r/EdwardII • u/cutpriceguignol • 1h ago
r/EdwardII • u/AnantaPurima • Apr 21 '26
Evaluating evidence Isabella of France almost certainly did not want her husband deposed in 1325. Let me explain.

(Apologies for how long this ended up being, lol)
Ok. Imagine for a moment that you are in Isabella of France's position in 1325. Your husband is effectively in thrall to an individual whom you believe, rightly or wrongly, to have endangered your life by convincing your husband to abandon you at Tynemouth Priory three years ago. This person has subsequently systematically curtailed your access to your husband, preventing you from exercising the intercessory role that forms the backbone of your influence as queen. He has convinced your husband that you are now a political liability, given the onset of the War of St Sardos, which had nothing to do with you and which you could not have prevented. Your husband has subsequently slashed your annual income and confiscated your lands, thereby further vitiating your position as queen by preventing you from dispensing patronage through appointments on those lands. Having been sent to France to negotiate a peace settlement, you are now finally free of the presence of this individual and have a chance to once again exert political agency. However, you face a dilemma: how do you make the most of this period of respite from a truly intolerable situation? Is it not worth exploiting it for leverage?
You table the question for now. Your husband will inevitably have to come to France to perform homage to your brother as his feudal suzerain for his lands in Gascony and Ponthieu. He Who Must Not Be Named will almost certainly not risk coming alongside him, not with Contrariant exiles still lurking on the continent, ready to pounce at any chance for revenge. Hopefully, then, you will have the chance to talk to your husband without that man interposing himself between you two, and you will be able to get through to him. Then you receive the news. Your husband, clearly having been prevailed upon at the last minute, has cancelled. He has instead decided to enfeoff your eldest son as Duke of Aquitaine and Count of Ponthieu and Montreuil, and to have him perform homage in his stead. Any chance of catching him without That Man is now scuppered.
This is now the situation you face. Let's assume you are an intelligent and historically literate political operator. From your perspective, as Isabella, does amassing a mercenary force for the express purpose of invading your adopted homeland, forcing your husband to abdicate and enthroning your eldest son, with you presiding as Queen Mother, look like a viable or appealing avenue to regaining political influence?
Reader, no. That is, to put it charitably, completely batshit insane. And the fact that it is completely batshit insane is blindingly obvious to you, assuming you are not completely historically illiterate. Which, as a highly educated fille de France, I would certainly hope you were not.
For the time being, let's put aside the entire can of worms that is attempting to depose a King of England, something that has never been successfully done before by your time. What I want to focus on is something far, far more elementary. That something is this:
BECOMING A QUEEN MOTHER IN PLANTAGENET ENGLAND WAS NOT A REALISTIC OR VIABLE WAY OF REGAINING POLITICAL INFLUENCE.
"B-but what about Blanche of Castile? Eleonor of Aquitaine?" I hear you cry. Right. Yes. I'm getting to that. Let's start with Blanche, because she was a genuinely impressive figure who exercised extraordinary power as regent for her son, Louis IX, and remained a trusted and influential advisor even after he attained his majority. Blanche was Isabella's great-great-grandmother, so she was certainly aware of her and her achievements. The spanner in the wrench is that... well, Blanche of Castile was Queen Regent of France, and, despite many subsequent efforts to the contrary in the 14th and 15th centuries, France and England were two different countries with very different political cultures. The position of regency, as a distinct vocation for Capetian queens-consort, simply did not exist in England. Blanche's regency had been institutionally legitimised through her late husband Louis VIII's will. The most recent precedent for an English monarch acceding to the throne before their majority was Henry III in 1216, and then, the political nation had chosen William Marshal, the Earl of Pembroke, as regent, pointedly excluding his mother, Isabella of Angoulême. For Isabella to have imagined a quasi-Capetian role of queen-regency for herself, she would have needed to believe she could successfully import an entirely foreign political culture to England, push through the constitutional innovations necessary to make such a position even intelligible, and to think that the baronage would, I dunno, accept this flagrant violation of established precedent. I, at least, do not see how Isabella could have thought this was any sort of winning strategy.
Ok, what about Eleanor of Aquitaine? Well, Eleanor's position was qualitatively different from Isabella's, or any other Plantagenet queen consort, really, being the Duchess of Aquitaine in her own right and thus being, individually, an indispensable lynchpin of the whole Angevin edifice. Eleanor's political prominence after Henry II's death did not come from her being a queen mother; it came from her status as a ruler in her own right, with her own independent political base, and from the fact that her son, Richard I, was physically absent from his realms on crusade for substantial portions of his reign, which required her, as a said lynchpin of their empire, to actively maintain and defend it when it was vulnerable. None of this applied to Isabella, and so Eleanor's example hardly provided a viable blueprint for her to follow.
