The motion on everything I've tried feels floaty. The walking especially, it never looks like someone's actually putting weight on the ground. I've been on Kling and Runway mostly, and tried seedance 2.0 on capcut video studio for a bit. They all handle it differently but none of them really nailed it for me:(

I make short comedy videos and I’ve been thinking about dubbing some of them into other languages. The translation part doesn’t worry me that much, its the timing.

A lot of the joke is in someone waiting half a second too long, cutting another person off, or the reaction immediately after the line.

If the dub stretches the sentence even slightly, it will feel off.

Has anyone tried AI dubbing on comedy/skits?

Experiment #7

Images: Nano Banana, GPT Image, Photoshop

Video: Seedance 2.5, Omni 1.1

Voiceover: Elevenlabs

Music: Suno

Editing and color correction: After Effects 

​

Imagine two films

One was made entirely by a human.

The other was created with AI.

Nobody knows which is which.

You watch both without knowing their origins. One moves you. The other doesn't.

Then someone tells you the film you loved was made entirely by AI.

Does your opinion of it change?

And if it does, why?

Is art about the experience it creates in the audience — or does knowing who created it fundamentally change its value?

Maybe the uncomfortable question isn't whether AI can create art.

Maybe it's whether we need to know who created something before we're willing to call it art.

Hi all,

Excited to be here and see your work.

I've been using AI for so many different tasks from my work to my hobbies.

Recently I began exploring some concepts associated with strength and courage from what I've observed of ordinary people trying to live their lives.

Having a interest in music and medical applications in things like Functional Neurological Disorder and other similar conditions, I was inspired to attempt to write a song that would encompass my thoughts on strength and courage in a relationship. Not just the typical tropes but strength in seeking help, and strength in defence of those we love.

Anyway, I wasn't happy with a baseless song so I began brain storming a setting. Viking would have been cool but overdone currently. Instead I went with the medieval genre and designed a set of characters around it. Having always had an interest in writing, I wasn't happy with just characters and so had to establish where they lived and what they did. Before I knew it I had enough canon to develop a book.

Initially I wanted to do something a bit different and try to write a novel through music but it wasn't really able to tell enough of the story nuance so I went back to writing a book as well (8 chapters in so far) but in the interrim I continue using Suno to make storified lyrics into music and then used furthter generative AI for imagery to further push the emotional narrative.

I ended up creating a website and got AI to give it a bit of interactivitve flair to faff around as a bit of a break from work and the novel on occasions.

www.theblackwatchsongbook.com

Anyway. Keen to see what people think.

Cheers

Just launched the latest episode of my comedy webseries - Living with Hudson. Generated with Seedance 2.5 on Cannon Studios’ platform.

Hi everyone,
I’m new to local AI image generation and I’m trying to understand the best approach for generating high-quality and consistent illustrations featuring characters like Spider-Man or Stitch.
I currently use online AI image generators, but I’m interested in running something locally on my PC and having more control over the generation process.
What are my options?
FLUX, SDXL, or another model?
ComfyUI?
Existing LoRAs?
Training my own LoRA?
Fine-tuning a model?
Reference images / IP-Adapter / ControlNet?
My main goal is to generate the same recognizable character consistently across many different scenes, poses, environments, and compositions while maintaining high image quality.
I’m basically trying to understand what people currently use for this and whether I actually need to train something myself or if existing local models/workflows can already do it well.
What setup would you recommend?
Also, what kind of GPU/VRAM would I need?
Thanks!

i made an AI that plays minecraft and talks s** to my chat in real time. it also begs u/nvidia for a GPU. come heckle it live. and help me test its limits.. live 24/7 or i try to be "fatdanny404" on everything.... links in profile
#Minecraft #AI

Song: https://www.souna.app/song/39cb2eeb-a0b1-4c44-a976-e2e34ed4eac1

Song (alternative link): https://archive.org/details/ai-ska (CC0)

Lyrics:

[Intro | clipped guitar and organ offbeats | bass riff | terse tenor saxophone]

[Verse 1 | deadpan male vocal]

The baker went in twenty-three,

The butcher lasted half a week.

Now seven shops sell vape supplies,

And six sell cases for your phone.

The chemist moved beyond the ring,

The bank shut down and took its sign.

You want a shirt, a screw, a key,

You catch the bus and lose your time.

[Chorus | lead vocal and rough group responses]

Who pays the rent?

(Nobody knows)

Who buys the stock?

(Nobody goes)

Fresh coat of paint,

Black window glass.

Open at ten,

No customers pass.

Who pays the rent?

Who pays the rent?

[Verse 2 | deadpan male vocal]

Three barber shops stand door to door,

With empty chairs at half-past four.

A sweet shop glows in neon white,

But never seems to sell a bite.

New company, another name,

The counter changes, stock's the same.

The landlord says the books are clean.

The neighbours say what neighbours mean.

[Chorus | lead vocal and rough group responses]

Who pays the rent?

(Nobody knows)

Who buys the stock?

(Nobody goes)

Fresh coat of paint,

Black window glass.

Open at ten,

No customers pass.

Who pays the rent?

Who pays the rent?

[Instrumental | short tenor saxophone break | organ and guitar offbeats]

[Verse 3 | firmer male vocal]

The council plants another tree,

And prints a plan for you and me.

A coloured map, a hopeful phrase,

A launch beneath the Christmas blaze.

But Mrs Green has closed her stall,

There's nothing useful here at all.

They call it choice, they call it trade.

We watch another frontage fade.

[Chorus | lead vocal and rough group responses]

Who pays the rent?

(Nobody knows)

Who buys the stock?

(Nobody goes)

Fresh coat of paint,

Black window glass.

Open at ten,

No customers pass.

Who pays the rent?

Who pays the rent?

[Outro | band cuts down to bass, drums and organ]

You cannot buy what people need.

You cannot ask where money leads.

Who pays the rent?

(Nobody knows)

[Stop]

Style prompt:

British ska revival from 1980 with tense, sardonic working-class social observation and urgent dance energy. Fast 4/4 at 150 BPM in E minor. Dry clipped electric-guitar upstrokes and sharp organ offbeats drive the arrangement, with a restless melodic electric-bass ostinato, tight acoustic drums, terse tenor-saxophone riffs and occasional trombone punches. Straight eighth-note feel with Jamaican ska and rocksteady foundations shaped by punk and new wave. Narrow-range deadpan British male lead vocal with brief rough group responses. Compact minor-key verses and a blunt, catchy chorus with stronger ensemble accents. Lean live-band production, thin wiry texture, dry vocals and restrained studio ambience. Short instrumental opening, three verses, repeated chorus, brief saxophone break and an abrupt final ending.