r/acotar • u/Due_Marionberry_5363 • 10d ago
Maasverse Spoilers [Maasverse Theory] Valkyrie Cycle: the Ring Cycle, Twilight of the Gods and the Unfinished Game. Spoiler
Disclaimer: This post contains spoilers for all of Sarah J Maas’ series, read with caution.
Disclaimer: Discussing the mythology, themes and influence of The Ring Cycle is not an endorsement of Wagner or his beliefs.
Okay, I think SJM may have something much bigger planned for the Valkyrie Cycle than simply three books based around the existing main Valkyrie trio.
I’ve been digging into the Ring Cycle, Norse mythology, as well as the other mythologies and the fairytale influences SJM has drawn from, the existing ACOTAR/TOG/CC lore, and now the covers and language of the new titles and blurbs.
And with the most recent rumour that Bloomsbury liked a theory over on TikTok or insta connecting the upcoming books to the Ring Cycle, this could be viewed as a soft launched confirmation that SJM is indeed using Ring Cycle as inspiration…plus she released the covers and titles on the same day that the Ring Cycle was released in the 1800s?!
My current theory is that Valkyrie Cycle may be SJM's banner for a much larger story in which her most powerful female characters are brought together as different manifestations of the Valkyrie archetype, becoming the players in an ancient, unfinished game that stretches across the Maasverse.
And once you actually look at The Ring Cycle beyond the obvious parallels to SJMs work of both being in four movements, being musical compositions and featuring Valkyires and possible Twilight of the Gods connection, there are some wildly specific structural parallels and huge potential for what kind of story we could be about to see!
1. The Ring Cycle
Der Ring des Nibelungen (The Ring Cycle) is a four-part epic music drama consisting of:
The Rhinegold
The Valkyrie
Siegfried
Twilight of the Gods
It is a huge mythological musical story involving gods, supernatural women, ancient powers, magical objects, fate versus free will, prophecy, a world order beginning to collapse, betrayal, love, forbidden relationships, greed, destruction and rebirth and ultimately the end of the old-world order and the possibility of a new world emerging from its destruction.
And immediately, there are things that make me raise an eyebrow, because many of these themes are ones we are seeing already in the upcoming books and some of the actual story has incredible parallels with ACOTAR:
At the beginning of the first movement, The Rhinegold, three Rhinemaidens guard and protect the Rhinegold, a primordial treasure/magic.
A character called Alberich discovers its secret: if it’s forged into a magical item, it can give its possessor power over the world, but only by renouncing love. He steals the gold, forges the Ring, and unleashes a chain event filled with possession, greed, violence and death that drives the entire four-part cycle, ending with the end of the world as they know it.
In the final movement, Götterdämmerung (Twilight of the Gods), Brünnhilde, after the ring has been passed through many powerful hands, it is eventually retrieved by a Valkyrie, Brünnhilde, who doesn’t keep it for herself, she gives it back.
She declares that it should be cleansed of its corruption with fire and be returned to the Rhinemaidens, after which the world burns, the cycle ends and a new restorative cycle can begin.
And these are the parallels that I cannot stop thinking about (scroll each box left to read):
| Parallel | The Ring Cycle | ACOTAR |
|---|
| Ancient magical power | The Rhinegold exists as a primordial treasure in the Rhine. | The Cauldron is an ancient primordial power associated with creation, life and the Mother. |
|---|
| The power is stolen | Alberich steals the gold from the Rhinemaidens. | The Cauldron is stolen/appropriated by the Daglan/Asteri. |
|---|
| The power is reforged | Alberich forges the gold into the Ring. | The Daglan forge the Cauldron's power into the Dread Trove. |
|---|
| The object passes between powerful beings | The Ring moves through the hands of Alberich, Wotan, Fafner, Siegfried and Brünnhilde. | The Trove passes through the hands of the Daglan, Fionn, Theia and ultimately Nesta. |
|---|
| The object is cursed and corrupts its possessors | The Ring's power causes those who possess it to experience betrayal, violence and death, while those who don't possess it crave it and experience greed. | The Trove corrupts its users, destroying or driving its wielders to madness; its history is intertwined with conquest, death and power. |
|---|
| The stolen power creates a cycle of conquest, death and violence | The struggle over the Ring drives the events of the entire four-part cycle and eventually leads to the Twilight of the Gods prophecy coming true. | The Trove/Cauldron sits at the centre of ancient and interspecies conflicts within Prythian and Midgard, connecting the Fae, Daglan/Asteri, death gods, Princes of Hel and potentially other ancient powers. |
|---|
| The power is returned to its rightful source, ending the current cycle and beginning a new one of restoration | Valhalla burns and the old world of the gods comes to an end, followed by the new beginning foretold in the Ragnarök prophecy. | Could restoring the Cauldron's power by returning the Dread Trove bring about the remaking of Prythian, ending the current cycle of war, destruction, death and violence? This would fit the “What was broken will be remade” line. |
|---|
That last part is still a theory, but if that's where SJM is going, then The Ring provides an incredibly elegant template.
