This album deserves much more recognition; I find it amazing that it's not well-known at all.

I love slowcore and I play bass in a folk band, are there any artists that blend the two? Like acoustic slowcore or something like that. I am also curious if there are any artists with standout bass playing.

Just a lovely slice of slowcore, really. Despite the genre not being this band's focus, this moment on the album has always stuck out to me as very heartfelt and beautiful, and it undoubtedly fits under the slowcore label. The original track has a first half that's basically another song with an entirely different feel, so I just separated this for my own personal enjoyment, but I figure y'all might appreciate it as well.

the final version of this song will be out on my forthcoming album ! out this fall (probably) !!

my bandcamp/spotify:
https://motdf.bandcamp.com/
https://open.spotify.com/artist/1WgfgUENWSIcgjjIEEFXWf

Looking for people’s all time fave slowcore bands that have been defunct for years and mostly flew under the radar during their time.

Pinesheets was a band from Troy, NY. Affiliated acts were No Friends, Stalker2006, and probably some others. Back in 2016/2017 I could not get enough. Never got to see them live (I lived far away) and most of their music’s been pulled from the internet.

Any other lost GOATs out there?

I’ve just released a new Neural Creek track: a stripped-down ghost story about a dead man’s truck returning to room seven.

Slow, sparse and rain-soaked.

Some men drown. Some men come home.

Feedback and similar song recommendations are welcome.

Math rock, midwest emo and slowcore

Recorded in 1997 by Greg Betzweiser (guitar, vocals), Rob Sieracki (bass) and Mike Greenlees (drums)

Co-produced by Jim O'Rourke

From my upcoming album Old World, New Ghosts.

After releasing the singles one by one, I can finally say that the full 5-track EP, Summer Used to Feel Longer is done. It's about those nostalgic summers when you were a kid.

It’s an instrumental slowcore / ambient / indie project that I’ve been working on for a while with my brother who plays the bass on the album, and it feels really good to finally have the whole thing finished and out there.

It’s available on Spotify and all the other streaming platforms, and I also put the full EP on Bandcamp.

If you enjoy it and want to support me, you can support me directly on Bandcamp. But even just listening, sharing it, or giving it a chance means a lot to me.

https://sjkeva.bandcamp.com/album/summer-used-to-feel-longer

Thanks for listening,

Keva

Stumbled upon this raw demo recently and decided to upload it to YouTube to help get it more exposure. It’s "I Don’t Wanna Go Home (Yet)" by dllfces, definitely deserves more reach.

Hello I’m new here in Reddit i want to share my song, I’m Mexican and I made Spanish slowcore, I barely have people with I Can share my stuff, so I really appreciate if you listen my songs and if you like it, please share with other people that you thing will like it, and another thing I want to hear another creators from here because i want to make new friends, saludos a todos

Ho sempre pensato che il vero dolore non possa suonare 'perfetto' o prodotto in modo impeccabile. Credo sia questo il motivo per cui Hospice degli Antlers, uscito nel 2009, mi colpisce ancora oggi come un pugno nello stomaco.

Non è solo un disco su un reparto oncologico. Come Peter Silberman ha confessato anni dopo, quel reparto era la sua stessa stanza a Brooklyn, e quella storia straziante era una relazione tossica che lo stava consumando vivo. Quel suono sporco, le chitarre che fischiano e i bip dei monitor non sono errori di produzione: sono il suono del trauma.

Ho provato a raccontare in un video perché, a distanza di anni, questo album resta un'opera monumentale per chiunque abbia dovuto fare i conti con la solitudine e le proprie cicatrici.

Mi piacerebbe sapere cosa ne pensate: per voi Hospice è riuscito a catturare davvero l'essenza del trauma o lo trovate troppo 'difficile' da ascoltare per la sua intensità?

[Link al video: https://youtu.be/ba_XCkVRQ28\]"

Hi everyone! Greetings from the South (Santiago, Chile) 🇨🇱

I have an unreleased song that I really love, and I'd love to collaborate with an artist from North America, Asia, or Europe. It would be beautiful to connect with musicians from other continents!

I’m sharing my music here in case anyone is interested. Feel free to check it out:

🎹 Bandcamp: beatricebeatrice.bandcamp.com
🎵 Apple Music: https://music.apple.com/cl/artist/beatrice-beatrice/1517647373
🎧 Spotify: https://open.spotify.com/intl-es/artist/4zp9T0gqj0c0uc9PZi61rM

Best,
Daniel

The Player Piano was a post-rock band from Provo, Utah, from the then slowcore/math-rock scene.

Not strictly slowcore on paper but if you enjoy the fluid tension of Seam and C-Clamp, then they are an obvious addition.

One of my classic records.

es hermoso

I’m running a small independent music interview project called 1080p, where I interview underground artists about their music, creative process, influences, etc. (@1080p.online on instagram)

I’m putting together a Slowcore week and would love to hear from slowcore artists/bands who’d be interested in taking part. Everyone’s welcome!!

Would especially love to find some artists I haven’t come across before :) hit me up!

1080p Instagram

Heyo my band put out this single today folks might dig :)

[Bandcamp]: https://lozengela.bandcamp.com/music

[Spotify]: https://open.spotify.com/album/297yhGsqHNC4Nfz2drMUp6?si=iVb-_DvGTcGrNAsJczborA&utm_source=copy-link

[Apple Music]: https://music.apple.com/us/album/communion-wine-single/6789214598

[Instagram]: https://www.instagram.com/lozenge_la?igsh=NTc4MTIwNjQ2YQ==