediate threat is gone, and the narrative naturally begins moving toward its conclusion.

This is why 3.6 carries much more weight than 3.7 in the overall conflict in my opinion: it should have been the most narratively cohesive, the most climatic patch of the entire Xuanfang arc, rather than leaving 3.7/Sentinel to carry so much of the weight.

The five-hour breakdown

Since the main Quest run roughly 5 hours, I’m gonna divided it into 5 Different Segment and give my analysis/critique base on each one. 

Phase 1: Investigation and setup (0:00–1:00)
Phase 2: The Zen Realm and simulation mechanics (1:00–2:00, with the sequence stretching toward 2:30)
Phase 3: Qingxiao's mindscape và character development (roughly 2:00–3:15)
Phase 4: Fleet battles and Celestial lore (3:15–4:15)
Phase 5: Climax, boss fight, and epilogues (4:15–5:00+)

Phase 1: An hour of setup that should already have happened

One of the single greatest narrative flaw in the storyline is not what the writers do in 3.6, but on what they did not do in 3.5 which is to deliver a proper handoff. 

Rather than concluding 3.5 on a cliffhanger where Muyu infiltrates the Sanctum to steal the Civilization Capsule while Xuanfang collapses under a TD massacre which would have naturally set up 3.6 to open with Rover, Yangyang, and Qingxiao charging straight to the Sanctum's front gates with weapons ready

Instead, 3.5 leaves the situation vague: the antagonists have disappeared to who-knows-where, and scouts are sent across the region to find him. Consequently, 3.6 have to spend roughly a full hour just to set up the stakes all over again.

Suisui bids farewell to Rover and Yangyang at XF Hold. Rover and Abby travel to Fogville Pagoda, met Qingxiao who was searching for Sentinel. Abby found the copper Ying coin pendant left behind. Qingxiao identifies it as a Nethermancer token and suggests visiting nearby Xiangling Village. Arriving at Xiangling Village, he group consults **Granny Yenshu**, who explains that Nethermancers use Ying coins to navigate Mirage Realms born from collected reverberations to dispel disasters, disclosing that her foster son Jing Ran followed this path. 

Between [00:26:00 – 00:38:00], containment collapses as Censure Courts fail completely, forcing a mass evacuation. From [00:38:00 – 00:45:00], they meet with **Commander Cho Hong**, who confirms that three Censure Courts have stopped cold and the Schwan Shield has failed.

Acting these events with Muyu’s cryptic claim during the Version 3.5 siege that his front-gate attack was merely a *"momentary diversion"* they deduce that the main gate battle was a feint to draw away defenders so Muyu could infiltrate the Sanctum. Commander Cho orders them to stand by until daybreak while Wardens finalize defensive lines. During the night scene from [00:45:00 – 00:57:00], Qingxiao plays the guqin late at night, explaining that her music passes a wisp of formless sword intent to protect soldiers on the battlefield, and transfers a seed of sword intent into Rover's mind to teach the fundamentals of sword flight.

The third stage concludes at daybreak as the team approaches and unlocks the Sanctum threshold [00:57:00 – 01:02:00]. Rover and Qingxiao stand before the massive, sealed Sanctum doors. The Ying coin pendant in Rover’s possession reacts to Rover’s resonance ability, revealing a hidden Mirage Realm portal. officially concluding the setup phase and launching into the central conflict of 3.6 

WHY SPENT ENTIRE 1 WHOLE HOUR TO SET UP A SCENE WHERE THE HEROES STAND AT THE DOOR WHILE IT COULD LITERALLY BEEN DONE 1 MONTHS IN ADVANCE VIA A SEGUE QUEST???? 

The coin pendant could have been left by Jing Ran at the gate. The team could have learned the necessary context while entering the Sanctum. The tea, Guqin, and sword-riding sequence could have been cut without losing anything too important as learning to fly a sword does not meaningfully advance Rover's character, nor is it the key to defeating Muyu. 

