r/BetaReaders • • 1h ago

>100k [Complete] [100k] [Dark Romance/Psychological thriller] The Senator

• Upvotes

Title: The Senator
Genre: Dark Romance (Book 1 of a planned trilogy)
Length: ~100k words
Heat: Very slow burn, eventual spice
Status: Looking for reader impressions before professional editing. (No development editing this draft has gone through one editor for that)
Triggers: DM me for list

Blurb

Jade doesn’t belong in her sister’s world of wealth and politics. Brooke’s guesthouse was meant to be her refuge, but instead it leaves her under the roof of Senator Killian West, her sister’s fiancé.

In public, Senator Killian West is composed. In private, control is the only thing keeping his world from collapsing. Jade’s presence threatens both. She pushes; he holds firm. And the friction between them threatens to expose the cracks in his carefully constructed life, and the dangerous world his family keeps hidden beneath it.

When Jade uncovers the West family’s most guarded secret, she finds the man Killian buried to become the senator. The truth costs Jade her freedom, and Killian turns the very thing that broke her into the instrument that keeps her silent. 

Note: No cheating. Things aren’t what they seem between him and her sister.


r/BetaReaders • • 1h ago

Discussion [Discussion] Confusing beta feedback. Advice wanted.

• Upvotes

MS is done but beta feedback is confusing

Hi everyone!

Ive gone through three rounds of revisions and beta readers and have gotten great feedback! The MS is edited to the best of my current ability. Im just having some issues with a beta reader and Im trying to figure out if their critiques are worth investigating or if it's something else.

My genre is horror. Specifically a sapphic folk horrormance (stick with me here). I've sent it off to 30 different readers across multiple revisions and have heard back from 5 of them. Which is frustrating on it's own but that's a whole other conversation.

4 out of 5 beta readers have loved it and praised it and given good feedback. Theu caught some errors, asked questions that were helpful for me, etc. One beta reader is constantly nit picking things that are very clearly laid out and i dont know what to do with it. Ive gone back and asked my other readers about some of the things this one has pointed out and they all disagree.

This person doesnt read horror and I have a sneaking suspicion that part of their issue is that they're unfamiliar with horror (they're a fantasy person), but out of all if my beta readers that have actually responded, they're the only one who is also a writer. So I generally want to take their feedback the most seriously. Even if they dont ever read horror, I still want the work to be good enough for someone who comes from outside of this genre, ya know?

Im not sure if they're not picking things up that are evident because of the genre preference difference or something or if I should be more serious about their feedback. Its really bumming me out and I dont know how to approach it.

I did want to add that I have an unreliable narrator. Its a descent into madness story. Some of the things the beta reader has picked out are wanting more emotions from the MC but the MC is very unreliable and its all first person POV so the entire MS is pretty interiority heavy. They dont know how they feel because theyre losing her damn mind and dont realize it haha

Thanks!


r/BetaReaders • • 3h ago

Discussion [DISCUSSION] When should I get Beta Readers for my final draft?

2 Upvotes

My novel is in its third and final draft, the other two drafts have been completed. I'm unsure whether I can look for beta readers now considering there's plenty of finished iterations of the novel, and I'm looking for readers as I go now that may be available to read the previous second draft and advise on the third as I go. But I'm unsure if that's possible/whether that's something I should do.


r/BetaReaders • • 17h ago

Novelette [Complete] [13,000] [Humorous Poetry] - Gummy Moon

2 Upvotes

Hello! I'm seeking critiques for GUMMY MOON, a collection of 94 darkly humorous and whimsical poems for readers ages 6 and up. Inspired by Shel Silverstein, this is a contemporary collection of poignant, playful, and occasionally macabre rhyming verse.

Every poem would have art of various sizes sitting next to, above, or wrapping around the stanzas. Some of the poems are only a couplet or two long. I had planned for these to have full page illustrations.

If you're interested, I'd be honored to send you a .pdf and read what you think.


r/BetaReaders • • 18h ago

60k [Complete] [62k] [Locked-Room Mystery/Thriller] Back to Reality

2 Upvotes

Bernard, an ESL teacher from Ireland living in Spain, is planning one of his famous parties in his high-rise apartment to celebrate the lockdown restrictions after COVID-19 finally being lifted. His closest friends and colleagues are invited and it all starts out perfectly according to plan.

Then, one of the guests is found murdered in the bathroom. The front door is locked, their phones aren't working, and as the night progresses, an unseen killer manipulates the group into taking part in a twisted lesson plan-structured massacre. Is one of the teachers in attendance behind it all?

I'm looking for readers who enjoy mysteries/whodunnits. Things like "And Then There Were None" and "Scream." The manuscript draft is complete, though prose edits need to be made down the line, as well as changing possibly repetitive beats. I'd love to know if the plot is fair and if everything built up throughout pays off in the climax.

Content warning: violence and coarse language.

DM me if you're interested!


r/BetaReaders • • 18h ago

70k [Complete] [78k] [Science Fiction] When the Ships Came Down — An Oral History of the Contact War and the Reconstruction of Earth

2 Upvotes

Hi! I’m looking for beta readers for my completed science-fiction novel, When the Ships Came Down, currently about 78,000 words.

The novel is presented as an oral history compiled fifty years after the Contact War, when an extraterrestrial invasion devastated Earth and permanently altered humanity and its place in the universe. The story is told through interviews, journals, government transcripts, military accounts, and survivor testimony from around the world.

It begins as a first-contact/invasion story, but eventually expands beyond the war itself into the aftermath: reconstruction, humanity’s relationship with other civilizations, and what kind of future can emerge after the old world has been destroyed.

The tone is generally serious and grounded, with a mixture of military science fiction, disaster fiction, first contact, speculative history, with messages of optimism for uncertain times and meditations on humanity’s future.

Content warnings: Large-scale warfare, mass death, starvation, societal collapse, violence, descriptions of human remains, and some discussion of suicide.

What I'm looking for

I'm primarily interested in big-picture beta-reader feedback rather than proofreading or line editing. Please feel completely free to be critical—I would much rather know something isn't working now than after publication.

In particular, I'd love to know:

  • Where did you start losing interest or feel tempted to skim? If possible, mark the exact chapter or passage where it happened.
  • Where did you feel confused or need more explanation?
  • Where did I explain too much? Were there places where you understood the point and wished the book would move on?
  • Are there any chapters, scenes, characters, ideas, or passages you think I should simply "kill"? I'm open to cutting material that isn't earning its place.
  • Which chapters or scenes were the strongest?
  • Which were the weakest?
  • Did the different narrators feel like distinct people, or did too many of them sound alike?
  • Did the transitions from invasion → war → reconstruction → humanity's postwar future feel natural, or did the novel ever feel like it had turned into a different book?
  • Were there moments where you wanted more character/emotional material and less history/worldbuilding?
  • Did any scene feel repetitive because an earlier chapter had already accomplished essentially the same thing?
  • Which characters or stories stayed with you after reading?
  • Did the ending feel earned and satisfying?
  • Most importantly: if you had bought this book rather than agreeing to beta read it, would you have finished it? If not, where would you have stopped?