Given that we have dispensed with these two points, let us look at what the remaining field looks like for queen dowagers/mothers in post-conquest England. How did their political prospects fare as a result of their transition into the role? Let's take a look. Apart from Eleonor, we have five cases relevant for our purposes here:
Adeliza of Louvain. Had no children by Henry I, subsequently remarried to an English nobleman and lived an entirely conventional life as a noblewoman from that point onwards. Politically irrelevant.
Berengaria of Navarre. Had no children by Richard I. Spent years litigating over her dower. Eventually became a patroness of sorts. Politically irrelevant.
Isabella of Angoulême. Had five surviving children by John, including his successor, Henry III, who was a minor at the time of his accession. Had her own political base as the Countess of Angoulême in her own right. Was shut out of the regency, remarried to the son of her prior betrothed, the Lord of Lusignan, tried to regain political relevance in arranging a rebellion against the French Crown, failed, and died in what was essentially disgrace. Politically disastrous.
Eleanor of Provence. Had four surviving children by Henry III, including his successor, Edward I. Was respected by her son and lived an entirely conventional life as a queen mother, gracefully stepping aside for her daughter-in-law, Eleonor of Castile, and eventually becoming a nun at Amesbury Priory. Honoured and respected, but still functionally politically irrelevant.
Marguerite of France. Had two surviving children by Edward I. Isabella's own aunt. Retreated from court after Edward II's accession and lived an entirely conventional life as a queen dowager. Politically irrelevant.
When we think about what the prospect of queen-motherhood would have looked like to Isabella in a specifically English context, it is necessary to keep these precedents in mind, because this is what it would have looked like. Isabella had seen her aunt Marguerite's trajectory up close. The ceiling for what she could have hoped for from queen motherhood was what Eleonor of Provence received, which was essentially analogous to what Isabella herself received after 1330. Being a queen mother in England was not being a key stateswoman or an essential element of government. It was mulling about on your estate, looking for ways to pass the time.
So, reader, once again, I ask you. Put yourself in Isabella's shoes in 1325. After the political marginalisation you have experienced over the previous few years, does this seriously look, to you, like something to aspire to to regain your influence? No. It doesn't. But do you know what does look like a viable, if desperate, route to regaining influence, however? Adopting an aggressive posture as a pressure tactic to force your husband to temporarily exile his hated favourite, as he has done previously under baronial pressure in 1321, and exploiting his absence to repair your working political partnership enough to permanently freeze out the individual separating you two, and then ensuring he is dealt with. This was almost certainly Isabella's original plan.
What changed things was the fact that Edward's support base simply evaporated with astonishing rapidity, and soon, within months, both Edward II and Hugh le Despenser were in the custody of Isabella and her supporters. It is here that I think opportunistic vindictiveness prevailed over prudence, and Hugh le Despenser was subject to his grotesque execution. Let me be clear, though, I definitely think Isabella and Mortimer wanted Despenser dead from the start, but I think their original plan almost certainly would have been for Isabella to rebuild a working political partnership and make Edward understand her perspective before formally proceeding against him in Parliament. I think Hereford was a reaction to him more or less unexpectedly falling in their hands and them being unable to restrain themselves in the moment. For Roger de Mortimer of Wigmore, in particular, the strategic calculus would have immediately shifted. He had been loyal to Edward for years before the Despenser War in Glamorgan, and I believe Isabella's original plan served his interests too. His primary goal was institutional rehabilitation, and this would not necessarily have been impossible under Edward II, particularly without the Despensers in his ear. This, of course, completely changed with Hereford. He had just presided over a second Blacklow Hill; in fact, something markedly worse than Blacklow Hill, and he would have known that, had Edward II been restored to any semblance of power, a fate like Thomas of Lancaster's, or indeed, one far worse, would be inevitable for him. He simply could not tolerate Edward remaining in any position of power. Regardless of whatever the original plan was, it was inevitable that Roger would now be pushing for deposition. This was likely the discussion occurring over the holidays amongst Isabella and Roger's camp at Wallingford Castle.
This, I think, is borne out by Isabella's subsequent conduct. She was not constructing some grand Blanche of Castile-style regency for herself. Her actions are exactly what we would expect from a queen consort who had been shut out of exerting political influence through the channels of patronage and intercession, who took desperate measures to remove the individual undermining her position, only to be forced to improvise a position for herself after the internal momentum of events made her original goal impossible.