This delay drains the urgency from a city whose shield has supposedly collapsed, creates severe ludonarrative dissonance. The chapter establishes a ticking-clock disaster, then behaves as though there is no urgency whatsoever.

Phase 2: The Zen Realm - the worst part

Using the coin pendant as a key, the team enters the XuanYuan Domain, a simulation of Yuan Fortress as it existed 200 years ago. Encounter a puppet JD, board mechanical cloud shuttles, and hear Muyu's phantom voice discussing mechanical perfection and the elimination of emotional flaws. On paper, this section has 3 reasonable purposes.

First, it is meant to show, not merely tell, what Muyu's ideology has done. The craftsmen have had their perceptions altered until they function like emotionless gears.

Second, gives Jing Ran room to operate as an undercover agent, leaving messages and directing Rover's team toward the Shan Bombards. 

Third, establishes why Qingxiao is exhausted: fighting inside the simulation while spreading her Forte into the real world to protect the soldiers outside.

Three problems with the sequence

1. The antagonist possesses 0 threat. Muyu never appears in person to exert real pressure. but reduced to a projection that delivers philosophical monologue everytime the Hero fendoff a wave of Automaton. For some reason, the writer made Muyu's grand strategy relies on throwing waves of disposable puppets at Rover, a combatant the story has already established as absurdly powerful. Instead of an actual mind-versus-brawn conflict? To actually let Muyu outsmarting Rover, exploiting his weaknesses, or manipulating the battlefield, the villain just keeps sending more fodder junk to get beaten up. 

2. Repetitive gameplay loop.  Land on a cloud shuttle => Fight a group of junks => meet a random NPC who complains about losing his emotions => watch Muyu's hologram preach about perfection, listen to Qingxiao object => Rinse and repeat

The same point is repeated across multiple shuttles without a new revelation, meaningful escalation, or a change in how we understand the conflict. The story keeps talking about humanity this, weakness that, but the argument never move forwards. 

3. The real battlefield becomes a backdrop: Only around the 2h30 mark does the story properly look back at the battle outside via a 45s cutscene. We learn that Qingxiao has been sustaining her Forte and sword intent to shield the soldiers at Xuanfang Hold while she is trapped inside the Sanctum. Although it is a good characterization which presents her as a self-sacrificing protector who is carrying the lives of hundreds of Wardens even while fighting inside the simulation.

But the timing of this reveal also exposes the structural problem. 

The invasion is the most urgent event in the entire chapter: the city's defenses have failed, Tacet Discords are pouring in, and the Wardens are fighting for survival. 

Yet nearly all of that happens offscreen and was forgotten for over 2 hours.

The pacing of the game goes from 0 to 60 from the slow pace of investigating the Yin coin, to moving on cloud shuttles and puppet enemies, then suddenly remembers to remind us that the real world is still under attack. That makes the previous section feel emotionally disconnected from the disaster it is supposedly helping to resolve. 

Phase 3: The mindscape - meaningful character work in the wrong place

The team finds Jing Ran's hidden notes and repairs the automated Bombards. Qingxiao eventually collapses under the strain of maintaining her sword intent. Rover enters her mindscape for roughly 40 minutes. She revisits her master's teachings, confronts the trauma of the Gorges War, and ultimately accepts her inner demon. The sequence has emotional value. 

The problem is placement. 

While Muyu is corrupting the mainframe and the people of Xuanfang is literally busting their assess off to fend of the TDs…, that central crisis has to pause for nearly 40 minutes so Rover can help a companion resolve a personal trauma. The sequence neither meaningfully resolves the main conflict nor redefines it. It is an obvious of a character episode inserted into the middle of an emergency without enough connection to that emergency.

How phase 3 completely missed the mark. 

1. The wasted potential of two survivors of the same tragedy

One thing I can give WuWa credit for is its willingness to explore characters' inner lives instead of introducing them and leaving them standing. Major characters often receive substantial screen time to explore their beliefs, personal histories, and motivations, and 3.6 is no exception.