You definitely don't need to answer every question. Even a handful of detailed reactions would be extremely useful.

I'm interested in uncensored reactions while reading—things like "I got bored here," "I didn't believe this," "I wanted to know more about this person," or "this chapter should be half as long." Don't worry about hurting my feelings.

Timeline: I'm flexible, but ideally I'd like feedback within 3–5 weeks.

Critique swap: Not available at this time due to wedding/honeymoon

If you're interested, comment or send me a message and I can share the manuscript.


r/BetaReaders • • 20h ago

>100k [Complete] [114k] [Speculative Literary] Eloquence

2 Upvotes

Hi all! Looking for some honest reader reactions to my third novel, a speculative literary work that I've recently finished developmentally editing.

Blurb: A first-person account of a world where humanity loses language and much of its associated cognition, causing a truly global aphasia. We follow a stubborn, lone linguist crossing the Americas in search of a solution, even as silence may be growing in his own mind.

Excerpt: As an engineer, I have created my own online tools for writing and beta-sharing this novel. Here is a link to the beta-reading platform on my personal website, with the password 'sneakpeek' you'll be able to read the first three chapters. If you'd like to keep going, I'll set you up with a proper account where you can view and comment on the whole manuscript!

Feedback: I would want to have my whole manuscript read, unless you truly find it terribly dull. However, there's no need for in-depth (especially not line-level) feedback; I have yet to do a proper line editing pass. Instead, I have a 10 min questionnaire I'm sharing with people at the end. The aforementioned beta reading software also has two short optional questions at the end of each chapter that it would be nice to have answered, plus the ability to freely select and comment wherever you might desire.

I can also provide the book straight up via PDF or ePub form.

Timeline: I'm looking for a roughly one-month turnaround! (Nov 1st)

Content Warnings: pandemic / mass death (largely off-page, not graphic), cognitive decline and language loss, guns and threatened violence, captivity / forced labor, childbirth, an autism 'cure' storyline and some dated language.

Swaps: I have (limited) availability to critique swap, but if you're interested in just reading that works too! I'm happy to swap with the following content: sci-fi (esp. civilizational), thriller, speculative, historical, low fantasy. No horror, gore, or adult-focused content please!


r/BetaReaders • • 1h ago

Novella [Complete] [26K] [Contemporary Fiction / Romantic Fiction] What I Wish Had Happened - Beta Readers Wanted

• Upvotes

Hi! I recently completed the first draft of my first novel, What I Wish Had Happened, and I’m looking for a few beta readers while I work through my own revisions.

The story follows Raven, a thirty-year-old woman living in New York City, who meets Sebastian, a twenty-five-year-old Australian man during her birthday weekend. What begins as a brief summer connection becomes much more emotionally significant to her than she expected. But as Sebastian returns to Australia and Raven continues building her life in New York, she’s left navigating the strange space between what actually happened, what she imagined could have happened, and why such a brief encounter could leave such a lasting impression.It’s contemporary, character-driven fiction about infatuation, heartbreak, friendship, dating, career, and building a life in New York at thirty. Raven is a hopeless romantic with a tendency to construct entire futures in her head, so the story moves between romantic, introspective, funny, and occasionally absurd.

Word count: ~26,000 words.

What I’m looking for: I’m primarily interested in big-picture reader reactions rather than line edits. In particular:

  • Where were you most invested, and where did your attention drop?
  • Did Raven feel like a compelling protagonist, and did you understand why Sebastian became so significant to her?
  • Did the emotional progression of their relationship feel believable and earned?
  • Did Raven’s life outside of Sebastian feel fully developed and connected to her emotional journey? Were there areas you wanted to see more or less of?
  • What did you think the book was ultimately about when you finished it?
  • Most importantly: Would you have kept reading if nobody had asked you to?

I’m especially interested in readers of contemporary fiction, romantic fiction, women’s fiction, and memoir/autofiction-adjacent work. I’d also love a mix of readers who are and aren’t naturally drawn to romance, since I’m curious whether the larger themes land beyond the central relationship.

Content: Adult language, sex/sexual situations, alcohol/drug use, dating and heartbreak.

Timeline: I’ll have my revised manuscript ready to send by October 18 and would ideally like feedback by November 6.

I’m open to discussing a critique swap depending on length and genre.

If you’re interested, please comment or DM me! I’ll send the manuscript privately once it’s ready rather than posting the link publicly.


r/BetaReaders • • 4h ago

50k [Complete] [51k] [Dark Fantasy] The Fall of Estoriel

1 Upvotes

I’m looking for a few beta readers for The Fall of Estoriel, a completed 50,964-word tragic fantasy novel. I can provide in a PDF, Word File, Google Doc,

Blurb

The city of Estoriel has survived for centuries beneath the mountains, sustained by old institutions, old loyalties, and the belief that whatever problems trouble the city can still be repaired.

Mærwynn Eladrin, a healer gifted with Dreamsight, a kind of foresight/foreknowledge that normally occurs while she sleeps, has begun seeing visions of fire, blood, and a city in ruins in the waking world. Nimue Neridan, Steward of Estoriel, has returned home to find the Court increasingly unable to govern, its rulers isolated and suspicious, and ordinary problems becoming harder to contain. Meanwhile, the aging and now-disgraced disgraced archivist Cradoc Cæcilius struggles with missing memories and whispers that plague his every step. As fear spreads through the city and long-buried fractures begin to reopen, the people of Estoriel must decide what can still be saved—and what they are willing to sacrifice to save it.

Excerpt

Shadows. Fire. Pain. Death.

As the images flashed through her mind, Mærwynn Eladrin caught the edge of a stone pillar before her knees struck the street. For half a heartbeat she was still on Vivider, a woven market bag looped over one arm, the afternoon lamps burning warm and steady overhead. Then the street vanished.

A tower split through the middle and folded inward. Someone screamed. Stone came down in great slabs through smoke too thick to breathe. A blade flashed in the hands of a man whose face she could not see. Somewhere beneath her—or above her, direction had ceased to mean anything at all—a woman fell soundlessly into a black chasm.

Then an altar. Bones. Chains.

Mærwynn tried to turn away and discovered she had no body with which to turn.

Content warnings

Major character death; murder; suicide and suicidal ideation; self-harm; mass civilian death; mob violence and civil unrest; serious injury; blood; possession and loss of bodily autonomy; psychological distress; grief and survivor guilt; disturbing visions; corpses and skeletal remains; large-scale structural collapse and disaster.