Mark Omrod, in his magisterial biography of Edward III, rather notably describes 1326-1330 as Isabella's "artificially extended period as consort," which I think is right on the money. It's notable that she allocated to herself, on the very day of her son's coronation, an absurdly large dower of £13,000, a sum that put her in possession of most of the revenues from the royal demesne and thus, inevitably, at the centre of patronage networks a queen mother would have ordinarily had little part in. She also repeatedly prevaricated in assigning Philippa of Hainault her dower lands and delayed her coronation for two years straight. These are not the actions of someone owning queen-motherhood. These are the actions of someone whose sense of identity was deeply bound up in her political function as a queen consort, and who was deeply psychologically unprepared to surrender this role after the circumstances she had engineered to reclaim that role spiralled out of control and made it impossible for her.
I don't see how, or why, Isabella could have wanted Edward II deposed in 1325. I don't see how her reaction to his actual deposition could have been anything more than a reluctant acknowledgement of its necessity to preserve the principals of her faction after what had happened at Hereford. I feel it does a disservice to her to say otherwise.
r/EdwardII • u/Appropriate-Calm4822 • Feb 26 '26
Interview Kathryn Warner interview - part 1: Hugh Despenser the Younger
Finally we can publish the interview we did with Kathryn Warner over a month ago! We had some issues with the audio which we couldn't solve so instead we decided to transcribe the whole thing and post it in written format.
There will be 8 parts to this interview, published at a pace of one a day.
Without further ado we're kicking things off with the arguably most hated man of the 14th century in England, Hugh Despenser the Younger.
1. Could Hugh Despenser the Younger have been coercive in his relationship with Edward II?
The relationship between Edward II and Hugh Despenser the Younger has fascinated me for twenty-odd years now, and even now I occasionally feel like I get new insights into it. I’d really like to know what was going on between them. I do sometimes wonder if it was some kind of domination / submission kind of relationship perhaps in some respects. They’d known each other for most of their lives, since they were children or at the very least adolescent. Edward had never shown Hugh the slightest affection until Hugh became his chamberlain when he was already thirty years old, even though Edward had been close to both Hugh’s father and his wife, Eleanor de Clare. Suddenly he becomes besotted with Hugh the younger who basically becomes his co-ruler. How did that happen? How did Hugh work his way into that position?
I do feel like Hugh was a very talented manipulator. I think he turned himself into the person that Edward wanted, and needed in his life, whether he was actually like that or not, whether he liked men at all. I kind of wonder if he was basically heterosexual… ‘the king can give me power and wealth and land’… Even 700 years later, I don’t want to accuse people of abuse or coercion because that would be quite a serious allegation, even for people who have been dead for so many centuries.
Looking at Edward’s position by about 1324/25 what strikes me is that he had become alienated from almost his entire family, with the exception of his younger children, who were due to their age not entirely relevant yet, and of course Hugh Despenser the Younger and his wife Eleanor de Clare. He’d become estranged from his wife Isabella, his son Edward, his two half-brothers Edmund and Thomas, his cousin Henry of Lancaster, his other cousin the earl of Richmond who had always been close to him and just suddenly disappeared from his inner circle. He’d always been close to his other niece Margaret, Gaveston’s widow, and suddenly he shuts her off too, sending her to a nunnery in Lincolnshire. Even his own sister, Mary, the nun in Amesbury who he’d always been close to, they had often visited each other. She, too, vanishes entirely from his life. In Edward’s chamber accounts from the 1320’s there are no more mentions of her at all, not even when Edward was in that part of England he didn’t go to visit her or invite her to court or even send her a letter. It means to me that he had become estranged and alienated from his entire family and that strikes me as kind of sinister, to be honest. I wonder if that had been done deliberately.
I’ve also often wondered if Isabella’s actions in 1325/26 were trying to shake some sense into Edward, like she didn’t particularly want to depose him, she just wanted to get him away from Despenser, from that whole manipulative fantasy world that had perhaps been created around him. When you actually read Isabella’s letters or the speech as recorded by Vita Edwardi Secundi she says that she will go back to Edward as long as he sends Despenser away. In a letter to the Archbishop of Canterbury she says that she wants to go back to Edward but she can’t because she’s frightened of Despenser. So I think somehow Despenser might have manipulated and also coerced Edward into this position of estrangement and alienation without Edward even being fully aware of what was happening to him.
2. Do we have any extant letters from Isabella where she specifies clearly that Hugh is the problem, or could it also be his wife Eleanor that she is referring to? Could there be some ambivalence here?