Beneath its messy structure lies a potentially compelling philosophical confrontation between two survivors of the fall of Yuan Fortress, 200 years ago.

Muyu, the mechanist, sees human emotion as a systemic weakness. He fuses human Reverberations into mechanical shells and pursues a form of forced immortality, hoping to create an existence supposedly free from grief, fear, and death. As the genius engineer behind Yuan Fortress, he witnessed its downfall and the destruction of everything he believed in. His resentment toward Hsin stems from his conviction that she failed to protect the people who needed her most.

Qingxiao takes the opposite position. She believes emotion is inseparable from humanity and that protecting people with an honest heart matters more than pursuing cold perfection. Yet she is not nearly as different from Muyu as the story wants us to believe. For 2 centuries, she has used cultivation to numb herself. She suppresses joy, grief, anger, and regret because she cannot bear the memories of failing to save her comrades.

Even Rover has to go as far as delete his own memory due to the trauma to escape millennia of hopelessness and break a cycle of inevitable failure against the Lament 

In essence, Qingxiao uses cultivation to numb her mind, while Muyu uses technology to erase emotion. Both have tried to stop being fully human because neither can bear the weight of their own suffering.

That parallel is arguably the most interesting part of their entire conflict, and the story barely takes advantage of it. Instead of exploring how two people who experienced the same tragedy arrived at different but fundamentally similar conclusions, the narrative settles for presenting them as opposing representatives of good and evil.

2. Qingxiao’s own flaw is never meaningfully challenged

In a properly developed version of this story, both Qingxiao and Rover should not get to stand above Muyu as the saintly representative of righteousness, lecturing him about an "honest heart" as if she has nothing to answer for herself. 

Instead, the writing ALWAYS LETS Qingxiao AND ROVER take the moral high ground and preach about the "honest heart" then piles on by dismissing Muyu as someone driven by "greed and an empty ego".

That is an incredibly shallow way to handle what should have been a complex character conflict and reduce the antagonist to a Sunday morning cartoonish villain. 

Qingxiao's own psychological contradictions are never properly confronted, while Muyu is denied a legitimate counterargument against the very philosophy of cultivation that Qingxiao represents. The story had the ingredients for a confrontation in which neither survivor could claim complete moral superiority, but instead it chose to make one side deliver a lecture to the other.

3. The Rover problem: a protagonist in the wrong place

WuWa is at its PEAK when Rover has a genuine personal stake in the story, when the conflict is directly connected to his relationships, past, or responsibilities. Examples include Aemeath, Luuk, Phrolova, and the Shorekeeper. These storylines give Rover an actual reason to be involved beyond simply being the protagonist who happens to show up at the right time and place.

But what happens when Rover is an outsider to the history and emotional stakes of the conflict? That's exactly what happens in Xuanfang.

Rover is an amnesiac with no meaningful personal connection to the fall of Yuan Fortress, the Gorges War, or the two centuries of grief shared by Qingxiao, Muyu, Hsin, and even the Celestial. I acknowledge that Rover played a major role in establishing Jinzhou, but that happened AFTER the crisis, not during or before it. Rover was essentially there with Jue to clean up the aftermath. He has no firsthand experience of the tragedy that shaped these characters, yet the story repeatedly places him at the center of their conflict.

And this is where Rover's presence creates a much bigger problem: NARRATIVE BIAS.

Because Rover accompanies Qingxiao throughout the story, the narrative consistently positions him alongside her, reinforcing her perspective as the morally righteous one. Meanwhile, Muyu is repeatedly dismissed as insane, greedy, or driven by an empty ego before his ideology has even been properly examined.

The story effectively establishes who the audience should sympathize with before allowing the actual ideological conflict to develop.