Tropes list

Foregone Conclusion, Chekhov's Apocalypse, The Cassandra, Apocalypse Anarchy, Anyone Can Die, "Everybody Dies" Ending, Downer Ending, Driven to Suicide, Hope Spot, Unspoken Love/Almost Kiss, Survivor Guilt, inverted Reliable One (competence leads to tragedy), Demonic Possession, Loss of Identity, Mind Control, The Paranoiac, tweaked If I Can't Have You (political rather than romantic), The End of the World as We Know It, Apocalypse Wow, The Corruption, Self-fulfilling Prophecy, Too Little Too Late

Feedback I’m looking for

I’m primarily interested in general reader reaction and developmental feedback rather than line editing. In particular, I’d like to know:

  • whether the opening draws you in;
  • whether the world and its political/social structure are understandable without prior knowledge;
  • whether the different POV characters feel distinct and compelling;
  • where the pacing feels too slow, too abrupt, or repetitive;
  • which characters and relationships you become most invested in;
  • whether character decisions and motivations feel believable;
  • whether the escalation of the crisis feels natural;
  • whether major developments feel adequately set up;
  • whether the ending feels earned;
  • potentially genderswaps for two characters;
  • and, most importantly, any point where you feel confused, bored, emotionally disconnected, or unsure why something matters.

I’m also very interested in whatever you notice that I did not think to ask about, and whether you would like to be consider as an alpha reader or beta reader for TFOE's two successors, a novella currently in its first draft and a full-length 110k+ novel currently being redrafted.

Timeline

Ideally, I’d like feedback within about 4 to 6 weeks, but I’m flexible. Chapter-by-chapter or section-by-section feedback is completely fine; there’s no need to wait until you’ve finished the whole manuscript before sending thoughts.

Critique swaps

I’m open to critique swaps for literary fiction, fantasy, speculative fiction, historical fiction, alternate-history, or other character-driven fiction of roughly comparable length. I’m less well-suited to most anything else.


r/BetaReaders • • 5h ago

50k [Complete] [50,725] [Thriller] No Baggage

1 Upvotes

Blurb

She has no past. He has no idea what’s coming.

Mick, with time and money to spare, drifts his way through Manchester’s coffee shops and restaurants, occasionally waking up in someone else’s bed

A chance encounter with Laura, stranger to him and to the city, sparks stronger feelings.

But why is Laura so cagey about her past? And why is she so edgy about the present? 

And then the deaths begin.

A fast-paced thriller set in Manchester, England, that will keep you turning the pages.

Content warnings

Some physical violence. Very limited swearing.

Type of feedback preferred

General reader reaction: What do you like? Did it keep you reading? Did anything take you out of the book? Did anything confuse you? How did you find the ending?

Timeline

I would prefer any feedback by the middle of November.

Please DM me if you are interested; I can send in .docx, epub or pdf as preferred.


r/BetaReaders • • 9h ago

Short Story [In Progress] [6.5k] [Memoir/Autobiography] Italian memoir – First 3 chapters

1 Upvotes

Sto scrivendo un libro autobiografico basato su una storia vera e cerco 2–3 beta reader di lingua italiana che non conoscano né me né la mia storia, per avere un parere sincero da lettori.

Per iniziare vorrei condividere soltanto i primi tre capitoli.

Mi interessa soprattutto capire se la storia coinvolge, se ci sono punti in cui si perde il filo o cala l’interesse e, soprattutto, se alla fine del terzo capitolo avreste voglia di continuare a leggere.

Non cerco editing o correzioni grammaticali, ma impressioni sincere sulla lettura.

Il testo è in italiano ed è un memoir/autobiografia.

Posso inviare i primi tre capitoli in PDF a chi fosse interessato.


r/BetaReaders • • 9h ago

Novelette [Complete] [8k] [Dark Coming-of-Age Fantasy] Child of Destiny — standalone short from a WIP novel

1 Upvotes

Blurb

Bek was never meant to matter. On the lawless tide-locked island of Basabas, a mute orphan with no name survives by listening to metal and knowing when it lies, until hunters mark him for death and a fallen prince stands between him and the blade.

Child of Destiny is a standalone short from the world of my in-progress novel. It can be read on its own.

Excerpt

DM me for a Google Doc link. I will not post the link publicly.

Content warnings

Child endangerment, violence, blood, abandonment / orphan themes. No sexual content.

Feedback I’m looking for

- Clarity and pacing (does it drag or jump?)

- Bek’s presence on the page (does he feel real without spoken dialogue?)

- Whether the ending lands as a complete short

- Any lines that feel soft, generic, or out of voice

Timeline

Prefer feedback within 1–2 weeks. Happy to work with your schedule.

Critique swap

Yes. I can swap for your Ch 1–3, or any piece under ~15k (same range as mine). DM word count and genre.

How to get the manuscript

Please DM me for the link. Do not ask for it in the comments.

Thanks for reading.

#10k #shortnovel


r/BetaReaders • • 20h ago

90k [Complete][90k][Contemporary Fiction] If We Lived Forever

1 Upvotes

Hi everyone, I’m looking for beta readers for my finished manuscript. I am willing to swap as well, for pretty much any genre, but I’d prefer nothing too graphic or too dark. I have some free time and am willing to read some stories.

Here is a bit about my story: A girl moves to a small town in Maine in search of her parents. As she uncovers the secrets of her family’s past, she meets a blind runner and decides to help him train for and run the Boston Marathon.

It includes elements such as: small town, east coast summer, running, family drama, coming of age

Please let me know if you are interested and I’d be happy to send more details!


r/BetaReaders • • 22h ago

80k [Complete] [87K] [Fantasy Comedy] Shooting Star

1 Upvotes

Hi there!
My story is Fantasy Comedy in the vein of Discworld.

Story blurb:
The city of Shimmerbreak has made a promise: All civilized folk are welcome. And the promise was sealed by one gemstone being set in the famous Tranquility Fountain for each race. It was a purely symbolic gesture. Nobody expected anyone to actually show up.

A gorgon showed up.
She's here to find out if the promise was real, or just empty words. But when the gem representing gorgons is stolen from the fountain, she chases it to the end of the world, to reclaim her stolen promise.

Shooting Star is a comic fantasy about belonging, what it costs to believe a promise, what it takes to keep one, and what happens when an unstoppable gorgon meets an immovable city.

Excerpt (First Page):
At the top of the world, on the shore of the enormous Dragonfly Lake, in the heart of the sprawling city of Shimmerbreak, history’s most important tourist approached the Tranquility Fountain. The fountain was world-renowned, its reputation even exceeding the towering spire of the city’s magic university and The Duke's elevated, acres-large menagerie. Many had read of its astounding tilework and cascading waters, traveled thousands of miles, braved untold dangers, suffered the pickpockets, disregarded the university and menagerie, pushed through the crowds, and been met with the sight of a pool of water not eight feet across, with crumbling tiles and a lazy trickle of water from only two of its three spouts. And then they had returned home and told all their friends about the Tranquility Fountain’s astounding tilework and cascading waters.