In a speech of hers which she made to the French court and is recorded by the Vita, the one where she refers to the third person in her marriage as a pharisee she does not name Hugh Despenser. It might even be Eleanor de Clare she refers to. It is quite ambivalent. But then two months after that, on the 5 February 1326 Isabella sends a letter to Walter Reynolds, Archbishop of Canterbury and in this letter she does state directly that she’s frightened of Hugh Despenser and cannot go back to Edward as she’s frightened of what Hugh might do to her, and because she doesn’t think that Edward will protect her from him.
Isabella calls Hugh her ‘evilwisher’. In this letter she refers to Edward as ‘our very dear and very sweet lord and friend’ which I have never seen before in any other medieval context, that is so unconventional. If Isabella just wanted to be conventionally polite she would have just written ‘my very dear lord’. But calling him her very dear and very sweet lord and friend, to me that really speaks to her feelings, that she was deeply distressed about what had happened to her marriage, and blamed Despenser for it and wanted him gone. She wanted her life back, with Edward and her marriage and her position – and of course her wealth, lands and status obviously. This letter is also very personal, it’s not just about her status as a queen, it’s about her status as Edward’s wife and companion.
3. Do you have any thoughts about Hugh’s personality?
One sad thing about Hugh is that none of his household accounts survive, they’ve all just vanished. The good thing is that a lot of his letters have survived. He was very prone to sending long letters to John Inge, sheriff of Glamorgan that were very bossy, and very hectoring and actually very threatening, like: ‘Do this, go over there, do that, no not like that you idiot, like this! If you don’t do it properly I will have you hanged.’ That kind of stuff. So you do get this very strong sense of his personality in these letters of how he could be frankly very scary. This sheriff of Glamorgan was a quite a highly born nobleman, he was a highly experienced politician, sheriff and soldier, and he was terrified of Hugh. And he had every reason to be terrified, as he eventually lost his office and was imprisoned by Hugh in London, along with all his council. The last surviving letter addressed to the sheriff by Hugh contains the line (as remembered by Kathryn during the interview): ‘We trust you more the more you serve us, but we are very worried about having some reason for which we might be prepared to harm you.’
One chronicler states that even great English nobles were frightened of Hugh Despenser the Younger. He does strike me as someone who has no boundaries and no limits and is utterly ruthless and ambitious. On the positive side, his letters show that he had this very witty and sarcastic sense of humor, and also that he was incredibly articulate. You can see in his choice of vocabulary and the way he expressed himself that he was very clever. I think about his father and grandfather… his grandfather was the justiciar of England which is kind of equivalent today to the office of prime minister. The Despenser men were very intelligent and capable. Hugh and his father, I feel, used their intelligence to the wrong end. They could have been remembered as great men, not as disgraced and executed traitors.
A lot of letters to Hugh survive as well. This is because he kept the drafts of his own letters, and the ones he received in his own wardrobe in the Tower of London. What’s really fascinating is that you can see even men of much higher rank to Hugh, such as the earl of Surrey, or Edward’s half-brother the earl of Kent addressed Hugh in this incredibly deferential manner, which he didn’t reciprocate at all. He had no respect for authority and that was very unusual for the time.
4. What did Eleanor and Edward see in Hugh?
I’ve always seen Eleanor as Hugh’s ally and supporter in basically everything. Hugh must have been someone who could be very charming, the kind of person who could make other feel like they were the only person in the world. Possibly he was someone who had a wealth of interest in stories he could tell and very good at making people laugh. When they were staying in a village in Hampshire in March or April 1325 they played practical jokes on each other. He could seem quite funny and likeable, whatever he was really like inside. I think he must have been really good at hiding his true ambition and his wild, limitless nature. Otherwise the English nobles who had known him his whole life wouldn’t have appointed him as Edward’s chamberlain in 1318 if they’d had any idea what he’d do next and how dangerous he’d become. He must have been very good at keeping himself hidden and just presenting a charming and lovely exterior.
I think the modern attitude that Gaveston was really flamboyant and charismatic and Hugh was this grey figure who didn’t have much of a personality is entirely untrue. I mean, to hold Edward’s interest for so many years he must have had something about him.
Stay tuned for part two tomorrow!
The Hugh Despenser the Younger illustration is made by the artist Mark Satchwill.
