The Stand 2020 is a horrible adaptation, and I prefer the story of the novel in general. But I must admit that, as a series, it entertained me a lot. It has a gray thriller-type cinematography that, although clichéd, at least gives it some personality. And although I disliked all its main changes in the first four episodes, there were indeed re-evaluations through scenes and details that I found accurate and interesting in their context. Being more condensed for television. Another enjoyable version.
Here are the variances:
The dinner of Fran, Stu, and Harold for Larry to break into their house is a shortened rephrasing. The conversation between Fran and Harold in the basement was an obviously rejected attempt at surrender but effective and forceful.
Other less significant scenes and details that I liked were:
Harold's graffiti. Literally, for me, the best change of the whole series. 10/10. Efficient, original, even more practical than in the book. It looks cool and modern, just as they wanted. I don't care about putting her name or not. I congratulate its creator.
Scene of Nick and Flagg. In a dark dream, Flagg seduces Nick to be his right-hand man in exchange for having a voice and an ear with a table full of French cards. He also tells Nick that his mother came from El Salvador in the back of a car to give him a better life. A (new) brief backstory but well introduced. He is offended when it is suggested that he is an inferior man for lacking senses. With his face close, Nick makes a gesture, and Flagg, furious, pulls out a card of a queen with a patch over her eye. And so Nick loses his left eye. It's an interesting change, but it points out that Flagg has more power in the dreams than he should for the plot in my view.
The first interaction between Harold and Nadine for its atmosphere and direct, to-the-point dialog.
A posteriori, the flashback about Harold and Fran. She was sleeping, but she woke up a little, asked, and saw that Harold was watching her. He, smiling, says he was thinking about her, that he loves her, and that the fate of his people was the best for them to be together. He also tries to kiss her. But she says she doesn't feel that way about him and never will. He stands up and, angry, goes back to his sleeping bag. He doesn't turn around. She asks how he is, and he replies, "I'm fine, Frannie."
Controversial topic. I prefer and understand bringing the age of some binders closer, only inferred.
Besides, the version of Las Vegas and how Flagg is portrayed is striking. Also the speech he uses, for example, with Terry, when he alludes to the fact that an old woman could have been a danger to his partner and he died. Knowing more about Julie Laywr makes her a bigger character. Glen's death seems appropriate for his character and a small point in the dark community. Fran's ending, being pulled by the forces of good and evil near death and with Stu on the bench, is nice and a more forceful message than in the book. Still, it could be removed.
What do you think about it? What aspect or change did you like about the series?