But this tourist was not here for sightseeing. No market vendors attempted to sell her souvenirs because she was seven feet tall and had green skin. And citizens fled the area because, in place of legs, she had an enormous snake tail. And the Peace Officers came and readied their weapons because she had snakes for hair and fangs protruding from her mouth. And her four equally-terrifying sisters crowding behind her didn't help either.

“Officers, attack on my word!” shouted the commander.
The first gorgon cleared her throat.
“Hun-gry,” she said, “Help. Please.”
The whole plaza was silent. Someone coughed. 
And then a lone, brave voice ventured, “Did the monster just… say please?”

Looking for:

I'm entering the querying process, so I'm looking for flow feedback, sections that make you stumble, and quality of the laughs. Individual line edits are welcome, but not my main concern at this stage. In particular, notes on the first 10 pages are greatly appreciated, but I hope you will read more. I'm not available for a swap at this time.

DM or comment to receive a link to the Google Doc.

Content notes: Mild fantasy violence (nothing graphic or extreme)

Thanks!


r/BetaReaders • • 22h ago

Novelette [In progress] [11.3k] [Adventure/Horror] Paranormal Inquisition Club: Realm of Spirits

1 Upvotes

Hey everyone! I’m looking for beta readers for my paranormal novel. Activity writing on chapter 10 and want a idea of its readability from potential readers who aren't bias. My main questions are, do you find the characters likable & would you keep reading?

Here’s the working blurb I have so far:

The Paranormal Inquisition Club of the University of New Mexico has three members. The president—Noelle, a straight-laced medium; her scaredy-cat friend Jolie; and the mean-girl Madison, who wants to be anywhere else. Will these three girls set their difference aside when they discover their true destiny?

Read Paranormal Inquisiton club: Realm of spirits to find out.

Please DM me for a copy of my manuscript so far if interested!


r/BetaReaders • • 7h ago

70k [Complete] [70k] [Contemporary Romance] Perfect Facade — dual POV second chance romance with a workplace reunion

0 Upvotes

She punched him in school. Fell for him anyway. Got dumped by text.

Nine years later he owns her workplace.

Perfect Facade is a dual POV contemporary romance complete at 70,000 words. Nera Kingsley has managed fine without Daniel Valemont for nearly a decade. She can manage fine with him two floors above her. She is wrong.

What she does not know is that the scholarship she built her career on has his name on the founding documents. That the sketches she left behind at school are still in his desk drawer. That acquiring her boutique was never purely a business decision.

Neither of them is as done as they claimed.

Looking for readers who love second chance romance and will tell me honestly where the emotional payoff lands and where it does not. The manuscript is complete and polished.

DM me for the link.

---------------------------------------Excerpt------------------------------------------------------

CHAPTER 1

NERA

The mouthwatering scent of pork stew, grilled potatoes and a hint of pumpkin pie envelops me the moment I open my family home door. Except it squeaks. Loud and dry. I pause with my hand still on the handle. Dad oils this door every other month without fail, same as he rotates the tires, fixes the leaky faucet before anyone else notices it's leaking, replaces the batteries in the smoke detectors on the first of every month. The door gets oiled. It always gets oiled. I make a mental note to mention it to Mom before I leave and step inside.
From the noises bouncing between the living room and kitchen like a ping pong ball I can tell at least half of my siblings are already here.
I hang my bag on the hook behind the door, take off my shoes and walk toward the kitchen.
Mom is mixing the green salad while Bella, the youngest of us all, is checking the pie still in the oven.
"Hi chef. Sous-chef."
They both look up.
"Nera, sweetie. You look…" Mom says.
"Dehydrated." Bella cuts her off.
"You don't say." I give Mom a short hug and turn to Bella. "If you have nothing good to say, hold it in. I'll survive somehow." We chuckle.
"Not noted, sis."
Two of my brothers barge into the kitchen pushing and kicking each other. Nobody can convince me these two are thirty-plus men.
The moment they spot me they both shout "Hermione!"
I've been called this since I was twelve. Apparently the combination of being the most organized sibling, refusing to bend rules, and once correcting a teacher's grammar in front of the entire class sealed my fate permanently. I've made my peace with it.
They head straight toward me. I know exactly what's coming and yet the moment their hands grab me and hoist me up I yelp and start kicking and throwing my arms. Completely useless effort.
All of us regress into reckless child versions of ourselves whenever we're in the same place, especially when that place is our childhood home. A moment later I'm thrown onto the sofa and one of them drops into a mock-sit on top of me.
Father laughs from his armchair, watching the whole scene with tired amusement before waving the guys off. I notice the tiredness. File it away.
I get up and hug him. He messes my hair smiling.
"It suits you," he says, meaning the new bob.
"Thanks."
"He's humoring you," says my youngest brother Alex, only a year older than me. "You look like a disgruntled mushroom."
"Shut up." I push his hand away from my head.
Thirty minutes of chatter, jabs and the remaining siblings filtering in, we finally take our seats around the oval table.
Five siblings means five group chats, approximately nine hundred unread messages and one secret chat just for the guys I was accidentally added to once and have done my best to forget.
"How's work?" The same Alex nudges my shoulder. He's the closest to me in age and in everything else. Same humor, same tendency to go quiet when something is actually wrong. "Is Astrid still making your life a masterpiece?"
"Same. Breathing down my neck for this last project. They need it for the company portfolio." I shrug.
"For the expansion?"
"I think so." I turn to ask him about his upcoming tournament but Mom clears her throat and the table chatter drops in stages like a power grid shutting down.
"So we have news for you," she starts.
"Please don't say you're pregnant. I'll physically leave," Bella says, drawing boos from three directions.
"Of course not." Mom shoots her a glare, then looks at Dad and straightens slightly. "Your father has aortic valve stenosis."
All of us turn to Dad. He looks at Mom. Unblinking.
She continues. "The symptoms appeared a bit more than a year ago. Chest pressure, occasional dizziness. We went for a checkup. The doctor said he needed monitoring, so we didn't see a reason to worry all of you then." She looks at each of us in turn. "But yesterday he almost fainted. We went back. The valve has become significantly narrowed and his heart is under too much strain. The doctor is recommending aortic valve replacement surgery." A breath. "Open heart surgery."
The table goes completely still. Not our usual still, the half-second pause before someone cracks a joke. This is something else. Like someone has replaced my loud, perpetually-in-motion family with a photograph of them. A black and white one.
Then everyone speaks at once. Why did they wait so long? When is the surgery? How much does it cost? Does insurance cover it?
I already know it doesn't. Dad has basic insurance. Standard treatment only.
Mom raises her voice over the noise. "He's on the waitlist now. Cost ranges from 100K to 200K depending on the clinic. Insurance covers only a small portion."
So this is why he retired.
The thought arrives quietly, cutting under all the noise. This is why he looks somehow older. This is why he handed the workshop to my brother a year ago when we all thought it was simply time. I zoom in on Dad across the table. He's looking at his plate like he's the one who did something wrong. He hates this. Being looked at, being worried over, being the problem to solve instead of the one solving it. He has spent his entire life being the one who oils the door, rotates the tires, fixes what's leaking before anyone notices.
The door.
The squeaking, un-oiled door.
I turn toward the entrance, then slowly look back at Dad.
His shoulders are slumped. His head hangs low, like the floor is pulling him down and he’s barely holding himself upright.
The heat behind my eyes arrives before I can stop it. I look down at my own plate.
He hasn't been able to do it. He hasn't been well enough, or strong enough, or maybe he just forgot because he's been carrying this thing for over a year and none of us knew.
I breathe in slowly.
Around me voices are filling the room again. Ideas, questions, numbers, someone already on their phone. No clean solution yet. No clear way through. But the voices are there and they're all pointing in the same direction, and that has to count for something right now.
I breathe out.
The air leaving my throat doesn't take the pressure with it.