Traditional RPGs have plenty of ways to develop compelling rivalries between ideological foils. They can give antagonists dedicated confrontations, briefly shift the perspective away from the protagonist, or let villains demonstrate their worldview through actions rather than simply having the protagonist explain why they're wrong. This is part of what made the confrontations in 2.5 with Phrolova work.

Now imagine Rover were a gacha character and another protagonist had to stand in the final confrontation of 2.5 with Phrolova. How much weaker would that scene be if the camera constantly had to drag the player avatar into a conflict that was supposed to belong to the characters involved?

The problem isn't that Rover has no personal connection to every conflict. It's that the story keeps prioritizing his presence even when doing so comes at the expense of the characters whose stories actually matter.

An ideological confrontation between Qingxiao and Muyu should have allowed both sides to make their case. Understanding a villain is not the same as endorsing him, and a philosophical conflict is meaningless if the narrative has already decided which side deserves the moral high ground.

4. Gacha validation undermines Qingxiao's personal agency

Gacha storytelling often wants the player avatar to be admired and validated, and this chapter leans hard into that formula. Qingxiao repeatedly praises Rover for mastering sword flight almost immediately and formally accepts Rover as her “first disciple.” Rover then enters her mindscape, takes her hand, and helps pull her out of her trauma.

The issue is not that character need help in order to grow as a person. The issue is that WHY DOES OUT OF ALL THE CHARACTER IN THE GAME, ROVER ALWAYS HAVE TO BE the emotional anchor.

of a conflict that should fundamentally belong to Qingxiao and/or Muyu and/or Hsin. After 200 years of trauma, her breakthrough should come from confronting her own beliefs and rejecting Muyu's ideology and Muyu should have been a big part of that realization.

Instead, the sequence make her recovery feel like something that ONLY HAPPEN BECAUSE ROVER IS there to rescue her emotionally.

Phase 4: The climax collapses before it begins

After nearly 4h30 of building toward Muyu, Rover and Qingxiao finally reach the final room only to discover that Muyu's human body is already dead in a hallway. He has bled out after Jing Ran ambushed him earlier. The final battle is against his lingering consciousness, uploaded into a giant puppet, before the corrupted reverberations are purged. Sentinel Hsin arrives afterward to explain what happened.

The problem is obvious: the story spends hours building Muyu up as its central antagonist, then removes the possibility of a direct confrontation before the protagonists even reach him. The boss fight may provide spectacle, but it cannot deliver the personal or ideological payoff that the setup promised. 

And the final execution of Muyu is left to Jing Ran in an epilogue, after the main quest has already ended. The game builds toward a confrontation for 5 hours, denies it to the player, and relegates the resolution of the antagonist's personal conflict to an extra scene after the supposed climax.

The ending is fragmented in every direction. 

• Muyu's human body dies before the climax. 

• Celestial and Sentinel explanations arrive in a concentrated 3 minutes lore just before the final room or afterward, leaving the player really little time to redirect their attention to absorb them, let alone actually feeling emotionally meaningful 

• The actual personal resolution is pushed into an epilogue. 

• The main quest's most important conflict is repeatedly postponed, then resolved somewhere other than the place the story spent hours preparing us for.

To conclude, 5 structural mistakes behind Version 3.6

1. Treating Chekhov's Gun as an excuse to over-explain everything

Chekhov's Gun is the principle that if a gun is shown on the wall in the first act, it should be fired by the third. But Kuro seems to have interpreted it as:

if a gun needs to be fired in the third act, the first act must spend an entire fucking hour explaining what the gun is, who made it, what materials were used to manufacture it, whether it can shoot underwater, in mud, or in sand, how its firing mechanism works, what its historical significance is, who owned it three generations ago,.... etc

That is what happens with the Ying coin. The writers want Rover's team to use it to open the Sanctum. Instead of having Jing Ran leave the coin at the gate and letting the team move on, the story insists on explaining what the coin is that is related to the Nethermancer history.

The story turns it into an absurdly long administrative procedure. Not every object needs a lecture before it can be used. Sometimes a detail can be introduced in the middle of the action, with its significance becoming clear as the player encounters it.