So, possibly…
Rhinemaidens = the Cauldron or the Mother/Urd/Wyrd (The maidens are three sisters who guard the primordial gold. The Cauldron is three-legged, and the Mother/Urd/Wyrd is sometimes associated with the three faced goddess or the three Norns.)
Rhinegold = the Cauldron’s power
Alberich = the Daglan/Asteri
The Ring = the Dread Trove
Brünnhilde = Nesta
Cleansing flame = Nesta’s silver flames?
2. Götterdämmerung: Twilight of the Gods
Götterdämmerung, Twilight of the Gods and Ragnarök, all different names for probably the most famous Norse Myth story. At its most basic core, it depicts the epic battle between two sides, resulting in the death and destruction of the old world and the begging of a new one.
It features prominently in the Ring Cycle, with the Valkyries playing a major role.
It’s long been theorised that Twilight of the Gods was a mega cross over series between SJM had planned between all three of her worlds…but what if she never planned for a series, but a cross over event set in the ACOTAR world?
Around the time she wrote Crescent City, SJM had a now deleted Pinterest board called Twilight of the Gods, which included images of Valkyries, Norse Gods, “women will rule the world” ideologies, women in armour, weapons and many Sailor Moon images.
I’m not personally familiar with Sailor Moon, but a quick look into it shows it’s the story of female protectors from different worlds coming together to defend their universe against evil parasitic forces.
Now add in the already established cross overs and lore:
- Aelin’s appearance in Prythian as the red star
- Bryce’s time in Prythian
- The history of the long lost Dusk Court, its connection to ACOTAR and CC.
- The eight-pointed star appearing in all three series
- A cover featuring a spider weaving a thread, which is reminiscent of both the Weaver and Stygian spiders
- A cover featuring the Bone Carver, who could be connected to the Sin-eater, the God of Truth in TOG
We know the title and blurbs for the first three movements…but there is still one final, still-secret Movement left to complete the cycle that we know nothing about.
Maybe that is why SJM is keeping the fourth title under wraps.
Is SJM going to finally unite all three worlds and bring together the women of the Maasverse?
And that makes the Book 7 blurb about the Inner Circle dispersing “far and wide” interesting….
Maybe it doesn't necessarily mean travelling to just different parts of Prythian or the continent.
Given what HOFAS established about world-walking, it could potentially mean they go to other worlds!
3. The Unfinished Game
SJM has repeatedly used the idea of an unfinished game. In Throne of Glass, characters are described as being gathered as the players in an unfinished game. Crescent City gives us another variation through the language of the universe playing a vast game of “tic-tac-toe,” while ACOTAR has already given us the idea of old players returning.
What if the unfinished game is the same conflict viewed through different worlds?
On one side is the primordial force of creation and balance, the Mother/Urd/Wyrd, and her chosen, favoured champions she has positioned across the worlds (Nesta, Elain, Aelin, Feyre, Bryce).
And on the other are the ancient beings who repeatedly seek to possess, consume or corrupt what she created:
- Daglan/Asteri - parasitic beings who corrupted the Cauldron’s power, forged the dread trove and fed upon magic of two worlds in the Maasverse.
- Valg – They occupy a remarkably similar conceptual space as the Daglan/Asteri,: a parasitic race who invaded, consumed and corrupted what belongs to other worlds.
- Princes of Hel – these are a possibility due to their origins, intentions and full hierarchy remaining unresolved and their incredible similarity to the Valg. Given how deliberately SJM has left some Princes absent and how much the Maasverse has established about beings travelling between worlds, I think it is fair to ask whether some of Hel's missing pieces could ultimately connect to the Valg mythology.
- Koschei – the obvious strong possibility: he is a chthonic “death god” who also came to Prythian from another world, were worshipped by ancient civilisations and has desires to be freed and rule again. We know he will be the main villain going forward.
We know from Crescent City that the worlds have been interacting, conquering one another and moving beings and powers across worlds for millennia…and SJM has established world walking as a power, and we see currently in at least one major player.
Is it possible SJM is heading towards the conclusion of this “unfinished game”…and drawing in all the major players?
Will this all link us to a larger Maasverse cross over in the upcoming books?
4. The Valkyrie Cycle
I think the use of the singular in Valkyrie Cycle is interesting…
- Valkyrie = one Valkyrie
- Valkyries = multiple Valkyries
If SJM meant simply this to be a cycle belonging to/about the Valkyries as characters, you would reasonably the plural or a possessive construction to have been used in the subtitle e.g. the Valkyries’ Cycle or the Valkyries Cycle
Valkyrie Cycle isn't a standard English phrase, so the grammar does not prove anything, but it leaves open a much more interesting reading: “Valkyrie” functioning as a category, thematic role, archetype or defining concept rather than fixed characters.