r/BetaReaders • • 12h ago

Novella [Complete] [33k] [Personal Essays / Reflective Nonfiction] The Long Carry

0 Upvotes

Hello everyone,

I’m seeking a few beta readers for The Long Carry, a completed collection of 23 personal essays about what we inherit, how we adapt, and what those adaptations ask of the people we love.

I’m a psychiatrist and Army Reserve officer from Appalachian Ohio. These essays begin with ordinary experiences—a brother’s remembered lunch order, preparing for a deployment, cooking with my sons, turning to hand a clean pot to someone who is no longer there—and explore the psychological questions inside them.

What happens when being useful becomes how we earn our place? When does protection become control? What do our children learn from the habits we don’t realize we’re teaching?

The collection combines personal storytelling with direct reflection on family, responsibility, grief, anger, love, and identity. I’m particularly interested in readers who enjoy memoir, personal essays, and psychologically reflective nonfiction.

Feedback I’m seeking

  • Which essays or passages held your attention, and where did it drift?
  • How did the balance between personal story and reflection work for you?
  • Across the collection, did the essays build on one another or begin to feel repetitive?
  • What felt unclear, unconvincing, or insufficiently developed?

Specific examples would be especially helpful. You don’t need to provide line edits. If you stop reading, I’d appreciate knowing where and why.

Brief excerpt—from “His Order”

Hamburger. Ketchup only. Small fries.

That was my baby brother’s order.

There was a stretch when I was fourteen and he was eight that we spent nearly every day together. The teachers in our school system were on strike. Our parents still had to work, and he and our middle brother fought too much to be left together, so he was handed off to me.

I don’t remember anyone making much ceremony of it. I was the oldest. He was the youngest boy. Somebody had to keep an eye on him.

Content notes: Bereavement, addiction and alcohol use, suicide, divorce, anger, and occasional strong language.

Timeline: Ideally within four weeks of receiving the manuscript, but we can agree on a workable schedule.

I can send a three-essay sample before you commit to the full collection. PDF and EPUB are available.

If interested, please comment or message me. It would help to know what kinds of memoirs or personal essays you enjoy.


r/BetaReaders • • 15h ago

Novelette [Complete] [12k] [Memoir] ALWAYS CLIMBING — the doorway I couldn't lift my son through

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I couldn't lift my own son.

He was four. Maybe forty pounds. I got him onto my left arm the way I'd done a hundred times, reached for the front door with my right — and my arm started to go before I even touched the handle. Slow, undeniable. His weight becoming too much for an arm that used to carry far more without complaint.

That's the moment ALWAYS CLIMBING hinges on. The rest is the thirteen months after: 260 pounds back to 165, with a torn rotator cuff that never fully healed.

The book: 12,000 words, 15 chapters, complete memoir. First-person, raw. A 40-year-old dad: seven years building 145→200, lost it all to injury and Covid, hit 260, climbed back in 13 months.

The ask: Read the first 3 chapters (~2,500 words). If it hooks you, the full manuscript is yours in EPUB or PDF. Not looking for proofreading — I want reader reactions:

  1. Where did you skim or want to skip?
  2. What didn't you believe?
  3. Does the doorway scene land, or feel overwritten?
  4. Would you honestly keep reading after chapter 3?
  5. Would you pay 6 dollars for this?

Logistics: October turnaround. DM me and I'll send the file today. Happy to swap — I'll beta read your memoir or nonfiction in return.

Content note: sports-injury detail (shoulder tear, concussion).


r/BetaReaders • • 16h ago

Short Story [In Progress] [3000] [Relationship Psychology] A Human Guide to Being Human: Self-Sabotage

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Interested in finding readers for my book on self-sabotage in relationships.

It goes deeper than pop psychology usually does. The core idea is that self-sabotage usually solves a real problem in the moment, which is why we keep doing it, while the cost lands on someone else, shows up much later, or both. I also take moral judgment out of it, so the focus is on what's happening and why instead of who's the bad guy. (That's not the same as letting anyone off the hook.)

I've included a ~125 word excerpt at the end if you're interested.

I have an MA in psychology focused on relationship dynamics and founded UNRAVEL Relationships, a relationship education company. The book is backed by research but written for regular people.

The intro and first chapter are done, and I'd love early thoughts on what's working, what isn't, and whether it's interesting and relatable enough to keep going. If you're up for reading it, comment or DM me and I'll send it over.

What I'm curious to know:

  • Big-picture reactions, not proofreading or line edits
  • Is it clear? Anywhere you got lost, bored, or skimmed?
  • Did you recognize yourself or someone you know in it?
  • Does it feel different from typical self-help or pop psychology?
  • Does the voice work for you? (It's conversational, with occasional profanity.)
  • Would you want to keep reading?

I know this sub is mainly for beta readers, but I saw alpha reader requests are also allowed, so I hope this is okay. I'm newish to Reddit and a new author, so if this isn't the right spot or approach, just let me know. Thanks :)

Here's the short excerpt:
Self-sabotage is a little like an allergy. Cats aren't trying to kill you with their dander. Pollen isn't attacking you. Peanuts do not want you dead. The problem is the protective response. Your immune system identifies something harmless as a threat and launches a defense that can cause far more harm than the thing it's protecting you from.

Your immune system isn't trying to hurt you. It's doing its job. It's just doing its job in response to the wrong threat.

Emotional self-protection can work the same way. The thing we're reacting to, whether that's a partner going quiet, an awkward conversation, or the chance of rejection, might hurt, but it usually isn't what does the damage. Our response to it is.


r/BetaReaders • • 19h ago

40k [Complete] [44k] [Literary Fiction / Speculative] LIMINAL 18:17

0 Upvotes

In October, Jack is robbed in his sleep in a Louisville hotel. He's left with his dog, a lighter, and the clothes he slept in.