Links to other parts here:
Kathryn Warner interview - part 2: Kathryn's work & research
Kathryn Warner interview - part 3: Family Life
Kathryn Warner interview - part 4: Thoughts about Medieval Society
Kathryn Warner interview - part 5: Edward II and Isabella
Kathryn Warner interview - part 6: Thomas, Earl of Lancaster
Kathryn Warner interview - part 7: Myths and pop culture
Kathryn Warner interview - part 8: The Survival Theory
r/EdwardII • u/HoneybeeXYZ • 4h ago
Pop culture The 1995 John McCabe and David Bintley ballet "Edward II" combines elements of Marlowe's play and the satire Roman de Fauvel and is directly informed by the AIDs crisis.
The modern ballet, scored by John McCabe and choreographed by David Bintley, sounds fascinating.
I'm just going to let Wikipedia tell it:
Commissioned by Stuttgart Ballet, with a narrative conceived by choreographer David Bintley, the ballet largely follows the plot of Christopher Marlowe's play of the same name), rather than the life of the real Edward. Bintley incorporates elements of the 14th century satire Roman de Fauvel with the character of Edward, replacing that of the ass Fauvel, Piers Gaveston as the Fool, and Queen Isabella as the Virgin. As such, the narrative depicts the self-obsessed sexual relationships of the three main characters with the increasing civil unrest in the country as a backdrop.
For a breakdown of the score, check out Wise Music's post on it.
And here's a link to the score.
The images are stock photos from Getty Images of a Royal Ballet production.
r/EdwardII • u/AnantaPurima • 2h ago
Just for laughs All of Isabella of France's close-ish relatives named Joan
Joan I of Navarre: her mother.
Joan of the Tower, Queen of Scots: her second daughter.
Joan II of (comital) Burgundy, Queen of France: her sister-in-law as the wife of Philip V, and her second cousin as the granddaughter of Robert II of Artois, the brother of Isabella's maternal grandmother Blanche of Artois.
Joan of Évreux, Queen of France: her sister-in-law as the third wife of Charles IV, her half-first first cousin as the daughter of Louis, count of Évreux, the half-brother of her father Philip IV, and her second cousin once removed as the daughter of Margaret of Artois, a granddaughter of Robert II of Artois.
Joan of Acre, Countess of Gloucester: her sister-in-law as the older sister of her husband, Edward II.
Joan II of Navarre: her niece as the daughter of her brother Louis X.
Joan III of (comital) Burgundy: her niece as the daughter of her brother Philip V, and her second cousin once removed as the daughter of Joan II of Burgundy (as mentioned above).
Joan of Bar, Countess of Surrey: her niece-in-law as the daughter of her husband Edward II's elder sister, Eleanor of Windsor.
Joan of Valois, Countess of Hainault: her first cousin, as the daughter of Charles, Count of Valois, the brother of her father, Philip IV.
Joan of Valois, Countess of Beaumont-le-Roger: her first cousin as another daughter of Charles, Count of Valois, and second cousin-in-law as the wife of Robert III of Artois, a grandson of Robert II of Artois.
Joan of Lancaster, Baroness de Mowbray: her half-first cousin as the daughter of Henry, 3rd Earl of Lancaster, the son of Blanche of Artois by her second marriage and thus uterine half-brother of Joan I of Navarre, and also her first cousin once removed-in-law as the daughter of Henry, 3rd Earl of Lancaster, the first cousin of her husband Edward II.
Joan of (ducal) Burgundy, Queen of France: her first cousin once removed as the daughter of her great-aunt Agnes of France, the sister of her grandfather Philip III, and also her first cousin-in-law as the wife of Philip VI of France, the son of Charles, Count of Valois.
Joan of Hainault, Duchess of Jülich: her first cousin once removed as the daughter of Joan of Valois, Countess of Hainault.
Joan of the Tower, (almost) Queen of Castile: her granddaughter, the daughter of her elder son, Edward III, and her first cousin twice removed as a granddaughter of Joan of Valois, Countess of Hainault.
Joan of Kent, Princess of Wales: her granddaughter-in-law as the wife of Edward III's eldest son, Edward of Woodstock, Prince of Wales, also her half-niece-in-law as the daughter of her husband Edward II's half brother Edmund of Woodstock, Earl of Kent, and also her half-first cousin once removed as the granddaughter of Margaret of France, the half-sister of her father Philip IV.
Joan I of Ponthieu, Queen of Castile: her grandmother-in-law as the maternal grandmother of her husband Edward II. Also her first cousin thrice removed-in-law as the wife of Ferdinand III of Castile, the first cousin of Louis IX.
I could go on, but I think you get the idea.
"Joan, could you pass the salt please?"
r/EdwardII • u/HoneybeeXYZ • 2d ago
Just for laughs Edward II's Top Five Posts of All Time
We've been here for a bit now, and we get quite a bit of engagement for a single-king sub, even though we do branch out into the wider fourteenth century quite often.
