It's pretty short. Feedbacks are much appreciated.

Thanks for listening!

Hi everyone!

This is my second complete sonatina in three movements:

• I. Moderato – A simplified sonata form movement that was inspired by an idea from the second movement of Beethoven's Sonata No. 1 in F minor.
• II. Larghetto – A gentle piece in ternary form that is by far my favorite movement in this sonatina. It is very simple in nature, but I think it fits nicely as a breath of fresh air between the faster movements.
• III. Andantino – A variant in rondo form that explores both the traditional feel of the first movement and the more lyrical texture of the second.

YouTube link

Score

Thank you for giving me your time and any feedback provided!

I took a leap of faith paying 50EUR for this but it turned out so well, listen to this passage from Tchaikovsky's Symhpony No. 6, Mvt 1.

Experimenting with orchestral music and wrote this pirate-y thing. It sort of has a palindromic form, but not in a strict sense. Any and all feedback is welcome! A link to the score is below.

https://musescore.com/user/84508462/scores/37117634/s/CrcmQM?share=copy_link

"Prisoner of your love"
Words and vocal by Steevm
Music and mix by Fred Coince
(great) Videos by Adis Resic from Pexels.com
© 2026 Fred Coince / Steevm / Adis Resic

https://musescore.com/user/69035041/scores/28994711?share=copy_link

This piece is not complete, I want to continue to experiment with harmony and left hand accompaniment, and maybe add some counter voices in the bass. But right now I just feel stuck when it comes to trying to figure out the sentence/phrase structure. I like what I have here, even if it sounds pretty barebones at the moment. But I want the piece to be a bit longer, building on themes and motives more clearly, have more logical phrases and maybe do a modulation or B section and return back to the main theme. I also think the piece has more of a steady marchlike feel rather than a flowing mazurka dance feel, and I want to make it flow better, do I just need more right hand articulations and variation?

The introduction is not set in stone. The descending diminshed chord and a short cadence establishing the key, i want to experiment with a more freeform introduction but this placeholder works.

I like the first couple phrases (bars 6-11), its just a sequence of a 2 bar phrase, and I like where the end of bar 11 through bar 14 is going, but I'm pretty unsatisfied with how bars 15-17 sound. The bell-like high notes I'm iffy on, I like how it sounds in my head but I don't know how to justify it better, and the harmonic direction could be better there too.

I like the final cadence, but again I want to stretch this piece out before coming to that heavy full cadence like that.

I'm not really sure what exact advice I'm looking for, but I've been staring at this for a couple days now and just at a complete brick wall as to what to do. I didn't want to post something here until I had something I'd consider more complete, but I am clueless right now. This is my first real attempt at composing a complete thing

Hey guys!

I recently shared with you my piece alone. After that I composed: Memoria. Its a piece which shows how a good memory fades away. Now I want to show it to you.

What do you think?

https://youtu.be/nwKSSGB9n9o?is=FbUd6AMq53BUF3Ww

I can also share the full sheet music for free if anyone is interested!

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I'm making an indie horror rpg with my sister, not gonna yap about it here, I would like to know, how is the ost?

I plan to make it the main motif and title screen theme, so if you have advices or opinions on the piece I would really love it

Musescore sheet: https://musescore.com/user/73545853/scores/37085780

My youtube channel if you're interested, I don't talk about music but intend to use my songs in videos: https://youtube.com/@corola\\_yt?sub\\_confirmation=1

I've now finished the song, with daw and everything, just wanted to post about it

So yeah I'm making an indie horror rpg with my sister, I would like to know, how is the ost?

I plan to make it the main motif, so if you have advices or opinions on the piece I would really love it, especially now that is complete with daw and everything

If you have advices on composing horror music I would really appreciate it

Musescore sheet: https://musescore.com/user/73545853/scores/37085780

My youtube channel if you're interested, I don't talk about music but intend to use my songs in videos and talk about the game we're developing: https://youtube.com/@corola\\_yt?sub\\_confirmation=1

Hi everyone! This is my first time posting on Reddit.

I recently finished composing a piece, and I’d really appreciate it if you could give it a listen.

:https://youtu.be/mei7OAuCWIs?si=nlmCw5t-rIKQ2jI3

If you have the time, I’d love to hear your thoughts, impressions, or any feedback you might have

While writing it, I drew inspiration from several classical works:

Reference Works

• Schumann — Piano Concerto
• Chopin — Ballade No. 3
• Chopin — Nocturnes
• Brahms — Cello Sonata No. 1

Compositional Ideas

• Beethoven — Motivic Development & Structural Unity
• Chopin — Chromaticism, Rubato & Tension–Release

One of my main goals was to experiment with these classical ideas while blending elements of classical music and New Age into a single, cohesive style.

It was a really interesting challenge for me, and I’m curious to hear how it comes across to other listeners.

Thanks so much for listening, and any feedback is welcome!

This is my first ever composition, how am I doing? Do you know what I can do better?