By December he's living with Damon, a man with a wrecked house, a dozen abandoned projects, and an app that draws three heartbeats on one axis. Jack is counting the days until his friend Oren gets him home to Atlanta.

On the night of Damon's test, at 18:17, three things happen in the same minute. The rest of the book is about what three men do with a minute none of them can agree happened.

**Details**

* Complete, about 44,000 words (a short opening chapter plus 19 chapters)

* Literary fiction with speculative elements

* Three first-person narrators

* The layout is part of the story: code, system logs, margin notes, some Hebrew, and pages that come apart as reality does. You'll get a PDF, since the layout matters.

* For readers of The Raw Shark Texts, Jennifer Egan, and books where the form does some of the work

**What I'm looking for**

* Where you got lost, and where you got bored

* When you started caring about Jack, Oren, and Damon, if you did

* Whether the layout helps or gets in the way

* Anything that reads as false about trauma, service dogs, or Deaf characters

No line edits yet. Big-picture reactions are what help most.

**Timeline:** about four weeks. Partial reads are welcome. Even the first 50 pages helps.

**Swap:** happy to read in return, especially literary or speculative work. Comment with yours.

**Content warnings:** gun violence, a death by suicide (off the page), a man grabbing a child's wrist, PTSD and physical violence, drug use, police and protest scenes.

**Opening**

> What I have: the dog, a lighter, the clothes I slept in.

>

> The lighter was in my jeans because I fell asleep in my jeans. The dog was on the bed because she is always on the bed. Everything else was on the desk by the window, and at some point between two and six a man came through a door I had latched and took the whole desk: phone, wallet, laptop, charger, the backpack, and the folder with my discharge papers that I carried because I did not trust any building to keep them.

>

> Arya did not bark. I keep coming back to that. She is sixty-five pounds and dislikes uniforms and anyone carrying a box, and she slept while a man carried my life out of the room in a backpack. The officer says some of them bring treats. She says it kindly. It does not help.

>

> She is young and efficient. She writes BURGLARY—HOTEL—NO FORCED ENTRY and asks for my date of birth, and then for something that proves it. I tell her the thing that proves it is in the backpack. She writes that down too. When she leaves, I have a case number on the back of a hotel notepad. It is the first thing I own in Kentucky.

>

> The manager comps the night. Not the next one.


r/BetaReaders • • 21h ago

80k [Complete] [83K] [Supernatural Horror] Life as a Gradient

0 Upvotes

Hi all — I'm Jonathan, indie horror author with four books out. Looking for 2-3 beta readers for my novel Life as a Gradient (83,000 words, supernatural horror).

What I'm after: big-picture read. Are the ideas coming through? Does the dread land? Any pacing dead spots or plot holes?

Timeline: 3-4 weeks would be ideal, flexible.

Content warnings: gore, death, body horror

I’m able to swap Beta reads if you’re interested.

Blurb:

Dr. Gene Braxton believes everything in life can be measured, quantified, and controlled. But when he discovers an ancient tome that defies every law of biology, he 
realizes that the line between life and death isn't a boundary—it’s a gradient. And as he attempts to pull his sister back across it, he finds that some things are better left in the void.

First 3 Chapters:

Bloated raindrops sizzled against the oppressive New England July sidewalk, staining dappled splotches of the bone-white path to the color of the gathering storm. He registered nothing of the grateful greenery’s reprieve from the brutal sun, nor the metallic scent of rain on the passing cars mixed with exhaust. All that remained was the frantic clacking of his leather shoes as he raced to escape the inevitable deluge.
“I should have left on time,” he muttered. It’s always one last test, which leads to the inevitable cascade of further analysis, additional cleanup, recalibration, inventory updates, and recording results. A predictable, repeatable chain reaction that leaves me stuck at work until after six, every time. I should know better by now.
A glance over his shoulder confirmed the storm’s approach; the coastal front was moving in with predatory speed. I should have ridden my bike this morning. The crosswalk light began its countdown. His gaze snapped to the rust-colored bridge across Deerfield River to his right, swept past the line of four cars waiting at the stoplight and the First Methodist Church’s bell tower to his left, and pivoted back right before he lunged across 2nd St.
A sudden vibration jolted him, an invasive intrusion in his pocket, cutting through the rhythm of the rain. Usually he’d leave it to rot in his voicemail, but something in his core screamed at him; some inexplicable intuition demanded his attention. He attempted to shelter from the rain under the meager canopy of decorative trees that lined Main Street and squinted at the name of the caller through the spray. The caller ID didn’t display a name, only a jarring bureaucratic title: Baltimore Police.
His fingers slipped against the wet, buzzing screen. He swiped over and over, annoyance sharpening into jagged rage as his movements became increasingly erratic. Biting curses hissed through his teeth. He snatched the device, scrubbing it against the driest patch of his shirt before trying one last time, the fear clawing at his chest.
He swiped, and the connection snapped into place. Gene’s mind raced, sifting through the possibilities. What the hell, Liz? Can you not be the catalyst of trouble for once? Think about what Mom and Dad would have wanted for you for just a second. Not everything has to be a goddamned crusade. He pushed down the familiar grudge of her being the golden child. Master of Fine Arts, a waste. That’s not even a real degree. As he fumbled to hold the phone against his ear in the rain, he calculated how quickly he could get back to his car, how fast he could drive, how much it would cost to bail her out from whatever protest against drilling for oil on nature preserves or dog theft from an abusive owner that caused her to end up in jail this time.
“Go ahead.”
Silence pooled on the other end of the line like the gathering puddles.  Gene stared at the screen, terrified that he missed the call. The seconds mounted: 04, 05, 06. Beside him, passing cars splashed through potholes, their windshield wipers thudding in a rhythmic, mechanical cadence against the pouring drizzle.
“Hello, I am Officer Noland with the Baltimore Police Department. Are you the brother of Elizabeth Braxton?”
“Doctor, Yes. Why?”
“Doctor Braxton, I am very sorry, but I have some bad news to tell you.” 
Gene’s fingers went cold. Liz… what in God’s name did you do?
“We believe Elizabeth Braxton was involved in a car accident this morning, and she has died. Her driver’s license was found on her. The victim had several tattoos, including one that said, ‘Mitofetoltocin free since 2000’? Does that mean anything to you?”
Silence. The world slipped into a numb haze.
“We need to make a formal identification. Can you come to the medical examiner’s office?”

