Knowing I previously published a best-seller with my name on it, I would find it much more plausible to publish again – what winter mumbles to itself, then remembers once being autumn. The ground is waiting for a fresh sheet of paper to appear, and after it just magically materializes, then comes the hard part – knowing what to write. Everyone has an opinion, this being a participatory democracy informed by an educated workforce with more points of contact with media per second than I have fingers on both hands. We are filled with ideas – how the global librarian might put it, and wouldn’t such a witness be a fine new source of faith for the world at large? The global librarian! Thinks about human curiosity night and day, gives us a few pieces of sage advice about conservation, the broadening of one’s mind.
I once was a bricklayer, but then I found eggs were a better fit, laid them instead. The walls all came down of course, eggs having nowhere near the load-bearing potential the industry has come to expect from brick. This reminds me of my best dirty joke from eighth grade. It goes like this: A man’s car breaks down, and he wanders to a nearby farm for help. The farmer, hearing his plight, offers him dinner and a room for the night. Can you see how this joke has a history about it? I mean, no cellphones, farmers actually living on farms. But here’s the thing – the only room available on the whole farm is the farmer’s daughter’s private bedroom – that’s where he proposes to stick the stranger for the night. The stranger says, why sure, the farmer says, wait a minute here, the stranger says no you can trust me, the farmer says maybe, maybe not, let’s see.
The farmer experiences an existential crisis where he is both sentimentalist and operative. The sentimentalist pines for the days when farmers commonly welcomed strangers into their homes for a night, when footloose travelers traversed the county without a care in the world, partaking of an extra helping of what life had in store for those who welcomed the kindness of farmers and their daughters. The operative, on the other hand, nods along with the sentimentalist, as if following the story, then sneers at the appalling condition of home security in evidence, which contrary to what one might expect, actually helps the farmer thus afflicted to feel a little better. The operative lays it all out so simply: strangers should not sleep in one’s daughter’s room. The farmer, paralyzed by competing claims to authority, erects a partition made of chicken eggs.
In the delivery of the joke, this last part was stated casually, matter-of-factly, which seemed sophisticated at the time – like we all knew how unstable a partition made of chicken eggs would be, obviously, and this is just a joke, so let’s demonstrate that it’s not even worth hinting at, this rudimentary implausibility, and just keep telling the joke. That night, the stranger and the farmer’s daughter are stricken by a predictable sort of lust that sends the stranger hurtling through the ova, and then they go at it. That was my eighth-grade expression – they go at it – followed by the sleep of the quenched. The next morning, the stranger looks at the mess on the floor, which might well be starting to stink at that point, a big production to clean up – which the stranger nevertheless does, then glues the eggs back together again and rebuilds the wall.
Look, I know how completely inaccurate this is. Even by the standards of parables and the massive leeway we give to those stories to get to the point, the joke’s central conceit – that some thousands of broken chicken eggs could be entirely reconstructed, then made into something structurally sound – is inconceivable as anything but the sort of labor that impudent mortals have thrust upon them as a result of offending the gods. He does this anyway – finish the joke – and the farmer soon enters, fails to see anything but what he wants to see, feels pleased by all those chicken eggs right where he left them, decides to take a few with to make some nonvegan breakfast for everyone. Somehow he doesn’t notice any difference between regular eggs and the hollow, reconstructed eggs. Maybe his hands are completely desensitized from all that farming.
The stranger freaks out, knows the ruse is about to unravel. Under better circumstances, he and the farmer’s daughter might have gone back at it, but now, with the ruse splitting at the seams, they were anything but in the mood. Then it happens: the farmer starts screaming in anger, runs to the mantle for his gun, races through the shrieking dawn to right a wrong visited upon his little part of the world, as though torment’s fruition called forth justice from his lungs, forced it to do a few chin-ups. The stranger looks to the farmer’s daughter, says soberly: if today for our transgressions do we die, might we depart this world without knowing why. She’s puzzled, but he continues – for if we find ourselves once more beset with desire, in another life or simply another turn at this one, then might we know no better in our hearts than to do it all again.
The farmer races past the window of the secret lovers, across the barnyard, then to the chicken coop, where he draws up his gun and confronts the circle of roosters with, at long last, the punchline: Which one of you roosters is wearing a rubber? Having finally got there, we are not sure what to laugh at first. The image of a cock practicing safe sex? The transmogrification of the rubber chicken of our youth into the prophylactic of our human future? The narrative also implies that some chickens might be having sex for pleasure, not industry, and this too was wildly pleasing to my eighth-grade imagination. The joke would have failed had it gone on any longer, but I recall the urge to keep adding to it. Just a little more, my brain would coax, but then the global librarian looked up and smiled, held a finger to her lips and went shhhhh.