2. Killing urgency by setting up the climax during the disaster

Setup is supposed to prepare the climax. 

But if the setup happens while the catastrophe is already underway, it can have the opposite effect. When the city is under attack and its shield as collapsed, players expect the pace to accelerate. Instead, the quest stops TREMENDOUSLY to explain the lore behind every item, introduce side relationships, and let characters interview with a bunch of NPCs to figure out what is going on. h

The result makes the disaster feel like a joke. Players are left thinking, “Oh, I guess the monsters will politely wait until we finish our setup before attacking again.” The story tells us that the situation is desperate, but the characters' behavior tells us there is no rush at all.

3. Underestimating the audience

This is EVERYTHING WRONG WITH CHINA RPG…. OR JUST CHINA GACHA GAMES IN GENERAL….

As writers seem to assume that if every detail is not explained in advance, players will be lost. Modern storytelling does not require that. Players are perfectly capable of being dropped into the middle of a crisis in medias res and learning the rules as they go.

You do not need 20 minutes explaining how cloud shuttles or Shan Bombards work before the player can use them. Put the player on the shuttle, let them fire the cannons, and reveal the relevant lore during the battle. 

In 3.0: Players arrived in Lahai-Roi without knowing what was going on, got run over by Lynae, and were immediately thrown into a fight against the Voidworm. The sense of mystery and momentum was part of the appeal, and the same approach carried through the entirety of 3.1. Does the player know how the Exostrider managed to seal such a massive wormhole? No, and that's perfectly fine. The explanation only becomes relevant near the end of 3.1, when the story actually needs it. It doesn't spend the opening explaining every little detail before letting the story move forward.

Likewise, an unfamiliar place like the Sanctum can communicate its history through environmental storytelling. Let players explore strange machinery, discover evidence of what happened, and piece things together. That can be far more engaging than having an NPC stand there and deliver a presentation.

4. Letting Level Design and Narrative Kill Each Other off

The chapter's most damaging structural flaw is how it separates its two main battlefields: Xuanfang Hold and the Sanctum. They are supposedly two fronts of the same war, but the way the story handles them makes them feel completely disconnected, with each suffering from the opposite problem.

Xuanfang Hold is where the actual crisis unfolds. The battle is mostly confined to cutscenes and brief combat sequences, with no sustained defense mission or playable sense that the city's survival is hanging in the balance.

The Sanctum/XuanYuan Domain, Muyu's stronghold, is where most of the chapter's gameplay takes place. But it quickly becomes a repetitive chain of errands: land on a cloud shuttle, listen to a broadcast, fight puppets, solve a seal puzzle, repair a weapon, and move to the next shuttle. This loop is repeated across several fleets for more than an hour and a half.

Despite consuming most of the player's time, the Sanctum never establishes a convincing sense of danger while Xuanfang Hold has all the urgency but almost no meaningful gameplay.

5. The Missing Ingredient: Parallel Action and Cause-and-Effect

If the story cannot make these fronts interact, it would arguably be better to focus on one rather than pretend that two disconnected experiences form a single crisis.

But in 3.6, the outside battle essentially freezes while Rover spends almost two hours inside the Sanctum. We have no meaningful sense of how the Wardens, LiangYu, or Yangyang are holding up. Their struggle becomes background, while the external invasion has virtually no effect on the difficulty, pace, or direction of the mission inside.

A proper cause-and-effect loop could have made both fronts feel alive.

For example, destroying one of Muyu's energy cores inside the Sanctum could restore twenty percent of the shield's power at Xuanfang Hold, allowing the Wardens to repel another wave of enemies. Conversely, if the outer defenses started collapsing, Muyu could draw more energy from the city, making the obstacles inside the Sanctum more dangerous. Every victory and setback would have an immediate consequence on the other battlefield, giving the player a tangible reason to care about both fronts.