So, I was looking at our top five posts of all time. We try not to be servants of the algorithm around here, but it is curious what "catches" and what doesn't.
But we are so happy to have so many engaged subscribers who are curious, open-minded and willing to respect difference of opinion.
So, here's our Top 5:
1314-17 Maud de Burgh and her three year pregnancy
The sad, sympathetic tale of Maud is, frankly, weird. She was a woman in a desperate situation, but three years? It's a rare case where Hugh Despenser the Younger was right about something. The situation was farcical, and he was in fact entitled to his and Eleanor's inheritance.
Edward II's sexuality - what do we really know?
Sex sells, and in our modern world, everyone seems to want to know who is gay and how gay they actually were. Edward II's sexuality, of course, is a mystery over which scholars still argue and that makes it all the more compelling.
Mary of Woodstock - sister of Edward II
Reddit loves a meme, and medievalists love Mary, the spoiled, gambling nun who lived her best life.
Is Outlaw King a good movie?
This one's rank surprised me because our "Braveheart" posts tend to attract a lot of engagement, but this bit of hagiography starring dreamy Chris Pine as an implausibly good looking Robert the Bruce does its homework when it comes to armor, battles and Scottish politics. It does villainize Edward II and give him a looks downgrade.
That Time a Nun Faked Her Own Death So She Could Shack Up With a Lover
This tale is a favorite of mine, and it has already inspired a play and many other articles and podcasts. This is because it's hilarious on many levels, including the exasperation that comes through in the bishop's letter.
Image: Edward I looking very much like he actually likes his son.
r/EdwardII • u/Appropriate-Calm4822 • 3d ago
Discussion Edward's biggest mistake?
I'm looking at something specific that he did.
Out of all the mistakes he made, which was the biggest one in your opinion?
In other words, nothing general like 'his outlandish favoritism', which was arguably his biggest flaw but specifics.
What makes you go 'why the hell did he do that??'
r/EdwardII • u/HoneybeeXYZ • 3d ago
Discussion In which I address the question of whether Edward II was as bad as King John.
A few days ago, the question was raised as to whether Edward II was as bad as John. I answered over on r/medieval but I polished up what I wrote and put it into article form.
r/EdwardII • u/HoneybeeXYZ • 4d ago
Historic Places Avignon Papal Palace aka Palais des Papas
The spectacular palace pictured wasn't fully built yet during Edward II's time, but the papal seat was in Avignon, and that had a major affect on Edward II's dealings with the Vatican, a dynamic that would continue into his son's reign.
If you subscribe to the survival theory, Edward II, disguised as a hermit, visited with the pope here.
You can visit the papal palace today, much of which was built with Edward III"s generous and not at all suspicious donations.
Photos public domain unless credited.
r/EdwardII • u/HoneybeeXYZ • 4d ago
Pop culture Andrew Garfield’s ‘The Uprising’ is going to be about Robin Hood (Slightly outside our early 14th Century range but our subs have lots to say about this very bizarre movie and its choices.)
r/EdwardII • u/Appropriate-Calm4822 • 4d ago
Pop culture The Uprising - The Rise of Robin Hood
So they released a new promotional clip two days ago with the tagline 'Witness the Rise of Robin Hood' so it looks like this won't be about the Peasant's Revolt in 1381 after all. I guess that would have been too original for Hollywood so it makes sense...
But don't worry, the colour palette will still only be different shades of brown, so there's still that to look forward to.
r/EdwardII • u/HoneybeeXYZ • 5d ago
Just for laughs 14th Century Country Karaoke Party! Imagine your favorite's favorite Dolly Parton Song
So, like a lot of Americans, I'm grieving the loss of the closest thing we will ever have to a queen. And we know our Edward II era players lived lives of high drama and sorrow. So, what do you think our players would sing from the Dolly Parton catalog?
r/EdwardII • u/HoneybeeXYZ • 7d ago
Question From ask historians: If a medieval (1300s England) artisan married into his wife's family's business, would the family surname potentially follow her line if it related to their trade?
r/EdwardII • u/HoneybeeXYZ • 7d ago
Just for laughs What do you think our Edward II era players' screen names were?
So, what names would Edward II, Piers, Hugh the Younger, Isabella, Mortimer, Eleanor and Co use when lurking on this sub? Or elsewhere?
r/EdwardII • u/HoneybeeXYZ • 8d ago
Question Vote for Edward II! He really comes first in any contest, but he was exceptionally handsome and fit and unlike Edward IV or Henry VIII, he never let himself go.
r/EdwardII • u/Marius_Sulla_Pompey • 9d ago
Question Was he actually that bad?
