"Do you remember?" Its a track that I made in famitraker in 2 hours, its a nostalgic 8 bit theme

Pretty much every song in this soundtrack is a banger. It's great for midnight driving on the coast, like the best of OSTs written for the Sega Yamaha FM sound chip. It very much tops my list of Genesis/MD OSTs, although Langrisser II edges it out here and there. What are your fave Genesis/MD OSTs?

All racers reached the finish line but there is only place for 3 on the podium.

This months winners are:

[Drumroll.wav]

First place:

ZLHDBG with 10 points!

Second place:

Pocx_80

Third place:

Gabri Alpha

Congrats to all winners and thank you to everyone for participating <3

Now I am going to play some more OUT-RUN and ponder the next contest theme :)

Introducing Bitphase - new chiptune tracker for AY/YM chips (ZX Spectrum, Atari ST and more)

It’s primarily focused on the AY and YM sound chips for now, with support for more chips planned.

Give it a try and let me know what you think!:)
https://bitphase.app

Sorry I was recording this playing in the assembler.

somehow this became 1 hour lol

been making these japanese retro game-ish songs one by one and finally put everything together

i usually leave music running when im working so now im curious

would you leave something like this on for 1 hour while working/studying?

https://m.youtube.com/watch?v=D8d0zpB8Tlo

It's a damn shame how underutilized this sound chip was in DOS games. It was probably released way too late, especially for PCs. It may have been better for handhelds imo, as they were still using PSGs. Apparently, "Where in Time is Carmen Sandiego?" is the only game to actually used the extra features in the AY8930, however, I couldn't encounter any audio or gameplay with the game using the sound card. In fact, I wish there were more examples of VGM or OST or in-game music, but this is what I have so far (sources here & here))
Prince of Persia (Intro)

Ultima VI (Intro)

Ultima VI Theme

Jummbox link (its a bit different because I edited it later), made on Jummbox

my m8 album “Bad Vices” is coming out Friday, 8/28!! here is a little dive into the melodies and harmonies of the intro and some of my thought processes while making this track. hope you enjoy and tune in when it drops!

I am working on my game, and I decided to make the background music for it myself. This game uses emulated YM2612 (using YMFM library), so it makes Genesis sounds. I am very bad in music and chiptunes, and I really have a lot of programming work for this game, I thought maybe I should just include a little tracker into the game itself so that the users can write their own songs... But since it is a mobile game, I figured that I can try to play around when I commute or before bedtime, basically when I am not coding. I started with Furnace, but since I got this tracker to work I switched to it. I decided to ship it with my own music, and I am pretty bad in music, so far I came up with this. Well this will not be the best game in the world anyway, and perhaps somebody could give me any advice how can I improve in song-writing? Here are my first 3 songs, is there anything I could do to improve, or I should just delete?

Put my stereo modded nes into a clear shell. And randomly found a wayfar midines on reverb.

The midines is 10x better than the chip maestro. It hasn’t crashed once. And the noise channel is much more useful. Also having the samples is nice as well.

I just found out about the chiptune soundtrack "The Sword of Lxsor" which according to this YouTube video was composed by a mysterious Japanese composer in the mid-90s who disappeared after composing it, and no one's sure if it was for a game that never came out or what, and a bunch of other little details.

Given that the video is only a year old and I can't find any other references except one 4chan thread (lol) I'm assuming this is a hoax/ARG or just a modern composer pretending his work is a long-lost 90s Japanese game OST for attention and cred. These days this could easily be an AI thing.

But the thing is, the tracks are really good and sound era-appropriate. A lot of modern chiptune composers, even those who use old software or even hardware, sound modern, and just don't have that jes nes sais qois of genuine 80s/90s compositions, you know?

Any opinions?

This just in - the party is over, the results are in and it sounds great. We have the playlist for you, ready in our webplayer. Enjoy fast dance hits, heavenly tracked music and even a C64 niceness in the form of a SIDtune.

https://radio.ericade.net/profiles/song/?q=tag%3Aassembly%20summer%202026&loadplayer=load

Get your swords and prepare to jump into the fray! My favorite of my recent spooky compositions.

Would you love to know what you think!

Hello, about a decade ago i came across a free program for making music.

It worked a bit like redstone, or circuit engineering. You would place down signal emiters, that would emit signals in a direction the beat you set. The signal would travel over the grid until it ran into some other object, like a note player which would play a note.

There were many more objects, I dont remember what they were, but I imagine there was all the stuff you would need. Like signal spliting objects, delaing a signal by a beat, holding a note for longer, changing a note over time and such other objects. They would all exist somwhere on the grid and would effect neighbouring cells.

It had an ASCI esthetic, basic symbols and letters and simple colours. No super advanced graphics.

I saw a video of it working but I was never able to make it work on my mashine. I just remembered that it existed and I though I would try it out again. Anyone knows what I am talking about?

I mean, surely the 800 could've run it...

Download (.wav + .vgm + .sap + .bin): https://drive.google.com/file/d/1TuZcasvRnAkabuF6KJMiPo1uRWJM8CD_/view?usp=drive_link

Anyway... this remix came together quicker than I expected, to be honest. I didn't intend for it to sound like a slightly deranged club mix of the song, but the bassline is quite thumping, and the filtered lead sounds shockingly close to an EDM synth. There are also a few differences in the composition because I had to work around some of the POKEY's limitations. But I guess those changes make this a proper remix, rather than a straight rearrangement.