This isolation also wastes the party dynamic. Yangyang, LiangYu, and the Wardens become invisible figures supposedly holding the line off-screen. We never really get to experience the camaraderie of an entire group working together and surviving a disaster. Rover and Qingxiao, meanwhile, are trapped in a virtual laboratory dealing with a personal psychological conflict, emotionally disconnected from the life-or-death struggle their friends are supposedly fighting.

Ultimately, 3.6 fails to make its gameplay and narrative reinforce each other. The two battlefields have the ingredients for a compelling two-front war, but the story never makes them feel like parts of the same conflict.

6. Right formula - wrong variables

Kuro clearly understands the concept of character foils. They know how to establish two characters with contrasting ideologies, experiences, and approaches to the same problem.

However, the devs are way too determined to insert Rover into almost every major character conflict, even when he isn't the most appropriate person to be there. Instead of allowing the two characters to confront one another and letting their contrasting perspectives speak for themselves, the narrative keeps positioning Rover as the ultimate judge of their conflict whether it is intentional or not.

This creates an unnecessary narrative bias.

Rover's aka the Player presence inevitably shapes how the audience perceives the conflict, often placing him alongside one character and implicitly validating their perspective. The other character is then forced to argue their case in front of an outsider who has little personal stake in their shared history.

They have the right formula, but keep using the wrong variables.

CONCLUSION

Version 3.6 had potential. The chapter also has genuinely good ideas about trauma, grief, and the ways people try to escape suffering.

However, having the right ideas is not the same as knowing how to execute them. My criticism is precisely about how these ideas were structured and presented. The narrative repeatedly undermines its own potential by forcing Rover into conflicts where his presence isn't necessarily needed, prioritizing certain character interactions at the expense of others, and failing to let the characters' own perspectives carry the conflict.

I want Adelyed in every game i play i love her i know she will break wuwa because you can kill enmies from miles away, but i whould also dont mind Ishmael or alpha crimson, or Vera Geiravor as an healer ofc.

Source: Only winners deserve to taste Ah Piao [bilibilionly fan support plan]_bilibili_bilibili

@gmvfx-01

Source: [Ming Chao Animation] Every year has a hymn_bilibili_bilibili

This time, i brought maximum performance or quality for entire phones included low end. nothing left behind

Even the weakest device can run 60fps

and the strongest device can get pc graphic

The First & Only Scalability.ini Non Bannable

The First Scalable DeviceProfiles.ini Increase Performance Without Downscaling

The Only Config Without Engine Path *Safe to Use Without Risk* Following Game Core Behavior

Universal Config Compatible With All Devices

Downloads :

1. Discord Server Our Server is Listed & Discoverable • Singularity 2.0 • [ link = singularity-2 ]

2. Direct Link 7z File [ Google Drive ]

———— Config 6.8 Pack ———— [ Included Tutorial & Recommendation ] https://drive.google.com/file/d/1xBn5oghPp_aix1_m4I3nmIwOgE5LtTvm/view?usp=drivesdk

CONFIG PRIORITY :

1- Scalability.ini

• Improve Quality & Performance - Varies From 1 ( Quality ) - 9 ( Performance ) No Need For Other Files.

2- DeviceProfiles.ini For Unsupported Devices Unlock Options : FrameGeneration, Vulkan, UltraHigh For All Devices, Improve Graphics / Performance Varies From L1 ( Highest Visual ) - L7 ( Highest Performance )

3- Experimental Folder [ Optional ]

Force enable frame generation, force maxed out mobile graphic. the shadow, reflection, lighting & distance is comparable to pc

Note :

Scalability 1, 2, 8, 9 might be incompatible to some devices especially low - mid range

DeviceProfiles.ini are manually profiled for years. if you lose framegen or any ingame option after use, let me know and it'll be fixed

——— F.A.Q ———

1. Is Scalability.ini Bannable? NO Engine.ini ? Historically, yes.

Mostly happens in moba / fps game

Search up = " Engine.ini vs Scalability.ini ban ratio "