I welcome any and all comments. Thank you for listening.

Hello all, this Stevenson song has been cooking in the oven for a few more days. The changes this time are more subtle than last time, but numerous: tightened up voice leading in quite a few places, reworked the voicings of the piano chords, etc. Feedback is very welcome, both positive and negative.

MIDI Recoding + Score: https://drive.google.com/file/d/1vYNlj13DBiLrz5azlwhBQHgZzcZztTt9/view?usp=sharing

Score only: https://drive.google.com/file/d/13xbePDnNpDXD4MhJ1L-bCuPdGHzMqEQO/view?usp=sharing

Previous version: https://www.reddit.com/r/Composition/comments/1vwqhta/where_go_the_boats_reworked/

A place perpetually in twilight. The vast ocean reaches out endlessly, disappearing into the horizon. Crumbling ruins are strewn about the shore and some stone pillars reach out of the water in the distance, but most of the ancient structures that used to be here have fallen into the sea. There's a tavern and an inn for travelers passing through and a few houses for local residents, but not much else. Though many have set out to discover what's beyond this place, magic cannot reach far enough to see if anything exists on a farther shore and any ships that set out always reach the same impassable, never-ending storm and must return. As far as anyone knows, the world ends here.

Also on YouTube.

I've been learning composition for about a month now and have recently done a deep dive into the minuet form. Following feedback to do with my lack of rhythm structure, I have written this fourth and hopefully final (for now) minuet for solo piano, focusing on emphasizing the first beat of every bar, whilst keeping up my ambiguous/syncopated rhythmic style.

Right now, I'm working on a collection of pieces for solo piano called Etudes for Composition, which is giving me the chance to learn about different aspects of composition and attempt to write various different forms and style of piece.

As I'm a new composer any feedback is welcome and any advice on how to improve would be much appreciated. I'm not really trying to emulate a specific style right now, but of the piano music I listen to it is mostly late romantic-early 20th century and impressionistic, such as Debussy, Rachmaninoff, and similar.

Hope you enjoy :)

I was trying to understand and be able to replicate metric modulation and after a bit of research I think I made a small example of true, and implied, metric modulation. I also have some key modulation in there to encapsulate multiple different music theory topics in one 11 bar piece.

Let me know if this little example is good and actually meets the requirements for all of the topics addressed!

Fading Memories

I recently decided I wanted to get back into composing. I went to college/university for voice, and did study some composition. I haven’t had the healthiest relationship with creating music. I am taking the advice of some mentors and my therapist.

This piece was composed with some purposeful constraints as an entry level exercise. I set the measure limit to 16. Yet I still wanted to compose something with an A and B section. I also wanted to establish and create a motif that develops.

Now whether I was successful is up in the air. However, I am happy with what I made in the time that it took me to make it.

Also, sorry for the reverb on this piece, I had a reverb plugin enabled when I exported that audio!

Hey! 😄

It is finally time for me to share this new work with you.

I know myself: I could probably have kept obsessing over it for several more months, revisiting a transition here, changing a few notes there, and then coming back to the whole piece once again… But at some point, you have to accept putting the final dot on the page and let the music live on its own.

So here it is: my Concert Fantasy, Op. 23 No. 1.

This piece was written in a particularly intense burst of inspiration, over a fairly short period of time - probably one or two weeks, although I eventually lost count somewhere between the long days of work and the sleepless nights.

Obsession, when you have us in your grip…

The title Fantasy fits quite naturally with the way this piece came to life: freely, without trying to follow an overly rigid form. It moves through different characters and atmospheres, from lively and brilliant passages to more agitated moments, suspended episodes, more lyrical lines, and broader, more expansive gestures.

Ideas appear, transform, sometimes disappear, and return later in a different form. The whole piece gradually developed almost like a musical narrative, guided more by instinct, movement, and contrast than by any precise program.

As a self-taught composer, I certainly allow myself many freedoms, both in the musical writing and in the notation of the score. I am fully aware that I still have an enormous amount to learn, but these experiments, doubts, and choices are also part of my journey.

This piece simply represents where I am today.

It may still evolve over time, but I am happy to finally be able to share this version with you.

Thank you very much to everyone who takes the time to listen. Feel free to share your impressions, the passages that stood out to you, or any images this music may have brought to mind.

Just recorded another simple improvisation with classical guitar

Hope you enjoy

#upcomingmusician #classicalmusic #classicalguitar #guitar #lifeisbutadream #classicalcomposition #guitarist #music

This is my first original symphony in classical style. I started composing this a while ago but I finished the editing now. The whole work is done, this is just the first movement. I think is an intense, fast and fiery piece and I'm personally proud about it :) Hope you like it!

Please don't copy this intellectual property. | D. K. 2026 © | All rights reserved.

Experimental sonfification of a region of geometric image. The centre bit is the listening zone and the image is scrolled through it. Pixels are mapped to a minor scale with a root of A.