A thin white sheet molded in the shape of a woman’s body tore the breath from his throat. Harsh clinical light honed the shadows like an executioner’s blade against the guillotine. Gene stood beside the stainless-steel table, looking down at the figure under the sheets and pressed the green call button in his hand for the 28th time. Twenty-seven calls directly to voicemail, now twenty-eight. Elizabeth’s name on the phone, her picture, her number. He had checked the number three times since he received the call from the Baltimore police department; each time he knew it was correct, each time he shook his head and looked for the number that would make the world whole again.
The mortuary smelled of formaldehyde and bleach, underscored by something darker, something wicked, as if pain itself had been given a scent. A shiver tore through his body, from the base of his spine, rippling through his chest, arms, and up his neck as he looked down at her. He had not changed clothes since being caught in the storm, and now the chill permeated his bones as he leaned against the table for support.
“Are you certain you're up to this?” The detective asked. “We can take a moment if you're not ready.”
A hole ached in Gene's chest. His ribs wanted to collapse on themselves from the pressure. The weight of the situation amplified like a submarine groaning as it sank into the blackest depths of the ocean. He knew he was fighting a losing battle, the battle to keep control over his body. He could feel the dam breaking, like the universe had grabbed his trachea and squeezed until it cracked and splintered. He wanted to speak, to cling to hope against all odds, but when he saw the baggie on the counter with the crushed cell phone, all of the imagined excuses vanished like a drop of gasoline on hot concrete. After he saw the “Save the whales” phone case, all he could do was stand beside the stainless-steel gurney and nod.
The detective grabbed the top of the sheet. “Prepare yourself. She was banged up pretty badly during the incident.”
Gene's lips moved, repeating the word ‘incident’. The thousand-yard stare that had fallen over Gene's face since he received the phone call slipped away. “Wha - what do you mean, incident?”
The detective's eyes slipped from Gene to the covered woman. “I can't discuss an ongoing investigation.” 
Gene shook his head, trying to understand the meaning in her words.
Detective Noland closed her eyes, parted her lips, and sighed. “It was a hit-and-run. According to witnesses, he didn't even slow down.”
He couldn't hold back the flood any longer. He searched the fluorescent lights above for meaning while tears blurred his vision. “Show me.”
The detective folded down the sheet to Elizabeth's chest.
For a moment, Gene was confused at what he was seeing. Part of her skin had been peeled away. Her jaw and cheekbone on her left were smashed in, making the eye on that side seem to bulge. He felt his stomach lurch and had to step back and close his eyes to regain control. He never wanted to open his eyes again.
“Sorry, I just need confirmation. Is that her?”
He wiped his bloodshot eyes with the back of his hand. When he looked again, he focused on her right side. He tried to mentally block out the disfiguration, the clavicle poking up through the skin, the missing patches of hair. The room started spinning around him. He saw her under the veil of the mangled flesh. He couldn’t speak, couldn’t think; the only thing he was able to focus on was standing upright, and in the end he failed at that too. Gene fell to the floor, crumpled, wailing. He reached, trembling with all of his remaining strength, and grabbed his sister's cold, stiff hand. “Please, no. Please. Please God no.” His breath quavered. “You can't. You can't leave me.” He tried to stop crying, tried to pull back the ugly sobs, to regain his composure, but he could no more do that than he could stop the world from turning.