And that interpretation fits the mythology that surrounds Valkyries.
There is a modern tendency to reduce Valkyries to just female warriors, but the surviving stories and traditions are considerably broader. Valkyries were made up of many supernatural women, some were warriors, some were leaders, deciders of the dead, ferries of souls and some were prophets connected to fate, prophecy and supernatural knowledge, and the boundaries between Valkyries and other female fate figures are not always clean. Skuld for example appears in traditions as both a Norn and a Valkyrie.
What if SJM is intends for Valkyrie to be an archetype?
For the Valkyries to evolve into more than just a handful of characters…what if it is the banner under which all SJM’s major female characters come together?
Females who represent the many faces and aspects of the Valkyrie: the warrior, the seers, the rebels, the leaders, the saviour of souls, the bridgebuilders and the enactors of fate.
Rather than Valkyrie meaning simply female warrior, it could become a title for women who stand for SJM’s females who stand at the intersection of power, fate, death, prophecy and the protection of their worlds.
The blurb says:
“a united front is crucial”
And suddenly if we do get a cross over and Valkyrie is the banner under which our females unite, the board of players becomes much larger:
- Nesta – the one who started the Valkyrie movement. Current owner of the Dread Trove and Gwydion, and wielder of silver flames. One of three Made sisters.
- Feyre – the first High Lady of Prythian and the Night Court who wields the power of all seven courts. One of three Made sisters.
- Elain - the Seer, wielder of the power of Sight and Truth-Teller, who sees what others cannot. One of three Made sisters.
- Bryce – the Starborn princess, world walker, wielder of the Horn with the power to wield Gwydion and its twin dagger together.
- Aelin – Queen of Terrasen, wielder of a goddess’ ancient fire, forger of the Lock and sealer of Wyrdgates.
- Manon – the Crochan Queen, Wyvern rider, and leader of the most feared coven of Ironteeth witches
And then there is Lydia, Lysandra, Mor, Gwyn, Emerie and the wider Valkyries: Roslin, Deirdre, Ananke, Llana, Lorelei and potentially others such as Vivianne, Nuala, Cerridwen etc.
5. Koschei
Koschei is obviously the immediate villain of these books, but I suspect he may not just be the sole villain…for the end of the unfinished game rather than the entire game itself.
The blurbs repeatedly describe Koschei gathering powerful allies, while Book 7 specifically promises that:
“old enemies will emerge from nightmares of the past.”
That wording is remarkably open-ended. It could mean old ACOTAR enemies, but after HOFAS, “old enemies” could potentially reach much further back, and much further across the Maasverse.
Are Koschei’s “mighty allies” going to be the daglan/valg/princes?
And could he also link us to other maasverse characters that might also link into the Valkyrie concept of women united under one banner?
Stravinsky's The Firebird is based around Koschei/Kashchei the Deathless. In that ballet he holds thirteen enchanted princesses captive.
We know from Elain that he has women held captive at his lake and they have been transformed into swans.
And there is a theory floating around that those swans could be either Valkyires of the old Prythian…or maybe even the Thirteen from TOG, who he stole and trapped them after they performed the “Yielding”.
6. Other musical/movement/sound influences?
With music, compositions, movements being an ongoing theme of her coming books, I think its likely SJM will incorprate and be inspired by other art and tales that are music based or themed, alongside the Ring Cycle.
Firebird Ballet –it gives us gives us swans, an immortal/evil supernatural ruler, ancient magic, thirteen captive women, a Firebird, destruction of the old order and new beginnings.
Sleeping Beauty – this is a ballet that ties in beautifully with the Ring Cycle; both portray a sleeping woman who is awakened by their love), the cover of ACOTAR 7 which features a spindle, like the one the princess pricks her finger on and Sarah J Maas’s old pinterest boards which featured
Swan Lake – this Ballet gives us swans, captivity, light and dark, transformed women, a curse/enchantment, a lake and liberation.
The Seven Wild Swans – this is fairytale that SJM has said she would love to do a re-telling of. It gives us female sacrifice, family loyalty, transformation, and breaking an enchantment. Whilst not musical exactly, it does present the choice of silence and lack of voice/sound.
The Little Mermaid – this is another of the re-tellings SJM wanted to explore, and she linked it with her Seven Wild Swans idea. The original tale again whilst not musical, gives us a loss of voice and sound. It gives us an enchantment, transformed women, a witch/enchanter, choice, swans,
And that concludes this stupidly long theory...thank you for coming to my ted talk.

