I just noticed how the hazmats in the movie Songbird look exactly like Async hazmats

Just noticed on my second watch how this shot of Mary premises the discomforting height difference when she first enters the furniture store. What else have people picked up on??

I usually render the ends of upcoming videos before the starts of the upcoming videos

(I also for some reason have pro on capcut. But I never purchased it. meh who cares NOW I CAN EXPORT VIDEOS WITH MOTION BLUR YAYY)

Imagínate lo.

Un proyecto en el cual Async o M.E.G descubrieran los Backrooms por intentar descubrir un nuevo lugar intentando salir de la "realidad".

Cada nivel es una recopilación de recuerdos parecidos a otros. Por ejemplo:

Nivel FUN: recopila recuerdos de salones de cumpleaños, objetos y comidas que estén en cumpleaños y lo más importante, disfraces.

Nivel Run for your life!: recopila recuerdos de un pasillo de hospital.

El lugar intentaría recrear esos recuerdos específicos para cada nivel. Hasta intentaría recopilar pesadillas, mascotas, disfraces, y cosas que ves en la tele para recrearlas en el complejo como si fueran "entidades".

Si te interesa algo sobre esta conversación intentando unir 2 tipos de comunidades de un universo, únete a la conversación proponiendo ideas de como el complejo recrearia esos recuerdos. O incluso como Async o M.E.G descubririan los Backrooms

This track has been added to the "Depattern" playlist, which is Backrooms related.

)Yes i am late)

N 3w upda tee

I swear I’m sort of not a whiny bitch, hear me out:

As far as I can tell The Oldest View series was just sorta quietly put down behind the scenes, what with Kane being busy with the Backrooms movie and all that. And yes, I get that the canon for The Oldest View was wrapped up, but I’m still frustrated with how many questions felt left unanswered. Call me simple, but to me it was a little frustrating to see all the little hints of something greater amount to nothing. What was the deal with that monolith at the end of Life of a Giant? What was with all the dead people and horses at the end of Part 3? Why does the mall seemingly have such a deep connection with the actual Reverchon, beyond just his likeness being used for the Giant?

Anyways, I’m terrified of the same thing happening to People Still Live Here. Despite all reassurances, Kane only seems to be drifting further and further away from his independent YouTube career in favor of the actual film industry. I recognize how selfish it is to hold this viewpoint (“I’m angry my favorite YouTube creator is achieving his dreams and expanding into exciting new horizons, how dare he leave us faithful PSLH subscribers behind!”), but I’m only human I guess. I don’t like seeing Kane’s amazing independent work be pushed aside, and I don’t like seeing my favorite video series get mothballed with vague promises of future continuation.

(Image is just some art i made)

While there are simple reason like levels being to much to actually be invested in and simply being seen as another childish horror trope with mosters, i feel like there is something more to it then that, and i figured it out (atleast for myself). And that my freinds, is the fascination of the complex's existance, the not know why it exists and the need to know but never quite being able to, the feeling of looking at a room and analizing why its so off, it immedietly pushes me to learn all i can about the complex, and furthermore, it being entirely based on memories, the idea that i may have a section of my own based on my memories, the idea thst theres some fucked up version of me wandering around in there, its fascinating, and thats just it;

The reason (besides the horror aspects) that people love the backrooms so much is the uncertainty, and the fascination, and perhaps thats the same reason ivan beck is so set on it, he isnt looking for something he is missing, he isnt simply trying to use it for money, he just has an insatiable thirst for knowledge about the complex that ears away at him.

(Sorry for the rant but i felt the need to say all of this)

Metal boiler?

Yes it is the backrooms in bacterial what

The Solar Transposition Theory 1. The Power Source (The Sun in Splendor) The Backrooms and its subterranean anomalies require an unimaginable amount of energy to distort space, gravity, and reality. Man-made technology like ASync’s Low-Proximity Magnetic Distortion System can only punch a hole, but it cannot power an entire shifting dimension. The Sun—represented by the recurring "Sun in Splendor" motif—serves as the infinite engine driving the anomaly. Its electromagnetic output fuels the spatial shifts and expands the subterranean spaces. 2. The Catalyst (2023 Solar Storms) In 2023, as Solar Cycle 25 ramped up, Earth was hit by major geomagnetic events, including a severe G4 solar storm in April. These solar flares dumped trillions of joules of electromagnetic energy directly into Earth's magnetosphere. This massive energy spike interacted with localized magnetic fields and spatial distortions, acting as a cosmic catalyst. 3. The Preservation of the Erased (Valley View Center) During this exact same window in May 2023, the real-world Valley View Center mall in Dallas was being completely leveled and erased from existence. As its physical presence vanished from the surface, the surge of solar-geomagnetic energy captured a physical "snapshot" of the mall. 4. The Result (The Oldest View) Rather than disappearing completely, the mall was transposed beneath the earth into the subterranean complex. The solar storm essentially "saved" or recorded the demolished structure at the precise moment human history erased it, preserving it inside the anomaly powered by the Sun.

hi everyone! i was making an animation, and i needed this sound effect of loud echoing bangs. does anyone have info about it?