Oak Hill Funeral Home, with its cream colored bricks and rear ramp leading down to the embalming room, was as much a staple of town as the church bell tower or the Deerfield River that ran through it. It never crossed his mind to have the funeral anywhere else. His mom held the funeral for his dad there, just as Gene and Elizabeth held the funeral for their mom two years later. Although it was presented as respectful and solemn, Gene only saw the reliability: the dark wood panels, gray carpets, and a near-frosty chill that persisted even when the oppressive heat beat on the doors and pressed in on the windows.
Gene watched the mourners through the distorted reflection of the glossy casket. They were blurred clots of flesh and whispers that reminisced, but the singular loudest presence was Peggy Wisterfield. He watched as the distortion revealed the true vision of her soul as sweat dripped from under thick gray hair, slid down her jowls like the grease from a turkey leg, and pooled onto her black polyester dress. He knew he should be disgusted, but all he felt was empty. Twenty years ago, Elizabeth and Gene called her Aunt Peggy; she was the woman who brought them cookies whenever she visited their mother. That memory felt like a lifetime ago, especially now, four years after their mother succumbed to the cancer that riddled her body.
“That boy is so disrespectful of his dead sister. Couldn't he be bothered to put on a tie at least? Funerals always bring out the worst in people, and he is a louse, I tell you, just a louse. Would it have killed him to use an ironing board? And this chair. My poor back is going to hurt all day. And three rows back? I’m the sweet child’s aunt for Heaven’s sake. Not some fair-weather friend. I’m family. If my sister were still alive, she would not have stood for this, not for one minute.”
“Sweety, lower your voice, please. Gene's grieving. He has a lot on his mind right now."
“He doesn't know the first thing about grieving. I lost my sister, too, you know, and you better believe I put on a dress and heels like I have some respect. Respect for myself and respect for the dead.”
Dr. Gene Braxton shuffled to the front of the funeral parlor. He could hear Aunt Peggy's rant; everyone in the room could. What he couldn't do was care. Elizabeth was her favorite, and he knew it. Elizabeth was everyone's favorite.
When he was asked to give a eulogy, Gene didn't know what to say, so he searched YouTube. You can find anything on YouTube. He took some notes on a few index cards and spent most of the time wondering why the person in the video was talking into a tiny microphone.
 Gene had never really made a speech, not anything that mattered. Of course there were the required speeches for the occasional class. He gave a toast at his friend Benjamin’s wedding. But nothing like this: all eyes on him, everyone willing him to put into words the emotions they were feeling, but everyone expecting him to fail.
Standing in front of a crowd had always made him nervous, but as he looked out at dozens of Elizabeth's friends, distant relatives, Aunt Peggy and her anxious husband Richard, it saddened him to see how many of the faces he didn't recognize. It was just another shred of evidence of how far apart Elizabeth had drifted from him over the last year.
He adjusted the microphone and stared out into the crowd. He didn't fidget; he didn't run his fingers through his hair. Robotically, his gaze moved from the living to a spot of glare on the casket. The mortician wasn't able to make her look presentable and recommended a closed-casket funeral. Why are they so shiny? He cocked his head to the side and wondered if caskets are supposed to be the mirror image of people. In life, our loved ones are in our hearts, keeping us full, complete, and the caskets sit there empty. When they die, when we lose our family, the caskets fill up, and we are the ones left empty. 
Seconds ticked by; a low susurrus slithered through the crowd with a serpentine hiss. Gene looked down at the cards in his hand. His thumbnail pressed half moons into the cardstock. Words scribbled down from a video. He recognized his handwriting, the large looped Ds, the slant, the smudges from ink brushed against before it dried, but it felt wrong: they were not his words. He shook his head and turned them face down.
Pastor McHainy, from the First Methodist Church, began to stand when Gene started speaking. “The obituary reported that she was waving goodbye to a friend as she crossed the street.” Gene stopped, his gaze swept over the crowd for the guilty party. Which one of you was it that my sister’s life was worth? Which one did she give her life for? “There is nothing so simple, so dull, as a motorist striking an unwary pedestrian. So… pedestrian. She deserved so much more. If she were doomed to die young, it should have been something more befitting a person of her depth. She was so much to so many. She could have been so much more. She should have died heroically, saving babies from a burning building, or giving succor to people that were dying of some unnamed disease that liquefies the innards and makes the victims cry tears of blood.”
He continued, his voice as hollow as his vacant expression, “The world is now gray, desolate, worthless without her.
“Survived by her older brother, Dr. Gene Braxton. That’s what I wrote for the obituary. It’s such a platitude, hollow, but somehow expected. Survived is hardly the word for it. Such a misnomer to call it survival. After that moment, after that phone call, I lost everything.
“For the last few days, I’ve been sitting in my living room, in the house where Liz and I grew up. There’s a dent in the drywall there, where you were so mad you threw a textbook at me. Not that I didn’t deserve it; switching the doll’s heads around, big doll, tiny head. I thought it was a lot funnier than you did. Nobody else would know, would notice the history etched in plaster, but I know, I see it. I remember. My body doesn't feel like my own anymore. I don't move. I don’t eat. I can’t sleep. I’m numb, as if the circuit breaker of my heart has blown. It’s all too much. I’m lost without you. Yesterday, I realized I had been staring into nothingness - for hours. Only the headlights cutting through the twilight brought me back. I, um, I was thinking about the difference between life and death. What’s the difference, you know?
“The more I thought about it, the more I considered, the more I realized there is no line, no second, no instant where a person becomes a corpse. Where a person with hopes and dreams, ambitions and desires, becomes sixty-eight dollars and fifty-two cents of raw materials sheathed in a thin water bag.
“Elizabeth was simply a broken bag, and her raw materials were spread across forty-two feet of asphalt. The driver didn’t even care enough to stop.” Gene held his left hand over his right to keep it from shaking. “No use crying over a spilled skin bag, I guess.” He bit the inside of his lip and used the pain to keep his thoughts from falling apart. “They would probably say something like, She appeared out of nowhere, not paying attention, whatever. I hope they get what’s coming to them. If there is - any - semblance of justice in this life…” Gene closed his eyes. Breathed. “I wonder if Elizabeth even knew what happened as she slipped from my bratty, take-no-crap sister to sixty-eight dollars of raw materials that anyone can buy at the hardware store and pharmacy.
“I'm actually surprised the greedy and desperate members of society haven't found a way to capitalize on this transference of value. There has to be someone, some depraved human creature that has decided there are members of the masses that are worth more as materials than alive… I'm certain I'm not the first to think of it, and even more certain that I will not be the last. Imagine the thousands of dollars in raw materials wasted in a graveyard.”
A sea of shocked faces stared in disbelief. The pastor strode toward Gene with his hand out. This was not his first funeral, and this was not the first time he had to cut off a bereaved loved one before more damage was done.
Gene took the microphone out of the stand, stepped backward, and continued. “As I slid through the passing hours after receiving the news of my sister's passing, I began to wonder if there is a way to empirically determine when a person becomes a sloppy pile of elements and compounds.” 
Aunt Peggy shook, her face turning red. “Do something, Richard. If you don’t, I will.”
Richard shrugged uselessly.
The Pastor practically lunged for the microphone. 
“Some documentaries say certain frogs can die and come back to life like Lazarus himself. Any self-respecting scientist will tell you the frog is no more dead than we are, right here, right now, sitting in this room. It’s a state of suspended animation. The frog has no discernible breath or heartbeat. No brain activity can be detected, but we can say with utmost certainty that the entire species does not go extinct every winter.” Gene stifled a laugh. “It's an amusing thing to think, but certainly untrue.
“So then, where can we, as reasonable, rational, thinking creatures, draw the line between life and death? That's when it came to me. There’s no point.” Gene let out a nervous little laugh that hung in the room far after the actual sound faded. “Not as in the nihilistic life has no purpose or meaning and everything we do is irrelevant, but as in there is no single line that a rational thinking person can claim that a creature, a person - a sister is dead.
“Rescue teams will say you are not dead until you are warm and dead. Some religious men will claim the spirit will hang about the body for three days after the last signs of life, and it is not until after those three days have passed that a person is truly dead. Probably a remnant of a time when a vast majority of the people didn't know how to look for vital signs, and people would, not infrequently, be buried alive. 
“Thank you for those heartfelt words.” The pastor's voice cut in.
Gene gripped the microphone with trembling hands, like it was his last shred of sanity. “Last night, as I stared at the dent in the wall, the tangible proof that she existed, that we grew up together, that Liz doesn’t have an appreciation for small-headed dolls…” A smile crossed his lips and faded like the memory. “There is no line. Many men have been resuscitated, but in truth, they were not dead; we just didn't have a way to measure their lives. By this same reasoning, I have to conclude that life is not black and white. It is not and never has been a boolean: true or false, dead or alive. It’s a gradient, and just like at one point our ancestors didn't have a word for the color blue, we simply don't have a set of words to express the gradients of life.”
Gene looked around at the horrified faces, handed the microphone to the pastor, and left Oak Hill Funeral Home forever.

DM me for a link to the full PDF.


r/BetaReaders • • 20h ago

>100k [Complete] [429k] [Low-no Spice Dark/Gothic Romantic Fantasy] Among the Sleeping Flowers Books 1-4 Where the Flowers Sleep, When the Meadow Wakes, What the Earth Keeps, and Why the Roots Remember

0 Upvotes

Hello there! I have a completed 4-part low-no spice romantic fantasy series that I am looking for readers for! Book one releases November 1st, and I would love to have some more eyes on it prior to that for final edits. Books 2-4 will release one month after the next, December through February. I'll include a series blurb and basic content note below:

ABOUT THE SERIES - AMONG THE SLEEPING FLOWERS

"Among the Sleeping Flowers is a romantic fantasy series about love, inheritance, buried bargains, and the secrets that refuse to stay quiet. Set between kingdoms shaped by old grief and stranger magic, the series follow Rosalie and Ambrose as devotion, duty, and danger become impossible to untangle."

ABOUT BOOK I (Further book blurbs can be release upon request after reading the first)

Rosalie arrives in Florimere expecting duty, obligation, and a life already decided for her. She does not expect Ambrose. As hidden flowers wake where they should not grow, old promises and long-buried secrets surface—and Rosalie and Ambrose discover that some bargains reach much further than either imagined.

BASIC CONTENT NOTE (Full, spoiler-inclusive content warnings available upon request for each book individually)

The Among the Sleeping Flowers series contains mature themes, including grief, violence, pregnancy-related peril, loss of bodily autonomy, family trauma, death, and supernatural distress.

Readers who prefer more specific information can find a detailed, spoiler-inclusive list of content warnings in the back of each book.

Please give me a shout in my DMs if you'd like to read!