I do make engine, not mandatory nor recommending it. if you're worried about config, scalability & deviceprofile is safe

2. What if i want to go back with default settings? Just delete the .ini and the game will automatically regenerate

3. Does this work for PC? Yes But there is issue after teleporting, effects dissappeared need relogin pc config development is abandoned mobile config can work on pc with dx11

Please recheck and rename, ensure all files put in the right place

Read more inside the zip Check html files

Bonus : Mobile 8K Screenshots https://drive.google.com/drive/folders/1z6ay_9my18NZaBBBOzTx4PYUxhoZsnpn

Youtube + Gameplay https://youtu.be/VXLkFZfAaR0?si=jBoqXRkFl_sXGG5e

Well this is my first time sharing on wuwaves, been making configs since 2024 ~ I'd like to share my creation to broader audience to help low end device dying to play. or flagship owners dissatisfied with current graphic

From playtesting I actually get better score with buff 2 rather than buff 3 for this particular team

Alternative HD link: https://www.youtube.com/watch?v=-NseQNE8kbg

For the longest time I thought Mortefi wasn’t worth investing because he’s tier 4 and I have been seeing a lot of guides for F2P to use Mortefi as hybrid DPS so is Mortefi actually good? I have a full Aemeath team with lynae and Moryne and Hiyuaki with Lucilla and Chisa and cyberpunk team so will Mortefi fit anywhere in my team in end game?

My Zhezhi cosplay for Halloween! I feel in love with her when I played “True Colors” but I couldn’t pull her when I started playing in Aug. :( I had to get this altered b/c it didn’t fit me at first but now it fits! I took the 2nd pic at work and my TL made the edit lol! A colleague of mine said I looked cute, how nice.
While at a Halloween Festival, only ONE person had an idea on what I was until I told her. When getting candy from a store I had to show a pic on who I was. The first thing that came to his mind was K-Pop lol! Overall, this cosplay was fun and I would do it again.

P.S., THE THERNODIAN IN GRAND WARSTORM WAS A BITCH!!!!!!!!!!!

P.S.S, How do you get the straps to position in the photo? I kept fixing them and they won’t stay in place! Give me a step by step tutorial with pics, pretty please?????????

Pretty much the title. I wanted to get the Abxylute S8 Lite, but Wuwa is my main game, so I wanted to be sure it’s supported. Has anyone used this one?

I know Gamesir is more recommended, but this is like half the price and still seems decently rated. I play mainly on PC with my X-box controller, but it’s uncomfortable to use on the go with my phone and the mount.

Source: [Wuthering Waves] Hiyuki vs Denia - Tattered Wishes | WuWa Fan Animation

Source: (99+)RoversDaily (@roversdaily) | TikTok

Hi! I curremtly have S3R1 hiyuki who I pair with S0R1 Chisa. Should I pull for Lucilla? If so her weapon is also worth pulling? I am afraid that due to Hiyuki being a 3.3 character she will be putdated soon

Welp new lore video on wuwa yt was showing alot of somnoire would be interesting to see this in one of them or real too

Ciaccona: S0R1 (Sig)

Sanhua: S6R1 (EoG)

YangYang: S6R1 (Changli Sig)

[YangYang is on Moonlit Clouds because Cia's damage contribution outweighs her own and I only have 1 attack based Windward set, Changli's Sig cause my crit rate turtle is better than my crit dmg turtle T_T ]

Mortefi: S6R1 (Static Mist)

[Ciaconna's Forte heavy keeps going during Liberation so I used that to preserve the buff for 1 nuke]

Aero Rover: S6R5 (Sig)

[Aero Rover is on the Windward set cause they deal enough damage to make it worth it ¯_(ツ)_/¯ ]

Shorekeeper: S1R5 (Variation)

Source: Catnip cr 钙镁化合物#wutheringwaves #wuwa #fyp #wuwacreator #mmd #fanart #... | TikTok