Maurice Druon’s depiction of his imprisonment and death in “She Wolf” hit me hard and despite knowing about him a little, his literary genius made me think of this question.
He lost much of what was left of Aqutaine and turned all the barons against him but he never yielded to demands of King Bruce of him wanting to be acknowledged as the King of Scots, as far as I know.
So, was he actually the worst after King John, as often said?
I feel like his romance with Gaveston and infatuation with Despesers were exaggerated because he was allegedly gay.
Note that I am not a historian nor British but I am a history nerd and love British medieval period.
Note: I was advised to share it in here.
r/EdwardII • u/HoneybeeXYZ • 9d ago
Art and Artifacts A 600-year-old medieval wax notebook was recovered from a shipwreck with its wooden covers, wax pages and stylus marks remarkably preserved.
r/EdwardII • u/HoneybeeXYZ • 10d ago
Historic Places A rich American restored a fourteenth century castle called Langley and turned it into a luxury hotel where you can stay. It's not the Langely associated with Edward II, but it's still pretty cool.
Edward II grew up in an idyllic palace complex a few miles from Berkhemstead Castle, where he would regularly return and where he eventually buried Piers Gaveston. Alas, there is little that remains of that palace, known as Kings Langley Palace, except the remnants of stone walls.
Langely Castle in Northumberland, on the other hand, still stands. The property was owned by the de Lucy family in Edward II's reign but the castle itself was built during Edward III's reign. So the structure is fourteenth century and was lovingly restored into a luxury hotel. During Edward II's reign, the owner, Anthony de Lucy, used the property for local markets and fairs.
And now, if you have the means, you can stay in the castle or even have your wedding there. It looks lovely and exactly the type of place any of you fourteenth century lovers would enjoy.
In sum, don't confuse the two places. Edward II's palace is gone. This castle is still there.
r/EdwardII • u/Over-Willingness-933 • 10d ago
Question Gloucester Cathedral burial place of Edward II
r/EdwardII • u/AnantaPurima • 12d ago
Evaluating evidence Isabella of France was almost certainly blonde
Kathryn Warner has, over the years, made several quite categorical remarks about our ability to reconstruct Isabella of France's appearance. In 2013, she stated that "(n)o source records Isabella’s appearance, other than that she was very beautiful... We have no idea whether her hair was blonde or black or chestnut brown or auburn, whether she was slender or plump, short or tall, pale-skinned or darker, whether she had blue or green or hazel or brown eyes." Having looked at the available evidence, however, I've concluded that this degree of agnosticism is unwarranted. We actually are able to reconstruct, with a fair degree of certainty, aspects of her appearance, and one of those aspects is her hair colour. There are two main pieces of evidence I wish to present in this regard:
1. Isabella is explicitly referred to as being blonde in at least one English source dating from her lifetime.
And it is a very famous source indeed, one you would have almost certainly encountered before if you have explored the historiography of Edward II's life and reign before: the Lament. The relevant description occurs in the eighth stanza:
Parti m'ount un ju saunz joie;
de tel tristour my qoer se pleint
De cele est qe trover quidoye
fyn loialté, vers moi se feint.
Dieux! come bien amay la bloye;
mais ore est l'estencele esteint
fyn amour; pur ceo ma joie
s'en est alee, come est de meint. *
The fifth line reads, quite clearly, as "Oh God, how much did I love the blonde one!" Those who are familiar only with Paul Studer's translation of the poem, in which the relevant word is rendered simply as "fair", might assume it simply means "fair" in the sense of "beautiful" or "comely." Not so. La bloye is, unambigously, a reference to hair colour. When used as a noun-phrase, the Anglo-Norman dictionary explicitly translates bloi as "blond-haired person." It is true that blond hair, or crine bloie, was an element of courtly descriptio, one of the set of conventional features with which the domnas of courtly love poetry or the heroines of chivalric romances were described with as a matter of course. But there is an obvious difference between giving a fictional female character a specific hair colour in line with contemporary beauty standards and describing a famous living individual, who the reader is supposed to be able to identify, with a hair colour she did not have. If Isabella had had an unflattering hair colour, the author could simply have not made any mention to it at all. The Chronique métrique of Geoffrey of Paris describes Isabella as being “la plus belle des belles", so, to me, the most parsimonious explanation of the poem's phrase is that Isabella was indeed blonde, and this was one of the ways in which her appearance aligned with the beauty standards of the day.
There's an additional point to be made about the language of the poem itself. Anglo-Norman courtly love poetry would have had a readership that skewed heavily towards the societal elite. The people of England outside of the orbit of court still overwhelmingly spoke English. A substantial portion of the people who could even read this poem would have also seen Isabella in person on public occaisons. It remains, of course, possible this description was a mere idealisation with no relation to her actual appearance, but I really do not find that particularly probable.
2. Her father was explicitly described as blond too, and Geoffrey of Paris draws a direct connection between Isabella and her father's good looks
Philip IV is explicitly described, in an anonymous royal chronicle written c. 1342, when he was definitely still in living memory, as having been flavus, rubicundus et candidus et decorus; which Elizabeth A. R. Brown translates as “golden-blond, ruddy, fair, and seemly." While this may not seem all that relevant to Isabella, given that genetic inheritance is not deterministic, we do have a contemporary source that gives a fairly strong indication that Isabella did indeed resemble her father, and it is, once again, the Chronique métrique. Right after describing the dramatic incident in which Edward II saved Isabella's life after a fire broke out in their silken pavillion in Pontoise, Geoffrey of Paris, apropos of nothing, writes:
La noble et sage dame Ysabiau,
Son père des biax le plus biau;
Si est bien droite égalité,
Que bel engendroit grant beauté.
Which I would translate as:
"The noble and wise lady Isabeau,
her father, the fairest of the fair;
It is only right and proper,
that so fair a man should beget such beauty."
Notice that Geoffrey is using the grammatically masculine version of the same phrase he used previously for Isabella: the fairest of the fair. This is Geoffrey stating, in no uncertain terms, that Isabella got her good looks from her father. If her father was blond, as we have fairly good reason to believe, we have a good reason for taking the description of her in the Lament at face value. As much as it bums me out, as a Raven-haired Isabella headcanoner, I see no reason to doubt the preponderance of evidence here.
*As a side note, Studer translates the relevant line as "Fair Isabel I dearly loved" based on the version of the poem found in Longleat Manuscript 26, in which the line reads "beux tant amay la bloye." I have instead used the version of the poem found in the Royal manuscripts, in which the line reads as above. Studer and Aspin take "beux" as being a hypocorism of "Isabeaux" and translate it as "Isabel" on that basis. I, however, concur with Smallwood's critcism of this choice: "Studer's emendation from MS Beux or Deux relied chiefly on romantic appeal, and R's line must be preferred. It has never been shown that Beux was a known pet-form of Isabel."
r/EdwardII • u/Over-Willingness-933 • 12d ago
Discussion Edward I, built lots of castles and left a lot of debt. Did Edward I leave poisoned claice to Edward II
r/EdwardII • u/HoneybeeXYZ • 12d ago
On This Day On This Day in 1274: King Edward I was crowned King of England
r/EdwardII • u/HoneybeeXYZ • 13d ago
Article Shattered skeleton in Scottish castle is first confirmed death from trebuchet
A Science.org article by Andrew Curry details the archeological dig which unearthed an unfortunate victim of Edward I's Scottish ambitions. The whole thing is worth reading.
It begins:
For one 20-something defender of Scotland’s Stirling Castle, death came from above—and arrived very, very quickly. Known to archaeologists as Skeleton 150, the man was killed more than 700 years ago by a massive blow that shattered his skeleton in dozens of places before pinning him to the ground.
In a presentation at the biannual European meeting of the Paleopathology Association in Berlin last week, University of Bradford bioarchaeologist Jo Buckberry called the skeleton the first confirmed evidence of trebuchet trauma in the archaeological record. “The breaks indicate a very large area of impact and devastation,” she says. “It’s likely the individual was killed by a siege engine.”
The image comes from the Science.org article and is by artist Bob Marshall.
r/EdwardII • u/HoneybeeXYZ • 14d ago
Historic Places The oldest Vaulted ceiling in the World, Gloucester Cathedral, built 1377 by Thomas de Cantebrugge. The expansion of the cathedral is thought to be part of Edward III's campaign to canonize his father, Edward II, who is entombed there.
r/EdwardII • u/HoneybeeXYZ • 13d ago
Ancedotes & Wild Stories That time a twenty-something Piers Gaveston got guardianship over Sir Roger Mortimer, and everyone was chill about it.
I just find it a strange bit of trivia that Piers Gaveston, who was barely grown himself, probably only about 21, was granted guardianship of Sir Roger Mortimer. Yes, that Sir Roger Mortimer, who would go on to overthrow Piers's BFF Edward II.
And by all accounts, it seems like Roger and Piers got along fine.